Similar authors to follow
See more recommendations
About James Howard Kunstler
James Howard Kunstler was born in New York City in 1948. He attended New York's High School of Music and art and SUNY Brockport (BA, Theater, 1971). He was a reporter for the Boston Phoenix, the Albany Knickerbocker News, and later an editor with Rolling Stone Magazine. In 1975 he dropped out of corporate journalism to write books, and settled in Saratoga Springs, New York. He now lives in nearby Washington County, N.Y., the setting of his "World Made By Hand" series.
Kunstler's popular blog, Clusterf**k Nation, is published every Monday morning at www.kunstler.com and his podcast, The KunstlerCast, is refreshed once per month.
Kunstler is also a serious professional painter. His work may be seen at www.kunstler.com
Find JHK on Patreon at: https://www.patreon.com/JamesHowardKunstler
Customers Also Bought Items By
Forget the speculation of pundits and media personalities. For anyone asking “Now what?” the answer is out there. You just have to know where to look.
In his 2005 book, The Long Emergency, James Howard Kunstler described the global predicaments that would pitch the USA into political and economic turmoil in the 21st century—the end of affordable oil, climate irregularities, and flagging economic growth, to name a few. Now, he returns with a book that takes an up-close-and-personal approach to how real people are living now—surviving The Long Emergency as it happens.
Through his popular blog, Clusterf*ck Nation, Kunstler has had the opportunity to connect with people from across the country. They’ve shared their stories with him—sometimes over years of correspondence—and in Living in the Long Emergency: Global Crisis, the Failure of the Futurists, and the Early Adapters Who Are Showing Us the Way Forward, he shares them with us, offering an eye-opening and unprecedented look at what’s really going on “out there” in the US—and beyond.
Kunstler also delves deep into his past predictions, comparing and contrastingt hem with the way things have unfolded with unflinching honesty. Further, he turns an eye to what's ahead, laying out the strategies that will help all of us as we navigate this new world.
With personal accounts from a Vermont baker, homesteaders, a building contractor in the Baltimore ghetto, a white nationalist, and many more, Living in the Long Emergency is a unique and timely exploration of how the lives of everyday Americans are being transformed, for better and for worse, and what these stories tell us both about the future and about human perseverance.
A new age has begun on Earth. Oil is no longer a resource. Some parts of America are nuclear wastelands. Civilization has devolved into a constant struggle for food, water, and shelter.
In the tiny hamlet of Union Grove, New York, the US government is little more than a rumor. Wars are being fought over dwindling resources and illness has a constant presence. Bandits roam the countryside, preying on the weak and a sinister cult threatens the town’s fragile stability. It is up to every citizen of Union Grove to decide what they are willing to fight for, kill for, and die for . . .
This is a tale of humanity at its shining best and brutal worst woven together in a “suspenseful, darkly amusing story with touches of the fantastic in the mode of Washington Irving” (Booklist).
“Kunstler’s postapocalyptic world is neither a merciless nightmare nor a starry-eyed return to some pastoral faux utopia; it’s a hard existence dotted with adventure, revenge, mysticism, and those same human emotions that existed before the power went out.” —Publishers Weekly
After the collapse of the old world—the pandemics, the environmental disasters, the end of oil, the ensuing chaos—people are pursuing a simpler and sometimes happier existence. In Union Grove, New York, the townspeople are preparing for Christmas . . . the perfect time for a long-lost member of the community to return.
Robert Earle’s son, Daniel, has come home after two years exploring what is left of the United States. He brings news of three new nations arisen from what was once America—and the dangers and possibilities they may hold. Meanwhile, a horrific murder threatens to turn the community of Union Grove against itself—and what is supposed to be a time of peace and togetherness is overtaken by suspicion and fear.
In this vividly depicted look at a world that may be on our own horizon, “Kunstler skewers everything from kitsch to greed, prejudice, bloodshed, and brainwashing” in a gripping story of hope, hate, and humanity’s last chance at survival (Booklist).
The small town of Union Grove has adapted, struggled, and thrived in the new age of civilization. But early spring is full of hardships: Fresh food is scarce and the winter stores are almost gone.
Despite the time of privation, young explorer Daniel Earle resurrects the town newspaper, and the town trustees ask him to help revive the Hudson River trade route. But even as the townsfolk strive forward, a group of visitors remind them that nothing is easy in the new world. They proclaim themselves as representatives of the Berkshire People’s Republic, spouting high-minded, near-fanatical rhetoric of social justice and absolute equality—all while demanding tribute from the citizens under slyly veiled threats.
Now, the townspeople of Union Grove will have to decide just how far they are willing to go to keep the freedom and peace for which they have fought so hard . . .
With this glimpse into a future that could become reality all too soon, James Howard Kunstler delivers “a slyly folksy, caustically hilarious, unabashedly proselytizing, and affecting finale in a keenly provocative saga.” (Booklist).
When Earth ran dry of oil, the age of the automobile came to an end; electricity flickered out. With deprivation came desperation—and desperation drove humanity backward to a state of existence few could have imagined.
In the tiny hamlet of Union Grove, New York, every day is a struggle. For Mayor Robert Earle, it is a battle to keep the citizens united. As the bonds of civilization are torn apart by war, famine, and violence, there are some who aim to carve out a new society: one in which might makes right—a world of tyranny, subjugation, and death. A world Earle must fight against . . .
In his shocking nonfiction work, The Long Emergency, social commentator James Howard Kunstler explored the reality of what would happen if the engines stopped running. In World Made by Hand, he offers a stark glimpse of that future in a work of speculative fiction that stands as “an impassioned and invigorating tale whose ultimate message is one of hope, not despair” (San Francisco Chronicle).
“Brilliant.” —Alan Cheuse, Chicago Tribune
“It frightens without being ridiculously nightmarish, it cautions without being too judgmental, and it offers glimmers of hope we don’t have to read between the lines to comprehend.” —Baltimore City Paper
In elegant and often hilarious prose, Kunstler depicts our nation's evolution from the Pilgrim settlements to the modern auto suburb in all its ghastliness. The Geography of Nowhere tallies up the huge economic, social, and spiritual costs that America is paying for its car-crazed lifestyle. It is also a wake-up call for citizens to reinvent the places where we live and work, to build communities that are once again worthy of our affection. Kunstler proposes that by reviving civic art and civic life, we will rediscover public virtue and a new vision of the common good. "The future will require us to build better places," Kunstler says, "or the future will belong to other people in other societies."
The Geography of Nowhere has become a touchstone work in the two decades since its initial publication, its incisive commentary giving language to the feeling of millions of Americans that our nation's suburban environments were ceasing to be credible human habitats. Since that time, the work has inspired city planners, architects, legislators, designers and citizens everywhere. In this special 20th Anniversary edition, dozens of authors and experts in various fields share their perspective on James Howard Kunstler's brave and seminal work.
The Long Emergency quickly became a grassroots hit, offering a shocking vision of our post-oil future and capturing the attention of environmentalists and business leaders alike. As discussion about our dependence on fossil fuels and our dysfunctional financial and government institutions continues, the author returns with Too Much Magic—evaluating what has changed and what has not, and what direction we need to take in this post-financial-crisis world.
“Too much magic” is what James Howard Kunstler sees in the bright utopian visions of the future dreamed up by optimistic souls who believe technology will solve all our problems. Their visions remind him of the flying cars and robot maids that were the dominant images of the future in the 1950s. Kunstler’s image of the future is much more sober. With vision, clarity of thought, and a pragmatic worldview, Kunstler argues that the time for magical thinking and hoping for miracles is over—and the time to begin preparing for the long emergency has begun.
“A sharp critic of energy-sucking, big-box landscapes.” —Winnipeg Free Press
A controversial hit that has sparked debate among business leaders, environmentalists, and others, The Long Emergency is an eye-opening look at the unprecedented challenges we face in the years ahead, as oil runs out and the global systems built on it are forced to change radically.
From the author of The Geography of Nowhere, it is a book that “should be read, digested, and acted upon by every conscientious U.S. politician and citizen” (Michael Shuman, author of Going Local: Creating Self-Reliant Communities in a Global Age).
So begins the journey into adulthood of 19-year-old Erica “Pooh” (as in Winnie the) Bollinger from Oyster Bay, Long Island. She’s a sophomore at NYU and nothing is working out there. She’s knocked up. She hates the city. The Vietnam War is making America crazy, not to mention the sit-com looniness of everyday existence on the home-front. Pooh desperately wants out. She hears about a magical place up in Vermont where you can leave all this crap behind, a commune called Sunrise Village founded by the mysterious, charismatic figure known in the hippie underground only as “Songbird.” Maybe she ought to go up there and check the situation out. . . .
This was James Howard Kunstler’s third novel, published in the early 1980s, some time before he became better known as a social critic and author of the non-fiction books acclaimed The Geography of Nowhere, The Long Emergency, and Too Much Magic. Kunstler himself was a Rolling Stone editor and staff-writer in the magazine’s then-home office in San Francisco in 1974-75.