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About John Sandford
John Sandford is the pseudonym for the Pulitzer Prize-winning journalist John Camp. He is the author of the Prey novels, the Kidd novels, the Virgil Flowers novels, and six other books, including three YA novels co-authored with his wife Michele Cook.
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Clara Rinker is twenty-eight, beautiful, charmingly southern—and the best hit woman in the business. She just goes about her business, collects her money, and goes home. Her latest hit sounds simple: a defense attorney wants a rival eliminated. No problem—until a witness survives. Clara usually knows how to deal with loose ends: cut them off, one by one, until they're all gone. This time, there’s one loose end that’s hard to shake.
Lucas Davenport has no idea of the toll this case is about to take on him. Clara knows his weak spots. She knows how to penetrate them, and how to use them. And when a woman like Clara has the advantage, no one is safe.
The daughter of a U.S. Senator is monitoring her social media presence when she finds a picture of herself on a strange blog. And there are other pictures . . . of the children of other influential Washington politicians, walking or standing outside their schools, each identified by name. Surrounding the photos are texts of vicious political rants from a motley variety of radical groups.
It's obviously alarming--is there an unstable extremist tracking the loved ones of powerful politicians with deadly intent? But when the FBI is called in, there isn't much the feds can do. The anonymous photographer can't be pinned down to one location or IP address, and more importantly, at least to the paper-processing bureaucrats, no crime has actually been committed. With nowhere else to turn, influential Senators decide to call in someone who can operate outside the FBI's constraints: Lucas Davenport.
Escape Clause - John Sandford
Virgil Flowers faces double trouble in this exceptional thriller in the #1 New York Times-bestselling series Whenever you hear the sky rumble, that usually means a storm. In Virgil Flowers' case, make that two. The first comes from, of all places, the Minnesota zoo.
At the local state university, two feuding departments have faced off on the battleground of science and medicine. Each carries their views to extremes that may seem absurd, but highly educated people of sound mind and good intentions can reasonably disagree, right?
Then a renowned and confrontational scholar winds up dead, and Virgil Flowers is brought in to investigate . . . and as he probes the recent ideological unrest, he soon comes to realize he's dealing with people who, on this one particular issue, are functionally crazy. Among this group of wildly impassioned, diametrically opposed zealots lurks a killer, and it will be up to Virgil to sort the murderer from the mere maniacs.
Clayton Deese looks like a small-time criminal, muscle for hire when his loan shark boss needs to teach someone a lesson. Now, seven months after a job that went south and landed him in jail, Deese has skipped out on bail, and the U.S. Marshals come looking for him. They don't much care about a low-level guy--it's his boss they want--but Deese might be their best chance to bring down the whole operation.
Then, they step onto a dirt trail behind Deese's rural Louisiana cabin and find a jungle full of graves.
Now Lucas Davenport is on the trail of a serial killer who has been operating for years without notice. His quarry is ruthless, and--as Davenport will come to find--full of surprises . . .
The killer was mad but brilliant.
He left notes with every woman he killed. Rules of murder: Never have a motive. Never follow a discernible pattern. Never carry a weapon after it has been used...So many rules to his sick, violent games of death.
But Lucas Davenport, the cop who’s out to get him, isn’t playing by the rules.
“Terrifying...Sandford has crafted the kind of trimmed-to-the-bone thriller that is hard to put down…scary...intriguing...unpredictable.”—Chicago Tribune
“Rules of Prey is so chilling that you’re almost afraid to turn the pages. So mesmerizing you cannot stop...A crackle of surprises.”—*Carl Hiaasen
“Sleek and nasty...A big scary, suspenseful read, and I loved every minute of it.”—Stephen King
“A cop and a killer you will remember for a long, long time.”—Robert B. Parker
In life she was a high-profile model. In death she is the focus of a media firestorm that’s demanding action from Lucas Davenport. One of his own men is a suspect in her murder. But when a series of bizarre, seemingly unrelated slayings rock the city, Davenport suspects a connection that runs deeper than anyone had imagined—one that leads to an ingenious killer more ruthless than anyone had feared...
FEATURING A NEW INTRODUCTION BY THE AUTHOR
Art history professor James Qatar has a hobby: he takes secret photographs of women to fuel more elaborate fantasies. When he’s alone. Behind locked doors. Then one day, he goes a step further and... well, one thing leads to another. Qatar has no choice. He has to kill her. And you know something? He likes it.
When Deputy Chief Lucas Davenport takes the case, he assumes it’ll be straightforward police work. He couldn’t be more wrong. As the investigation trail takes some unexpected turns, it becomes clear that nothing is straightforward about this killer, his victims, or his motives. And to stop him Lucas has no choice but to walk right into his lair.
WITH A NEW INTRODUCTION BY JOHN SANDFORD
“Virgil Flowers, introduced in bestseller Sandford’s Prey series, gets a chance to shine...The thrice-divorced, affable member of the Minnesota Bureau of Criminal Apprehension (BCA), who reports to Prey series hero Lucas Davenport, operates pretty much on his own..”*
He’s been doing the hard stuff for three years, but he’s never seen anything like this. In the small rural town of Bluestem, an old man is bound in his basement, doused with gasoline and set on fire. Three weeks before, a doctor and his wife were murdered. Three homicides in Bluestem in just as many weeks is unheard of. It’s also no coincidence. And it’s far from over...
A slumlord butchered in Minneapolis...A rising political star executed in Manhattan...A judge slashed to death in Oklahoma City...
Each victim has a history of bad behavior, but the only thing the killings have in common is the murder weapon—a Native American ceremonial knife—and a trail of blood that leads to an embodiment of evil known only as Shadow Love. Recruited to be the lethal hand of a terrorist campaign, Shadow Love has his own bloody agenda, one he will do anything to achieve.
Enlisted to find him are Minneapolis police lieutenant Lucas Davenport and New York City police officer Lily Rothenburg. But despite the countrywide carnage they needn’t look far. Because Shadow Love is right behind them.
Filled with the rich characterization and exceptional drama that are his hallmarks, Mortal Prey proves that John Sandford just keeps getting better.
In a wealthy Minneapolis neighborhood, two elderly women are bludgeoned to death. They are apparent victims of a random robbery, though nothing of value appears to have been stolen. But when Lucas Davenport looks deeper, he fears that the victims weren’t so random, and the items stolen were far from invaluable.
As a pattern emerges it leads Lucas to…certainly not where he expected. Which is too bad, because the killers are expecting him. And that’s only the first surprise…