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About John Skipp
John Skipp is a New York Times bestselling author, editor, film director, zombie godfather, compulsive collaborator, musical pornographer, black-humored optimist and all-around Renaissance mutant. His early novels from the 1980s and 90s pioneered the graphic, subversive, high-energy form known as splatterpunk. His anthology Book of the Dead was the beginning of modern post-Romero zombie literature. His work ranges from hardcore horror to whacked-out Bizarro to scathing social satire, all brought together with his trademark cinematic pace and intimate, unflinching, unmistakable voice. From young agitator to hilarious elder statesman, Skipp remains one of genre fiction's most colorful characters.
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Because they all think that the killer is human.
Only a few know the true story -- a story the papers will never print. It is a tale of abject terror and death written in grit and steel... and blood. The tale of a man who vanished into the bowels of the urban earth one night, taken by a creature of unholy evil, then left as a babe abandoned on the doorstep of Hell. Now he is back, driven by twin demons of rage and retribution.
He is unstoppable. And we are all his prey... unless a ragtag band of misfit souls will dare to descend into a world of manmade darkness, where the real and unreal alike dwell in endless shadow. A place where humanity has been left behind, and the horrifying truth will dawn as a madman's chilling vendetta comes to light...
Filled with gripping drama and harrowing doomsday dread, The Light at the End is the book that ushered in a bold new view of humankind's most ancient and ruthless evil; a mesmerizing novel from two acknowledged masters of spellbinding suspense.
OTHER BOOKS BY JOHN SKIPP & CRAIG SPECTOR:
They've been with us forever - prowling the smoky roadhouse dives that are their watering holes and hunting grounds. Predators, lurking amidst the human herd. Changing shape at will. Lusting for blood and meat they are gods in the wild. Gods in disguise. And they feed on the spark inside each of us.
Rock ‘n’ Roll. Hell. Two great tastes that taste great together. Long before Elvis gyrated on the Sullivan Show or the Beatles toiled the smoky red-light bars of Hamburg, music has been sowing the seeds of liberation. Or damnation. With each new generation the edge of rebellion pushed farther. Rhythms quickened. Volume increased. Lyrics coarsened. The rules continued to be broken, until it seemed that there were no rules at all.
A Question of Will
Paul Kelly is a good man: a firefighter and paramedic facing death and danger daily, risking his own safety for the sake of strangers. Paul has seen tragedy a thousand times, but it has never been his own. Until now… A shocking crime. A loved one, brutally murdered. Paul’s life is suddenly invaded by police, reporters, the harsh glare of spotlights on a family’s private sorrow. The killer shows no sorrow, no remorse – a teen sociopath whose dead eyes stare in sullen silence. Paul does not want blood or vengeance. He wants to know why.
If Jim Thompson wrote A CHRISTMAS CAROL, it might go a little something like this...
It is thirsty.
It lives next door to Charley Brewster.
Charley has seen the coffin and the bodies drained of blood. He knows he will be the vampire’s next victim. But no one will believe him: not the police, not his girlfriend Amy, not even the school weirdo, Evil Ed. Charley’s last chance is to enlist the help of Peter Vincent, Vampire Killer, star of a hundred horror movies and host of TV’s Fright Night.
Nobody thinks he’s telling the truth—until Evil Ed becomes a vampire and Amy is dragged into his next-door neighbor’s evil, foul-smelling house of death!
Featuring Thomas Ligotti, John Skipp, David J (of Bauhaus), Ben Loory, Nick Mamatas, Amelia Gray, Kevin Sampsell, Blake Butler, and many others, In Heaven, Everything is Fine: Fiction Inspired by David Lynch is a tribute to one of the greatest filmmakers of all time.
They've been with us forever - prowling the smoky roadhouse dives that are their watering holes and hunting grounds. Predators, lurking amidst the human herd.
Changing shape at will. Lusting for blood and meat they are gods in the wild. Gods in disguise. And they feed on the spark inside each of us.
Syd was just another lonely working class guy singing the steel-town blues. Then he met Nora. She's sensual, Erotic. Amoral. A creature of the night and she's luring Syd across the line that few can cross--and fewer survive: the line that separates man from beast.
And as waves of teens cranked it up and poured it on, parents built walls of accusation to explain their offspring’s seeming corruption. Sex and drugs, demon worship and violence are the effects. Music is the cause. Or so the self-styled guardians of morality would have us believe.
Meet The Scream. Just your average everyday mega-cult band. Their music is otherworldly. Their words are disturbing. Their message is unholy. Their fans are legion. And they’re not kidding. They’re killing. Themselves. Each other. Everyone. Their gospel screams from the lips of babes. Their backbeat has a body count. And their encore is just the warm-up act to madness beyond belief.
It emerged from a war-torn jungle, where insanity was just another word for survival. It arrived in America with an insatiable lust for power and the means to fulfill it. In the amplified roar of arena applause there beats the heart of absolute darkness.
17 horror Stories. One legendary music venue.
We all know the old cliché: Sex, drugs and rock and roll. Now, add demons, other dimensions, monsters, revenge, human sacrifice, and a dash of the truly inexplicable. This is the story of the (fictional) San Francisco music venue, The Shantyman.
In Welcome to the Show, seventeen of today's hottest writers of horror and dark fiction come together in devilish harmony to trace The Shantyman's history from its disturbing birth through its apocalyptic encore.
Featuring stories by Brian Keene, John Skipp, Mary SanGiovanni, Robert Ford, Max Booth III, Glenn Rolfe, Matt Hayward, Bryan Smith, Matt Serafini, Kelli Owen, Jonathan Janz, Patrick Lacey, Adam Cesare, Alan M Clark, Somer Canon, Rachel Autumn Deering and Jeff Strand.
Compiled by Matt Hayward. Edited by Doug Murano.
Bring your curiosity, but leave your inhibitions at the door. The show is about to begin…
- Alan M Clark – What Sort of Rube
- Jonathan Janz – Night and Day and in Between
- John Skipp – In the Winter of No Love
- Patrick Lacey – Wolf with Diamond Eyes
- Bryan Smith – Pilgrimage
- Rachel Autumn Deering – A Tongue like Fire
- Glenn Rolfe – Master of Beyond
- Matt Hayward – Dark Stage
- Kelli Owen – Open Mic Night
- Matt Serafini – Beat on the Past
- Max Booth III – True Starmen
- Somer Canon – Just to be Seen
- Jeff Strand – Parody
- Robert Ford – Ascending
- Adam Cesare – The Southern Thing
- Brian Keene – Running Free
- Mary SanGiovanni – We Sang in Darkness
Proudly represented by Crystal Lake Publishing—Tales from the Darkest Depths.
Interview with compiler Matt Hayward:
What makes this horror anthology so special?
A: The book is as much an anthology as it is a collaborative novel. Each story explores the history of the Shantyman, a haunted music venue located in San Francisco with a long and bloody past. With the likes of John Skipp, Brian Keene, and Rachel Autumn Deering involved, we not only see the venue change throughout the decades, but also from changing perspectives, everything from psychological horror to extreme horror, and even a splash of comedy.
Q: Tell us more about the venue and the history of the building?
The Shantyman's history is the product of author/illustrator Alan M Clark. Alan usually tackles historical horror, and I wouldn't have chosen anyone else to take on the task. What Alan delivered was a seven-thousand-word horror juggernaut set in San Francisco’s gold rush era, involving a traveling singer who gets shanghaied. I won't ruin any surprises, but there are cannibals. Alan sets the gruesome scene from which every other story stems.
Q: What made you think of this theme for the anthology?
A: About a year ago, I attended a comedy show at a famous music venue here in Dublin. The main room was seated, and the audience rather docile.
From Hollywood film studios to high-security psychiatric facilities, there is an art to being a horrible person. Splatterpunk legend John Skipp turns the mirror back on ourselves, showing us all the ways that make us the worst monsters of all.
A decade in the making, The Art of Horrible People collects John Skipp's most horrific, hilarious, and starkly honest short stories, raising horror fiction to gleefully deranged new heights.
From Hannibal Lecter (The Silence of the Lambs) to Patrick Bateman (American Psycho), stories of serial killers and psychos loom large and menacing in our collective psyche. Tales of their grisly conquests have kept us cowering under the covers, but still turning the pages.
Psychos is the first book to collect in a single volume the scariest and most well-crafted fictional works about these deranged killers. Some of the stories are classics, the best that the genre has to offer, by renowned writers such as Neil Gaiman, Amelia Beamer, Robert Bloch, and Thomas Harris. Other selections are from the latest and most promising crop of new authors.
John Skipp, who is also the editor of Zombies, Demons and Werewolves and Shapeshifters, provides fascinating insight, through two nonfiction essays, into our insatiable obsession with serial killers and how these madmen are portrayed in popular culture. Resources at the end of the book includes lists of the genre's best long-form fiction, movies, websites, and writers.
CONSCIENCE is a short, fierce novel of corruption and redemption by New York Times bestselling author John Skipp. Using the terse, muscular prose of modern crime fiction, it is a Dickensian fable of hope and despair, 21st century style.
Charley Weber is a lousy guy. He kills people for a living, and doesn't mind it a bit. He has come to L.A. to do something terrible: for money, for revenge, and to make an ugly point about life and truth and love.
But a funny thing happens on the way to the massacre. He finds himself confronted by the only one who could possible stop him.
He finds himself confronted by...himself.
Designed to be read in a single sitting -- in roughly the time it takes to watch a feature film -- CONSCIENCE is lightning-fast yet thematically rich. It's a dangerous story, for our dangerous times: violent, funny, thoughtful, tragic, loving, and wise to the ways of the world.
THIS EDITION ALSO FEATURES SIX ADDITIONAL SHORT PIECES, AND THE FEATURE-LENGTH SCREENPLAY "JOHNNY DEATH".
DISCOVER the fiction of John Skipp on your Kindle. Follow the words through the original Skipp & Spector splatterpunk novels, The Light at the End, The Scream, Animals, Deadlines, The Cleanup - all available through Crossroad Press - many in unabridged audio.