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About Joseph O'Neill
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New York Times Book Review Best Book of the Year
In a New York City made phantasmagorical by the events of 9/11, and left alone after his English wife and son return to London, Hans van den Broek stumbles upon the vibrant New York subculture of cricket, where he revisits his lost childhood and, thanks to a friendship with a charismatic and charming Trinidadian named Chuck Ramkissoon, begins to reconnect with his life and his adopted country. As the two men share their vastly different experiences of contemporary immigrant life in America, an unforgettable portrait emerges of an "other" New York populated by immigrants and strivers of every race and nationality.
Joseph O'Neill's grandfathers--one Turkish, one Irish--were both imprisoned for suspected subversion during the Second World War. The Irish grandfather, a handsome rogue from a family of small farmers, was an active member of the IRA. O'Neill's other grandfather, a debonair hotelier from the tiny and threatened Turkish Christian minority, was interned by the British in Palestine on suspicion of being an Axis spy.
With intellect, compassion, and grace, O'Neill sets the stories of these individuals against the history of the last century's most inhuman events.
***A NEW YORK TIMES NOTABLE BOOK***
***LONGLISTED FOR THE MAN BOOKER PRIZE 2014***
***PWs Best of the Year 2014***
The author of the best-selling and award-winning Netherland now gives us his eagerly awaited, stunningly different new novel: a tale of alienation and heartbreak in Dubai.
Distraught by a breakup with his long-term girlfriend, our unnamed hero leaves New York to take an unusual job in a strange desert metropolis. In Dubai at the height of its self-invention as a futuristic Shangri-la, he struggles with his new position as the “family officer” of the capricious and very rich Batros family. And he struggles, even more helplessly, with the “doghouse,” a seemingly inescapable condition of culpability in which he feels himself constantly trapped—even if he’s just going to the bathroom, or reading e-mail, or scuba diving. A comic and philosophically profound exploration of what has become of humankind’s moral progress, The Dog is told with Joseph O’Neill’s hallmark eloquence, empathy, and storytelling mastery. It is a brilliantly original, achingly funny fable for our globalized times.
From bourgeois facial-hair trends to parental sleep deprivation, Joseph O’Neill closely observes the mores of his characters, whose vacillations and second thoughts expose the mysterious pettiness, underlying violence, and, sometimes, surprising beauty of ordinary life in the early twenty-first century. A lonely wedding guest talks to a goose; two poets struggle over whether to participate in a “pardon Edward Snowden” verse petition; a cowardly husband lets his wife face a possible intruder in their home; a potential co-op renter in New York City can’t find anyone to give him a character reference.
On the surface, these men and women may be in only mild trouble, but in these perfectly made, fiercely modern stories O’Neill reminds us of the real, secretly political consequences of our internal monologues. No writer is more incisive about the strange world we live in now; the laugh-out-loud vulnerability of his people is also fodder for tears.