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![The Keep: A Novel of the Adversary Cycle (Adversary Cycle/Repairman Jack Book 1) by [F. Paul Wilson]](https://m.media-amazon.com/images/I/51fnexCB8VL._SY346_.jpg)
The Keep: A Novel of the Adversary Cycle (Adversary Cycle/Repairman Jack Book 1) Kindle Edition
F. Paul Wilson (Author) Find all the books, read about the author, and more. See search results for this author |
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The Keep is the first book in the Adversary Cycle from bestselling author F. Paul Wilson
"Something is murdering my men."
Thus reads the message received from a Nazi commander stationed in a small castle high in the remote Transylvanian Alps. Invisible and silent, the enemy selects one victim per night, leaving the bloodless and mutilated corpses behind to terrify its future victims.
When an elite SS extermination squad is dispatched to solve the problem, the men find something that's both powerful and terrifying. Panicked, the Nazis bring in a local expert on folklore--who just happens to be Jewish--to shed some light on the mysterious happenings. And unbeknownst to anyone, there is another visitor on his way--a man who awoke from a nightmare and immediately set out to meet his destiny.
The battle has begun: On one side, the ultimate evil created by man, and on the other...the unthinkable, unstoppable, unknowing terror that man has inevitably awakened.
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
- LanguageEnglish
- PublisherTor Books
- Publication dateNovember 7, 2017
- File size3520 KB
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Editorial Reviews
Review
"The Tomb is one of the best all-out adventure stories I've read in years." --Stephen King (President of the Repairman Jack fan club)
"Repairman Jack is one of the most original and intriguing characters to arise out of contemporary fiction in ages. . . . hugely entertaining."
--Dean Koontz
"F. Paul Wilson is a great storyteller and a thoughtful one."--David Morrell
"A riveting combination of detective story and horror fiction . . . .This thriller is fast-action fun!" -Publishers Weekly on The Tomb
"F. Paul Wilson is a hot writer, and his hottest, and my favorite creation, is Repairman Jack. No one does this kind of weird meets crime better than Wilson. Gripping, fascinating, one of a kind. That's F. Paul Wilson and Repairman Jack." --Joe R. Lansdale
"Call a plumber when the sink is clogged, the cops when you've been robbed, but when the you-know-what hits the fan, it's time to call Repairman Jack. . . . Wilson's tale shakes, rattles and rolls."--New York Daily News on The Haunted Air
--This text refers to an alternate kindle_edition edition.
About the Author
F. PAUL WILSON, the New York Times bestselling author of eight previous Repairman Jack novels, lives in Wall, New Jersey.
--This text refers to an alternate kindle_edition edition.
Excerpt. © Reprinted by permission. All rights reserved.
Product details
- ASIN : B0763RTZMN
- Publisher : Tor Books (November 7, 2017)
- Publication date : November 7, 2017
- Language : English
- File size : 3520 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Print length : 430 pages
- Lending : Not Enabled
- Best Sellers Rank: #201,705 in Kindle Store (See Top 100 in Kindle Store)
- #1,470 in Occult Horror
- #2,214 in Occult Fiction
- #3,699 in Paranormal Suspense
- Customer Reviews:
About the author

I was born toward the end of the Jurassic Period and raised in New Jersey where I misspent my youth playing with matches, poring over Uncle Scrooge and E.C. comics, reading Lovecraft, Matheson, Bradbury, and Heinlein, listening to Chuck Berry and Alan Freed, and watching Soupy Sales and horror movies. I sold my first story in the Cretaceous Period and have been writing ever since. (Even that dinosaur-killer asteroid couldn't stop me.)
I've written in just about every genre - science fiction, fantasy, horror, young adult, a children's Christmas book (with a monster, of course), medical thrillers, political thrillers, even a religious thriller (long before that DaVinci thing). So far I've got about 55 books and 100 or so short stories under my name in 24 languages.
I guess I'm best known for the Repairman Jack series which ran 23 novels. Jack is out to pasture now, but I may bring him back if the right story comes along.
THE KEEP, THE TOMB, HARBINGERS, BY THE SWORD, and NIGHTWORLD all appeared on the New York Times Bestsellers List. WHEELS WITHIN WHEELS won the first Prometheus Award in 1979; THE TOMB received the Porgie Award from The West Coast Review of Books. My novelette "Aftershock" received the 1999 Bram Stoker Award for short fiction. DYDEETOWN WORLD was on the young adult recommended reading lists of the American Library Association and the New York Public Library, among others (God knows why). I received the prestigious Inkpot Award from San Diego ComiCon and the Pioneer Award from the RT Booklovers Convention. I'm listed in the 50th anniversary edition of Who's Who in America. (That plus $3 will buy you a coffee at Starbuck's.)
My novel THE KEEP was made into a visually striking but otherwise incomprehensible movie (screenplay and direction by Michael Mann) from Paramount in 1983. My original teleplay "Glim-Glim" first aired on Monsters. An adaptation of my short story "Menage a Trois" was part of the pilot for The Hunger series that debuted on Showtime in July 1997.
And then there's the epic saga of the Repairman Jack film. After 20 years in development hell with half a dozen writers and at least a dozen scripts, Beacon Films has decided that "Repairman Jack" might be better suited for TV than theatrical films. (We'll see how that works out.)
I've done a few collaborations too: with Steve Spruill on NIGHTKILL, A NECESSARY END with Sarah Pinborough, THE PROTEUS CURE with Tracy Carbone, and the Nocturnia series with Thomas Moneleone. Back in the 1990s, Matthew J. Costello and I did world design, characters, and story arcs for Sci-Fi Channel's FTL NewsFeed, a daily newscast set 150 years in the future. An FTL NewsFeed was the first program broadcast by the new channel when it launched in September 1992. We took over scripting the Newsfeeds (the equivalent of a 4-1/2 hour movie per year) in 1994 and continued until its cancellation in December 1996.
We did script and design for MATHQUEST WITH ALADDIN (Disney Interactive - 1997) with voices by Robin Williams and Jonathan Winters, and the same for The Interactive DARK HALF for Orion Pictures, based on the Stephen King novel, but this project was orphaned when MGM bought Orion. (It's officially vaporware now.) We did two novels together (MIRAGE and DNA WARS) and even wrote a stageplay, "Syzygy," which opened in St. Augustine, Florida, in March, 2000.
I'm tired of talking about myself, so I'll close by saying that I live and work at the Jersey Shore where I'm usually pounding away on a new novel and haunting eBay for strange clocks and Daddy Warbucks memorabilia. (No, we don't have a cat.)
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Reviewed in the United States on August 3, 2012
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It's set during the early days of WW II, and at first centers on a brutal, amoral, evil, SS officer that has been promoted from an assistant job at Auchwitz to the job of starting a new death camp in Ploiesti, Romania. However, before he can settle in this new location, he must stop for what is supposed to be a kind of quick investigatory chore. The Central Command of the Nazi regime has received a "distress" message from a German Army Commander that is hold up in a "Keep" (very small castle), in the Transylvanian Alps, on the way to Ploiesti. The message is very short and states simply, "Request immediate relocation, something is murdering my men".
At this point, the plot branches into three different segments, the aforementioned distress call, an exercise in relationships between a Jewish father and his daughter, and a stranger who begins a trek to confront the mysterious events at the Keep.
I won't go any farther into the plot other than to say that these three segment join together to again form a central plot. There are several underlying themes going on, but the central theme, or examination, is Good vs Evil, and how identifying each is not always "cut and dried".
As I stated at the beginning of my review, this book is more the "exception to the rule", than the "usual, everyday, horror book. The author does a great job of "fleshing-out" the characters. One really gets the sense of the dynamics of the relationships between the characters, and the different aspects which drive each one.
I won't say anything else besides, I can almost guarantee an intense and enjoyable read. Thanks and Cheers!
Side note: You might recognize the title of this book from a movie released in the early 80s. As is usually
the case, I'd read the book first.
As the story begins, the young Sturmbannführer (Major) Erich Kaempffer, of the SS, has been chosen for an important post in Romania. He'll be in charge of opening a death camp in Ploiești -- a real feather in his cap! But before he can take up his post, the German High Command wants Major Kaempffer to look into (and resolve) a small issue of some concern. Captain Klaus Woermann, of the regular German army, has been posted to a small castle-like structure in the Carpathian Mountains, where he and his men are to guard a strategic pass from the Russians. Woermann's men, however, are being killed, one by one, each night, and he can find no answer to what's causing those deaths. The Captain has, therefore, asked permission to move his men out of the keep. This is unacceptable to High Command, and, therefore, Major Kaempffer has been tasked with investigating the matter and putting an end to the killings.
Kaempffer finds this annoying for two reasons. First, it delays him from taking up his real work, which will advance his position in the party. Second, he has a history with Captain Woermann, whom he dislikes. The two men's distaste for each other adds an extra level of conflict throughout the book.
Back when Woermann arrived at the tiny village in the Dinu Pass, he discovered that the keep was maintained by a caretaker named Alexandru and his two sons. Alexandru warned the Captain that he and his men would not be able to stay in the keep. When asked why, the caretaker told him that bad dreams drive people out. Woermann, of course, found this amusing, dismissed the warnings, and had his men begin setting up electrical lights and generators, weapons emplacements, and barracks in the keep. As for who owns the keep and pays for its maintenance, Woermann could find no answers.
It is at first assumed that some kind of resistance movement must be behind the deaths of the German soldiers in the keep. When Kaempffer arrives, he uses brutal SS tactics to terrorize the villagers into giving up the rebels. But it becomes obvious that something else is in play when Kaempffer is confronted one night by the animated corpses of two of his own men.
Woermann and Kaempffer learn from the local innkeeper Iuliu that a Jewish scholar from the University of Bucharest, Professor Theodor Cuza, is an expert on the history of the region and may be able to help them figure out what's behind the killings. Although Kaempffer is unhappy with relying on a Jew, the dying Professor Cuza and his daughter Magda, who takes of him, are quickly brought to the keep against their will.
Cuza is highly resistant to the idea that he can help the Nazis in any way, but he becomes intrigued despite himself when he is brought a cache of books that had been found hidden in a small chamber in one of the walls. This is one of my favorite parts of the book, though it may pass right by non-fans of H.P. Lovecraft. As an in-joke on the author's part, all of the books and manuscripts that are brought to professor Cuza are directly taken from Lovecraft's work or other writers who participated in the Mythos-related writings. For those who are interested, here's the list:
• The Book of Eibon "du Nord translation" (from Clark Ashton Smith)
• De Vermis Mysteriis by Ludwig Prinn (from Robert Bloch as Mysteries of the Worm)
• Cultes des Goules by the Comte d'Erlette (from Bloch)
• The Pnakotic Manuscripts "in manuscript form" (from H.P. Lovecraft)
• The Seven Cryptical Books of Hasan (from Lovecraft)
• Unaussprechlichen Kulten "by von Juntz" (from Robert E. Howard as Nameless Cults)
• Al Azif (from Lovecraft, original Arabic name for the Necronomicon)
The Ludlum influence becomes obvious at this point in the narrative. When Molasar, the evil presence trapped in the keep, reveals himself to Cuza, he asks questions about the Nazis who have invaded his domain and soon proclaims his desire to drive them from Romania and to kill their leader, Hitler, in Germany. Of course, Cuza becomes eager to ally himself with Molasar and to help him escape the keep. F. Paul Wilson does a masterful job of compounding lies with deceits with trickery and then slowly opening the reader's eyes to what's really going on.
Meanwhile, as these events transpire, in Portugal a red-haired man called Glenn has undertaken an arduous journey over land and sea to the Carpathian Mountains. In the course of his journey, it becomes clear that Glenn has not only an implacable will but superhuman strength. When he arrives at the keep, his mission is clouded in secrecy. He forms an uneasy alliance with Magda (who is a scholar in her own right), and eventually the two of them fall in love with each other. Together they will stand against Molasar (and Magda's father) in a battle with the highest stakes possible.
Wilson isn't afraid to make use of some horror movie tropes that may make you shake your head at their cheesiness, but nobody said this was high literature. If you're in the mood for a good thriller with a side helping of the supernatural, this is a fun read. And, spoiler, don't worry, the Nazis in the keep all come to a hideous end.
-----
After reading the book, I decided to rent the movie on Amazon Prime because I was curious to see how it made the transition from page to screen. As I watched, I kept thinking F. Paul Wilson must have felt like he'd been stabbed in the heart. Michael Mann, who wrote and directed the film, threw out almost everything that was good about the book and turned it into a disjointed, incomprehensible mess. Avoid it at all costs.
The introduction isn’t enticing, and it’s a product of its time. We start with a prologue containing characters that don’t show up again until the 33% mark. Every character, every building gets a physical description, especially when they don’t need one. They’re all 1940’s German — everyone’s going to look the same.
It’s okay. In the middle, it starts delivering the promise of the premise. The author avoids a sludgy middle by introducing new characters and some plot twists, as opposed to keeping the mystery boxes locked and stringing the reader along. It would make a pretty good movie–I love seeing Nazis killed in horrific ways by a monster, especially when most times the Nazis are the monster (Overlord, Dead Snow, Puppet Master, Hellboy).
Top reviews from other countries

The plot is fast paced and creepy from the beginning. Not just because a mysterious force is killing soldiers but because we get to see inside the minds of murderous Nazis; a quite destrubing experience.
I love the way this book is written. The author builds a palpable atmosphere that kept me wanting to read more and thoroughly spooked. The setting is described beautifully, the characters well developed and easy to relate to. The mythos behind the keep and the creature within is intricate and revealed slowly to keep the reader guessing. I poked a few holes in it at the half way point which were satisfyingly filled as the book went on.
The only problem I had was with the female character, the only one in the book. It's the old cliché of a male writer writing a female character poorly, and it begins with her description. When Magda is introduced to the reader we learn that she has long hair and then, over two whole paragraphs, we learn that she has magnificent breasts. That's all the reader gets. Two whole paragraphs about her chest!
As if that weren't bad enough, when the narration switches to her point of view, there is bearly a moment when she isn't thinking about men. I don't really understand it. The reader is told she is an accomplished musician and scholar and her relationship with her father is wonderful. Yet, apparently, she spends half her time thinking about men. It bothered me immensely.
I will definitely look into more books from the author because, other than the female character, I really enjoyed the writing style and the book over all. Thanks to this book, I'll think twice before following any secret passage ways in castles!!!

Of course, Woermann is known to Kaempffer, and their past history is one of conflict. As such, and with a much more lucrative post ahead of him, Kaempffer is keen to investigate, solve this issue quickly, and move on. The message from Woermann states, “Request immediate relocation. Something is murdering my men.” Imagining the problems to be partisans, Kaempffer sets out for the Keep. This turns out to be a perfectly placed tower, with endless crosses embedded into the walls. Two of Woermann’s men, thinking treasure is buried somewhere within the Keep, have accidentally released something of malevolent evil, and terrible power, which is now free to kill and to keep on killing.
Despite all evidence to the contrary, Kaempffer insists the problem is something that he can solve with force. Eventually, he and Woermann track down Professor Theodor Cuza, an academic who has studied the Keep for most of his life, and bring him, and his daughter, Magda, to the Keep to help him solve the mystery of who is killing Woermann’s men. Also, there is another man, who is travelling across Europe, on a mysterious mission involving the Keep. There is much irony in the fact that Cuza is Jewish and his own faith is also tested in this interesting novel. This is a horror novel which has a very interesting setting and characters. A good read, this is the first in the Adversary Cycle and is followed by “The Tomb.”

Well the book had me hooked.
It follows a very similar plot to the movie, but I felt was much more absorbing for a horror book, it felt like a Brian Lumley/Shaun Hutson/Lovecraft style of horror story.
The Plot centers around an entity that is accidentally awakened by a group of German soldiers who take over a keep.
Once released the entity does what such entities do and kills without remorse, and we find that there is a stranger who is "awoken" to fight the evil.
Its very atmospheric and shows what traditional horror should really be, especially in the period of time that the film is set, i.e.. during the second world war.
Though indications are a setting in Transylvania, this isn't about Dracula or vampires, thankfully. Though I suppose you could draw parallels in places between Dracula and Van Helsing, but I didn't really think that reading it.

I can't recommend The Keep to anyone at all to be honest, I think it is that bad.
Needless to say I won't be bothering with any of the other Adversary Cycle books or anything else by F. Paul Wilson.

Update: I have now read two other novels by the same author - they seem to be pretty popular so check out the Repairman Jack books if you feel inclined, but don't expect the same level of satisfaction that The Keep delivers. Not in the same league in my opinion.