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Last Known Victim Mass Market Paperback – March 18, 2008
Erica Spindler (Author) Find all the books, read about the author, and more. See search results for this author |
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Captain Patti O'Shay, a by-the-books cop, is assigned to the case. But with the evidence lost to time and the elements, the heinous incident goes unsolved. The perpetrator, known only as "The Handyman," remains at large.
Two years later Patti is still haunted by her own personal tragedyher husband and fellow police captain was murdered in the post-storm chaos. But when a female victim missing her right hand is unearthed, Patti prepares to return to The Handyman investigation. She is unprepared, however, for what she finds at the crime scenethe victim's bones beside her husband's police badge.
Casting aside all the rules, Patti is fearless in her quest to find the truth because if she isn't, she could become The Handyman's last known victim.
- Print length528 pages
- LanguageEnglish
- PublisherMIRA
- Publication dateMarch 18, 2008
- Dimensions4.3 x 0.88 x 6.56 inches
- ISBN-100778325792
- ISBN-13978-0778325796
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Editorial Reviews
Excerpt. © Reprinted by permission. All rights reserved.
New Orleans, Louisiana
Sunday, August 28, 2005
4:00 p.m.
The gods were watching over New Orleans. Or so it seemed. How else could this historic city built below sea level, this beautiful jewel set in a swamp, have survived?
Survival. Of the species. The fittest. The self. An instinctual response to fight for life. To fight back.
Would she?
Walk to the door. Open it.
There she was. Lying on the bed. Asleep. Bitch! Cheap, faithless whore!
She deserves it. She betrayed you.
Broke your heart. She stirred. Moaned. Her eyelids fluttered.
Quickly! Cross to the bed. Put your hands around her throat and squeeze.
Her eyes snapped open. Pools of blue terror. She bucked and clawed.
Tighter. Tighter. Her fault. Hers. Bitch! Betrayer!
Her creamy skin mottled, then purpled. Her eyes bulged, popping out like those of some freakish cartoon character.
No pity. No second thoughts. She brought this on herself. She deserves it.
Her hands dropped. Her body shuddered, then stilled.
Halfway there. Breathe deeply. Calm yourself. Finish what she forced you to do.
A scream shattered the silence. A loud crack, like a gunshot, shook the house.
Only the wind. Katrina's fury. Move, quickly! Good. Now check your equipment. Make certain you have everything you need.
Industrial-strength trash bags. Rubber gloves and boots. Foul-weather gear. Shiny new bone saw. Pretty, pretty saw.
Zip-closure plastic bag.
No one to hear. No one to come. All gone.
An empty city.
New Orleans, Louisiana
Wednesday, August 31, 2005
3:00 p.m.
A ghost town, Captain Patti O'Shay thought. Or a scene from some post-apocalyptic horror flick. No cars or buses. No people on the sidewalks or lounging on porches. Eerily quiet.
She crept along Tchoupitoulas Street, heading uptown, maneuvering past downed power lines, branches and trees, sometimes having to go off road. Struggling to keep her attention on the task of driving. And to keep exhaustion and despair at bay.
Katrina had hit and all the "Doomsday" predictions had come true: the levees had begun to break and the bowl that was the Big Easy had begun to fill with water.
Ninety percent of the metro areaincluding police headquartershad flooded. Only the high ground had escaped: the French Quarter, parts of the Central Business District, pockets of the Garden District and Uptown. And this street, which ran along the ridge of the Mississippi River.
The city was without power. Without running water. Without access to supplies. Twenty-five percent of the NOPD's vehicles had flooded.
Citizens who hadn't evacuated were now trapped. On rooftops and in attics. On the interstates and bridges. Dying in the brutal heat, without food, water or medical care.
Now the looters, junkies and thugs had taken to the streets.
The NOPD had established Harrah's Casino, located high and dry at the foot of Canal Street, as their staging area. The Royal Sonesta, one of the French Quarter's swankiest hotels, now served as the temporary police headquarters.
She tightened her fingers on the steering wheel. All communications were down. The police department had been reduced to using a handful of walkie-talkies and one ad hoc, mutual-aid radio channel. A channel they were sharing with all other parish agencies and the state police.
Because of a "talk around" feature, communication between parties more than five miles apart was impossible, rendering unit commanders without a chain of command. To make matters worse, the various agencies kept cutting over one another, creating the cacophony she was listening to nowa stream of disjointed alerts, updates, conversations and requests for assistance.
It was something, at least. Fellow survivors, agencies struggling to restore normalcy. Audible proof that the world had not come to an end.
Though she feared hers had.
Her husband, Captain Sammy O'Shay, was missing.
She had neither seen nor heard from him since the Sunday before the storm. All officers had been required to remain on duty during the hurricane. She and Sammy had attended early mass at St. Louis Cathedral, then prepared to go out separately on patrol.
She remembered stepping outside of the church and being struck by an overwhelming sense of loss. Of dread. It gripped her so tightly, she caught her breath.
Sammy looked at her. "What is it, love?"
She shook her head. "Nothing."
But he had known better and curled his fingers around hers. Always her rock, her shelter in a storm.
"It's going to be fine, Patti. Business as usual by Wednesday."
They had hugged and parted. Then all hell had broken loose.
Today was Wednesday, Patti realized, thoughts returning to the present. And nothing was business as usual.
Where was he?
Patti suddenly felt chilled, despite the oppressively hot, humid air streaming through the cruiser's open windows. She shook her head, against the fear, the sense of dread.
Sammy was fine. He'd gone home to check on the house or look for her and been trapped by floodwaters. Or he had gotten trapped trying to help citizens escape. That's the kind of man Sammy was.
He was resourceful. If he had been injured, he knew to take refuge and await help.
So many were missing. So many were dead.
The walkie-talkie crackled and squawked. A number of buildings burned out of control in the metro area. There were reports of hundreds of displaced citizens converging on the convention center, of gunshots fired at the Superdome, of private militia teams arriving by choppers.
Hearsay and rumor. With no way of being substantiated because of the breakdown in communication.
Where was Sammy?
Suddenly the conversations stopped, overridden by an extended squeal. The sound affected her like a blow. Pressing and holding the radio's emergency button was one way to clear the channel for an emergency alert on this primitive form of communication. The protocol signaled users to stay off the channel until the alert was issued.
"Officer down. Repeat, officer down. Audubon Place."
Patti unclipped her walkie-talkie and brought it to her mouth. "Captain Patti O'Shay here. I'm on Tchou-pitoulas, approaching Jackson Avenue. Can I get to Audubon Place from here? Advise."
She was immediately inundated with advice on which streets were passable: one lane on both Jackson and Louisiana Avenues had been cleared. Once she hit St. Charles Avenue, she would have to drive the streetcar tracks on the neutral ground, which had been cleared by Bobcats.
Audubon Place was the most palatial street in New Orleans, perhaps the entire South. A gated community of twenty-eight mansions, it was home to wealthy old-line, New Orleans families, captains of industry and the president of Tulane University.
Located uptown on St. Charles Avenue, across from Audubon Park and bounded by the university campus, it'd been left mostly unscathed by the storm.
A juicyand vulnerablesitting duck for looters.
Patti made her way there, thoughts whirling. The report could turn out to be falsemany had in the past couple of days. If it wasn't, who was the officer? How extensive were his injuriesand how the hell would she get him medical treatment?
Patti reached her destination. She saw another cruiser had made the scene before her. And that reports of private militia had not been exaggerated.
Four heavily armed men in camouflage stood at the neighborhood's graceful, gated archway. Around them, private Hummers and a bulldozer.
She climbed out. The other cruiser's driver's-side door opened. One of her guys. Detective Tony Sciame.
A thirty-year veteran of the force, Tony had now, truly, seen it all.
He started toward her. He looked like he'd aged ten years since she'd seen him last.
She didn't mention the fact, knowing she looked it, too.
"What's the status?" she asked.
"Not certain. I arrived a couple minutes before you. They wouldn't let me in."
"Excuse me?"
"Said they were in control of the area. Private security, hired by the residents to protect their property."
Money might not be able to buy love, but everything else was for sale at a price.
They approached the guards. As they did, Patti saw a third cruiser inside the gate, several houses down. Her heart sank.
"Who's in charge?" she asked the men.
"I am. Major Stephens. Blackwater USA."
"Captain Patti O'Shay, NOPD." She held out her credentials. "We got word of an officer down."
He inspected her ID, then waved them inside. "Follow me."
He led them through the gates and toward the third cruiser. She heard the hum of the generators powering the mansions. It was the way of the world, catastrophe affected the poor so much more profoundly than the rich.
And apparently, proved little more than an inconvenience to the superrich.
The victim lay several yards in front of the vehicle. Facedown in the muck.
"No badge," the man said. "Weapon's gone." As they closed in on the victim, the smell of death strengthened. Despite the heat, Patti's hands were cold as ice.
"It appears the back of his head was bashed in by a heavy object," the major continued. "Then he was shot. Twice. In the back."
They reached the corpse. Patti gazed down at the victim, light-headed, the blood pounding crazily in her head.
"Decomposition's too far along for it to have happened after the storm," Tony said.
She opened her mouth to respond but found she couldn't speak. She recognized this officer. From a lifetime together, sharing their trials, hopes and dreams. From nearly thirty years of marriage.
It couldn't be true. But it was.
Her husband was dead.
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Product details
- Publisher : MIRA; First Time Paperback edition (March 18, 2008)
- Language : English
- Mass Market Paperback : 528 pages
- ISBN-10 : 0778325792
- ISBN-13 : 978-0778325796
- Item Weight : 8.3 ounces
- Dimensions : 4.3 x 0.88 x 6.56 inches
- Best Sellers Rank: #1,600,997 in Books (See Top 100 in Books)
- #18,775 in Psychological Thrillers (Books)
- #24,366 in Police Procedurals (Books)
- #45,208 in Women Sleuths (Books)
- Customer Reviews:
About the author

Erica Spindler is the New York Times and International Chart bestselling author of thirty-six novels and three novellas. Published all across the globe, she has been called the “The Master of Addictive Suspense” and “Queen of the romantic thriller.” She’s a Kiss of Death award winner, has won the Daphne du Maurier award of excellence, and is a four-time Rita Award finalist.
THE LOOK-ALIKE is out now and her next thriller, THE DETECTIVE’S DAUGHTER, publishes March 2022.
Erica lives just outside of New Orleans with her husband and the constant companionship of Molly, the dynamic doodle.
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonTop reviews from the United States
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I like Ms Spindler' s novels about the Malone "brood" very much. The characters are finely developed and it's been fun getting to know them. I come from a big mostly Irish family, too, so I understand the dynamic. I love Captain O'Shay/Aunt Patti so much! She is on a rollercoaster of emotions in this book and her two families, the Malone clan and the NOPD need to be there to help her catch a serial killer in post-Katrina New Orleans. I liked this book very much, except for one thing: it ended too abruptly - it made me feel like I do when I'm watching a terrific episode of a favorite TV show and it gets near the end, I'm sitting on the edge of my seat, and this appears on the screen: To Be Continued. Except for that small issue, I give Last Known Victim four stars. Thank you, Ms Spindler for sharing your talent with us.
Having read the previous books with the Malone family, I was familiar with them -- but it's been awhile, and once the whole family got involved in the storyline, I started getting really confused about who was who. I can't imagine someone who was reading this as their first book about the family was able to keep up with everyone. I also thought the murderer's identity was obvious, although their reasons why were a little convoluted.
The book also could've been about 100 pages shorter and still been good. It seemed a lot of pages were taken up with explanations of policies and procedures which could've been condensed and given us the same information.
While I appreciated the insight into post Katrina New Orleans, I hope the next book is really about a member of the Malone family or at least someone with rooting value.
Top reviews from other countries

Two years later, the body of a young woman is found in a shallow grave along with O'Shay's husband's police badge. At the same time a young stripper/dancer asks for help as she is being stalked by a person calling themselves "The Artist". O'Shay sees similarities between "The Handyman" and "The Artist" together with the opportunity of nailing the person responsible for her own husband's death.
There is a fast pace to the novel, in easily digestible chapters. Spindler uses a great deal of dialogue throughout which flows well and is believable adding roundness and insight into her characters. I also like her style of using italics as a way of conveying characters' inner thoughts and real thoughts to those stated out loud - it gives character credibility.
The only down side to this novel, for me, was that the ending lacked credibility and was a bit weak compared to the rest of the book.



