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  • The Lathe of Heaven
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The Lathe of Heaven

The Lathe of Heaven

byUrsula K. Le Guin
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Top positive review

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Josh Mauthe
5.0 out of 5 starsOvertly a tribute to Philip K. Dick, but no less rich, imaginative, and thoughtful for that
Reviewed in the United States on February 23, 2018
Even before her recent passing, I've known that my lack of experience with the works of Ursula K. Le Guin was a shortcoming I needed to rectify. The only book of hers I've read was The Dispossessed, a book I admired a lot while ultimately finding a bit dry and didactic. (It's also a book I plan on revisiting soon, ideally after reading some more Le Guin and now that I know what to expect, to see if I feel differently about it.) And, as authors paid tribute to the legendary author in the wake of her passing, one novel that I saw mentioned again and again was The Lathe of Heaven, which I knew nothing about.

And, man, am I glad I checked it out. Often viewed as Le Guin's tribute to the works of Philip K. Dick, The Lathe of Heaven undeniably feels a lot like a Dick novel, with a surreal hook used to explore philosophical questions about reality and who we really are. But as you'd expect from Le Guin, there's no shortage of more social questions raised here, from the nature of peace to the dangers of global warming, all done within a great narrative that twists and turns underneath you.

The hook is simple enough: there's a man named George Orr (yes, the half allusion is probably intentional) who is scared to dream, because his dreams become real. But what makes this hard to prove is that his dreams don't just create reality; they rewrite it, making whatever he dreams not only true, but making it always have been true, so that no one remembers the change but him. That's true until George goes to court-mandated therapy, where his therapist seems to be aware of the change - and his ability to possibly control George's ability.

Like she did in The Dispossessed, Le Guin explores any number of ideas about utopias, the role of the individual in society, the question of the greater good, and her concerns about utilitarianism. At what point should the individual give way for society? Where is the cutoff between acceptable sacrifice for the greater good and too much? And what is the responsibility of one person to give it all for the world? But whereas The Dispossessed engaged with these ideas in the forms of detailed discussions, The Lathe of Heaven lets them remain more subtextual, unfolding as a battle of wills between George, his therapist, and a lawyer George brings in to help him. More than that, The Lathe of Heaven unfolds as a bizarre thriller of sorts, with reality constantly bending and shifting underneath us, and Le Guin able to explore the ramifications of so many changes, and what it would take to fix some of the problems in our world.

It all adds up to a great book, one that I really enjoyed. And if it's a bit derivative of PKD, well, that's okay, because Le Guin makes it her own, following the political and social ramifications of her conceit, not just the philosophical ones. It's a book I really enjoyed and absolutely couldn't put down, and has me eager to dive into more of an author I don't feel like I ever properly appreciated in her lifetime.
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75 people found this helpful

Top critical review

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Monica Englander
2.0 out of 5 starsI know it is a great sin to criticize this book, however...
Reviewed in the United States on January 18, 2022
... you had to be there.
That is my total summation of what this book meant, and I'm telling you: the very delicate and deep ethos and meaning of this book does not (well, did not, for me) translate out of its time.
I remember this period of time, and the deep new concerns we had back then for themes elliptically dealt with in this book. You either got it the meaning of it all, or you were part of the establishment, which the young people were trying to not duplicate.
We were trying to save ourselves, save the planet, save the world.
And the "dark forces" (mostly greed, but whatever else goes with that -- lust for power, for sure) were at work, as they always have been.
So this work is delicate. She was an amazing author taking on very deep and important topics. I just could not get into it.
When I was 14, I would have been transfixed by every page.
I see this a lot, actually ---- books that were so very cutting edge and truly important in their time, and now, they just don't translate. It's not that the problems and themes aren't still needing solutions -- it's that we, as humans, have changed, and our language and manner perspective have changed.
I can't explain it any better, I regret.
Anyway, I hope you like it. I did not.
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From the United States

Josh Mauthe
5.0 out of 5 stars Overtly a tribute to Philip K. Dick, but no less rich, imaginative, and thoughtful for that
Reviewed in the United States on February 23, 2018
Verified Purchase
Even before her recent passing, I've known that my lack of experience with the works of Ursula K. Le Guin was a shortcoming I needed to rectify. The only book of hers I've read was The Dispossessed, a book I admired a lot while ultimately finding a bit dry and didactic. (It's also a book I plan on revisiting soon, ideally after reading some more Le Guin and now that I know what to expect, to see if I feel differently about it.) And, as authors paid tribute to the legendary author in the wake of her passing, one novel that I saw mentioned again and again was The Lathe of Heaven, which I knew nothing about.

And, man, am I glad I checked it out. Often viewed as Le Guin's tribute to the works of Philip K. Dick, The Lathe of Heaven undeniably feels a lot like a Dick novel, with a surreal hook used to explore philosophical questions about reality and who we really are. But as you'd expect from Le Guin, there's no shortage of more social questions raised here, from the nature of peace to the dangers of global warming, all done within a great narrative that twists and turns underneath you.

The hook is simple enough: there's a man named George Orr (yes, the half allusion is probably intentional) who is scared to dream, because his dreams become real. But what makes this hard to prove is that his dreams don't just create reality; they rewrite it, making whatever he dreams not only true, but making it always have been true, so that no one remembers the change but him. That's true until George goes to court-mandated therapy, where his therapist seems to be aware of the change - and his ability to possibly control George's ability.

Like she did in The Dispossessed, Le Guin explores any number of ideas about utopias, the role of the individual in society, the question of the greater good, and her concerns about utilitarianism. At what point should the individual give way for society? Where is the cutoff between acceptable sacrifice for the greater good and too much? And what is the responsibility of one person to give it all for the world? But whereas The Dispossessed engaged with these ideas in the forms of detailed discussions, The Lathe of Heaven lets them remain more subtextual, unfolding as a battle of wills between George, his therapist, and a lawyer George brings in to help him. More than that, The Lathe of Heaven unfolds as a bizarre thriller of sorts, with reality constantly bending and shifting underneath us, and Le Guin able to explore the ramifications of so many changes, and what it would take to fix some of the problems in our world.

It all adds up to a great book, one that I really enjoyed. And if it's a bit derivative of PKD, well, that's okay, because Le Guin makes it her own, following the political and social ramifications of her conceit, not just the philosophical ones. It's a book I really enjoyed and absolutely couldn't put down, and has me eager to dive into more of an author I don't feel like I ever properly appreciated in her lifetime.
75 people found this helpful
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Bernie GourleyTop Contributor: Fantasy Books
5.0 out of 5 stars What if your dreams changed the present, and, retroactively, the past?
Reviewed in the United States on January 16, 2018
Verified Purchase
This book’s lead character, George Orr, runs afoul of the law for borrowing the prescription cards of friends and acquaintances. But Orr isn’t a run-of-the-mill junky out to get prescription painkillers. Instead, he’s taking medications to keep from dreaming, because Orr’s dreams change reality—sometimes in subtle, and sometimes in drastic, ways. Of course, the world would be chaotic if the dreams only changed the present, but they also retroactively change the past to be consistent with the new present. Orr is the only one who remembers both the new and old timelines, but he’s not happy with these god-like powers--especially given the chaotic and unpredictable possibilities that arise from the subconscious mind. Not unexpectedly, Orr is reluctant to tell anyone this because they will think he’s mad.

Orr gets assigned to voluntary therapy with a psychologist who specializes in sleep disorders. Orr tells Dr. William Haber about his unique condition, but, once the doctor recognizes Orr is telling the truth, Haber draws the opposite conclusion from Orr. Haber thinks that Orr should be using his “power” to make the world a better place, rather than being scared of it and trying to avoid it. Haber presents the classic example of good intentions gone awry. While the doctor does use the hypnotically-induced sessions to improve his own career situation, the worst outcomes result from the doctor’s attempts to help Orr (without Orr’s approval or prior knowledge) to improve the world. The law of unintended consequences is ever-present, and the dreams guided by Haber often result in “out of the frying pan and into the fire” situations.

This is an interesting premise in a highly readable book. The contrast between Orr and Haber reflects a broader societal tension between those who think they can engineer a utopian future and those who think that one’s attempts will always blow up in ways that one can’t anticipate. It should be noted that the title comes from “The Book of Chuang Tzu” and the virtue of “wu-wei” or “actionless action” in contrast to the corresponding vice of trying to manhandle the world into a desired state is central to the story.

I enjoyed this book. It’s a short novel with a clear theme that is thought-provoking. I’d recommend the book for fiction readers, and highly recommend it for readers of sci-fi and speculative fiction.
46 people found this helpful
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Monica Englander
2.0 out of 5 stars I know it is a great sin to criticize this book, however...
Reviewed in the United States on January 18, 2022
Verified Purchase
... you had to be there.
That is my total summation of what this book meant, and I'm telling you: the very delicate and deep ethos and meaning of this book does not (well, did not, for me) translate out of its time.
I remember this period of time, and the deep new concerns we had back then for themes elliptically dealt with in this book. You either got it the meaning of it all, or you were part of the establishment, which the young people were trying to not duplicate.
We were trying to save ourselves, save the planet, save the world.
And the "dark forces" (mostly greed, but whatever else goes with that -- lust for power, for sure) were at work, as they always have been.
So this work is delicate. She was an amazing author taking on very deep and important topics. I just could not get into it.
When I was 14, I would have been transfixed by every page.
I see this a lot, actually ---- books that were so very cutting edge and truly important in their time, and now, they just don't translate. It's not that the problems and themes aren't still needing solutions -- it's that we, as humans, have changed, and our language and manner perspective have changed.
I can't explain it any better, I regret.
Anyway, I hope you like it. I did not.
5 people found this helpful
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Maverick
3.0 out of 5 stars What a dreamy novel.
Reviewed in the United States on March 9, 2019
Verified Purchase
This novel delivers on the dream theme, both the literal dreaming and the metaphorical dreaming. It explores science of dreams (sort of, this novel is 40 years out of date) while playing with reality. This has an interesting premise and im not sure why a movie hasnt been made from this as this idea goes right up there with Jurassic park in terms of concept power.

But lets get down to whats important. This novel is really about exploitation. The antagonist is using the powers of the protag for his own purposes. It feels like a commentary on how human services can rapidly shift towards exploitation when left to people with ill intentions. But who knows? That could be a dream.

Its a relatively fast read adding to its dream like feel.

Adding more to its dreamfulness is its rapid fading from my memory. While its a good novel, i didnt feel particularly invested in the characters.
11 people found this helpful
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Sonelian
3.0 out of 5 stars Some interesting thoughts, but falls a bit flat
Reviewed in the United States on September 9, 2019
Verified Purchase
I liked it better than "The Left Hand of Darkness," but that's not really saying much. The premise is intriguing and there really is much to chew on with this book, which is one of the things I really did appreciate about it.

I liked the questions she explored about perception and reality...how we interpret our reality as "the way it's always been" but what if we are seeing things wrong and it is or has been different for others? Her implication (whether she actually believes it or not) is that perhaps there is no absolute reality, which I reject. However, I do find it to be a compelling illustration of how oblivious we are to the lives people around us have lived. Even though I believe we do all live in the same absolute reality, sometimes we are so limited in what we see/understand/experience that we might as well have created a world for ourselves that no one else remembers.

Le Guin also seems to make an interesting point that the more we as a society try to cling to certain solutions at the "be-all, end-all" to humanity's problems (i.e. equality, racism, poverty), we actually miss the issue entirely and create more problems for ourselves, which I thought was interesting. (For instance, in an attempt to create true equality in mankind, race/culture was entirely obliterated and all of humanity became gray and this was portrayed as a deep loss) It was a bit unexpected from her as she tends to be liberal in her themes.

The thing I liked most about this book was that the "simple fellow" George Orr, was perhaps the man who understood most about the world. He could hold contrasting ideas in his mind. He had an ability to change the world and could hold that power without going insane, but perhaps his greatest accomplishment was just moving forward with a normal life at the end. I think sometimes it is the quiet, unassuming people who fight the real battles of darkness in their hearts and minds and we never know it.

I also thought there was a rather interesting message about the arts woven in. That the artist sees the world in a unique way and has the power to create true change...but that art should never be wielded as a weapon.

Like I said, an interesting read. Lots of stuff I didn't agree with or wasn't particularly impressed with. I think that may partly be because Le Guin is hugely influenced by eastern philosophy, while I much prefer to explore Greco-Roman philosophy.
4 people found this helpful
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Tim Jovick
5.0 out of 5 stars "Social Science Fiction" entailing dream modifications, addressing racism, war, medical ethics
Reviewed in the United States on December 19, 2016
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I got this book from BookBub at an obscenely low price; have been wanting to read it for some time, as I do like her “social science fiction” works The title of this book is taken from the writings of the 4th-century, BC Chinese philosopher Chang Tzu: “To let understanding stop at what cannot be understood is a high attainment. Those who cannot do it will be destroyed on the lathe of heaven.” Apparently, that translation has been called into question, as lathes had not been in existence during that time in China. Nonetheless, Ms. LeGuin has acknowledged the controversy, but the title stands.

The plot is set in the fairly near future (well, 2002, which is certainly the future from 1971, when the book was published), in Portland (where Ms. LeGuin lives, incidentally). The protagonist, George Orr, a draftsman for a government company, is arrested for illegal use of drugs, which he uses to prevent himself from having dreams which appear to come true and actually change the future. George retains the memory of “what was,” so is frightened of this power and doesn’t want to use it anymore, hence the drug use. At the time, there are a number of social ills, including war in the Mideast and extreme poverty of the masses.

George is sent for treatment to Dr. William Haber, a psychiatrist who actually believes that George has such dreams which can change the future. Dr. Haber sees in George the potential for good, if he can guide George’s dreams in a prosocial direction. And indeed he does, but in unintended, sometimes catastrophic, ways. This is sort of a combination of “Be careful what you wish for, you just might get it” and “The Butterfly Effect.” I won’t give away just what events transpire, just know that they’re pretty world-shattering. Dr. Haber, as a result, despite an essentially humanitarian motivation, becomes very rich and powerful as a result. George comes not to trust Dr. Haber and enlists the aid of Heather LeLache, an attorney, to help get him out of treatment; this relationship becomes a love story. The remainder of the book involves the resolution of the conflict between George and Haber, which also includes friendly interactions with aliens (? You’ll just have to read it to find out), and George’s freedom.

The story, of course, has much more depth and complexity than this summary can provide. It’s a very good cautionary tale, which addresses such issues as racism, war/international relations, medical ethics and alternate realities. I’d certainly recommend it.

“The Lathe of Heaven” has been made into two TV miniseries, one in 1980 by PBS, and the other in 2002; by most accounts the first is the better of the two, and I found it on YouTube. Ms LeGuin was reportedly intensely involved in the production, which I believe fairly accurately reflects the book. The production stars Bruce Davidson as Orr, Kevin Conway as Dr. Haber and Margaret Avery as Heather. While some of the “special effects” are of necessity off-camera because of budgetary considerations, the portrayal of the intense social issues is well done and I liked the acting, especially by Mr. Conway. Read the book first.
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Adrienne Perry
5.0 out of 5 stars Wonderful!
Reviewed in the United States on April 11, 2019
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George Orr believes he has killed an irritating relative with a dream he had, and now is killing himself as well by taking drugs to force himself to stay awake or at least to keep from dreaming; thereby losing his mind. His plight is discovered by the powers-that-be in his world & he is ordered to submit to treatment by a sleep therapist. The doctor quickly discovers that George actually can change reality with his dreams, & by using post hypnotic suggestion begins to mold the horribly polluted, over populated & disease filled world they have inhabited into a place where those who remain can live healthy & pleasant lives, at the same time placing himself in a position of enormous power. There are some awful & unintended consequences however, such as when, in the effort to end all racial conflict, suddenly everyone becomes the same color…grey. George must struggle to keep his equilibrium in this ever shifting world & becomes determined to escape further manipulations by the doctor, who has grown completely power mad.

This author’s writing is gorgeous! “Current-borne, wave-flung, tugged hugely by the whole might of ocean, the jellyfish drifts in the tidal abyss. The light shines through it, and the dark enters it. Borne, flung, tugged from anywhere to anywhere, for in the deep sea there is no compass but nearer and farther, higher and lower, the jellyfish hangs and sways; pulses move slight and quick within it, as the vast diurnal pulses beat in the moon-driven sea. Hanging, swaying, pulsing, the most vulnerable and insubstantial creature, it has for its defense the violence and power of the whole ocean, to which it has entrusted its being, its going, and its will.”

I hope to read everything she has written.
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Dave Bradley
5.0 out of 5 stars big battles etc They are actually good at small scale retail
Reviewed in the United States on July 18, 2018
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Ursula LeGuin translated the Tao Te Ching late in life and this story has to be seen as a man seeking to follow the Tao. The quotes from Chuang-tze and Lao-tze set the underlying premise for the story. At one point one of the characters watches the hero, George Orr, and wonders: Is it possible for a man to live with no hatred? To not be cross-grained with the universe? To recognize evil and oppose it without being touched by it...to follow the way that cannot be followed without knowing he is following it?
And yet she manages to make her hero compelling because of his struggles. And the Aliens---comic, understated, and wise. No space opera, big battles etc They are actually good at small scale retail! Chuang-tze would roar with laughter.
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J. Fuhrman
3.0 out of 5 stars Interesting concept but weak characters
Reviewed in the United States on June 4, 2018
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This is a good example of how a concept cannot fully carry a novel. For such a large idea, the overall story is small, which I liked. The effects the protagonist has on the world is epic, but Le Guin chooses wisely to keep the story among only a few characters. It's something missing in most modern sci-fi. Everyone seems to think they need to create a complex blockbuster, when simple stories can many times be much more powerful.

Anyway, the unfortunate thing with the story is that the characters aren't terribly interesting, the stakes never "feel" high despite consequences, and there are but a few moments that really sucked me in. I feel like with stronger character development this novel would have really shined. More mystery and atmosphere could have really helped as well. I won't get into spoilers, but toward the middle/end we're introduced to a new set of people that were handled in a way that seemed cheesy.

I feel that Le Guin was trying to use this novel as a philosophical vessel, to help show the chinks in human morality by using what-ifs. It's plan to see, just doesn't have enough grit to stick.
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Robert G. Leroe
4.0 out of 5 stars Part Sci-Fi, part Fantasy
Reviewed in the United States on November 29, 2020
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After reading The Lathe of Heaven I watched an interview with LeGuin, who was asked: "How did the protagonist have the ability to alter reality through his dreams?" She had no idea...so the reader has to suspend rational thought and accept the premise. The "science" of her Sci-Fi comes with her detailed explanation of how this ability is manipulated by the therapist and his contraption. It is flawed but makes for a good story, nonetheless. By the way, a teenage boy wanting his sexy aunt to stop hitting on him so he dreams her away wasn't very realistic, as most teenage boys would be dreaming that the aunt in question would hit on them. Sorry for the naughty comment, but I bet I'm not the first to think that. LeGuin has plenty of social and political commentary cleverly tucked into the narrative. This is Sci-Fi that makes you think, which is what it ought to do. This genre has been called "Speculative Fiction," and I think it particularly applies here.
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