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About Lisa Morton
Lisa Morton is a screenwriter, author of non-fiction books, award-winning prose writer, and Halloween expert whose work was described by the American Library Association's READERS' ADVISORY GUIDE TO HORROR as "consistently dark, unsettling, and frightening". She began her career in Hollywood, co-writing the cult favorite MEET THE HOLLOWHEADS (on which she also served as Associate Producer), but soon made a successful transition into writing short works of horror. After appearing in dozens of anthologies and magazines, including THE MAMMOTH BOOK OF DRACULA, DARK DELICACIES, THE MUSEUM OF HORRORS, and CEMETERY DANCE Magazine, in 2010 her first novel, THE CASTLE OF LOS ANGELES, was published to critical acclaim, appearing on numerous "Best of the Year" lists. Her book THE HALLOWEEN ENCYCLOPEDIA (now in an expanded second edition) was described by REFERENCE & RESEARCH BOOK NEWS as "the most complete reference to the holiday available," and Lisa has been interviewed on The History Channel and in THE WALL STREET JOURNAL as a Halloween authority. She is a six-time winner of the Bram Stoker Award®, a recipient of the Black Quill Award, and winner of the 2012 Grand Prize from the Halloween Book Festival. A lifelong Californian, she lives in North Hills, California, and can be found online at www.lisamorton.com.
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Titles By Lisa Morton
A collection of the year’s best mystery short fiction selected by New York Times best-selling and Edgar Award–winning author C. J. Box.
C. J. Box , #1 New York Times best-selling author of the hugely popular Joe Pickett series, selects the best short mystery and crime fiction of the year in this annual “treat for crime-fiction fans” (Library Journal).
Tomorrow is coming whether you’re ready or not.
In Darkness, Delight: Fear the Future delivers twenty-two strikingly original tales of terror from Bram Stoker Award®-winners, bestselling authors, genre stalwarts and rising stars.
Includes Emmy-winning, New York Times bestselling author and world-famous magician Penn Jillette’s delightfully wicked short story “The Pain Addict,” which was adapted for a hit sci-fi anthology television series and is available here exclusively for the first time in book format.
Be warned: these are not science fiction stories with a dash of dread. These are visions of the horrifying futures that await us all.
“Airborne,” by Lisa Morton
“Err,” by Michael Laimo
“Daddy's Girl,” by Ben Eads
“Husk,” by Marshall J Moore
“We Have Names, Too,” by Michelle Muenzler
“The Haunting of Asteroid H111,” by Van Aaron Hughes
“Shoulda Read the Fine Print,” Blanche by Ben Lawrence
“Transference,” by Jenn Hopkins
“Game Over,” by Andrew Lennon
“Schroedinger's Head,” by Joanna Koch
“Locusts,” by Dominick Cancilla
“The Pain Addict,” by Penn Jillette
“The Sluggie Rebellion,” by William Meikle
“Noise,” by Max Booth III
“Seeking Harmony with the Infinite,” by Evans Light
“Billy Campbell's Bones,” by Jason Washer
“Survival is an Act of Selfishness,” by Frank Oreto
“Boxed In,” by CS Mergo
“What It Takes,” by Phil Sloman
“Neuroworm,” by Tim Curran
“And the Winner is...,” by Sheldon Higdon
“If I Drive Before I Wake,” by Eric J Guignard
Among our cast are the Fox sisters, teenagers surrounded by ‘spirit rappings’; Daniel Dunglas Home, the ‘greatest medium of all time’; Houdini and Sir Arthur Conan Doyle, whose unlikely friendship was forged, then riven, by the afterlife; and Helen Duncan, the medium whose trial in 1944 for witchcraft proved more popular to the public than news about the war. The book also considers Ouija boards, modern psychics and paranormal investigations, and is illustrated with engravings, fine art (from beyond) and photographs. Hugely entertaining, it begs the question: is anybody there . . .?
What happens when we make monsters? What happens when we make monsters of ourselves? Grotesque beings lurch from our darkest dreams. Vicious beasts stalk our twisted pasts. Lost souls haunt our deepest regrets. They are the blood on our hands. They are the obsessions in our heads. They are the vengeance in our hearts. They are Miscreations: Gods, Monstrosities & Other Horrors. Edited by Bram Stoker Award-winning editors Doug Murano and Michael Bailey. Featuring a foreword by Alma Katsu, and illustrations throughout by HagCult.
Treat yourself to some very tricky stories! Halloween . . . All Hallows’ Eve . . . Samhain . . . Día de los Muertos . . . the Day the Dead Come Back . . . When the barriers between the worlds are at their weakest—when ghosts, goblins, and grisly things can cross over into our dimension—then for a single night each year the natural becomes the supernatural, the normal becomes the paranormal, and nobody is safe from their most intimate and terrifying fears.
The Mammoth Book of Halloween Stories brings you a dark feast of frightening fiction by some of the most successful and respected horror writers working today:
- OCTOBER IN THE CHAIR Neil Gaiman
- REFLECTIONS IN BLACK Steve Rasnic Tem
- THE HALLOWEEN MONSTER Alison Littlewood
- THE PHÉNAKISTICOPE OF DECAY James Ebersole
- MEMORIES OF DÍA DE LOS MUERTOS Nancy Kilpatrick
- FRAGILE MASKS Richard Gavin
- BONE FIRE Storm Constantine
- QUEEN OF THE HUNT Adrian Cole
- THE OCTOBER WIDOW Angela Slatter
- BEFORE THE PARADE PASSES BY Marie O’Regan
- HER FACE Ramsey Campbell
- A MAN TOTALLY ALONE Robert Hood
- BLEED Richard Christian Matheson
- THE ULTIMATE HALLOWEEN PARTY APP Lisa Morton
- THE FOLDING MAN Joe R. Lansdale
- I WAIT FOR YOU Eygló Karlsdóttir
- DUST UPON A PAPER EYE Cate Gardner
- NOT OUR BROTHER Robert Silverberg
- THE SCARIEST THING IN THE WORLD Michael Marshall Smith
- THE NATURE OF THE BEAST Sharon Gosling
- THE BEAUTIFUL FEAST OF THE VALLEY Stephen Gallagher
- IN THE YEAR OF OMENS Helen Marshall
- THE MILLENNIAL’S GUIDE TO DEATH Scott Bradfield
- WHITE MARE Thana Niveau
- PUMPKIN KIDS Robert Shearman
- LANTERN JACK Christopher Fowler
- HALLOWEEN TREATS Jane Yolen
Here you will encounter witches, ghosts, monsters, psychos, demonic nuns, and even Death himself in this spooky selection of stories set on the night when evil walks the earth . . .
In addition to stories about scheming jack-o'-lanterns, vengeful ghosts, otherworldly changelings, disturbingly realistic haunted attractions, masks that cover terrifying faces, murderous urban legends, parties gone bad, cult Halloween movies, and trick or treating in the future, Haunted Nights also offers terrifying and mind-bending explorations of related holidays like All Souls' Day, Dia de los Muertos, and Devil's Night.
"With Graveyard Weeds and Wolfbane Seeds" by Seanan McGuire
"Dirtmouth" by Stephen Graham Jones"
"A Small Taste of the Old Countr" by Jonathan Maberry
"Wick’s End" by Joanna Parypinski
"The Seventeen Year Itch" by Garth Nix
"A Flicker of Light on Devil’s Night" by Kate Jonez
"Witch-Hazel" by Jeffrey Ford
"Nos Galen Gaeaf" by Kelley Armstrong
"We’re Never Inviting Amber Again" by S. P. Miskowski
"Sisters" by Brian Evenson
"All Through the Night" by Elise Forier Edie
"A Kingdom of Sugar Skulls and Marigolds" by Eric J. Guignard
"The Turn" by Paul Kane
"Jack" by Pat Cadigan
"Lost in the Dark" by John Langan
"The First Lunar Halloween" by John R. Little
THE OLD DUDE’S TICKER by Stephen King
Richard Drogan has been spooked ever since he came back from Nam, but he’s no head case, dig? He just knows the old dude needs to die.
THE RICH ARE DIFFERENT by Lisa Morton
Even though she made her name revealing the private lives of the rich and famous, Sara Peck has no idea how deep their secrets really go . . . or the price they’ll pay to get what they desire.
THE MANICURE by Nell Quinn-Gibney
A trip to the nail salon is supposed to be relaxing. But as the demons of the past creep closer with every clip, even the most serene day of pampering can become a nightmare.
THE COMFORTING VOICE by Norman Prentiss
It’s a little strange how baby Lydia can only be soothed by her grandfather’s unnatural voice, ravaged by throat cancer. The weirdest part? What he’s saying is more disturbing than how he says it.
THE SITUATIONS by Joyce Carol Oates
There are certain lessons children must learn, rules they must follow, scars they must bear. No lesson is more important than this: Never question Daddy. Or else.
THE CORPSE KING by Tim Curran
Grave robbers Kierney and Clow keep one step ahead of the law as they ply their ghoulish trade, but there’s no outrunning a far more frightening enemy that hungers for the dead.
Praise for the Dark Screams series
“A wicked treat [featuring] . . . some of the genre’s best.”—Hellnotes, on Volume One
“Five fun-to-read stories by top-notch horror scribes. How can you lose? The answer: you can’t.”—Atomic Fangirl, on Volume Two
“If you have not tried the series yet, do yourself a favor and grab a copy of any (or all) of the books for yourself.”—Examiner.com, on Volume Three
“Fans of horror of every variety will find something to love in these pages.”—LitReactor, on Volume Four
“[Volume Five] runs the gamut from throwback horror to lyrical and heartbreaking tales.”—Publishers Weekly
Ghosts: A Supernatural History is a historical and global exploration of these mysterious apparitions. It asks: What exactly is a ghost? Are poltergeists, wraiths and revenants technically ghosts? How does ‘ghost’ relate to ‘soul’? And how many different kinds of ghost are there? It visits the spirits of the classical world, including the Egyptian five-part soul and the first haunted-house comedy play, Mostellaria by Plautus (254–184 BCE). We encounter the frightening phantoms of the Middle Ages – which might incinerate priests or devour children – and the nineteenth-century rise of Spiritualism – essentially a religion devoted to ghosts. Ghosts are everywhere: from India’s bhūta to the Hungry Ghost Festival in China and Mexico’s La Llorona legend, as well as the Bell Witch of the American South and ‘the most haunted house in England’, Borley Rectory.
Ghosts also delves into the history of the spirit on page and screen. How did Horace Walpole’s pioneering Gothic novel The Castle of Otranto of 1764 lead to the 2007 hit film Paranormal Activity? Classic ghost tales, from Ann Radcliffe’s works to the chilling short stories of M. R. James and Stephen King’s The Shining, reveal how the real meaning of ghosts has shifted over the centuries. Wide-ranging, informative and featuring 60 chilling, unearthly images, this book will appeal to the very wide audience for the supernatural.
THE DEPARTED by Clive Barker
On All Hallows’ Eve, a dead and disembodied mother yearns to touch her young son one last time. But will making contact destroy them both?
CREATURE FEATURE by Heather Graham
What could be better publicity for a horror convention than an honest-to-goodness curse? It’s only after lights out that the hype—and the Jack the Ripper mannequin—starts to feel a little too real.
THE NEW WAR by Lisa Morton
Mike Carson is a war hero and a decorated vet. He doesn’t deserve to be trapped in a hospital with some black thing sitting on his chest as patients die all around him. His only hope is to take out the nurse—before it’s his turn.
SAMMY COMES HOME by Ray Garton
It’s what every family prays for: a lost pet returning home. But when Sammy, the Hale family sheepdog, appears on their doorstep, he brings back something no parent would ever wish upon his or her child.
THE BRASHER GIRL by Ed Gorman
Cindy Marie Brasher is the prettiest girl in the Valley, and Spence just has to have her. Unfortunately, Cindy has a “friend” . . . a friend who tells her to do things . . . bad things.
Praise for Dark Screams: Volume Four
“Collectively, Volume Four constitutes the most cohesive, narratively enriching and entertaining Dark Screams entry to date. Be it the presence of genre icons Barker and Morton, stories from the lesser-known but equally talented Garton and Gorman, or the pure fun of Graham’s tale, fans of horror of every variety will find something to love in these pages.”—LitReactor
“The best of the bunch so far.”—Examiner.com
“Stacks up well with any of the other three books so far [with] a fairly good variety in the kinds of horror stories too . . . If you’re new to the series, this is a good jumping-on point.”—Wagging the Fox
“Dark Screams is one of the best values on the horror market. . . . Do yourself a favor, and pick it up.”—Adventures Fantastic
Welcome to the cool side of the 1950s, where the fast cars and revved-up movie monsters peel out in the night. Where outlaw vixens and jukebox tramps square off with razorblades and lead pipes. Where rockers rock, cool cats strut, and hot rods roar. Where you howl to the moon as the tiki drums pound and the electric guitar shrieks and that spit-and-holler jamboree ain’t gonna stop for a long, long time . . . maybe never.
This is the ’50s where ghost shows still travel the back roads of the south, and rockabilly has a hold on the nation’s youth; where lucky hearts tell the tale, and maybe that fella in the Shriners’ fez ain’t so square after all. Where exist noir detectives of the supernatural, tattoo artists of another kind, Hollywood fix-it men, and a punk kid with grasshopper arms under his chain-studded jacket and an icy stare on his face.
This is the ’50s of Pop the Clutch: Thrilling Tales of Rockabilly, Monsters, and Hot Rod Horror. This is your ticket to the dark side of American kitsch . . . the fun and frightful side!
Table of Contents includes:
“The Golden Girls of Fall” by Seanan McGuire
“Sea Lords of the Columbia” by Weston Ochse
“Tremble” by Kasey Lansdale and Joe R. Lansdale
“The Demon of the Track” by Gary Phillips
“Outlawed Ink” by Jason Starr
“We Might Be Giants” by Nancy Holder
“Universal Monster” by Duane Swierczynski
“Draggers” by David J. Schow
“The Starlite Drive-In” by John M. Floyd
“Dr. Morbismo’s InsaniTERRORium Horror Show” by Lisa Morton
“Hot Babe” by Bill Pronzini
“The Prom Tree” by Yvonne Navarro
“I’m with the Band” by Steve Perry
“Mystery Train: An Arcane Investigation” by Max Allan Collins and Matthew V. Clemens
“Lab Experiment Turf War” by Jeff Strand
“The She-Creature” by Amelia Beamer
“Fish out of Water” by Will Viharo
“I Was a Teenage Shroom Fiend” by Brian Hodge