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A Man of the People Paperback – January 19, 1989
Chinua Achebe (Author) Find all the books, read about the author, and more. See search results for this author |
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As Minister for Culture, former school teacher M. A. Nanga is a man of the people, as cynical as he is charming, and a roguish opportunist. When Odili, an idealistic young teacher, visits his former instructor at the ministry, the division between them is vast. But in the eat-and-let-eat atmosphere, Odili's idealism soon collides with his lusts—and the two men's personal and political tauntings threaten to send their country into chaos. When Odili launches a vicious campaign against his former mentor for the same seat in an election, their mutual animosity drives the country to revolution.
Published, prophetically, just days before Nigeria's first attempted coup in 1966, A Man of the People is an essential part of Achebe’s body of work.
- Print length160 pages
- LanguageEnglish
- PublisherPenguin Books
- Publication dateJanuary 19, 1989
- Dimensions5.16 x 0.42 x 8 inches
- ISBN-100385086164
- ISBN-13978-0385086165
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“African literature is incomplete and unthinkable without the works of Chinua Achebe.” —Toni Morrison
“Chinua Achebe is gloriously gifted with the magic of an ebullient, generous, great talent.” —Nadine Gordimer
“Achebe’s influence should go on and on . . . teaching and reminding that all humankind is one.” —The Nation
“The father of African literature in the English language and undoubtedly one of the most important writers of the second half of the twentieth century.” —Caryl Phillips, The Observer
“We are indebted to Achebe for reminding us that art has social and moral dimension—a truth often obscured.” —Chicago Tribune
“He is one of the few writers of our time who has touched us with a code of values that will never be ironic.” —Michael Ondaatje
“For so many readers around the world, it is Chinua Achebe who opened up the magic casements of African fiction.” —Kwame Anthony Appiah
“[Achebe] is one of world literature’s great humane voices.” —Times Literary Supplement
“Achebe is one of the most distinguished artists to emerge from the West African cultural renaissance of the post-war world.” —The Sunday Times (London)
“[Achebe is] a powerful voice for cultural decolonization.” —The Village Voice
“Chinua Achebe has shown that a mind that observes clearly but feels deeply enough to afford laughter may be more wise than all the politicians and journalists.” —Time
“The power and majesty of Chinua Achebe’s work has, literally, opened the world to generations of readers. He is an ambassador of art, and a profound recorder of the human condition.” —Michael Dorris
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Product details
- Publisher : Penguin Books; Reissue edition (January 19, 1989)
- Language : English
- Paperback : 160 pages
- ISBN-10 : 0385086164
- ISBN-13 : 978-0385086165
- Item Weight : 4.6 ounces
- Dimensions : 5.16 x 0.42 x 8 inches
- Best Sellers Rank: #329,026 in Books (See Top 100 in Books)
- #110 in African Literature (Books)
- #1,232 in Lawyers & Criminals Humor
- #1,447 in Political Fiction (Books)
- Customer Reviews:
About the author

Chinua Achebe (/ˈtʃɪnwɑː əˈtʃɛbɛ/, born Albert Chinualumogu Achebe; 16 November 1930 – 21 March 2013) was a Nigerian novelist, poet, professor, and critic. His first novel Things Fall Apart (1958) was considered his magnum opus, and is the most widely read book in modern African literature.
Raised by his parents in the Igbo town of Ogidi in South-Eastern Nigeria, Achebe excelled at school and won a scholarship for undergraduate studies. He became fascinated with world religions and traditional African cultures, and began writing stories as a university student. After graduation, he worked for the Nigerian Broadcasting Service (NBS) and soon moved to the metropolis of Lagos. He gained worldwide attention for Things Fall Apart in the late 1950s; his later novels include No Longer at Ease (1960), Arrow of God (1964), A Man of the People (1966), and Anthills of the Savannah (1987). Achebe wrote his novels in English and defended the use of English, a "language of colonisers", in African literature. In 1975, his lecture An Image of Africa: Racism in Conrad's "Heart of Darkness" featured a famous criticism of Joseph Conrad as "a thoroughgoing racist"; it was later published in The Massachusetts Review amid some controversy.
When the region of Biafra broke away from Nigeria in 1967, Achebe became a supporter of Biafran independence and acted as ambassador for the people of the new nation. The war ravaged the populace, and as starvation and violence took its toll, he appealed to the people of Europe and the Americas for aid. When the Nigerian government retook the region in 1970, he involved himself in political parties but soon resigned due to frustration over the corruption and elitism he witnessed. He lived in the United States for several years in the 1970s, and returned to the U.S. in 1990 after a car accident left him partially disabled.
A titled Igbo chieftain himself, Achebe's novels focus on the traditions of Igbo society, the effect of Christian influences, and the clash of Western and traditional African values during and after the colonial era. His style relies heavily on the Igbo oral tradition, and combines straightforward narration with representations of folk stories, proverbs, and oratory. He also published a number of short stories, children's books, and essay collections. From 2009 until his death, he served as David and Marianna Fisher University Professor and Professor of Africana Studies at Brown.
Bio from Wikipedia, the free encyclopedia. Photo by Stuart C. Shapiro [GFDL (http://www.gnu.org/copyleft/fdl.html), CC-BY-SA-3.0 (http://creativecommons.org/licenses/by-sa/3.0/) or CC BY 3.0-2.5-2.0-1.0 (http://creativecommons.org/licenses/by/3.0-2.5-2.0-1.0)], via Wikimedia Commons.
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In the new millennium it seems #woke folk are once again outraged by racism and white supremacy. However, please read "Man of the People" again, or for the first time. Systemic oppression goes a bit deeper than ethnic strife
or domination , and Chinua Achebe, in this satire, takes us there. In my estimation this work is a primer on Neocolonialism.
The story centers around a protagonist who is educated and part of the growing middle class and his original antagonism toward, eventual befriending of and later total rejection of a powerful minister in the government. The insight into the means that such people exerted in their own personal interest is well documented as through character description of the two main characters. I enjoyed the story and the point of view of the author although I had hoped for a more optimistic outcome of the narrative. Achebe is a wonderful story teller. This book was no exception.
As with any Achebe novel, we are introduced in a developing society, still in the excitement of self rule after the British, but struggling to get set on a path towards development. Achebe is very ironic at time, and I think this novel especially shows his wry sense of humor. For example, the Minister of Culture is a rather cultureless man, put in that position through connections and bribery.
Overall, I recommend this book if you enjoyed Achebe's previous work (Things Fall Apart and No Longer at Ease are my favorites). At only 150 pages, it is the shortest by him that I have read, which makes it even more worth it. Would not recommend as your first Achebe.
This novel takes place in 1964 examines the institutions of Nigeria. Coming out of colonial times, the people have no sense of taxes or being taxed, especially the farmers (because the tax is just being wrapped into the purchase price). Originally published in 1966, during which there were two coups in Nigeria. The first coup ended the first republic. After these two coups Achebe went to Biafra to join their independence movement. When Biafra lost that bid, Achebe headed to the US for an extended period.
Without understanding that Chief Nanga is a man of the people, the story does not work. In the novel, it's the people that drive the action. It's important that Nanga is the only character that talks to the people. Odili never talks to the people in the same manner. Even at Odili's rally, it's Maxwell who speaks, and he still doesn't speak to them in the way Nanga does (paragraph's ideas mainly attributed to prof).
Questions and Discussion Points:
- How sympathetic is Achebe's hero? Achebe portrays Odili as symbolic of the next generation. It's important to note that Achebe writes in the first person, a departure from his previous novels.
- How do women in this book represent society at large?
Edna is a pawn and passive figure--the least of the actors.
Elsie shows a keen lack of fidelity.
Eunice symbolizes accountability, which is what you want in a nation.
Akilo is educated but also a prostitute.
Mrs Nanga:what's the deal with her Adam's apple?
*In the novel, women go along with objectification. If they symbolize society at large, they are treated as objects that don't care that that is the way they are treated.
- Where did lack of selflessness come from? Who's to blame for this endemic corruption? Achebe blames it on scale of largesse--in the nation/state there's no ownership (like that exists at the village level). Before independence stealing was fine because it was from the White man, but now it's stealing from the people?
- How is religion replaced by materialism in the novel?
- Examine the inversion of education's importance.
- Could Chief Koko's overreaction (when he thinks that he's been poisoned) be a dig at the alarmist nature of that region by Achebe?
- Examine how he uses different women in the novel:
- Examine the theme of infidelity among men and women. Does this transfer to a lack of fidelity in society at large?
- Jalio is Soyinka (Sho-yeen-kah). How does this idea fit into the novel's meaning? Incidentally, read some of this man's poetry! It's essential.
- The novel offers Achebe's commentary on education--they purge the western-educated ministers at the beginning and voice a disdain for their education abroad. The action highlights this competition, as well as the inability of society to hold anyone accountable, because they don't understand how their country fits into the larger global context.
Examine the roles played by fathers in the novel.
Chapter 1
Chief Nanga (Minister of Culture) comes to his hometown (village) of Anata. He is "a man of the people." Background on his rise to power. He recognizes and remembers Odili, who is a teacher in the village. He invites him to come stay withi him in the city. The corruption and the politics are introduced.
- would a sensible man "spit out a juicy morsel that good fortune placed in his mouth."
- showing tip of tongue to sky to swear oath?
Chapter 2
Background on Odili and Else, his friend with benefits. Also meet his friend Andrew. Odili is firm in his aspirations and his work to keep his actions `clean.' He will not stoop to cronyism to get the scholarship to London that he desires. There is a universal disdain among politicians for education abroad, however Nanga still looks forward to his upcoming honorary law degree from a small college in US.
- Objectification and devaluation of women shown in anecdotes.
Chapter 3
Odili goes to Nanga's and is welcomed warmly. Background on Odili's father, a district interpreter--a powerful and hated man with five wives and 35 children. Odili's mother died giving birth to him--there's shame associated with this. Odili and Nanga visit Chief Koko, who handles education abroad, but they don't get a chance to discuss the scholarship.
- After independence the value of education becomes inverted. Proximity to power is most important.
- Corruption feeds and multiplies bureaucracy and vice versa.
- OHMS, which the elite don't use. (Our Home Made Stuff)
- the gap between power and previous life is so huge that it feeds corruption
Chapter 4
Mrs. Nanga gets ready to leave with the children to visit her village, which they do at least once a year. Americans John and Jean stop by. Jean flirts shamelessly with Nanga while her husband highbrows it with Odili. Jean and John work in public relations for Nigeria in their efforts with the U.S.
- Good details about racism and lynching in the US to contrast with Nigeria's problems.
Chapter 5
Odili goes to Jean's party and ends up sleeping with her. He finds that he doesn't really like her but ask to see her again. For American, Africans are a novelty, one that they hold apart and distinct from the `blacks' back home. At the dinner party, Odili has a good time. Nanga never ends up going because Mrs. Akilo arrives at his home--we find out later that he sleeps with her.
- Shaking the fist is a sign of great honour and respect.
Chapter 6
Odili visits Elsie and sets up a date. He takes Nanga's Cadillac which impresses her. They all go together to a book exhibition to hear Nanga speak.
- Objectification of women again.
- Jalio wrote fictional Song of the Blackbird
Chapter 7
Nanga makes a good speech and they return home. He comments that he likes Jalio after he sees various ambassadors fawning over the author. They eat dinner and Nanga has sex with Elsie! Odili loses it when he hears them (she is screaming Odili's name in a perverse twist) and leaves the house at 4AM. He comes back in the morning and curses out Nanga and heads to Maxwell's.
- a dash is a small loan or bribe--this destigmatizes corruption--it's just a small quick thing after all.
Chapter 8
Odili plots revenge against Nanga. Maxwell hold a meeting of the Common People's Convention (CPC). While the party has Communist undertones, Maxwell is quick to reject that label. He reveals that the CPC has an inside man in the current government.
- All the politicians care for are women, cars, landed property. It's like a rap video today. Case in point:
- some in the older generation wish the white man had never left
- "it is only when you are close to a man that you can begin to smell his breath"
Chapter 9
Odili goes back to Anata and we hear the story of Josiah, the bar-owner who took too much. Odili visits Mrs. Nanga and gets Edna's location and then visits her, saying that Nanga sent him to inquire after her mother (who is in the hospital). He gives Edna a lift to the hospital on his bike but also crashes it, humorously.
- No greater condemnation: taking things till at last the owner (the people) notice.
Chapter 10
At Christmas, details of major corruption (more than their fair share) break out in the media concerning current government. The CPC has Odili run against Nanga. Odili implore Edna not to marry Nanga! Odili meets a lot of opposition in his campaign. It's important that he rejects Josiah's offer of support.
- now we see a dash of a four-story home!
- we also see that the wooden masks are now a game played by drunkards and children
- we see Odili enjoying the fear in another person--enjoying power
- whereas a telegram might take 3 days to reach the country, rumour took a day or less
Chapter 11
Odili gets bodyguards as the campaign gets vicious. Through it all, he pines for Edna (probably more than he cares about the CPC). Nanga approaches Odili's father and tries to buy off Odili with 250 pounds and a two year scholarship. Odili firmly rejects this.
- "Eating the hills like yam"
Chapter 12
Maxwell arrives from the city with his CPC staff to drum up support for Odili. Maxwell admits he took a bribe similar to the one offered to Odili, however, he insists that the bribe carries no weight and he just did it to take the money. When Odili approaches Edna, she angrily dismisses him. When the POP finds out that Odili's father indirectly supported his son's campaigning, they nearly jail him and levy convenient overdue taxes against him. Odili's home village loses their pipes for supporting him. Odili writes off Edna.
Chapter 13
In disguise, Odili goes to Nanga's campaign meeting. Josiah sees him though and calls him out. Odili is beaten severely, with only Edna vainly trying to help. He wakes up in the hospital and ends up winning Edna. A military coup occurs in the country, overthrowing the government and suddenly Max is a martyr and a hero.
- corruption equated with "a warrior eating the reward of his courage" at throwing the white man out
- the people had nothing to do with fall of government--it was unruly mobs and private armies.
- "but in the affairs of the nation there was no owner, the laws of the village became powerless."
- you've lived a good life when someone will shoot your murderer without expecting anything in return.
<...>
And as a master story-teller, who has an excellent feel of the pulse of his environment, Achebe was eerily prophetic. Turned out there was a military coupe even before the novel hit the bookstore.
Prescient!
Top reviews from other countries

I found the post colonial slant childish and the language ranged from simple to sophisticated in the same sentence.
There was so much more of the characters that had not been explored and I wanted to know more about them all.
I think I can understand why this is considered to be a classic but it wasn't me as I felt it didn't go far enough.



