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About Maria Dahvana Headley
Her short stories have been included in many year's best anthologies, including Best American Science Fiction and Fantasy, edited by Karen Joy Fowler and John Joseph Adams, and have been shortlisted for the Nebula, Shirley Jackson and World Fantasy Awards.
Her work has been supported by The MacDowell Colony, and Arte Studio Ginestrelle, among other fantastic organizations.
She grew up in rural Idaho and now lives in Brooklyn.
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Unnatural Creatures is a collection of short stories about the fantastical things that exist only in our minds—collected and introduced by beloved New York Times bestselling author Neil Gaiman.
The sixteen stories gathered by Gaiman, winner of the Hugo and Nebula Awards, range from the whimsical to the terrifying. Magical creatures from the werewolf, to the sunbird, to beings never before classified will thrill, delight, and quite possibly unnerve you in tales by E. Nesbit, Diana Wynne Jones, Gahan Wilson, and other literary luminaries.
Sales of Unnatural Creatures benefit 826DC, a nonprofit organization dedicated to supporting students in their creative and expository writing, and to helping teachers inspire their students to write.
New York Times bestselling author Maria Dahvana Headley presents a modern retelling of the literary classic Beowulf, set in American suburbia as two mothers—a housewife and a battle-hardened veteran—fight to protect those they love in The Mere Wife.
From the perspective of those who live in Herot Hall, the suburb is a paradise. Picket fences divide buildings—high and gabled—and the community is entirely self-sustaining. Each house has its own fireplace, each fireplace is fitted with a container of lighter fluid, and outside—in lawns and on playgrounds—wildflowers seed themselves in neat rows. But for those who live surreptitiously along Herot Hall’s periphery, the subdivision is a fortress guarded by an intense network of gates, surveillance cameras, and motion-activated lights.
For Willa, the wife of Roger Herot (heir of Herot Hall), life moves at a charmingly slow pace. She flits between mommy groups, playdates, cocktail hour, and dinner parties, always with her son, Dylan, in tow. Meanwhile, in a cave in the mountains just beyond the limits of Herot Hall lives Gren, short for Grendel, as well as his mother, Dana, a former soldier who gave birth as if by chance. Dana didn’t want Gren, didn’t plan Gren, and doesn’t know how she got Gren, but when she returned from war, there he was. When Gren, unaware of the borders erected to keep him at bay, ventures into Herot Hall and runs off with Dylan, Dana’s and Willa’s worlds collide.
“Maria Dahvana Headley is a firecracker: she’s whip smart with a heart, and she writes like a dream.” —Neil Gaiman, bestselling author of The Graveyard Book and Coraline
Aza Ray Boyle is drowning in thin air. Since she was a baby, Aza has suffered from a mysterious lung disease that makes it ever harder for her to breathe, to speak—to live.
So when Aza catches a glimpse of a ship in the sky, her family chalks it up to a cruel side effect of her medication. But Aza doesn't think this is a hallucination. She can hear someone on the ship calling her name.
Only her best friend, Jason, listens. Jason, who's always been there. Jason, for whom she might have more-than-friendly feelings. But before Aza can consider that thrilling idea, something goes terribly wrong. Aza is lost to our world—and found, by another. Magonia.
Above the clouds, in a land of trading ships, Aza is not the weak and dying thing she was. In Magonia, she can breathe for the first time. Better, she has immense power—but as she navigates her new life, she discovers that war between Magonia and Earth is coming. In Aza's hands lies fate of the whole of humanity—including the boy who loves her. Where do her loyalties lie?
Neil Gaiman’s Stardust meets John Green’s The Fault in Our Stars in this New York Times bestselling story about a girl caught between two worlds, two races, and two destinies.
Don’t miss Aerie, the stunning, highly anticipated sequel!
From the New York Times bestselling author of The Mere Wife comes Maria Dahvana Headley's Tor.com Original short story "The Girlfriend's Guide to Gods"
Gods won’t save you. Gods will break you. Nevertheless, you will persist. And become anew.
This is the first myth: that your boyfriend from when you were fifteen will come and get you out of hell. He might come, but he won’t get you.
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
The stunning sequel to Maria Dahvana Headley’s bestselling, critically acclaimed Magonia tells the story of one girl who must make an impossible choice between two families, two homes—and two versions of herself.
Aza Ray is back on earth. Her boyfriend, Jason, is overjoyed. Her family is healed. She’s living a normal life, or as normal as it can be if you’ve spent the past year dying, waking up on a sky ship, and discovering that your song can change the world.
As in, not normal. Part of Aza still yearns for the clouds, no matter how much she loves the people on the ground.
When Jason’s paranoia over Aza’s safety causes him to make a terrible mistake, Aza finds herself a fugitive in Magonia, tasked with opposing her radical, bloodthirsty, recently escaped mother, Zal Quel, and her singing partner, Dai. She must travel to the edge of the world in search of a legendary weapon, the Flock, in a journey through fire and identity that will transform her forever.
Told in Maria Headley’s trademark John Green–meets–Neil Gaiman style, Aerie is sure to satisfy the many readers who can’t wait to return to the spellbinding world of Magonia.
As he attempts to rebuild his life in rural Oregon after a tragic accident, Malcolm Mays finds himself corresponding with Dusha Chuchonnyhoof, a mysterious entity who claims to be the owner of Malcolm's house, jailed unjustly for 117 years. The prisoner demands that Malcolm perform a gory, bewildering task for him. As the clock ticks toward Dusha's release, Malcolm must attempt to find out whether he's assisting a murderer or an innocent. The End of the Sentence combines Kalapuya, Welsh, Scottish and Norse mythology, with a dark imagined history of the hidden corners of the American West.
Maria Dahvana Headley and Kat Howard have forged a fairytale of ghosts and guilt, literary horror blended with the visuals of Jean Cocteau, failed executions, shapeshifting goblins, and magical blacksmithery. In Chuchonnyhoof, they've created a new kind of Beast, longing, centuries later, for Beauty.
The year is 30 BC. A messenger delivers word to Queen Cleopatra that her beloved husband, Antony, has died at his own hand. Desperate to save her kingdom, Cleopatra strikes a mortal bargain in exchange for Antony’s soul, transforming her into an immortal—a vampire with superhuman strength and an insatiable hunger for blood.
Leaving a trail of fiery retribution, Cleopatra journeys from the tombs of Egypt to the ancient underworld in order to meet her husband again. But to resurrect him, Cleopatra will need to challenge mythical beings with power beyond comprehension—risking the fate of both this world and the next for a love that will not die…
A new, feminist translation of Beowulf by the author of the much-buzzed-about novel The Mere Wife
Nearly twenty years after Seamus Heaney’s translation of Beowulf—and fifty years after the translation that continues to torment high-school students around the world—there is a radical new verse translation of the epic poem by Maria Dahvana Headley, which brings to light elements that have never before been translated into English, recontextualizing the binary narrative of monsters and heroes into a tale in which the two categories often entwine, justice is rarely served, and dragons live among us.
A man seeks to prove himself as a hero. A monster seeks silence in his territory. A warrior seeks to avenge her murdered son. A dragon ends it all. The familiar elements of the epic poem are seen with a novelist’s eye toward gender, genre, and history—Beowulf has always been a tale of entitlement and encroachment, powerful men seeking to become more powerful, and one woman seeking justice for her child, but this version brings new context to an old story. While crafting her contemporary adaptation of Beowulf, Headley unearthed significant shifts lost over centuries of translation.