Similar authors to follow
See more recommendations
About Mary Roach
Customers Also Bought Items By
"One of the funniest and most unusual books of the year....Gross, educational, and unexpectedly sidesplitting."—Entertainment Weekly
Stiff is an oddly compelling, often hilarious exploration of the strange lives of our bodies postmortem. For two thousand years, cadavers—some willingly, some unwittingly—have been involved in science's boldest strides and weirdest undertakings. In this fascinating account, Mary Roach visits the good deeds of cadavers over the centuries and tells the engrossing story of our bodies when we are no longer with them.
“America’s funniest science writer” (Washington Post) explores the irresistibly strange universe of life without gravity in this New York Times bestseller.
The best-selling author of Stiff and Bonk explores the irresistibly strange universe of space travel and life without gravity. From the Space Shuttle training toilet to a crash test of NASA’s new space capsule, Mary Roach takes us on the surreally entertaining trip into the science of life in space and space on Earth.
A New York Times Bestseller
“Rich in dexterous innuendo, laugh-out-loud humor and illuminating fact. It’s compulsively readable.” —Los Angeles Times Book Review
In ?Bonk, ?the best-selling author of Stiff turns her outrageous curiosity and insight on the most alluring scientific subject of all: sex. Can a person think herself to orgasm? Why doesn't Viagra help women-or, for that matter, pandas? Can a dead man get an erection? Is vaginal orgasm a myth? Mary Roach shows us how and why sexual arousal and orgasm-two of the most complex, delightful, and amazing scientific phenomena on earth-can be so hard to achieve and what science is doing to make the bedroom a more satisfying place.
The best-selling author of Stiff and Bonk trains her considerable wit and curiosity on the human soul.
"What happens when we die? Does the light just go out and that's that—the million-year nap? Or will some part of my personality, my me-ness persist? What will that feel like? What will I do all day? Is there a place to plug in my lap-top?" In an attempt to find out, Mary Roach brings her tireless curiosity to bear on an array of contemporary and historical soul-searchers: scientists, schemers, engineers, mediums, all trying to prove (or disprove) that life goes on after we die.
A New York Times / National Bestseller
"America's funniest science writer" (Washington Post) Mary Roach explores the science of keeping human beings intact, awake, sane, uninfected, and uninfested in the bizarre and extreme circumstances of war.
Grunt tackles the science behind some of a soldier's most challenging adversaries—panic, exhaustion, heat, noise—and introduces us to the scientists who seek to conquer them. Mary Roach dodges hostile fire with the U.S. Marine Corps Paintball Team as part of a study on hearing loss and survivability in combat. She visits the fashion design studio of U.S. Army Natick Labs and learns why a zipper is a problem for a sniper. She visits a repurposed movie studio where amputee actors help prepare Marine Corps medics for the shock and gore of combat wounds. At Camp Lemmonier, Djibouti, in east Africa, we learn how diarrhea can be a threat to national security. Roach samples caffeinated meat, sniffs an archival sample of a World War II stink bomb, and stays up all night with the crew tending the missiles on the nuclear submarine USS Tennessee. She answers questions not found in any other book on the military: Why is DARPA interested in ducks? How is a wedding gown like a bomb suit? Why are shrimp more dangerous to sailors than sharks? Take a tour of duty with Roach, and you’ll never see our nation’s defenders in the same way again.
The irresistible, ever-curious, and always best-selling Mary Roach returns with a new adventure to the invisible realm we carry around inside.
“America’s funniest science writer” (Washington Post) takes us down the hatch on an unforgettable tour. The alimentary canal is classic Mary Roach terrain: the questions explored in Gulp are as taboo, in their way, as the cadavers in Stiff and every bit as surreal as the universe of zero gravity explored in Packing for Mars. Why is crunchy food so appealing? Why is it so hard to find words for flavors and smells? Why doesn’t the stomach digest itself? How much can you eat before your stomach bursts? Can constipation kill you? Did it kill Elvis? In Gulp we meet scientists who tackle the questions no one else thinks of—or has the courage to ask. We go on location to a pet-food taste-test lab, a fecal transplant, and into a live stomach to observe the fate of a meal. With Roach at our side, we travel the world, meeting murderers and mad scientists, Eskimos and exorcists (who have occasionally administered holy water rectally), rabbis and terrorists—who, it turns out, for practical reasons do not conceal bombs in their digestive tracts.
Like all of Roach’s books, Gulp is as much about human beings as it is about human bodies.
Ed has crud vision, and I don’t. I don’t notice filth. Ed sees it everywhere. I am reasonably convinced that Ed can actually see bacteria. . . . He confessed he didn’t like me using his bathrobe because I’d wear it while sitting on the toilet.
“It’s not like it goes in the water,” I protested, though if you counted the sash as part of the robe, this wasn’t strictly true.
On the Internet:
The Internet is a boon for hypochondriacs like me. Right now, for instance, I’m feeling a shooting pain on the side of my neck. A Web search produces five matches, the first three for a condition called Arnold-Chiari Malformation.
While my husband, Ed, reads over my shoulder, I recite symptoms from the list. “‘General clumsiness’ and ‘general imbalance,’” I say, as though announcing arrivals at the Marine Corps Ball. “‘Difficulty driving,’ ‘lack of taste,’ ‘difficulty feeling feet on ground.’”
“Those aren’t symptoms,” says Ed. “Those are your character flaws.”
My husband recently made me try on a bikini. A bikini is not so much a garment as a cloth-based reminder that your parts have been migrating all these years. My waist, I realized that day in the dressing ro
The Animal Intelligence Bundle:
“Minds of Their Own” by Virginia Morell (March 2008)
“Almost Human” by Mary Roach (April 2008)
“The Genius of Swarms” by Peter Miller (July 2007)
In “Minds of Their Own,” Virginia Morell provides an overview of the science of animal intelligence. She introduces you to an African gray parrot named Alex, a bonobo named Kanzi, and a border collie named Betsy. Each of these animals tells us something interesting about the way they perceive and manipulate their world. The article also looks at what scientists are learning about the intelligence of dolphins and crows, beyond mere communication.
In “Almost Human,” Mary Roach takes us to the savannahs of Senegal to meet a group of 34 chimpanzees, whose behavior and social structures have given scientists some important clues about the nature of their communication and intelligence.
In “The Genius of Swarms,” Peter Miller looks at the collective behavior of ants, bees, and other insects for what they can tell us about social organization and how sometimes intelligence lies outside of the individual brain. This article served as the basis for his book, The Smart Swarm: How Understanding Flocks, Schools, and Colonies Can Make Us Better at Communicating, Decision Making, and Getting Things Done.
First, Best, and Best-Selling
The Best American series is the premier annual showcase for the country’s finest short fiction and nonfiction. Each volume’s series editor selects notable works from hundreds of magazines, journals, and websites. A special guest editor, a leading writer in the field, then chooses the best twenty or so pieces to publish. This unique system has made the Best American series the most respected—and most popular—of its kind.
The Best American Science and Nature Writing 2011 includes
Atul Gawande, Jonathan Franzen, Deborah Blum, Malcolm Gladwell, Oliver Sacks, Jon Mooallem, Jon Cohen, Luke Dittrich, and others
Wir riechen und schlürfen, schmecken, kauen, schlucken. Und dann?
Was passiert mit Müsli, Steak, Salat und Cola, wenn sie im Schlund verschwunden sind? Mary Roach, die Spezialistin für das ungewöhnliche in den Naturwissenschaften, nimmt uns mit auf eine höchst unterhaltsame Reise durch den Verdauungsapparat – vom Mund bis zum After –, die keine Frage auslässt: Warum mögen wir so gern Knuspriges? Warum verdaut der Magen sich nicht selbst? Wie viel kann man essen, bevor der Magen platzt? Kann uns eine Verstopfung umbringen? (Und ist Elvis Presley vielleicht daran gestorben?) Mary Roach trifft Wissenschaftler, die sich furchtlos mit eher anrüchigen Themen befassen, besucht ein Tierfuttertestlabor, schaut dem Magen bei der Arbeit zu und untersucht den Darm als potentielles Versteck. Urkomisch und informativ.
Ma cosa succede quando sono gli scienziati a porsi questa domanda? Cosa succede quando il metodo scientifico prova a trascendere i propri limiti, cercando una verità sperimentale nell’occulto? Per raccontare questa unione improbabile ma essenziale tra razionalità e mistero, Mary Roach incontra uomini che affermano di essersi reincarnati in corpi di bambini, entra nel tribunale in cui la testimonianza di un fantasma è stata ammessa come prova, avanza tra il fumo e gli specchi della stanza di un medium e in laboratori in cui si tenta di catturare l’energia della coscienza; scopre volontari issati in punto di morte su una bilancia per misurare il peso dell’anima che li sta abbandonando e ci accompagna all’Università di Cambridge, dove è conservato l’unico esemplare al mondo di ectoplasma.
Dalle sue esplorazioni nasce un resoconto rigoroso e dissacrante di come la ricerca affronti il paranormale, con esiti spesso sbalorditivi. Lugubri voci registrate di persone scomparse e sale operatorie in cui vengono analizzate le esperienze di pre-morte sono descritte con lo sguardo scettico della divulgatrice scientifica e il cuore aperto alla meraviglia di chi vorrebbe credere. Spettri è un viaggio della ragione nell’aldilà che con ironia e piglio gioiosamente macabro conquista anche il più arido fra i materialisti, declinando al presente le domande che accompagnano l’uomo fin dai tempi più remoti.