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A Wall Street Journal and Amazon Charts bestseller.
Two-time Man Booker Prize winner Hilary Mantel names An American Princess as one of her favorite books of the year: “light and gracefully written, it dances through a century of history…” (The Guardian)
Born to a pioneering family in Upstate New York in the late 1800s, Allene Tew was beautiful, impetuous, and frustrated by the confines of her small hometown. At eighteen, she met Tod Hostetter at a local dance, having no idea that the mercurial charmer she would impulsively wed was heir to one of the wealthiest families in America. But when he died twelve years later, Allene packed her bags for New York City. Never once did she look back.
From the vantage point of the American upper class, Allene embodied the tumultuous Gilded Age. Over the course of four more marriages, she weathered personal tragedies during World War I and the catastrophic financial reversals of the crash of 1929. From the castles and châteaus of Europe, she witnessed the Russian Revolution and became a princess. And from the hopes of a young girl from Jamestown, New York, Allene Tew would become the epitome of both a pursuer and survivor of the American Dream.
Calling all stressed-out parents: Relax! Imagine a place where young children play unsupervised, don’t do homework, have few scheduled “activities” . . . and rank #1 worldwide in happiness and education. It’s not a fantasy—it’s the Netherlands!
Rina Mae Acosta and Michele Hutchison—an American and a Brit, both married to Dutchmen and raising their kids in the Netherlands—report back on what makes Dutch kids so happy and well adjusted. Is it that dads take workdays off to help out? Chocolate sprinkles for breakfast? Bicycling everywhere?
Whatever the secret, entire Dutch families reap the benefits, from babies (who sleep 15 hours a day) to parents (who enjoy a work-life balance most Americans only dream of). As Acosta and Hutchison borrow ever-more wisdom from their Dutch neighbors, this much becomes clear: Sometimes the best thing we can do as parents is . . . less!
In 1998, Joris Luyendijk was stationed just outside of Cairo. It wasn’t for his journalism skills. It was because he was fluent in Arabic. What followed—from the Palestinian-Israeli conflict through the post 9/11 war in Iraq—would be literal trial-by-fire for the young untested reporter. What he had going for him was his ability to communicate.
Determined to cover the conflicts from the inside, Luyendijk spoke with stone throwers and staunch terrorists, taxi drivers, civil servants and professors, victims and aggressors, and all of their families. He chronicled first-hand experiences of dictatorship, occupation, fear, resilience, jubilation, and community. But the more Luyendijk witnessed, the less he understood. He became increasingly aware of the yawning gap between what he witnessed on the ground and what was being reported by the media. As a correspondent, he was privy to a multitude of narratives with conflicting implications, and he saw over and over again that the favored stories were those that would be sure to confirm the popularly held, oversimplified beliefs of the outside world.
“Disturbing, thought-provoking, and ultimately profound,” People Like Us shatters our perceptions of what we’re led to believe—a filtered, altered, and manipulated image of reality in the Middle East that has become a wholly designed theater of war for the western audience (Norman Solomon, author of War Made Easy: How Presidents and Pundits Keep Spinning Us to Death).
Roxy’s life is turned upside down when her husband is killed in a car crash, his naked body found entangled with his lover’s. Twenty-seven-year-old Roxy is left behind with their daughter, her husband’s personal assistant, and their babysitter to come to terms with this shameful end to her marriage. Looking to break free from her grief, Roxy takes the three of them on an impromptu road trip filled with darkly humorous observations about loss, parental responsibility, and the expiration date of love. Through masterful dialogues and in her trademark lucid style, Gerritsen introduces the reader to a woman whose response to grief both shocks and endears.
Bayard examines the art of the “non-journey,” a tradition that a succession of writers and thinkers, unconcerned with moving away from their home turf, have employed in order to encounter the foreign cultures they wish to know and talk about. He describes concrete situations in which the reader might find himself having to speak about places he's never been, and he chronicles some of his own experiences and offers practical advice.
How to Talk About Places You Haven't Been is a compelling and delightful book that will expand any travel enthusiast's horizon well beyond the places it's even possible to visit in a single lifetime.
‘Cool, sparse, and delicious, Esther Gerritsen’s Craving hits all the right notes. This is an author who is unafraid of both complex characters and complex emotion (Thank God!).’—Alice Sebold, author of The Lovely Bones
Elisabeth is dying. Coco jumps at this chance to prove her love, and promptly moves in with her deteriorating mother. A venture that quickly sends both parties spiraling out of control. Alongside a supporting cast of ex-bosses, ex-husbands, and (soon to be ex) boyfriends, the two women attempt to work through the annals of their dark yet often wildly humorous relationship. Psychologically astute and eye-poppingly candid, this is a tale about both excess and denial in which some things perhaps would have been better left unspoken. Sometimes the only person who understands you in this world is your hairdresser…
Gerritsen’s sparse and lucid prose chimes with the absurdist logic and melancholy wit of characters as true as they are ridiculous.
"An ode to the imagination."—NRC Handelsblad
A joy to read, La Superba, winner of the most prestigious Dutch literary prize, is a Rabelaisian, stylistic tour-de-force. Migration, legal and illegal, is at the center of this novel about a writer who becomes trapped in his walk on the wild side in mysterious and exotic Genoa, the labyrinthine port city nicknamed "La Superba."
Ilja Leonard Pfeijffer (b. 1968), poet, dramatist, novelist, renowned in the Netherlands as a master of language, is the only two-time winner of the Tzum Prize for "the most beautiful sentence written in Dutch" (including one in La Superba!).
From an award-winning Dutch author comes a heartbreaking and poetic novel about a couple’s lasting love and their dedication to living out their dream.
Dutch couple Sarie and Barend Vervoort celebrate their retirement by buying a camper van and hitting the road. Their intention is to drive around Europe, fulfilling Sarie’s wanderlust and returning to some of the places they traveled together when they first met, in 1968.
But then Sarie falls seriously ill—diagnosed with stage IV lung cancer. The tragic discovery forces them to completely redefine their trip. Bravely, they hold on to what has bound them together from the beginning: the wish to live fulfilling lives, based on a great love. As Sarie decides to squarely face what is coming, Barend protects her physically, emotionally, and mentally by enabling this last, unbearably intimate trip as they retrace the entirety of their life—from its beginnings to its inevitable end.
A novel of an extraordinary journey, Stage Four explores the beautiful and painful devotion that comes from love, unexpected deliverance, and directing a life slowly slipping away.
Home should be the safest place to be. But when a man forces his way into Lisa’s house, taking her and her young daughter hostage, there is nowhere to hide. Who is this brutal man? And what does he want from an innocent single mother? In hours of torment that turn into days, Lisa desperately tries to stay one step ahead of her captor’s inscrutable mind. And as she does the unimaginable to protect her child, she wonders why the only witness to the attack has not raised the alarm . . .
Meanwhile, that witness is lucky to be alive. Having accidentally seen the crime in progress, Senta sped away in search of help—only to awaken in a hospital bed having lost both her memory and her ability to communicate. In Safe as Houses, Simone van der Vlugt delivers “a lean, stripped-down thriller that hits the ground running and sprints full-tilt to its breathless climax” (The Irish Times).
“Van der Vlugt propels her double-pronged story along with a spare conciseness that has you flipping pages manically” —Metro, UK
Frame by glorious frame, this beautiful graphic novel captures the essence of the Tour de France – the grit and the glory. Since Maurice Garin's inugural victory in 1903, hundreds of thousands of kilometers have been covered in pursuit of the yellow jersey and few of them have been without incident or drama. Here are the Tour's legends: Eugene Christophe welding his bicycle back together at the foot of the Pyrenees in 1913; Bartali V Coppi, 1949; Poulidor shoulder-to-shoulder with Anquetil on the Puy de Dome, 1964; Tommy Simpson's death on Ventoux, 1967; Lance Armstrong's domination and disgrace; finishing with Bradley Wiggins' and Chris Froome's victories back-to-back victories for Britain in 2012 and 2013.
'Oh what a fantastic book this is. Not only is it a wonderfully concise history of the Tour, it is quite ravishing to behold. I adored it.' Observer.