Mirror Mirror: A Novel Kindle Edition
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- In this edition, page numbers are just like the physical edition
- Length: 320 pages
- Word Wise: Enabled
- Enhanced Typesetting: Enabled
- Page Flip: Enabled
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From the Back Cover
The year is 1502, and seven-year-old Bianca de Nevada lives perched high above the rolling hills and valleys of Tuscany and Umbria at Montefiore, the farm of her beloved father, Don Vincente.
But one day a noble entourage makes its way up the winding slopes to the farm-and the world comes to Montefiore. In the presence of Cesare Borgia and his sister, the lovely and vain Lucrezia-decadent children of a wicked pope-no one can claim innocence for long. When Borgia sends Don Vicente on a years-long quest to reclaim a relic of the original Tree of Knowledge, he leaves Bianca under the care-so to speak-of Lucrezia. She plots a dire fate for the young girl in the woods below the farm, but in the dark forest there can be found salvation as well . . .
The eye is always caught by light, but shadows have more to say.--This text refers to the hardcover edition.
- ASIN : B000FC12UU
- Publisher : William Morrow (March 17, 2009)
- Publication date : March 17, 2009
- Language : English
- File size : 1991 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Print length : 320 pages
- Page numbers source ISBN : 006039384X
- Lending : Not Enabled
- Best Sellers Rank: #732,033 in Kindle Store (See Top 100 in Kindle Store)
- Customer Reviews:
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Top reviews from the United States
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I read "Confessions of An Ugly Stepsister" after I finished the "Wicked" series. I thought it was a wonderful retelling of "Cinderella" and I just knew that when I picked up "Mirror, Mirror" I'd be captivated from the first page. I was sadly disappointed. I had so much trouble getting through all the description of Montefiore. It seemed that Maguire could go on and on for pages and pages about the landscape and architecture. Beautiful descriptions, don't get me wrong, but there was simply too much of it. Also, Vicente's personality is so drab to me, and I didn't understand why it was necessary to spend so much time describing his moods and behaviors. I also feel as if there was entirely too much back story of the Borgia's. This could be because I've never been a fan of history, especially regarding a family from 1500 Italy. It was just boring, and unnecessary to the plot. I feel Maguire could have compressed their history into less pages, leaving more room for the actual story to develop. Even the hunters history was more lengthy than it needed to be.
I am disappointed that it has taken half the book for the story to really get started. I haven't finished this book yet, and am debating whether I should. I have never had to force myself to read any of Maguire's books and am sad that that's what I've had to do with this one since the first sentence. I can't imagine the story unfolding as it should with only the last half of the book remaining. Seems to me it's going to be a mad dash to the end, which won't end well.
In a nutshell, that was the main problem I had with Mirror Mirror: though Maguire's descriptions were as textured as ever, the fragmented narration made it difficult to fully relate to the characters. The characterization in his other books was so layered that I cared about the major and minor characters alike (even in Son of a Witch, which while good was not quite as dazzling as its predecessor). This story focuses on Bianca and her father, Vicente, but I did not feel particularly connected to either of them - they seemed to function more as symbolic placeholders than as actual people. The one real exception to this problem was Lucrezia Borgia: Mirror Mirror was really her tale, and she was by far the most engaging character to me. But her voice is only peppered throughout the narrative; Bianca, Vicente, and the dwarves also speak at different times, and I found the structure too fragile to be effective.
The magical elements in this story did not gel for me, either. The magical elements in Wicked were inherent to the story and Confessions used folk superstition to create an air of the supernatural, but I did not feel I had to totally suspend disbelief to read either one. With Mirror Mirror, though, the branch from the Tree of Knowledge was a hard pill to swallow (what the heck was up with the final chapter?), as was the dwarves' characterization. The dwarves are first described as primitive creatures born of the earth, more mineral than human, yet simply by Bianca speaking to them are they able to speak the languages of men with complete fluency. While I realized that Maguire was asking the reader to explore the idea of imagining something into your own reality, that whole concept seemed out of place in this setting.
I managed to finish this book because I do adore Maguire's descriptive prowess and the sly wit he incorporates into the dialogue, but Mirror Mirror is definitely not his best showing - which is sad, because he had some fantastic ideas to work with. If you're a fist-time Maguire reader, start with Wicked or Confessions of an Ugly Stepsister.
As the years passed, Cesare became enchanted with the young Bianca, much to the dismay of his sister, Lucrezia. In a fit of jealousy, she hired a huntsman to take Bianca into the woods to get rid of her so beginning Gregory Maguire's unique spin on the Snow White story.
It's filled with all the things that everyone already knows about Snow White: the magic mirror, a poisoned apple, the seven dwarfs (though they aren't the cute ones from the movie). Yet, Maguire has set them in a real place, 16th century Italy, with real historical figures playing major roles, such as Lucrezia Borgia as the great wicked-stepmother-type. She's perfect inthe part, especially with the notorious background of the Borgias. It reads almost as if it were a real chapter in the Borgia history.
I found the story incredibly entertaining and didn't want to put the book down once I began. Taking a well-known story and making it new is a difficult task which Maguire handles with ease, much like in his other works. A fine and entertaining book.
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