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Mockingjay (The Hunger Games) Hardcover – September 1, 2010
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Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made it out of the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who do they think should pay for the unrest? Katniss. And what's worse, President Snow has made it clear that no one else is safe either. Not Katniss's family, not her friends, not the people of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises to be one of the most talked about books of the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said from the start that The Hunger Games story was intended as a trilogy. Did it actually end the way you planned it from the beginning?
A: Very much so. While I didn't know every detail, of course, the arc of the story from gladiator game, to revolution, to war, to the eventual outcome remained constant throughout the writing process.
Q: We understand you worked on the initial screenplay for a film to be based on The Hunger Games. What is the biggest difference between writing a novel and writing a screenplay?
A: There were several significant differences. Time, for starters. When you're adapting a novel into a two-hour movie you can't take everything with you. The story has to be condensed to fit the new form. Then there's the question of how best to take a book told in the first person and present tense and transform it into a satisfying dramatic experience. In the novel, you never leave Katniss for a second and are privy to all of her thoughts so you need a way to dramatize her inner world and to make it possible for other characters to exist outside of her company. Finally, there's the challenge of how to present the violence while still maintaining a PG-13 rating so that your core audience can view it. A lot of things are acceptable on a page that wouldn't be on a screen. But how certain moments are depicted will ultimately be in the director's hands.
Q: Are you able to consider future projects while working on The Hunger Games, or are you immersed in the world you are currently creating so fully that it is too difficult to think about new ideas?
A: I have a few seeds of ideas floating around in my head but--given that much of my focus is still on The Hunger Games--it will probably be awhile before one fully emerges and I can begin to develop it.
Q: The Hunger Games is an annual televised event in which one boy and one girl from each of the twelve districts is forced to participate in a fight-to-the-death on live TV. What do you think the appeal of reality television is--to both kids and adults?
A: Well, they're often set up as games and, like sporting events, there's an interest in seeing who wins. The contestants are usually unknown, which makes them relatable. Sometimes they have very talented people performing. Then there's the voyeuristic thrill—watching people being humiliated, or brought to tears, or suffering physically--which I find very disturbing. There's also the potential for desensitizing the audience, so that when they see real tragedy playing out on, say, the news, it doesn't have the impact it should.
Q: If you were forced to compete in the Hunger Games, what do you think your special skill would be?
A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I was trained in sword-fighting, I guess my best hope would be to get hold of a rapier if there was one available. But the truth is I'd probably get about a four in Training.
Q: What do you hope readers will come away with when they read The Hunger Games trilogy?
A: Questions about how elements of the books might be relevant in their own lives. And, if they're disturbing, what they might do about them.
Q: What were some of your favorite novels when you were a teen?
A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord of the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)
From School Library Journal
- ASIN : 0439023513
- Publisher : Scholastic Press; 1st edition (September 1, 2010)
- Language : English
- Hardcover : 391 pages
- ISBN-10 : 9780439023511
- ISBN-13 : 978-0439023511
- Reading age : 12+ years, from customers
- Lexile measure : 800L
- Grade level : 7 and up
- Item Weight : 1.06 pounds
- Dimensions : 5.75 x 1.25 x 8.5 inches
- Best Sellers Rank: #8,730 in Books (See Top 100 in Books)
- Customer Reviews:
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Reviewed in the United States on May 18, 2022
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I also heard a few people express disappointment in the conclusion of the Katniss/Peeta storyline. I've read people's reviews taking issue with how Katniss and Peeta are represented at the end of Mockingjay, asking "Where's the passion?" Passion? Are they insane? First of all, the story is told in first person by a character who is admittedly not at all comfortable being demonstrative and doesn't respond well to those who are. There was never going to be a hearts/candy/flowers declaration happening here. Peeta has a borderline obssessive love for Katniss throughout most of the trilogy. The way I read the story, by the end of the first Hunger Games, she returns the feeling. Though hesitant to think why she does the things she does, or to state it aloud, she expresses it in so many different ways throughout the remainder of the trilogy, there really is no doubt. Despite the fact that she is suffering major PTSD, she agrees to take on the stress of being the symbol of revolution and take a front line role to bring him back. Regardless of the amount of trauma they both endure, they still eventually turn back to each other. Gale was a strong character, but he had not gone through what Katniss did in the arena and would never have been able to understand that part of her. The time she spends clinging to him and avoiding Peeta is essentially an attempt to return to the person she was before the games (which was never going to happen). Peeta was the walking, living, breathing reminder of the trauma endured. I thought it telling that Peeta returned to Region 12. Like Gale, he could have gone anywhere when it was all over, yet he went where Katniss was. Really, Katniss, Peeta and Haymitch needed each other to become human again (or as human as they were ever going to be). Katniss reminded me of uncles I had who, when they returned from war, sat in a darkened room, staring at a wall day after day for over a year before they could handle being amongst the living again.
I'll admit part of me would have liked President Snow's demise to be more than it was. Considering the amount of suffering he caused, part of me is bloodthirsty enough to have wanted him to suffer a great deal more. There are also characters I would have liked to survive (Finnick, Cinna, and Prim to name a few), but their deaths helped to illustrate the randomness and unfairness of death in wartime.
There are parts of this story we'll never get to see because it is told from Katniss' point of view. We see only what she sees and know only what she thinks is going on. I, for one, would be interested in knowing more about events of the story from Peeta and/or Haymitch's point of view. Peeta's fight back from his memory hijacking would be an intriguing read.
Ultimately, I found this book engaging, infuriating, exhausting, and funny all at the same time. To have had Katniss serene and sweetly declaring life to be sunshine, lollipops, and rainbows would have been absurd. She is with a husband (partner?) whom she loves and is utterly devoted to. She has two children she loves, but is worried what they will think when they know the role their parents played in the past. She and Peeta are happy, but remain somewhat haunted which is perfectly realistic for what the characters have gone through.
I had little to no expectations when I first started reading the Hunger Games Trilogy. If a book is trending and seems interesting, I will add it to my “to read” list. This is how I first started reading Suzanne Collins’ The Hunger Games. After finishing Mockingjay, I was blown away. All I could think was, how many of the YA readers will understand the nuances of Collins’ message?
She hooked you in with the “will she or won’t she” scenario. “Will she or won’t she” pick Peeta or Gale? “Will she or won’t she” survive a game that does not allow for love to shine through? Those questions get you through the first book, and possibly half way through the second book, but those same questions are a moot point with Mockingjay.
Mockingjay stripped you of your hopeless romantic naiveté. There is no room for romance when the world is collapsing around you. There is barely room to breathe. There are no good guys or bad guys, only survivors. Mockingjay asks difficult moral questions: can man ever hold seats of power without corruption? Can war ever actually solve a dispute? At what price is man willing to pay for absolute power?
I won’t even go into Collins’ varied symbolisms. Part of the pleasure of reading is finding them yourselves and asking yourself what the author is telling you, the reader. It becomes a communication between the author and the reader. It makes the novel Mockingjay even more important because it is written for younger readers, our future, those that will decide the world events of tomorrow. Collins does all this without a lecture, without loosing her characters or her plot, she has crafted an incredibly well written story that I would gladly recommend to anyone who asks.
After I finished reading Mockingjay I had the same feeling as I had when I finished reading The Lord of the Flies so many years ago. Yes, I am comparing Mockingjay to a classic. There is no way around it. Mockingjay, like Lord of the Flies, asks you deep moralistic questions through the point of view of young characters. This is simply another great novel that makes you go hmmm.
My favorite quotes from Mockingjay:
“Frankly, our ancestors don’t seem much to brag about. I mean, look at the state they left us in, with the wars and the broken planet. Clearly, they didn’t care about what would happen to the people who came after them.”
“It’s a saying from thousands of years ago, written in a language called Latin about a place called Rome,” he explains. “Panem et Circuses translates into ‘Bread and Circuses’. The writer was saying in return for full bellies and entertainment, his people had given up their political responsibilities and therefore their power.”
“Something is significantly wrong with a creature that sacrifices its children’s lives to settle its differences.”
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Lastly, I was team Gale all the way.
Shaming as well as shameful: To date, I wonder how many children have been sacrificed in wars around our world? How many countless children suffer near starvation on this planet, when half the world throw tons upon tons of food into the garbage? How trivial is our obsession with appearance: plastic surgery, boob jobs; whilst thousands upon thousands of children don't even have clean water to drink.
If you think Ms. Collins has written a thrilling dystopian novel, you're right, she has. Now read it again: the message is Loud and Clear:
'Because something is significantly wrong with a creature that sacrifices its children's lives to settle its differences.' And she's not talking about the Capitol.
I have read the hell out of these books in the past week - all three of them. It's a tremendously satisfying series of books and every single one of them was hugely enjoyable. However, the last book suffers (a little) from several issues. The first is that it just doesn't feel as coherent as the first two - without the driving force of the Games themselves, it has to be a very different book and the characters don't feel quite so credible to me. The second is that the ending seems to undermine most of the central messages I took from the book. It just doesn't gel - it's a jarring misstep to my sensibilities. The third is that the horror of the central plot-line loses a lot of its impact with the half-hearted way in which events are described. Certain characters, I feel, deserved better in their final send-offs.
Don't get me wrong - it's still an intensely good book, and a reasonably good cap-stone to a tremendous trilogy. It doesn't take away from how good the first two books are, and it stands up well as a book in and of its own rights. It's just I came away from it feeling a little colder than I think I would have if some other paths had been taken.
(Pls listen to this bit carefully...)
I recommend this book for ages 10-12 so please do not read the books in this series if you are younger because it is extremely vilolent. Please do not even read the series if you are even 9 years old. I started reading this book when I was 10 years old so I wasn't realy scared.
Anyway, overall I love this book and pls buy this book (if you are the right age) because I think you would enjoy this book a lot.