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The One Inside by [Sam Shepard, Patti Smith]
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The One Inside Kindle Edition

4.3 out of 5 stars 79 ratings

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Editorial Reviews

Review

“As his friend Patti Smith writes in a foreword, this character (‘a loner who doesn’t want to be alone’) is, simultaneously, Shepard, ‘sort of him, not him at all.’ Like so many of Shepard’s plays and short stories, this narrative explores the confusions of identity, the pull between freedom and roots, and the hard-to-erase dissonances of family life. . . . Memories of these women—along with memories of acting jobs, travels and childhood exploits—are woven together here, along with dreams, fantasies and Bosch-like hallucinations. The overall effect recalls Fellini’s 1963 masterpiece 8 ½, in which the real, the surreal and the imagined converge, as its film director hero thinks back upon the women in his life. . . . Will remind Shepard fans of the surreal images that bloom in his plays—at once feverish projections of his characters’ imaginations, and richly complex symbols used by the author to create a metaphorical, Bunuel-like landscape. The One Inside . . . provides a sharp-edged distillation of the themes that have preoccupied him throughout his career, and serves as a kind of Rosetta stone to such remarkable plays as Fool for Love, A Lie of the Mind, Buried Child and True West.”
—Michiko Kakutani, The New York Times
 
 “[The One Inside] takes it place as a satisfying chapter in the autobiographical stream of consciousness that flows through his plays. Masculinity and its perils, the primitive drama of sibling and father-son rivalry, are the wellsprings of Shepard’s work. Here the narrator realizes he’s a year older than his father was when he died, but the man still looms over the present. The bomber pilot of World War II figures in hallucinatory portraits, vignettes that are the son’s way of steer-wrestling him to earth. . . . The narrator wrestles with phony parts, dons costumes in an agony, as if they were medieval torture instruments. He seeks authenticity, even as he creates art and artifice as a métier. He’s a man of the West, of feedlots and ramshackle cabins, of a silence punctuated only by the sound of crickets, but a man of words as well. He’s conflicted, the intellectual versus the Marlboro man, or, as Patti Smith says in her introduction, ‘he’s a loner who doesn’t want to be alone, grappling with the incubus.’”
—Molly Haskell, The New York Times Book Review
 
 “Feels less like a novel than a collection of prose poems, tied together not so much by plot as by theme and mood, a certain bleak but vital vision of the world, and by the presiding consciousness of the book's unnamed central character. It is, at any rate, an interesting late-career move—something new, and at the same time something quite familiar—for a writer who has already established himself as an essential modern American playwright. . . . The book's characters, and the expansive, desolate, mildly surrealistic landscape they inhabit—Shepard's version of the American Southwest, still mythic and romantic in a post-modern way, but also tawdry and brutal—will be recognizable to anyone who has experienced his plays. . . . Its dreamlike imagery, its vision of the inherent instability of human existence and its occasional flashes of humor are frequently compelling, and there is something not only admirable but magnetic about its obstinacy, a kind of integrity manifest in its refusal to give readers the easy answers we so often seek, or the sense of resolution we so often crave.”
—Troy Jollimore, Chicago Tribune
 
Moving . . . limns these universal, if particularly masculine, questions of sex and death. . . . When Shepard sets himself more earnestly to the idea of producing self-profundities, he’s remarkably successful at rendering his long career of storytelling in relief. On a movie set, readying himself for a scene, the narrator contemplates his character’s essentialism, seizing on the idea of ‘exile. The sense of being apart as a way of life. How it comes to pass that a human is set adrift.” He’s uniquely prepared for this role: ‘My whole life was a preamble.’”
—Molly Boyle, Santa Fe New Mexican
 
“Meditative and valedictory. . . . Since this is Shepard, the protagonist is riding a sharp and polished knife’s edge as he muses; he’s trying to persuade a young woman not to publish some dark and damning phone conversations they’ve had together. Memories of his father, especially during wartime; of his father’s girlfriend, with whom he also became involved (with tragic consequences); and of the vibrant American landscape inform the narrative. Reflections on how acting, writing, and filmmaking really feel make this more than a novel about plot. Another plus: Patti Smith provides the introduction.”
—Barbara Hoffert, Library Journal

About the Author

SAM SHEPARD was the Pulitzer Prize–winning author of more than fifty-five plays, three story collections, and two works of prose fiction. As an actor, he appeared in more than sixty films, and received an Oscar nomination in 1984 for The Right Stuff. He was a finalist for the W. H. Smith Literary Award for his story collection Great Dream of Heaven. In 2012 he was awarded an honorary doctorate from Trinity College, Dublin. He was a member of the American Academy of Arts and Letters, received the Gold Medal for Drama from the Academy, and was inducted into the Theater Hall of Fame. He died in 2017. --This text refers to the paperback edition.

Product details

  • ASIN ‏ : ‎ B01FPH0IYU
  • Publisher ‏ : ‎ Vintage; 1st edition (February 7, 2017)
  • Publication date ‏ : ‎ February 7, 2017
  • Language ‏ : ‎ English
  • File size ‏ : ‎ 1457 KB
  • Text-to-Speech ‏ : ‎ Enabled
  • Screen Reader ‏ : ‎ Supported
  • Enhanced typesetting ‏ : ‎ Enabled
  • X-Ray ‏ : ‎ Not Enabled
  • Word Wise ‏ : ‎ Enabled
  • Print length ‏ : ‎ 193 pages
  • Page numbers source ISBN ‏ : ‎ 045149458X
  • Lending ‏ : ‎ Not Enabled
  • Customer Reviews:
    4.3 out of 5 stars 79 ratings

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Sam Shepard was born in 1943 in Fort Sheridan, Illinois. He moved to New York from California just as the off-Broadway theatre scene was emerging. He has written more than forty plays, of which elev en have won 'Obie' awards, besides collections of stories, prose writing and screenplays. His plays include Buried Child, The Late Henry Moss, Simpatico, Curse of the Starving Class, True West, Fool for Love, A Lie of the Mind, and States of Shock. His screenplay for Paris, Texas won the Golden Pa lm Award at the 1984 Cannes Film Festival and he directed his own screenplay, Far North, in 1988. A member of the American Academy of Arts and Letters, Shepard received the Gold Medal for Drama from the Academy in 1992, and in 1994 he was inducted into the Theatre Hall of Fame.

Customer reviews

4.3 out of 5 stars
4.3 out of 5
79 global ratings

Top reviews from the United States

Reviewed in the United States on April 22, 2017
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Top reviews from other countries

Dorian Gray
5.0 out of 5 stars The One Inside : Time Out Of Mind
Reviewed in the United Kingdom on May 22, 2020
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5.0 out of 5 stars The One Inside : Time Out Of Mind
Reviewed in the United Kingdom on May 22, 2020
Patti Smith ( who wrote the Introduction ) recalls being with Sam Shepard in 2016 and writing alongside him . She was working on what would become Year Of The Monkey . Was he working on The One Inside ?? More than ever probably . If the words of her Introduction are anything to go by : It occurred to me that everything I ever knew of Sam , and he of me , is still inside of us .

Then there's that similarity of writing style . Forged in the 1970s when they co-wrote that play together - Cowboy Blues - by pushing a type-writer back + forth across the floor . Was this cross-fertilization of ideas re-kindled all those years later ?? More than ever probably . According to Patti , in 2016 they swapped manuscripts and discussed one another's writing projects . Its striking how many of her books ( Year of The Monkey , M Train , Woolgathering , Devotion ) read like his .

Sam Shepard . The One Inside . A perfectly realized snapshot of the interior of one man's mind . The perils of masculinity , relationships that won't grow , reflections from the past . In the words of Chicago Tribune : Mythic . Romantic . Vital + Compelling .
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5.0 out of 5 stars Five Stars
Reviewed in the United Kingdom on October 18, 2017
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Jackie Caris
5.0 out of 5 stars Five Stars
Reviewed in the United Kingdom on December 4, 2017
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Alysson Oliveira
5.0 out of 5 stars Cowboy despedaçado
Reviewed in Brazil on March 1, 2017
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Crane Glider
3.0 out of 5 stars Not quite sure what to make of this eclectic collection
Reviewed in Australia on May 20, 2018
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