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The Parasite Paperback – August 1, 1981
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- LanguageEnglish
- PublisherPocket
- Publication dateAugust 1, 1981
- ISBN-100671419056
- ISBN-13978-0671419059
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Product details
- Publisher : Pocket (August 1, 1981)
- Language : English
- ISBN-10 : 0671419056
- ISBN-13 : 978-0671419059
- Item Weight : 5.6 ounces
- Best Sellers Rank: #3,412,996 in Books (See Top 100 in Books)
- #11,509 in Ghost Fiction
- Customer Reviews:
About the author

Ramsey Campbell (born 4 January 1946 in Liverpool) is an English horror fiction writer, editor and critic who has been writing for well over fifty years. Two of his novels have been filmed, both for non-English-speaking markets.
Since he first came to prominence in the mid-1960s, critics have cited Campbell as one of the leading writers in his field: T. E. D. Klein has written that "Campbell reigns supreme in the field today", and Robert Hadji has described him as "perhaps the finest living exponent of the British weird fiction tradition", while S. T. Joshi stated, "future generations will regard him as the leading horror writer of our generation, every bit the equal of Lovecraft or Blackwood."
Bio from Wikipedia, the free encyclopedia. Photo by Jamiespilsbury (Own work) [CC BY-SA 4.0 (http://creativecommons.org/licenses/by-sa/4.0)], via Wikimedia Commons.
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So I was anxious to read more of Campbell, so I finally got my hands on a copy of THE PARASITE. And I was not disappointed. Campbell still writes that cool, icy prose line that was so distinctive in THE DOLL, but he takes even more chances with this book. I won't say it's better than his first novel, but it's different. In much the same way as King's first three novels, all great, were all quite different from the other two.
Using real-life horrors from the past in horror fiction is always a risky business. In this case the horror in question is the Holocaust, barely thirty years in the past when the book was written, and Campbell uses it in a particularly nasty and frightening way.
(I should note that by nasty I do not mean offensive; I don't think anyone will find what he's done here insulting or degrading.)
Risky as it is, the use of Nazi Germany by writers of horror fantasy is a fairly common practice; even writers as notable as Kurt Vonnegut and Ira Levin have prospected in that mine. Most of the books are perfectly dreadful, of course, but when a Vonnegut, a Levin, or a Campbell gets hold of this material, hold on; you are in for a fearsome ride.
Describing the plot is difficult because it is so minimal: the central character is Rose Tierney, a writer, with her husband Bill, of books about the cinema, and they are both also lecturers at the University. Bill's a major character in the novel, and there are about four or five others who are significant, but this is really Rose's story in much the same way as THE EXORCIST: the title suggests the central character is the priest, but it is actually the possessed girl and her desperate mother who are the center of attention.
In brief: As a young girl of about ten, Rose is dragged by some older friends to a makeshift "seance" in an upper room of an abandoned building. Something happens to her there, but we are not told exactly what.
Fast forward twenty years. Rose is happily married and happy in her job; her only regret is that she is infertile. Then she meets Diane, a woman whose interest in the occult begins to jog certain strange memories in Rose that she was not even aware she had. Her happiness is about to be shaken to its core.
The rest of the book is Rose's odyssey to first find out what is happening to her and then to try to do something about it. I can't say any more without spoiling it, but it's a page-turner par excellence; even when not much is happening I found myself glued to the story waiting for the next revelation.
I see some reviewers have said that the book is too long for the story; the suggestion has been put forward that this is actually short story material bulked up to novel length. I do not agree: at 337 pages in paperback, the book is hardly all that long, and it's the "in between" stuff, the parts that some may regard as "filler," where some of the real shudders are to be found, as we learn things about Rose before she even has a clue.
The more Campbell I read, the more I like him. And it's impossible to compare him to anyone else, such as King or Koontz or his countryman James Herbert. Campbell's writings are unique; he goes places most writers would not and his narrative voice is unique in the history of literature of any genre.
First class. A must read.
This book was written in 1980, so it does have a bit of an...older style to it, not quite as fast paced and contemporary as many might prefer. I think it adds to the suspense, though. You have to wait, you're not immediately gratified, and I found that near the end of the novel I didn't want to put the book down. And yes, it's kind of creepy.
If you want a creepy, suspenseful read not lacking one bit in description, this may be your novel.
"There was room for little else but darkness thick as mud and in one corner of the yard an anonymous shrub starved and restless"
shrubs get restless? I thought that all shrubs were anonymous
"The dark closed around the young girl like the embrace of a fever "
"Beneath the lid of an overcast sky , a jumpy nerve tried to pluck at her lips "
" When she tried to stand up, her legs were water pouring over the edge of the couch "
"She heard a tap abruptly relieving itself "
"She felt the blanket pucker in her hands, and gape like ragged mouths "
"Wallpaper the color of old newsprint soaked up much of the brownish light ,which seemed thick as gravy"
"Cows were large pale standing stones ....gulls sailed down like flakes of the lonely full moon ,the river was a torrent of milk through which a luminous liner was gliding "
"Obscured by the frosted glass and surrounded by an aura of fragments of flesh, the woman seemed to be alone "
"A spark of migraine, pricked her vision a group of toddlers watched her their eyes painted into their sockets "
There are so many more examples.
I beg the author to find a good editor. Please? The 15% that I managed to get through was excruciatingly difficult.
I'm sure that there are plenty of people who like this type of writing, if you are one of those, I'm sure that you'll enjoy this story immensely. Me? Not so much.
Some of Campbell's writing was a bit wordy, and I felt he was a bit excessive on setting the scenery. I appreciate an author who will be descriptive in the details of the story, but this book was so overdone it stalled the pace of the tale. I'll still read more of his works, and hope it turns out better next time.
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I didn’t like the lead character and found her annoying as was her husband, they appeared wooden and I had zero sympathy for either of them. Definitely a dud when I’ve read free kindle books that outshone this ten fold!

I have greatly enjoyed Ramsey Campbell books in the past, but to my recall, this isn't his usual style at all. I love the colour purple, but not for prose! I mostly like long books I can 'get my teeth into', but this is so heavy on florid, often turgid description of the protagonist's sensory input (OK we get it - she's overwrought and hypersensitive, but enough already!), that I'm thinking, 'It's only 369 print pages? Feels like twice that, and I'm only 3/4 through.' The difficulty in identifying the speaker in some of the dialogue, mentioned by another reviewer, may be down to inexpert paragraphing when rendering into e-format; not so, the frequent, irritating need to read a sentence twice to decipher it.
Not sure why so little of Campbell's stuff is available in Kindle - or even still in print, apparently. Guess out-and-out 'horror' is out of fashion now.
Maybe it's because it's so different from his usual, that this one has been picked out for e-publication. However, 'approach with caution' would be my advice to fans of the 'traditional' Ramsey Campbell.


