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About Patricia Lockwood
Patricia Lockwood is the author of four books, including the 2021 novel "No One Is Talking About This," an international bestseller, finalist for the Booker Prize and the Women’s Prize for Fiction, and translated into 20 languages. Her 2017 memoir "Priestdaddy" won the Thurber Prize for American Humor and was named one of the Guardian's 100 best books of the 21st century. She also has two poetry collections, "Motherland Fatherland Homelandsexuals" (2014) and "Balloon Pop Outlaw Black" (2012). Lockwood's work has appeared in the New York Times, the New Yorker, and the London Review of Books, where she is a contributing editor. She lives in Savannah, Georgia.
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FINALIST FOR THE WOMEN’S PRIZE
FINALIST FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE
“A book that reads like a prose poem, at once sublime, profane, intimate, philosophical, witty and, eventually, deeply moving.” —New York Times Book Review, Editors’ Choice
“Wow. I can’t remember the last time I laughed so much reading a book. What an inventive and startling writer…I’m so glad I read this. I really think this book is remarkable.” —David Sedaris
From "a formidably gifted writer" (The New York Times Book Review), a book that asks: Is there life after the internet?
As this urgent, genre-defying book opens, a woman who has recently been elevated to prominence for her social media posts travels around the world to meet her adoring fans. She is overwhelmed by navigating the new language and etiquette of what she terms "the portal," where she grapples with an unshakable conviction that a vast chorus of voices is now dictating her thoughts. When existential threats--from climate change and economic precariousness to the rise of an unnamed dictator and an epidemic of loneliness--begin to loom, she posts her way deeper into the portal's void. An avalanche of images, details, and references accumulate to form a landscape that is post-sense, post-irony, post-everything. "Are we in hell?" the people of the portal ask themselves. "Are we all just going to keep doing this until we die?"
Suddenly, two texts from her mother pierce the fray: "Something has gone wrong," and "How soon can you get here?" As real life and its stakes collide with the increasingly absurd antics of the portal, the woman confronts a world that seems to contain both an abundance of proof that there is goodness, empathy, and justice in the universe, and a deluge of evidence to the contrary.
Fragmentary and omniscient, incisive and sincere, No One Is Talking About This is at once a love letter to the endless scroll and a profound, modern meditation on love, language, and human connection from a singular voice in American literature.
NAMED ONE OF THE 50 BEST MEMOIRS OF THE PAST 50 YEARS BY THE NEW YORK TIMES
SELECTED AS A BEST BOOK OF THE YEAR BY:
The Washington Post * Elle * NPR * New York Magazine * Boston Globe * Nylon * Slate * The Cut * The New Yorker * Chicago Tribune
WINNER OF THE THURBER PRIZE FOR AMERICAN HUMOR
“Affectionate and very funny . . . wonderfully grounded and authentic. This book proves Lockwood to be a formidably gifted writer who can do pretty much anything she pleases.” – The New York Times Book Review
From Booker Prize finalist Patricia Lockwood, author of the novel No One Is Talking About This, a vivid, heartbreakingly funny memoir about balancing identity with family and tradition.
Father Greg Lockwood is unlike any Catholic priest you have ever met—a man who lounges in boxer shorts, loves action movies, and whose constant jamming on the guitar reverberates “like a whole band dying in a plane crash in 1972.” His daughter is an irreverent poet who long ago left the Church’s country. When an unexpected crisis leads her and her husband to move back into her parents’ rectory, their two worlds collide.
In Priestdaddy, Lockwood interweaves emblematic moments from her childhood and adolescence—from an ill-fated family hunting trip and an abortion clinic sit-in where her father was arrested to her involvement in a cultlike Catholic youth group—with scenes that chronicle the eight-month adventure she and her husband had in her parents’ household after a decade of living on their own. Lockwood details her education of a seminarian who is also living at the rectory, tries to explain Catholicism to her husband, who is mystified by its bloodthirstiness and arcane laws, and encounters a mysterious substance on a hotel bed with her mother.
Lockwood pivots from the raunchy to the sublime, from the comic to the deeply serious, exploring issues of belief, belonging, and personhood. Priestdaddy is an entertaining, unforgettable portrait of a deeply odd religious upbringing, and how one balances a hard-won identity with the weight of family and tradition.
SELECTED AS A BEST BOOK OF THE YEAR:
The New York Times * The Boston Globe * Powell's * The Strand * Barnes & Noble * BuzzFeed * Flavorwire
Look out for Lockwood’s memoir, Priestdaddy, coming in May 2017
Colloquial and incantatory, the poems in Patricia Lockwood’s second collection address the most urgent questions of our time, like: what if a deer did porn? Is America going down on Canada? What happens when Niagara Falls gets drunk at a wedding? Is it legal to marry a stuffed owl exhibit? What would Walt Whitman’s tit-pics look like? Why isn’t anyone named Gary anymore? Did the Hatfield and McCoy babies ever fall in love? The steep tilt of Lockwood’s lines sends the reader snowballing downhill, accumulating pieces of the scenery with every turn. The poems’ subject is the natural world, but their images would never occur in nature. This book is serious and funny at the same time, like a big grave with a clown lying in it.
»Und keiner spricht darüber« ist ein Liebesbrief an Sprache und Literatur und gleichzeitig eine moderne Meditation über Liebe und die Kraft menschlicher Nähe.