"Books can have teeth. A whole mouthful of them. The Pallbearers Club has a whole lifetime of them." —Stephen Graham Jones, New York Times bestselling author of My Heart Is a Chainsaw

A cleverly voiced psychological thriller about an unforgettable—and unsettling—friendship, with blood-chilling twists, crackling wit, and a thrumming pulse in its veins—from the nationally bestselling author of The Cabin at the End of the World and Survivor Song.

What if the coolest girl you’ve ever met decided to be your friend?

Art Barbara was so not cool. He was a seventeen-year-old high school loner in the late 1980s who listened to hair metal, had to wear a monstrous back-brace at night for his scoliosis, and started an extracurricular club for volunteer pallbearers at poorly attended funerals. But his new friend thought the Pallbearers Club was cool. And she brought along her Polaroid camera to take pictures of the corpses.

Okay, that part was a little weird.

So was her obsessive knowledge of a notorious bit of New England folklore that involved digging up the dead. And there were other strange things – terrifying things – that happened when she was around, usually at night. But she was his friend, so it was okay, right?

Decades later, Art tries to make sense of it all by writing The Pallbearers Club: A Memoir. But somehow this friend got her hands on the manuscript and, well, she has some issues with it. And now she’s making cuts.

Seamlessly blurring the lines between fiction and memory, the supernatural and the mundane, The Pallbearers Club is an immersive, suspenseful portrait of an unusual and disconcerting relationship.

Soon to be a major motion picture directed by M. Night Shyamalan, Knock at the Cabin

 “A tremendous book―thought-provoking and terrifying, with tension that winds up like a chain. The Cabin at the End of the World is Tremblay’s personal best. It’s that good.” — Stephen King

The Bram Stoker Award-winning author of A Head Full of Ghosts adds an inventive twist to the home invasion horror story in a heart-palpitating novel of psychological suspense that recalls Stephen King’s Misery, Ruth Ware’s In a Dark, Dark Wood, and Jack Ketchum’s cult hit The Girl Next Door.

Seven-year-old Wen and her parents, Eric and Andrew, are vacationing at a remote cabin on a quiet New Hampshire lake. Their closest neighbors are more than two miles in either direction along a rutted dirt road.

One afternoon, as Wen catches grasshoppers in the front yard, a stranger unexpectedly appears in the driveway. Leonard is the largest man Wen has ever seen but he is young, friendly, and he wins her over almost instantly. Leonard and Wen talk and play until Leonard abruptly apologizes and tells Wen, "None of what’s going to happen is your fault". Three more strangers then arrive at the cabin carrying unidentifiable, menacing objects. As Wen sprints inside to warn her parents, Leonard calls out: "Your dads won’t want to let us in, Wen. But they have to. We need your help to save the world."

Thus begins an unbearably tense, gripping tale of paranoia, sacrifice, apocalypse, and survival that escalates to a shattering conclusion, one in which the fate of a loving family and quite possibly all of humanity are entwined. The Cabin at the End of the World is a masterpiece of terror and suspense from the fantastically fertile imagination of Paul Tremblay.

“Read Paul Tremblay's new novel, The Cabin at the End of the World, and you might not sleep for a week. Longer. It will shape your nightmares for months – that's pretty much guaranteed.” — NPR

“Gripping, horrifying, and mesmerizing.” — GQ

“A tour-de-force of psychological and religious horror.” — BN.com

“A blinding tale of survival and sacrifice.” — Kirkus Reviews

“Tremblay has a real winner here.” — Tor.com

A family is shaken to its core after the mysterious disappearance of a teenage boy in this eerie tale, a blend of literary fiction, psychological suspense, and supernatural horror from the author of A Head Full of Ghosts.

“A Head Full of Ghosts scared the living hell out of me, and I’m pretty hard to scare,” raved Stephen King about Paul Tremblay’s previous novel. Now, Tremblay returns with another disturbing tale sure to unsettle readers.

Late one summer night, Elizabeth Sanderson receives the devastating news that every mother fears: her thirteen-year-old son, Tommy, has vanished without a trace in the woods of a local park.

The search isn’t yielding any answers, and Elizabeth and her young daughter, Kate, struggle to comprehend Tommy’s disappearance. Feeling helpless and alone, their sorrow is compounded by anger and frustration: the local and state police have uncovered no leads. Josh and Luis, the friends who were the last to see Tommy before he vanished, may not be telling the whole truth about that night in Borderland State Park, when they were supposedly hanging out a landmark the local teens have renamed Devil’s Rock.

Living in an all-too-real nightmare, riddled with worry, pain, and guilt, Elizabeth is wholly unprepared for the strange series of events that follow. She believes a ghostly shadow of Tommy materializes in her bedroom, while Kate and other local residents claim to see a shadow peering through their windows in the dead of night. Then, random pages torn from Tommy’s journal begin to mysteriously appear—entries that reveal an introverted teenager obsessed with the phantasmagoric; the loss of his father, killed in a drunk-driving accident a decade earlier; a folktale involving the devil and the woods of Borderland; and a horrific incident that Tommy believed connects them.

As the search grows more desperate, and the implications of what happened become more haunting and sinister, no one is prepared for the shocking truth about that night and Tommy’s disappearance at Devil’s Rock.

A propulsive and chillingly prescient novel of suspense and terror from the Bram Stoker award–winning author of The Cabin at the End of the World and A Head Full of Ghosts.

“Absolutely riveting.” — Stephen King

In a matter of weeks, Massachusetts has been overrun by an insidious rabies-like virus that is spread by saliva. But unlike rabies, the disease has a terrifyingly short incubation period of an hour or less. Those infected quickly lose their minds and are driven to bite and infect as many others as they can before they inevitably succumb. Hospitals are inundated with the sick and dying, and hysteria has taken hold. To try to limit its spread, the commonwealth is under quarantine and curfew. But society is breaking down and the government's emergency protocols are faltering.

Dr. Ramola "Rams" Sherman, a soft-spoken pediatrician in her mid-thirties, receives a frantic phone call from Natalie, a friend who is eight months pregnant. Natalie's husband has been killed—viciously attacked by an infected neighbor—and in a failed attempt to save him, Natalie, too, was bitten. Natalie's only chance of survival is to get to a hospital as quickly as possible to receive a rabies vaccine. The clock is ticking for her and for her unborn child.

Natalie’s fight for life becomes a desperate odyssey as she and Rams make their way through a hostile landscape filled with dangers beyond their worst nightmares—terrifying, strange, and sometimes deadly challenges that push them to the brink. 

Paul Tremblay once again demonstrates his mastery in this chilling and all-too-plausible novel that will leave readers racing through the pages . . . and shake them to their core.

WINNER OF THE 2015 BRAM STOKER AWARD FOR SUPERIOR ACHIEVEMENT IN A NOVEL

A chilling thriller that brilliantly blends psychological suspense and supernatural horror, reminiscent of Stephen King's The Shining, Shirley Jackson's The Haunting of Hill House, and William Peter Blatty's The Exorcist.

The lives of the Barretts, a normal suburban New England family, are torn apart when fourteen-year-old Marjorie begins to display signs of acute schizophrenia.

To her parents’ despair, the doctors are unable to stop Marjorie’s descent into madness. As their stable home devolves into a house of horrors, they reluctantly turn to a local Catholic priest for help. Father Wanderly suggests an exorcism; he believes the vulnerable teenager is the victim of demonic possession. He also contacts a production company that is eager to document the Barretts’ plight. With John, Marjorie’s father, out of work for more than a year and the medical bills looming, the family agrees to be filmed, and soon find themselves the unwitting stars of The Possession, a hit reality television show. When events in the Barrett household explode in tragedy, the show and the shocking incidents it captures become the stuff of urban legend.

Fifteen years later, a bestselling writer interviews Marjorie’s younger sister, Merry. As she recalls those long ago events that took place when she was just eight years old, long-buried secrets and painful memories that clash with what was broadcast on television begin to surface—and a mind-bending tale of psychological horror is unleashed, raising vexing questions about memory and reality, science and religion, and the very nature of evil.

A New York Times Notable Book

Winner of the Bram Stoker Award

"One of the best collections of the 21st century." — Stephen King

A chilling collection of psychological suspense and literary horror from the multiple award-winning author of the national bestseller The Cabin at the End of the World and A Head Full of Ghosts.

A masterful anthology featuring nineteen pieces of short fiction, Growing Things is an exciting glimpse into Paul Tremblay’s fantastically fertile imagination.

In “The Teacher,” a Bram Stoker Award nominee for best short story, a student is forced to watch a disturbing video that will haunt and torment her and her classmates’ lives.

Four men rob a pawn shop at gunpoint only to vanish, one-by-one, as they speed away from the crime scene in “The Getaway.”

In “Swim Wants to Know If It’s as Bad as Swim Thinks,” a meth addict kidnaps her daughter from her estranged mother as their town is terrorized by a giant monster . . . or not.

Joining these haunting works are stories linked to Tremblay’s previous novels. The tour de force metafictional novella “Notes from the Dog Walkers” deconstructs horror and publishing, possibly bringing in a character from A Head Full of Ghosts, all while serving as a prequel to Disappearance at Devil’s Rock. “The Thirteenth Temple” follows another character from A Head Full of Ghosts—Merry, who has published a tell-all memoir written years after the events of the novel. And the title story, “Growing Things,” a shivery tale loosely shared between the sisters in A Head Full of Ghosts, is told here in full.

From global catastrophe to the demons inside our heads, Tremblay illuminates our primal fears and darkest dreams in startlingly original fiction that leaves us unmoored. As he lowers the sky and yanks the ground from beneath our feet, we are compelled to contemplate the darkness inside our own hearts and minds.

Audible narration by Steven Strait (The Expanse)
What’s more frightening: Not knowing who you are? Or finding out? A Bram Stoker Award–winning author explores the answer in a chilling story about identity and human consciousness.

Imagine you’ve woken up in an unfamiliar room with no memory of who you are, how you got there, or where you were before. All you have is the disconnected voice of an attentive caretaker. Dr. Kuhn is there to help you—physically, emotionally, and psychologically. She’ll help you remember everything. She’ll make sure you reclaim your lost identity. Now answer one question: Are you sure you want to?

Paul Tremblay’s The Last Conversation is part of Forward, a collection of six stories of the near and far future from out-of-this-world authors. Each piece can be read or listened to in a single thought-provoking sitting.

The Bram Stoker Award–winning author of Survivor Song and The Cabin at the End of the World “slices, dices, and spins the neo-noir in his own strange way” in his “fast, smart, and completely satisfying”* debut novel featuring a narcoleptic detective from Southie.

*Stewart O’Nan

The Little Sleep is Paul Tremblay’s nod to Raymond Chandler starring a PI who nods off. Mark Genevich is a South Boston private detective who happens to have a severe form of narcolepsy, which includes hypnagogic hallucinations, like waking dreams. Unsurprisingly, his practice is not exactly booming.

Then one day the daughter of an ambitious district attorney and a contestant on the reality talent show American Star named Jennifer Times comes to him for help—or does she? A man has stolen her fingers, she claims, and she’d like Genevich to get them back. When the PI wakes up from what must surely be a hallucination, the only evidence that his client may have been real is a manila envelope on his desk. Inside are revealing photos of Jennifer. Is Genevich dealing with a blackmailer or an exhibitionist? And where is the mysterious young lady, who hopefully still has her fingers attached?

The detective has no choice but to plunge into what proves to be a bad dream of a case, with twists and turns even his subconscious could not anticipate. Chloroforming the hardboiled crime genre then shaking it awake and spinning it around, Paul Tremblay delivers a wholly original, wildly imaginative, gleefully entertaining noir mystery—guaranteed to keep you up all night, even if Mark Genevich won’t be joining you.

Narcoleptic Southie PI Mark Genevich returns in this sequel to The Little Sleep from the Bram Stoker Award–winning author of Survivor Song and The Cabin at the End of the World.

Like most private eyes, Mark Genevich is something of a lone wolf. So group therapy isn’t a great fit. But his landlord/mother is convinced it will help his narcolepsy—ignoring the fact that his disorder is a physical condition. Truth is, he has the time. It’s been a year and a half since his last big case, or any case.

It’s never a wise choice to go on a two-day bender with someone you meet in group therapy, but there’s something about Gus that intrigues Genevich. And when his new drinking buddy asks him to protect a female friend who’s being stalked, the PI finally has a case. 

Unfortunately, he’s about to sleepwalk right into a very real nightmare. Before long he’s a suspect in an arson investigation and running afoul of everyone from the cops to a litigious lawyer and a bouncer with anger management issues. Genevich must keep his wits about him—always a challenge for a detective prone to unexpected blackouts and hallucinations—to solve the crime and live to show up at his next therapy session.

In Paul Tremblay’s follow-up to The Little Sleep, unreliable narrator Mark Genevich once again leads readers on a surreal and suspenseful wild ride through the mean streets of South Boston and his own dreamlike reality.