Humor, magic and mystery underscore the theme of freedom in this collection of stories drawn from the African-American folktale tradition. Renowned for her knowledge of the genre and seamless manner of delivering it, Hamilton comes together with two prize-winning illustrators to contribute yet another hardy volume. It includes gruesome, suspenseful and fanciful accounts of black history, as well as the narratives of "voices from the past," among them, Hamilton's own ancestors. Along with powerfully evocative pictures, the book has a glossary and notes on the origins and different versions of tales.
The People Could Fly won the 1986
Coretta Scott King Award.
Three winners of multiple honors have created this incomparable book. The Dillons illustrate Hamilton's 24 stories with marvelous pictures alive with the spirit of each: sly humor, mystery, pathos and, most powerfully, the human need for freedom. In the author's introduction and notes, we find information on black history, on the original slave storytellers"voices from the past"that include her own ancestors. The stories are given full effect by Hamilton's use of colloquial language, evoking the artless entertainer relating the exploits of "Bruh Rabbit" and other animal tricksters. The reader's emotional response, however, is to the artists' depictions and the author's narrative in "The People Could Fly." They are the slaves from Gulla who, according to legend, escape the master's abuse one day. "They rose on the air. Say they flew away to Free-dom." (All ages).
Copyright 1985 Reed Business Information, Inc.
From School Library Journal
Grade 4-7 The well-known author here retells 24 black American folk tales in sure storytelling voice. In four groupings she presents seven animal tales (including a tar-baby variant); six fanciful ones (including "Wiley, His Mama, and the Hairy Man" and a tale of which Harper's Gunniwulf Dutton, 1967 is a variant); five supernatural tales (including variants of the Tailypo, John and the Deviland a wild cautionary tale, "Little Eight John"); and finally, six slave tales of freedom, closing with the moving title story. Depending on the sources, some of the tales use a modified dialect for flavor; one told with quite a few words of Gullah dialect has a glossary. All are beautifully readable. The book has a bibliography, and comments follow each tale, including one personal note of a family account involving one of her grandfathers. Two other collections of black folk tales, Courlander's Terrapin's Pot of Sense (Holt, 1957; o.p.) and Faulkner's The Days When the Animals Talked (Follett, 1977; o.p.) are both out of print. With the added attraction of 40 bordered full- and half-page illustrations by the Dillonswonderfully expressive paintings reproduced in black and whitethis collection should be snapped up. Ruth M. McConnell, San Antonio Public Library
Copyright 2002 Reed Business Information, Inc.
Review
The stories are given full effect by Hamilton's use of colloquial language, evoking the artless entertainer relating the exploits of 'Bruh Rabbit' and other animal tricksters. The reader's emotional response, however, is to the artists' depictions and the author's narrative in 'The People Could Fly.' -- Publisher's Weekly
About the Author
Virginia Hamilton, storyteller, lecturer, and biographer, was born and raised in Yellow Springs, OH, which is said to be a station on the Underground Railroad. Her grandfather settled in the village after escaping slavery in Virginia. She was educated at Antioch College and Ohio State University and did further study in literature and the novel at the New School for Social Research. Virginia was the first African American woman to win the Newbery Award, for M.C. Higgins the Great. Since then, she has won three Newbery Honors and three Coretta Scott King Awards. In 1992, Virginia was awarded the Hans Christian Andersen Medal, which is presented every two years by the International Board on Books for Young People, in recognition of her entire body of work. Virginia writes first for the pleasure of using words and language to evoke characters and their world, and in historical accounts such as Anthony Burns, the lives of real people. Secondly, Hamilton writes to entertain, to inspire in people the desire to read on and on good books made especially for them.