Peter Straub

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About Peter Straub
Peter Straub is the author of seventeen novels, which have been translated into more than twenty languages. They include Ghost Story, Koko, Mr. X, In the Night Room, and two collaborations with Stephen King, The Talisman and Black House. He has written two volumes of poetry and two collections of short fiction, and he edited the Library of America’s edition of H. P. Lovecraft’s Tales and the forthcoming Library of America’s 2-volume anthology, American Fantastic Tales. He has won the British Fantasy Award, eight Bram Stoker Awards, two International Horror Guild Awards, and three World Fantasy Awards. In 1998, he was named Grand Master at the World Horror Convention. In 2006, he was given the HWA’s Life Achievement Award. In 2008, he was given the Barnes & Noble Writers for Writers Award by Poets & Writers. At the World Fantasy Convention in 2010, he was given the WFC’s Life Achievement Award.
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Titles By Peter Straub
Why had twelve-year-old Jack Sawyer’s mother frantically moved the two of them from Rodeo Drive to a New York City apartment to the Alhambra, a fading ocean resort and shuttered amusement park in New Hampshire? Who or what is she running from? She is dying . . . and even young Jack knows she can’t outrun death. But only he can save her—for he has been chosen to search for a prize across an epic landscape of dangers and lies, a realm of innocents and monsters, where everything Jack loves is on the line.
What was the worst thing you’ve ever done?
In the sleepy town of Milburn, New York, four old men gather to tell each other stories—some true, some made-up, all of them frightening. A simple pastime to divert themselves from their quiet lives.
But one story is coming back to haunt them and their small town. A tale of something they did long ago. A wicked mistake. A horrifying accident. And they are about to learn that no one can bury the past forever...
Nominated for the Shirley Jackson award and winner of the ALA/RUSA Best Horror novel, Brian Evenson’s Last Days is an intense, profoundly unsettling down-the-rabbit-hole detective noir. Kline is a former detective who’s cool head in the face of a brutal amputation makes him the perfect candidate to infiltrate a dark cult that believes amputation brings one closer to God. Kline is tasked with finding the cult leader’s killer. But to get to the truth, Kline must lose himself—literally—one body part at a time.
Last Days was first published in 2003 as a limited edition novella titled The Brotherhood of Mutilation. Its success led Evenson to expand the story into a full-length novel. In doing so, he has created a work that’s disturbing, deeply satisfying, and completely original.
if you have ever been afraid.
Come back. To a dark house deep in the Vermont woods, where two friends are spending a season of horror, apprenticed to a Master Magician.
Learning secrets best left unlearned. Entering a world of incalculable evil more ancient than death itself. More terrifying. And more real.
Only one of them will make it through.
The Throat. Tim Underhill, now an acclaimed novelist, travels back to his hometown of Millhaven, Illinois after he gets a call from John Ransom, an old army buddy. Ransom believes there’s a copycat killer on the loose, mimicking the Blue Rose murders from decades earlier—he thinks his wife could be a potential victim. Underhill seeks out his old friend Tom Pasmore, an aging hermit who has attained minor celebrity as an expert sleuth, to help him investigate. They quickly discover that Millhaven is a town plagued by horrifying secrets and there is a twisted killer on the loose who is far more dangerous than they ever imagined. Expertly tying together the events of Koko and Mystery, The Throat proves Peter Straub to be the master of the suspense novel.
The quiet suburban town of Hampstead is threatened by two horrors. One is natural. The hideous unstoppable creation of man’s power gone mad. The other is not natural at all. And it makes the first look like child’s play...
“Unspeakable horror…has ‘Bestseller’ written all over it.”—Los Angeles Times
“Straub’s effects are quite spectacular…I was fairly awed by some of the more nightmarish scenes in Floating Dragon.”—The New York Times
He remains a living legend.
Volume one features Peter's short stories. Stories included in this collection:
The Juniper Tree
She Saw a Young Man
In the Realm of Dreams
Going Home
A Short Guide to the City
Interlude: Bar Talk
Something About a Death, Something About a Fire
The Poetry Reading
The Veteran
Then One Day...
The Ghost Village
Ashputtle
Hunger
In Transit (with Benjamin Straub)
Isn’t It Romantic?
The Geezers
Donald, Duck!
Little Red’s Tango
Lapland, or Film Noir
Mr. Aickman’s Air Rifle
Mallon the Guru
The Ballad of Ballard and Sandrine
Inside Story
The Collected Stories of Freddie Prothero
Lost Lake (with Emma Straub)
Beyond the Veil of Vision: Reinhold von Kreitz and the Das Beben Movement
“Peter Straub’s shorter fictions are like tiny novels you drown in: perfectly pitched, terrifyingly smart, big-hearted, dangerous, and even cruel... If you care about the short story, you should read this book, and watch a master at work.” —Neil Gaiman, author of The Ocean at the End of the Lane
“Straub has a proven knack for black humor, and he coaxes the nightmarish out of the mundane with startling ease. This is a powerful collection from an enduring favorite in literary chills.” —Publishers Weekly (starred review)
“These stories show [Straub] ranging far and high into the uplands of literary fiction without ever leaving behind the dark impulses and fears that make his work so powerful.” —John Crowley, author of Little, Big and the Aegypt Cycle
He remains a living legend.
Volume two features Peter's novellas. Included in this collection:
Blue Rose
The Buffalo Hunter
Mrs. God
Bunny Is Good Bread
Mr. Clubb and Mr. Cuff
Pork Pie Hat
A Special Place: the Heart of a Dark Matter
The Process (is a Process All Its Own)
With lost boy lost girl, Peter Straub affirms once again that he is the master of literary horror.
But for Miles Teagarden, the landscape he had known so well has turned eerie and threatening. And the love he shared has become very, very deadly . . .
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