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About Rachel Cusk
Saving Agnes won the Whitbread First Novel Award, The Country Life won the Somerset Maugham Award and subsequent books have been shortlisted for the Orange Prize, Whitbread Prize, Goldsmiths Prize, Bailey's Prize, and the Giller Prize and Governor General's Award in Canada. She was named one of Granta's Best of Young British Novelists in 2003. Her version of Euripides' Medea was directed by Rupert Goold and was shortlisted for the Susan Blackburn Smith Award.
Rachel was born in Canada in 1967 and spent her early childhood in Los Angeles before moving to the UK in 1974. She studied English at Oxford and published her first novel Saving Agnes when she was twenty six, and its themes of femininity and social satire remained central to her work over the next decade. In responding to the formal problems of the novel representing female experience she began to work additionally in non-fiction. Her autobiographical accounts of motherhood and divorce (A Life's Work and Aftermath) were groundbreaking and controversial.
Most recently, after a long period of consideration, she attempted to evolve a new form, one that could represent personal experience while avoiding the politics of subjectivity and literalism and remaining free from narrative convention. That project became a trilogy (Outline, Transit and Kudos). Outline was one of The New York Times' top 5 novels in 2015. Judith Thurman's 2017 profile of Rachel in The New Yorker comments "Many experimental writers have rejected the mechanics of storytelling, but Cusk has found a way to do so without sacrificing its tension. Where the action meanders, language takes up the slack. Her sentences hum with intelligence, like a neural pathway."
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A haunting fable of art, family, and fate from the author of the Outline trilogy.
A woman invites a famous artist to use her guesthouse in the remote coastal landscape where she lives with her family. Powerfully drawn to his paintings, she believes his vision might penetrate the mystery at the center of her life. But as a long, dry summer sets in, his provocative presence itself becomes an enigma—and disrupts the calm of her secluded household.
Second Place, Rachel Cusk’s electrifying new novel, is a study of female fate and male privilege, the geometries of human relationships, and the moral questions that animate our lives. It reminds us of art’s capacity to uplift—and to destroy.
A Finalist for the Folio Prize, the Goldsmiths Prize, the Scotiabank Giller Prize, and the Baileys Women’s Prize for Fiction.
One of The New York Times' Top Ten Books of the Year. Named a A New York Times Book Review Notable Book and a Best Book of the Year by The New Yorker, Vogue, NPR, The Guardian, The Independent, Glamour, and The Globe and Mail
A luminous, powerful novel that establishes Rachel Cusk as one of the finest writers in the English language
A man and a woman are seated next to each other on a plane. They get to talking—about their destination, their careers, their families. Grievances are aired, family tragedies discussed, marriages and divorces analyzed. An intimacy is established as two strangers contrast their own fictions about their lives.
Rachel Cusk's Outline is a novel in ten conversations. Spare and stark, it follows a novelist teaching a course in creative writing during one oppressively hot summer in Athens. She leads her students in storytelling exercises. She meets other visiting writers for dinner and discourse. She goes swimming in the Ionian Sea with her neighbor from the plane. The people she encounters speak volubly about themselves: their fantasies, anxieties, pet theories, regrets, and longings. And through these disclosures, a portrait of the narrator is drawn by contrast, a portrait of a woman learning to face a great loss.
Outline takes a hard look at the things that are hardest to speak about. It brilliantly captures conversations, investigates people's motivations for storytelling, and questions their ability to ever do so honestly or unselfishly. In doing so it bares the deepest impulses behind the craft of fiction writing. This is Rachel Cusk's finest work yet, and one of the most startling, brilliant, original novels of recent years.
National Bestseller • A Finalist for the Scotiabank Giller Prize • A Finalist for the Goldsmiths Prize • Longlisted for the International DUBLIN Literary Award • One of Time Magazine's Top 10 Fiction Books of the Year
A New York Times Book Review Notable Book • Named a Best Book of the Year by Time, The Guardian, BOMB Magazine, San Francisco Chronicle, Commonweal, Southern Living, NOW Magazine, The Washington Independent Review of Books, Book Depository, The Globe and Mail, and The National Post (Canada)
The stunning second novel of a trilogy that began with Outline, one of The New York Times Book Review’s ten best books of 2015
In the wake of her family’s collapse, a writer and her two young sons move to London. The process of this upheaval is the catalyst for a number of transitions—personal, moral, artistic, and practical—as she endeavors to construct a new reality for herself and her children. In the city, she is made to confront aspects of living that she has, until now, avoided, and to consider questions of vulnerability and power, death and renewal, in what becomes her struggle to reattach herself to, and believe in, life.
Filtered through the impersonal gaze of its keenly intelligent protagonist, Transit sees Rachel Cusk delve deeper into the themes first raised in her critically acclaimed novel Outline and offers up a penetrating and moving reflection on childhood and fate, the value of suffering, the moral problems of personal responsibility, and the mystery of change.
In this second book of a precise, short, yet epic cycle, Cusk describes the most elemental experiences, the liminal qualities of life. She captures with unsettling restraint and honesty the longing to both inhabit and flee one’s life, and the wrenching ambivalence animating our desire to feel real.
New York Times 100 Notable Books of 2018 • Amazon Editors' Top 100 of 2018
Rachel Cusk, the award-winning and critically acclaimed author of Outline and Transit, completes the transcendent literary trilogy with Kudos, a novel of unsettling power.
A woman writer visits a Europe in flux, where questions of personal and political identity are rising to the surface and the trauma of change is opening up new possibilities of loss and renewal. Within the rituals of literary culture, Faye finds the human story in disarray amid differing attitudes toward the public performance of the creative persona. She begins to identify among the people she meets a tension between truth and representation, a fissure that accrues great dramatic force as Kudos reaches a profound and beautiful climax.
In this conclusion to her groundbreaking trilogy, Cusk unflinchingly explores the nature of family and art, justice and love, and the ultimate value of suffering. She is without question one of our most important living writers.
A New York Times Book Review Notable Book, A Life’s Work: On Becoming a Mother is multi-award-winning author Rachel Cusk’s honest memoir that captures the life-changing wonders of motherhood.
Selected by the New York Times as one of the 50 Best Memoirs of the Past 50 Years
The experience of motherhood is an experience in contradiction. It is commonplace and it is impossible to imagine. It is prosaic and it is mysterious. It is at once banal, bizarre, compelling, tedious, comic, and catastrophic. To become a mother is to become the chief actor in a drama of human existence to which no one turns up. It is the process by which an ordinary life is transformed unseen into a story of strange and powerful passions, of love and servitude, of confinement and compassion.
In a book that is touching, hilarious, provocative, and profoundly insightful, novelist Rachel Cusk attempts to tell something of an old story set in a new era of sexual equality. Cusk’s account of a year of modern motherhood becomes many stories: a farewell to freedom, sleep, and time; a lesson in humility and hard work; a journey to the roots of love; a meditation on madness and mortality; and most of all a sentimental education in babies, books, toddler groups, bad advice, crying, breastfeeding, and never being alone.
“Funny and smart and refreshingly akin to a war diary—sort of Apocalypse Baby Now…A Life’s Work is wholly original and unabashedly true.”—The New York Times Book Review
"Calamity Jane Eyre" arrives at "Cold Comfort Farm" when a hapless young woman with a mysterious past takes a job with an eccentric family of British gentry; a brilliant comedy of manners and identity by a Whitbread-winning young author.
Stella Benson, eager to change her life, answers a classified ad and arrives in a tiny Sussex village that's home to a family slightly larger than life. Stella's hopes for the Maddens may be high, but her station among them--as au pair to their irascible son Martin--is undeniably low. What drove her to leave home, job, and life in London for such rural ignominy? Why has she severed all ties with her family? Why is she so reluctant to discuss her past? And who, exactly, is Edward?
The Country Life is a rich and subtle novel about embarrassment, awkwardness, and being alone; about families, or the lack of them; and about love in some peculiar guises. Rachel Cusk, widely acclaimed in England, makes her American debut with an utterly charming, captivating novel about one young woman's adventures in self-discovery.
In 2003, Rachel Cusk published A Life's Work, a provocative and often startlingly funny memoir about the cataclysm of motherhood. Widely acclaimed, the book started hundreds of arguments that continue to this day. Now, in her most personal and relevant book to date, Cusk explores divorce's tremendous impact on the lives of women.
An unflinching chronicle of Cusk's own recent separation and the upheaval that followed—"a jigsaw dismantled"—it is also a vivid study of divorce's complex place in our society. "Aftermath" originally signified a second harvest, and in this book, unlike any other written on the subject, Cusk discovers opportunity as well as pain. With candor as fearless as it is affecting, Rachel Cusk maps a transformative chapter of her life with an acuity and wit that will help us understand our own.
NPR's Favorite Books of 2019
Rachel Cusk redrew the boundaries of fiction with the Outline Trilogy, three “literary masterpieces” (The Washington Post) whose narrator, Faye, perceives the world with a glinting, unsparing intelligence while remaining opaque to the reader. Lauded for the precision of her prose and the quality of her insight, Cusk is a writer of uncommon brilliance. Now, in Coventry, she gathers a selection of her nonfiction writings that both offers new insights on the themes at the heart of her fiction and forges a startling critical voice on some of our most urgent personal, social, and artistic questions.
Coventry encompasses memoir, cultural criticism, and writing about literature, with pieces on family life, gender, and politics, and on D. H. Lawrence, Françoise Sagan, and Kazuo Ishiguro. Named for an essay Cusk published in Granta (“Every so often, for offences actual or hypothetical, my mother and father stop speaking to me. There’s a funny phrase for this phenomenon in England: it’s called being sent to Coventry”), this collection is pure Cusk and essential reading for our age: fearless, unrepentantly erudite, and dazzling to behold.
Arlington Park, a modern-day English suburb very much like its American counterparts, is a place devoted to the profitable ordinariness of life. Amidst its leafy avenues and comfortable houses, its residents live out the dubious accomplishments of civilization: material prosperity, personal freedom, and moral indifference. In Arlington Park, men work, women look after children, and people generally do what's expected of them. It's a world awash in contentment but empty of belief, and riven with strange anxieties. How are they to know right from wrong? How should they use their knowledge of other people's sufferings? What is the relationship of politics to their own domestic arrangements?
Set over the course of a single rainy day, the novel moves from one household to another, and through the passing hours conducts a deep examination of its characters' lives: of Juliet, enraged at the victory of men over women in family life; of Amanda, warding off thoughts of death with obsessive housework; of Solly, who confronts her own buried femininity in the person of her Italian lodger; of Maisie, despairing at the inevitability with which beauty is destroyed; and of Christine, whose troubled, hilarious spirit presides over Arlington Park and the way of life it represents.
Darkly comic, deeply affecting, and wise, Arlington Park is a page-turning imagining of the extraordinary inner nature of ordinary life, by one of Britain's most exciting young novelists.
A vivid and elegant account of a family's season abroad by one of our finest contemporary authors
Casting off a northern winter and an orderly life, a family decides to sell everything and go to Italy to search for art and its meanings, for freedom from routine, for a different path into the future. The award-winning writer Rachel Cusk describes a three-month journey around the Italy of Raphael and rented villas, of the Piero della Francesca trail and the tourist furnace of Amalfi, of soccer and the simple glories of pasta and gelato. With her husband and two children, Cusk uncovers the mystery of a foreign language, the perils and pleasures of unbelonging, and the startling thrill of discovery -- at once historic and intimate.
Both sharp and humane in its exploration of the desire to travel and to escape, of art and its inspirations, of beauty and ugliness, and of the challenge of balancing domestic life with creativity, The Last Supper is an astonishing memoir.
The acclaimed winner of the Whitbread First Novel Award, by the author of The Country Life
Chronically confused, terminally middle class, hopelessly romantic, Agnes Day lives with her two best friends in the London suburbs and works at an obscure trade magazine. Life and love seem to go on without her. But she gives a convincing performance that everything is alright--that is, until she learns that her roommates and her boyfriend are keeping secrets from her, and that her boss is quitting and leaving her in charge. In great despair, she decides to make it her business to set things straight.
Rachel Cusk explores the business of growing up and moving on with a deftly comic, surprisingly moving touch, confirming her reputation as one of England's smartest and most entertaining young writers.
Una escritora inglesa llega a Atenas en pleno verano para impartir unos cursos de escritura. Durante su estancia en la capital griega, la gente que va encontrándose decide sincerarse con ella y contarle aspectos importantes sobre sus propias vidas.
En el calor sofocante de la ciudad, los diferentes interlocutores confiesan sus amores, sus ambiciones y miedos a la narradora, de quien apenas sabemos que está separada y es madre de dos hijos. De este modo, una secuencia de voces ajenas va trazando un complejo tapiz humano que acabará perfilando por contraste la personalidad de la narradora y los sucesos más decisivos de su vida: el sentimiento de pérdida, la búsqueda de un sentido a la vida familiar, la dificultad de establecer lazos de confianza o el misterio de la creatividad. A contraluz nos habla de cómo construimos nuestra forma de ser a partir de nuestra propia vida y de la de los demás.
Publicada en 2014 y aclamada por la crítica, A contraluz confirma a Rachel Cusk como una de las escritoras más brillantes de la literatura contemporánea.