Rachel Kushner

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About Rachel Kushner
Rachel Kushner is the author of the internationally acclaimed novels THE MARS ROOM, THE FLAMETHROWERS, and TELEX FROM CUBA, as well as a book of short stories, THE STRANGE CASE OF RACHEL K. Her new book, THE HARD CROWD: ESSAYS 2000-2020 was just published in April 2021. She has won the Prix Médicis and been a finalist for the Booker Prize, the National Book Critics Circle Award, the Folio Prize, the James Tait Black Prize, the Dayton Literary Peace Prize, and was twice a finalist for the National Book Award in Fiction. She is a Guggenheim Foundation Fellow and the recipient of the Harold D. Vursell Memorial Award from the American Academy of Arts and Letters. Her books have been translated into twenty-six languages. She lives in Los Angeles.
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Titles By Rachel Kushner
“The Hard Crowd is wild, wide-ranging, and unsparingly intelligent throughout.” —Taylor Antrim, Vogue
From a writer celebrated for her “chops, ambition, and killer instinct” (John Powers, Fresh Air), a career-spanning collection of spectacular essays about politics and culture.
Rachel Kushner has established herself as “the most vital and interesting American novelist working today” (The Millions) and as a master of the essay form. In The Hard Crowd, she gathers a selection of her writing from over the course of the last twenty years that addresses the most pressing political, artistic, and cultural issues of our times—and illuminates the themes and real-life experiences that inform her fiction.
In twenty razor-sharp essays, The Hard Crowd spans literary journalism, memoir, cultural criticism, and writing about art and literature, including pieces on Jeff Koons, Denis Johnson, and Marguerite Duras. Kushner takes us on a journey through a Palestinian refugee camp, an illegal motorcycle race down the Baja Peninsula, 1970s wildcat strikes in Fiat factories, her love of classic cars, and her young life in the music scene of her hometown, San Francisco. The closing, eponymous essay is her manifesto on nostalgia, doom, and writing.
These pieces, new and old, are electric, vivid, and wry, and they provide an opportunity to witness the evolution and range of one of our most dazzling and fearless writers. “Kushner writes with startling detail, imagination, and gallows humor,” said Leah Greenblatt in Entertainment Weekly, and, from Paula McLain in the Wall Street Journal: “The authority and precision of Kushner’s writing is impressive, but it’s the gorgeous ferocity that will stick with me.”
FINALIST for the MAN BOOKER PRIZE and the NATIONAL BOOK CRITICS CIRCLE AWARD
LONGLISTED for the ANDREW CARNEGIE MEDAL
An instant New York Times bestseller from two-time National Book Award finalist Rachel Kushner, The Mars Room earned tweets from Margaret Atwood—“gritty, empathic, finely rendered, no sugar toppings, and a lot of punches, none of them pulled”—and from Stephen King—“The Mars Room is the real deal, jarring, horrible, compassionate, funny.”
It’s 2003 and Romy Hall, named after a German actress, is at the start of two consecutive life sentences at Stanville Women’s Correctional Facility, deep in California’s Central Valley. Outside is the world from which she has been severed: her young son, Jackson, and the San Francisco of her youth. Inside is a new reality: thousands of women hustling for the bare essentials needed to survive; the bluffing and pageantry and casual acts of violence by guards and prisoners alike; and the deadpan absurdities of institutional living, portrayed with great humor and precision.
Stunning and unsentimental, The Mars Room is “wholly authentic…profound…luminous” (The Wall Street Journal), “one of those books that enrage you even as they break your heart” (The New York Times Book Review, cover review)—a spectacularly compelling, heart-stopping novel about a life gone off the rails in contemporary America. It is audacious and tragic, propulsive and yet beautifully refined and “affirms Rachel Kushner as one of our best novelists” (Entertainment Weekly).
“Superb…Scintillatingly alive…A pure explosion of now.”—The New Yorker
Reno, so-called because of the place of her birth, comes to New York intent on turning her fascination with motorcycles and speed into art. Her arrival coincides with an explosion of activity—artists colonize a deserted and industrial SoHo, stage actions in the East Village, blur the line between life and art. Reno is submitted to a sentimental education of sorts—by dreamers, poseurs, and raconteurs in New York and by radicals in Italy, where she goes with her lover to meet his estranged and formidable family. Ardent, vulnerable, and bold, Reno is a fiercely memorable observer, superbly realized by Rachel Kushner.
The debut novel by New York Times bestselling author Rachel Kushner, called “shimmering” (The New Yorker), “multilayered and absorbing” (The New York Times Book Review), and “gorgeously written” (Kirkus Reviews).
Young Everly Lederer and K.C. Stites come of age in Oriente Province, where the Americans tend their own fiefdom—three hundred thousand acres of United Fruit Company sugarcane that surround their gated enclave. If the rural tropics are a child's dreamworld, Everly and K.C. nevertheless have keen eyes for the indulgences and betrayals of the grown-ups around them—the mordant drinking and illicit loves, the race hierarchies and violence.
In Havana, a thousand kilometers and a world away from the American colony, a cabaret dancer meets a French agitator named Christian de La Mazière, whose seductive demeanor can't mask his shameful past. Together they become enmeshed in the brewing political underground. When Fidel and Raúl Castro lead a revolt from the mountains above the cane plantation, torching the sugar and kidnapping a boat full of "yanqui" revelers, K.C. and Everly begin to discover the brutality that keeps the colony humming. Though their parents remain blissfully untouched by the forces of history, the children hear the whispers of what is to come.
Kushner's first novel is a tour de force, haunting and compelling, with the urgency of a telex from a forgotten time and place.
Three early stories of myth, regime, and harlotry by the acclaimed author of The Flamethrowers.
An explorer’s whereabouts keeps a queen in waiting; a faith healer’s illegal radio broadcasts give hope to an oppressed people; a president’s offer of ice cream surprises a prostitute expecting to cooperate fully — the three short fictions gathered in The Great Exception build into a vision of Cuba that is black-humored, brutal, and beautiful. Written prior to the publication of Rachel Kushner’s first acclaimed novel Telex From Cuba, these stories, like Roberto Bolano’s Antwerp, burst forth with the genesis of her fictional universe as though fired from a cannon. From the mythical title story, to the ominous “Debouchment” — originally published in her too short-lived journal Soft Targets — to the sexy and noirish “Strange Case of Rachel K,” this is Kushner saddling up for a journey into the wilds of the modern novel.
Oscillant entre le quotidien de ces détenues, redoutables et attachantes, et la jeunesse de Romy dans le San Francisco de années 1980, Le Mars Club dresse le portrait féroce d’une société en marge de l’Amérique contemporaine.
Traduit de l’anglais (États-Unis) par Sylvie Schneiter
Kushner führt Romy in eine Welt ein, die sich in den USA zu einem mächtigen industriellen Komplex entwickelt hat. Dies ist ihr laufender Kommentar zum kulturellen und politischen Zerfall des "Lands der Freien". Er ist unsentimental, kritisch, mitfühlend und, vor allem, mitreißend.
Romy Hall está no ônibus que irá levá-la para uma prisão na Califórnia, onde encontrará um mundo novo, repleto de regras próprias, em que centenas de mulheres vivem em meio à violência dos guardas e das próprias circunstâncias. Enquanto aprende os códigos e os macetes para sobreviver, Romy pensa em sua vida anterior e em tudo que a levou até ali. Pensa, sobretudo, em seu filho Jackson. Com uma notável capacidade para descrever os absurdos da vida carcerária, Rachel Kushner criou um romance antissentimental, audacioso e trágico.
Aber erzählt wird die Geschichte hauptsächlich von zwei Jugendlichen, Everly Lederer und K.C. Stites, die füreinander bestimmt zu sein scheinen: sie die Tochter des Chefs einer amerikanischen Nickelmine und er der Sohn eines leitenden Angestellten der United Fruit Company. Aus den Brüchen zwischen dem, was sie voller Faszination und Erschrecken wahrnehmen, tritt allmählich die Geschichte eines ebenso wagemutigen wie bisweilen absurden Freiheitskrieges zutage.
Verwickelt in ihn sind, mit oft dubiosen Interessen, auch ein französischer Agent mit SS-Vergangenheit, eine kubanische Tänzerin mit erotischem Hang zur Macht, zahlreiche karrierebewusste Saubermänner und ihre dekadenten Gattinnen, Dschungelkämpfer und schmutzige Geschäftemacher.
Rachel Kushner hat einen tropisch glitzernden historischen Moment des 20. Jahrhunderts mit großer Raffinesse so verdichtet, dass er die Ereignisse wie durch ein Brennglas zeigt. Man liest mit allen Sinnen, sieht, schmeckt, fühlt mit den Figuren und überlässt sich Kushners herausragender erzählerischer Kraft.
Dieses Buch ist ein erzählerisches Naturereignis – ein Roman über eine schnelle junge Frau auf einem Motorrad, ihre Liebschaften im New Yorker Kunst-Underground der späten Siebziger und ihre politischen Verwicklungen im Italien der Roten Brigaden.
1975: Die Hobby-Motorradrennfahrerin Reno (so ihr Spitzname, nach ihrem Geburtsort) kommt nach einem Rekordversuch auf den großen Salzseen nach Manhattan, um in die kreativ explodierende Künstlerszene SoHos einzutauchen. In einer Welt, in der die Grenzen zwischen Leben und Kunst verschwimmen, trifft sie auf eine Schar von Träumern, Revoluzzern und Phantasten. Unter ihnen auch Sandro Valera, erfolgreicher Konzeptkünstler und exzentrischer Erbe einer italienischen Reifen- und Motorrad-Dynastie, in den sie sich verliebt. Aber bei einem Besuch bei seiner Familie in deren Sommerresidenz am Comer See gerät sie in den Strudel einer echten Revolte, die sich in Streiks, Straßenkämpfen, Entführung und Mord Bahn bricht …
Als dieser Roman 2013 in New York erschien, löste er ein unbeschreibliches Echo unter Rezensenten und Autoren aus. Von Jonathan Franzen über Joshua Ferris zu Colum McCann – unterschiedlicher könnten die Romanciers nicht sein, einheitlicher nicht die Ansicht, dass «Flammenwerfer» im Sturm über alle vorgefassten Meinungen, was heute einen guten Roman auszumachen habe, hinwegfegt und all seine Leser mitreißt und begeistert.
O ano é 1975 e Reno – uma jovem recém-formada que ganhou esse apelido por causa de sua cidade natal — acaba de se mudar para Nova York disposta a transformar em arte seu fascínio por motocicletas e velocidade. Sua chegada coincide com um período de ebulição no mundo artístico de Manhattan: pintores, escultores, fotógrafos, videomakers e agentes estão começando a colonizar a até então deserta e industrial região do SoHo, a desenvolver ações no East Village e a confundir os limites entre vida real e arte.
Passional, vulnerável e corajosa, Reno se junta a um grupo que a submete a uma espécie de educação sentimental. Ela logo começa a namorar um artista plástico chamado Sandro Valera, herdeiro distante de um império de pneus e motocicletas italianos. Quando eles visitam a família de Sandro na Itália, Reno se vê envolvida com membros dos movimentos radicais que tomaram conta daquele país nos anos 1970, e uma traição a jogará nos submundos da clandestinidade.
Ao questionar o entusiasmo juvenil e suas consequências, Rachel Kushner se lança em uma investigação intensa e envolvente sobre a mística do feminismo, da arte e do terrorismo. No centro de tudo está uma protagonista brilhantemente construída: uma jovem mulher vivendo no limite. Emocionante e corajoso, Os lança-chamas é um grande romance de uma escritora de talento e imaginação espetaculares.
Eleito melhor livro do ano de 2013 pela New York Magazine e listado entre os 10 melhores livros do ano de 2013 por veículos como The New York Times Book Review; The Wall Street Journal; Vogue; O, The Oprah Magazine; Los Angeles Times; The San Francisco Chronicle; The New Yorker; Time; Flavorwire; Salon; Slate; The Daily Beast; Bookish, entre outros.
“O segundo romance de Rachel Kushner é ao mesmo tempo cuidadosamente estruturado e estimulante. Uma leitura de tirar o fôlego.”The Telegraph
“Eletrizante, viciante e inteligente.”O, The Oprah Magazine
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