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About Rebecca Rowland
Visit RowlandBooks.com for more information!
Rebecca Rowland grew up in Western Massachusetts but spent her early adult life in the Boston area, and most of her fiction is set in those locations. She is the author of The Horrors Hiding in Plain Sight, Pieces, Shagging the Boss, Optic Nerve, and White Trash & Recycled Nightmares and the curator of seven horror anthologies, including the bestseller Unburied: A Collection of Queer Dark Fiction. Her short fiction, guest essays, and book reviews regularly appear in a variety of publications and horror websites. She is an Active member of the Horror Writers Association and a reticent member of the Horror Authors Guild and Whip City Wordsmiths, and her writing genres of choice are psychological, transgressive, and satirical horror heavily influenced by Joyce Carol Oates, A.M. Homes, and Chuck Palahniuk. Find her on Instagram @Rebecca_Rowland_books.
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Titles By Rebecca Rowland
Put away your childish ideas of brooms and pointy hats, cackling hags and bubbling cauldrons. Crimson Pinnacle Press brings you 19 tales of olde, and new alike, about witches and autumn. Potions are brewing and hexes are flying within these pages so gather under the harvest moon and prepare yourself to embrace the SEASON OF THE WITCH.
Featuring fiction from: Barend Nieuwstraten III, Linley B. Marcum, Brian McNatt, Zaslow Crane, Rebecca Rowland, Robert J. Stava, Matthew Gorman, Deborah A. Coldiron, Colt Skinner, M Ennenbach, Sidney Shiv, London Blue, M. J. McClymont, M. Betterelli, Stephanie Scissom, RJ Roles, Leon Saul, D.A. Latham, James D. Balestrieri
You know them. Those girls that aren't quite like everyone else. Those girls who stand out in the crowd. Those girls that dare to be different. Those girls are dangerous.
In Strange Girls, twenty-one authors dare to tackle what makes the girls in this collection different. Vampires, selkies, murderous mermaids, succubus, and possessed dolls take center stage in these short stories that are sure to invoke feelings of quiet terror and uneasiness in the reader. Following the successful debut of Women in Horror anthology with My American Nightmare, Strange Girls is the sophomore effort to showcase these talented women in a genre that is often dominated by the male gaze.
Dare to take a walk on the dark side.
Stories in the Anthology:
24 Hour Diner by Charlotte Platt
Sideshow by Jude Reid
The Doll's House by Alyson Faye
Blood by Red Claire
Self-Portrait with Pears by Rachel Bolton
Personal Demons by Angelique Fawns
Friends with Benefits by E.F. Schraeder
Night Terrors by Angela Sylvaine
The Girl Who Never Stopped Bleeding by Sam Lauren
Leda and the Fly by Marnie Azzarelli
Jenny's Bobo by Hillary Lyon
Extinguishing Fireflies by Rebecca Rowland
The Eyes of the Dead by Danielle R. Bailey
My Mirror Wife by Ash Tudor
Pattern of Faerytales by Azzurra Nox
Campfire Tales: The Bloody Rings by Emma Johnson-Rivard
Cracked by Regan Moore
Angel of Death by Phoebe Jane Johnson
Her Garden Grows by Maxine Kollar
Revival by Madison Estes
A Song Only She Can Hear by Wondra Vanian
Tribal Influence by Erica Ruhe
-The System of Dr. Tarr and Prof. Fether by Edgar Allan Poe (1845)
Poe’s classic tale told of a state of the art hospital boasting a curiously experimental treatment, but things were not as they seemed. In The Half That You See, twenty-six writers from around the globe share their literary optical illusions in never before seen stories of portentous visions and haunting memories, altered consciousness and virulent nightmares, disordered thinking and descents into madness. Take a walk down the paths of perception that these dark fiction raconteurs have tunneled for you, but keep a tight grip on your flashlight: the course twists and turns, and once you’re on route to your destination, there is no turning back. That which creeps about in the poorly lit corners of the human mind has teeth, and it’s waiting for you.
Michael W. Clark Holley Cornetto Victoria Dalpe
Bill Davidson Douglas Ford Justine Gardner
Eddie Generous Alex Giannini Kelly Griffiths
Sam Hicks Luciano Marano Matt Masucci
Scotty Milder Mack Moyer Lena Ng
Elin Olausson Robert P. Ottone Felice Picano
Edward R. Rosick Susie Schwartz Mahlon Smoke
Laura Saint Martin T.M. Starnes Mark Towse
Lamont A. Turner Nicole Wolverton
Red Room Press is extremely proud to present its fourth annual anthology featuring this year's hardcore corps of authors with the best extreme horror fiction of 2018 that breaks boundaries and trashes taboos.
First up is “Vigil” by Chad Lutzke. Chad takes us into a neighborhood where a steady stream of decayed corpses are exhumed from a neighbor’s cellar. Extreme olfactory horror at its best. Deborah Sheldon went under the knife for the inspiration of “Hair And Teeth,” and the result is a tale of gynaecological body horror likely to terrify women and make most men squeamish. With “Rut Seasons” Brian Hodge makes a return to Year’s-Best pages in a tale as chilling as it is heart-wrenching, inspired by a thousand-mile drive littered with roadkill and some personal tragedies. “Control” by Jeff Parsons introduces us to a meth addict stalking potential victims in Central Park to get money for the next score. Annie Neugebauer is back with “Cilantro,” a Neugebauerian yarn of culinary chaos sure to turn stomachs and cause nightmares. Tim Waggoner likewise returns this year with “Voices Like Barbwire,” an exploratory dig into old wounds and painful memories. Rebecca Rowland’s “Bent” wins the Most Cringe-worthy Story honor with her twisted tale of extreme body horror. Her well-drawn characters seem to come off the page but God forbid they do. Their idea of a pretzel party is truly twisted. Scath Beorh takes Lovecraftian cosmic horror to its next level with “Lord of the Mesa.” Sean Patrick Hazlett’s story “The Godhead Grimoire” possesses dangerous religious overtones and a forbidden bloodthirsty book. “Carnal Bodies” by R.E. Hellinger is a shocking story of baroque horror and demonic necrophilia from Two Dead Queers Present: Guillozine. You’ll have to read this one to believe it. In “Crossroads of Opportunity” Ed Kurtz and doungjai gam take you on a-deal-with-the-devil-at-the-crossroads trip with a son driving his dead mother to an uncertain destination. Trouble is, his mother is a bit of a backseat driver and she just won’t shut up. Seras Nikita’s “Dad’s Famous Preserves” won’t do much for your appetite but it will show you a recipe for disaster when a jungle missionary’s foot infection blossoms into a stomach-churning nightmare. “The Bearded Woman,” brought all the way from Rome, Italy, by the inimitable Alessandro Manzetti. His dystopian future tale takes us for a ride in the Bearded Woman’s circus trailer as she and her dwarf husband bring their marriage to a bloody end. Sara Tantlinger’s “The Devil’s Dreamland” takes us inside the Murder Castle of the infamous H.H. Holmes with her brilliant narrative poem of macabre beauty. Frank Oreto’s “All God’s Creatures Got Reasons” reveals that there are real monsters walking among us, monsters with a savage appetite for young flesh, but they are so skilled at covering their tracks, we never even know they’re there. “The Ugly” by J.R. Park introduces us to a couple of sweet little kids who may have a good reason for torturing and eating cats. It’s a way to keep the Ugly at bay. Or is it? Doug Ford’s “I Have a Confession” takes a coldblooded plunge into sex with a ghost. But what if it’s not a ghost? In “When the Owls Call” Lyman Graves takes us “stealth camping” in a Texas park after hours, where a strange and dangerous gathering is taking place. David Lynch might say, “The owls are not what they seem.” But are they? Jeremy Thompson is back this year with his nefarious pal the Hallowfiend in “Bloodletting and Intrigue On All Hallows’ Eve’.
Just face it…girl’s rule.
The horror genre is full of remarkable writers—masters of prose that can make your skin crawl, your pulse quicken, and your breath ragged. But nothing is as special as a badass female author who evokes a sense of fear and dread so intense that it affects the reader for days afterward.
Just a Girl is an anthology containing stories by some of the best female names in horror. Join us in celebrating their unique voices and prepare yourself for a wide array of never-before-published horror stories that will leave you wanting more.
With stories by J.H. Moncrieff, EV Knight, Kenzie Jennings, Rebecca Rowland, Candace Nola, Jill Girardi, Catherine Jordan, Renee M.P.T. Kray, Lydia Prime, Rayne Havok, Kate DeJonge, Kayla Krantz, Shelly Lyons, E.E. King, and Jodie Keenan.
With foreword written by Judith Sonnet.
What doesn't kill me, might make me kill you!
30 women authors from around the world were challenged to write about The One That Got Away. Here you'll find tales of unrequited love, blind dates gone wrong, stalkers and their prey, cursed guitars, alien symbiotes, sinister letters, and bitter acts of revenge. Dive into murky depths and discover what hides inside the minds of women scorned..
Book 3 in the Kandisha Press Women of Horror Anthology Series
#frightgirlwinter recommended reading!
With Foreword by Gwendolyn Kiste (Bram Stoker Award Winning Author of The Rust Maidens)
Edited by Jill Girardi
Featuring stories from: Carmen Baca, Ushasi Sen Basu, Demi-Louise Blackburn, Ashley Burns, R.A. Busby, Amira Krista Calvo, Dawn DeBraal, Shawnna Deresch, Ellie Douglas, Amy Grech, KC Grifant, Meg Hafdahl, Rowan Hill, Stevie Kopas, Michelle Renee Lane, Catherine McCarthy, Villimey Mist, Mocha Pennington, Faith Pierce, Janine Pipe, Lydia Prime, Paula RC Readman, Marsheila Rockwell, Lucy Rose, Rebecca Rowland, Hadassah Shiradski, Yolanda Sfetsos, Barrington Smith-Seetachitt, J Snow and Sonora Taylor.
Insanity has me by the throat. I wish it’d squeeze a little harder.
They call me crazy, but who are they to judge? I’m not crazy. They are. I’ve tried to reason with them, but they won’t listen. Yet. One day, they will hear me, and one day, they’ll be sorry.
This is no way to live, being locked up like an animal. And I’m surrounded by lunatics. The scary girl in the corner who hears voices, the burly bald guy who lashes out with violent tendencies, the quiet redhead who lights fires, or the Rob Zombie look-alike that is rumored to have murdered his entire family. Is this real or one sick and twisted nightmare I can’t wake up from?
Institutionalized is the latest anthology from the creators of The Better Off Dead series. This installment brings you stories of the mentally unbalanced, the damaged and disturbed, and the criminally insane. Some are locked up. Some are not. We recommend you sleep with one eye open.
With stories by Richard Chizmar, Ronald Kelly, R.E. Sargent, Steven Pajak, Rebecca Rowland, Mike Duke, Scott Harper, Jill Girardi, Richard Clive, Jeremy Megargee, Janine Pipe, LP Hernandez, Scotty Milder, Renee M.P.T. Kray, Brandon Scott, and David Rider.
Foreword written by Brian Asman.
Everyone wants to be ahead of the game. A little richer going out of this world than they came into it. But how far is too far? Between these pages you will find 7 tales of riches, the people who were hurt to gain them and the ones who would do anything to acquire them. Includes stories from -
Lyndsey Ellis Holloway
another area of the brain that controls perception. When he surreptitiously tests the drug on
himself, he accidentally accesses a neural pathway that appears to allow him to communicate
with a complete stranger through telepathy instead. When Shawn finally discovers the
significance of their connection and of the drug’s true effects, it is too late to stop the damage
their intimate friendship has set in motion to unfold.
“Merging bio-medical science-fiction with thrilling mystery and body horror, Optic Nerve
approaches post-pandemic literature in a refreshing, unique way that is sure to leave you
thinking long after you close the book”
-Holly Rae Garcia, author of Parachute
"Rebecca Rowland masterfully crafts a tale of understated, psychological sci-fi horror that pulls
you in with its realistic, relatable characters. When the horror rears its ghastly head, you'll feel
like you've been in a car accident"
- Jon Steffens, author of the Splatterpunk Award-nominated The God in the Hills
“An intriguing novella of the not-so-far future with an unexpected and clever ending”
-Frederick Pangbourne, author of Dreamers of the Tomb
Road trips take wrong turns, children hear voices that adults cannot, and when some are left to their own devices, with no parents around, the worst horrors ensue.
*The proceeds from this anthology will be donated to a charity*