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About Reed Farrel Coleman
Called a hard-boiled poet by NPR’s Maureen Corrigan and the “noir poet laureate” in the Huffington Post, Reed Farrel Coleman is the author of twenty novels. He has just been signed to continue Robert B. Parker’s Jesse Stone series and to begin a new series of his own for Putnam. He is a three-time recipient of the Shamus Award for Best PI Novel of the year and a three-time Edgar Award nominee in three different categories. He has also won the Audie, Macavity, Barry, and Anthony awards. He is an adjunct English instructor at Hofstra University as well as a founding member of Mystery Writers of America University. Reed lives with his family on Long Island.
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When a popular high school cheerleader dies of a suspected heroin overdose, it becomes clear that the opioid epidemic has spread even to the idyllic town of Paradise. It will be up to police chief Jesse Stone to unravel the supply chain and unmask the criminals behind it, and the investigation has a clear epicenter: Paradise High School. Home of the town's best and brightest future leaders and its most vulnerable down-and-out teens, it's a rich and bottomless market for dealers out of Boston looking to expand into the suburbs.
But when it comes to drugs, the very people Jesse is trying to protect are often those with the most to lose. As he digs deeper into the case, he finds himself battling self-interested administrators, reluctant teachers, distrustful schoolkids, and overprotective parents . . . and at the end of the line are the true bad guys, the ones with a lucrative business they'd kill to protect.
Jesse Stone is back on the job after a stint in rehab, and the road to recovery is immediately made bumpy by a series of disturbing and apparently racially motivated crimes, beginning with the murder of an African American woman. Then, Jesse's own deputy Alisha--the first black woman hired by the Paradise police force--becomes the target of a sophisticated frame-up. As he and his team work tirelessly to unravel the truth, he has to wonder if this is just one part of an even grander plot, one with an end game more destructive than any of them can imagine.
At the same time, a mysterious young man named Cole Slayton rolls into town with a chip on his shoulder and a problem with authority--namely, Jesse. Yet, something about the angry twenty-something appeals to Jesse, and he takes Cole under his wing. But there's more to him than meets the eye, and his secrets might change Jesse's life forever.
A Nor’easter blows into Paradise and churns up the past—in the stunning new addition to Robert B. Parker’s New York Times–bestselling series featuring Police Chief Jesse Stone.
In the wake of a huge storm, three bodies are discovered in the rubble of an abandoned factory building in an industrial part of Paradise known as The Swap. One body, a man’s, wrapped in a blue tarp, is only hours old. But found within feet of that body are the skeletal remains of two teenage girls who had gone missing during a Fourth of July celebration twenty-five years earlier. Not only does that crime predate Jesse Stone’s arrival in Paradise, but the dead girls were close friends of Jesse’s right hand, Officer Molly Crane. And things become even more complicated when one of the dead girls’ mothers returns to Paradise to bury her daughter and is promptly murdered. It’s up to Police Chief Jesse Stone to pull away the veil of the past to see how all the murders are connected.
Jesse Stone, still reeling from the murder of his fiancée by crazed assassin Mr. Peepers, must keep his emotions in check long enough to get through the wedding day of his loyal protégé, Suitcase Simpson. The morning of the wedding, Jesse learns that a gala 75th birthday party is to be held for folk singer Terry Jester. Jester, once the equal of Bob Dylan, has spent the last forty years in seclusion after the mysterious disappearance of the master recording tape of his magnum opus, The Hangman's Sonnet.
That same morning, an elderly Paradise woman dies while her house is being ransacked. What are the thieves looking for? And what's the connection to Terry Jester and the mysterious missing tape? Jesse's investigation is hampered by hostile politicians and a growing trail of blood and bodies, forcing him to solicit the help of mobster Vinnie Morris and a certain Boston area PI named Spenser. While the town fathers pressure him to avoid a PR nightmare, Jesse must connect the cases before the bodies pile up further.
Police Chief Jesse Stone is back in the remarkable new installment of the New York Times–bestselling series.
It’s been a long time since Jesse Stone left L.A., and still longer since the tragic injury that ruined his chances for a major league baseball career. When Jesse is invited to a reunion of his old Triple-A team at a hip New York city hotel, he is forced to grapple with his memories and regrets over what might have been.
Jesse left more behind him than unresolved feelings about the play that ended his baseball career. The darkly sensuous Kayla, his former girlfriend and current wife of an old teammate is there in New York, too. As is Kayla’s friend, Dee, an otherworldly beauty with secret regrets of her own. But Jesse’s time at the reunion is cut short when, in Paradise, a young woman is found murdered and her boyfriend, a son of one of the town’s most prominent families, is missing and presumed kidnapped.
Though seemingly coincidental, there is a connection between the reunion and the crimes back in Paradise. As Jesse, Molly, and Suit hunt for the killer and for the missing son, it becomes clear that one of Jesse’s old teammates is intimately involved in the crimes. That there are deadly forces working below the surface and just beyond the edge of their vision. Sometimes, that’s where the danger comes from, and where real evil lurks. Not out in the light—but in your blind spot.
All is quiet in Paradise, except for a spate of innocuous vandalism. Good thing, too, because Jesse Stone is preoccupied with the women in his life, both past and present. As his ex-wife Jenn is about to marry a Dallas real-estate tycoon, Jesse isn't too sure his relationship with former FBI agent Diana Evans is built to last. But those concerns get put on the back burner when a major Boston crime boss is brutally murdered. Despite all evidence to the contrary, Jesse suspects it's the work of Mr. Peepers, a psychotic assassin who has caused trouble for Jesse in the past.
Peepers has long promised revenge against the mob, Jesse, and Suit for their roles in foiling one of his hits—and against Jenn as well. And though Jesse and Jenn have long parted ways, Jesse still feels responsible for her safety. Jesse and Diana head to Dallas for the wedding and, along with the tycoon's security team, try to stop Peepers before the bill comes due. With Peepers toying with the authorities as to when and where he'll strike, Jesse is up against the wall. Still, there's a debt to pay and blood to be spilled to satisfy it. But whose blood, and just how much?
Nominated for the 2017 Edgar Award for Best Novel
From the critically acclaimed and award-winning author comes a gritty, atmospheric new series about the other side of Long Island, far from the wealth of the Hamptons, where real people live—and die.
Gus Murphy thought he had the world all figured out. A retired Suffolk County cop, Gus had everything a man could want: a great marriage, two kids, a nice house, and the rest of his life ahead of him. But when tragedy strikes, his life is thrown into complete disarray. In the course of a single deadly moment, his family is blown apart and he is transformed from a man who believes he understands everything into a man who understands nothing.
Divorced and working as a courtesy van driver for the run-down hotel in which he has a room, Gus has settled into a mindless, soulless routine that barely keeps his grief at arm’s length. But Gus’s comfortable waking trance comes to an end when ex-con Tommy Delcamino asks him for help. Four months earlier, Tommy’s son T.J.’s battered body was discovered in a wooded lot, yet the Suffolk County PD doesn’t seem interested in pursuing the killers. In desperation, Tommy seeks out the only cop he ever trusted—Gus Murphy.
Gus reluctantly agrees to see what he can uncover. As he begins to sweep away the layers of dust that have collected over the case during the intervening months, Gus finds that Tommy was telling the truth. It seems that everyone involved with the late T.J Delcamino—from his best friend, to a gang enforcer, to a mafia capo, and even the police—has something to hide, and all are willing to go to extreme lengths to keep it hidden. It’s a dangerous favor Gus has taken on as he claws his way back to take a place among the living, while searching through the sewers for a killer.
December 8th, 1977: Patrick Maloney, a supposedly popular college student, walks out of a Manhattan nightspot into oblivion. It’s no wonder Maloney’s disappearance barely registers on the radar screen. Son of Sam strikes. Elvis is dead. It’s the Sex Pistols vs. the BeeGees, Studio 54 and the Dirt Lounge, est and yin/yang, gas shortages, Quaaludes, pot and polyester, Plato’s Retreat, The Rocky Horror Picture Show, and the neutron bomb.
Moe Prager, a cop forced into early retirement by injury, certainly hadn’t noticed Patrick Maloney’s disappearance. But when Prager’s ex-partner calls with an offer to work on the case, Moe, wracked with self-doubt over his undistinguished career, signs on.
As Prager traces Patrick Maloney’s steps from his upstate home to his college dorm on Long Island, from the Tribeca bar where he was last seen to an old flame’s mansion on the Gold Coast, Moe realizes that nothing about the case, especially the details of the missing man’s life, is as it seems. Even the picture his parents gave the police was two years out of date. Why? What could his parents be hiding? What tortured secrets might have driven Patrick to create a public persona so different from his true self?
Questions multiply as Prager searches for Patrick in New York’s notorious punk underground, gay clubs and biker bars. Will Moe’s blossoming relationship with Patrick’s older sister help to bring Maloney back home or will it help to destroy any progress in the case? Can Moe overcome the roadblocks thrown in his path by dirty cops, corrupt politicians, and an ambitious reporter? And who are the truly ominous forces working behind the scenes to pull Prager into the very private hell of the Maloney family? Is Moe Prager running in circles or simply walking the perfect square?
Ex-NYPD cop turned P.I. and entrepreneur, Moe Prager is faced with a gut-wrenching case. The apparent suicide of his old friend and NYPD Chief of Detectives, Larry McDonald, forces Moe back onto the decaying Coney Island streets he patrolled when he was in uniform. But now, beneath the boardwalk and behind the rusted and crumbling rides of the midway, he finds a trail of death, betrayal, and corruption reaching back to 1972. As Faulkner once said, ''The past is never dead. It isn’t even past.'' So it goes for Moe Prager in Soul Patch.
For over twenty years, retired NYPD officer and PI Moe Prager, has been haunted by the secret that would eventually destroy his family. Now, two years after the fallout from the truth, more than secrets are haunting the Prager family. Moe Prager follows a trail of graverobbers from cemetery to cemetery, from ashes to ashes and back again in order to finally solve the enigma of his dead brother-in-law Patrick. He plunges deeper into the dark recesses of his past than ever before, revisiting all of his old cases, in order to uncover the twisted alchemy of vengeance and resurrection. Will Moe, at last, put his past to rest? Will he find the man who belongs in that vacant grave or will it remain empty, empty ever after?
Former Suffolk County cop Gus Murphy returns to prowl the meaner streets of Long Island’s darkest precincts with a Russian mercenary at his back in the stunning second installment of Reed Farrel Coleman’s critically acclaimed, Edgar-nominated series.
Gus Murphy and his girlfriend, Magdalena, are put in harm’s way when Gus is caught up in the distant aftershocks of heinous crimes committed decades ago in Vietnam and Russia. Gus’s ex-priest pal, Bill Kilkenny, introduces him to a wealthy businessman anxious to have someone look more deeply into the brutal murder of his granddaughter. Though the police already have the girl’s murderer in custody, they have been unable to provide a reason for the killing. The businessman, Spears, offers big incentives if Gus can supply him with what the cops cannot—a motive.
Later that same day, Gus witnesses the execution of a man who has just met with his friend Slava. As Gus looks into the girl’s murder and tries to protect Slava from the executioner’s bullet, he must navigate a minefield populated by hostile cops, street gangs, and a Russian mercenary who will stop at nothing to do his master’s bidding. But in trying to solve the girl’s murder and save his friend, Gus may be opening a door into a past that was best left forgotten. Can he fix the damage done, or is it true that what you break you own...forever?
Walking the Perfect Square introduced Moe Prager - retired New York City cop-turned-wine shop owner - to much acclaim and an enthusiastic readership. Still possessed of his vintage police savvy, and perhaps the only Jewish licensed PI in the five boroughs, Moe wonders if he’s really meant to be a merchant and not a cop. Redemption Street finds him in 1981, lured into the mystery of a 1966 hotel fire - one that killed seventeen people, including his first love - by a long-grieving brother and Moe’s own restless determination to set things right.
Reed Farrel Coleman’s crisp, page-turning narrative has Moe trudging through his childhood summer vacation stomping grounds, the now-decaying Catskill resort scene. The borscht belt’s near-forgotten landscape of scarred lives, ambitious politicians, and corrupt cops is the minefield Moe must brave to find the truth. Was the fire really sparked by a negligent smoker or was it murder? Will the long dead keep their secrets or divulge their stories? And will what Moe uncovers lead him down another blind alley or into the bright light of Redemption Street?