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Rhett Butler's People: The Authorized Novel based on Margaret Mitchell's Gone with the Wind

Rhett Butler's People: The Authorized Novel based on Margaret Mitchell's Gone with the Wind

byDonald McCaig
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ReadingisFUNdamental
4.0 out of 5 starsThe superior authorized sequel
Reviewed in the United States on October 3, 2019
I was happy to see that this book had been commissioned after the debacle of the previous authorized sequel. I was also encouraged to see that it was written by a man, since the title suggested insight into Rhett Butler's character and history. I wasn't disappointed. McCaig provides wonderful detail on where Butler came from, his fears, his wants and what drives him. He does a good, albeit imperfect, job of staying true to Mitchell's original GWTW. His writing made it easy to slide into these characters without having to make adjustments or excuses. The tone was appropriate throughout and very reminiscent of the original. It was gratifying to see that McCaig didn't try to make the original characters into his own. Rather, he expressed his vision by using and expanding upon secondary and tertiary characters in a way that complements GWTW rather than competes with it.

That said, I do have some gripes. The first is that, even though a good portion of the story is told from Rhett Butler's point of view, we never get answers to some of the burning "WHY?!?" questions that many GWTW fans have about Butler's actions (particularly in two pivotal scenes). Though these are retold from Rhett's point of view, McCaig doesn't even try to explain or even touch on Butler's rationale. I saw these as golden opportunities wasted.

The second gripe concerns the last section, which takes up after GWTW leaves off. It is surprisingly short, making up perhaps only a quarter of the novel. The climactic events come across as largely contrived and confusing, in much need of further development. As a result, it was hard to understand why the characters made the decisions that they did. It was as if McCaig was rushing to meet the publisher's deadline and cobbled together ideas that sounded good in his head but didn't quite work on paper.

Overall, it was worth the read. It was nice to revisit these characters in a context that gave them more depth but also was true to the way Mitchell had originally written them. Nice work.
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6 people found this helpful

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DSR
2.0 out of 5 starsWas this intended as a parody?
Reviewed in the United States on May 12, 2020
Before embarking on "Scarlett," her authorized sequel to GWTW, author Alexandra Ripley read the original six times, took extensive notes, and rewrote pages of Mitchell's opus to get a feel for her rhythm. Say what you want about Ripley's efforts, at least she didn't make absurd mistakes like changing Ashley's oft-mentioned gray eyes to brown (then back to gray) or inserting previously unknown meetings between Rhett and Scarlett that would make subsequent scenes in the original nonsensical.

The Rhett of this book may be somewhat interesting, but the Scarlett is a shell of the woman Mitchell depicted. That might be forgiven, considering this is the story from Rhett's point of view. But apparently while Mitchell was depicting her leading man as taut with tension, fists balled in his pockets, aching with the impotence of the moment, most of the time he was just thinking "meh."

Most ridiculous is the decision to destroy the Melanie who couldn't conceive of dishonor in anyone she loved and transform her into a worldly woman who was in on the deceit, who knew Scarlett didn't give a rap about Charles and knew Ashley lusted for Scarlett. No matter ... Melanie coped by going on shopping sprees with Belle Watling. Good grief.

I'd offer more about the bizarre relationships that develop between Belle, Melanie, and Scarlett, but don't want to give away the ending for anyone else planning to read this comic re-imagining of the 19th-century Southern class system. The only people who could possibly give "Rhett Butler's People" five stars clearly never read "Gone With the Wind." I'm giving it two only as a nod to the author's willingness to portray the Klan as an evil force rather than benevolent neighborhood watch.
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DSR
2.0 out of 5 stars Was this intended as a parody?
Reviewed in the United States on May 12, 2020
Verified Purchase
Before embarking on "Scarlett," her authorized sequel to GWTW, author Alexandra Ripley read the original six times, took extensive notes, and rewrote pages of Mitchell's opus to get a feel for her rhythm. Say what you want about Ripley's efforts, at least she didn't make absurd mistakes like changing Ashley's oft-mentioned gray eyes to brown (then back to gray) or inserting previously unknown meetings between Rhett and Scarlett that would make subsequent scenes in the original nonsensical.

The Rhett of this book may be somewhat interesting, but the Scarlett is a shell of the woman Mitchell depicted. That might be forgiven, considering this is the story from Rhett's point of view. But apparently while Mitchell was depicting her leading man as taut with tension, fists balled in his pockets, aching with the impotence of the moment, most of the time he was just thinking "meh."

Most ridiculous is the decision to destroy the Melanie who couldn't conceive of dishonor in anyone she loved and transform her into a worldly woman who was in on the deceit, who knew Scarlett didn't give a rap about Charles and knew Ashley lusted for Scarlett. No matter ... Melanie coped by going on shopping sprees with Belle Watling. Good grief.

I'd offer more about the bizarre relationships that develop between Belle, Melanie, and Scarlett, but don't want to give away the ending for anyone else planning to read this comic re-imagining of the 19th-century Southern class system. The only people who could possibly give "Rhett Butler's People" five stars clearly never read "Gone With the Wind." I'm giving it two only as a nod to the author's willingness to portray the Klan as an evil force rather than benevolent neighborhood watch.
20 people found this helpful
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C-Money
2.0 out of 5 stars Confusing & Muddled
Reviewed in the United States on December 21, 2018
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This 2007 novel is 500 pages of muddled stories loosely connected into a prequel, alternative Gone With the Wind history, and sequel. It completely ignores the events of 1991's Scarlett, but uses some of that book's characters.

Some of the most boring, down to earth scenes and well written but the main events and the action events are glossed over and barely described leaving the reader a little confused about what has just happened.

The author writes about how Rhett Butler has a bastard son with Belle Watling, but then 3/4 through the book changes it to another minor character. But then goes back to having the boy be Rhett's son in all but name.

The main villain of the book believes to the end that Rhett killed his bad seed son decades before. Nobody seems to care to inform him that the son challenged Rhett in a duel and started the whole thing.

The author of this muddled and, frankly my dear, boring book, has written another book in this universe about Mammy, the main house slave of Tara. It is called Ruth. This must be a name he loves as there are several different women named Ruth in this book.

It has some good one liners and some good parts for sure but on the whole it is even worse than the problematic Scarlett by Alexandra Ripley. Both books being put out by the Margaret Mitchell Estate.
21 people found this helpful
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ReadingisFUNdamental
4.0 out of 5 stars The superior authorized sequel
Reviewed in the United States on October 3, 2019
Verified Purchase
I was happy to see that this book had been commissioned after the debacle of the previous authorized sequel. I was also encouraged to see that it was written by a man, since the title suggested insight into Rhett Butler's character and history. I wasn't disappointed. McCaig provides wonderful detail on where Butler came from, his fears, his wants and what drives him. He does a good, albeit imperfect, job of staying true to Mitchell's original GWTW. His writing made it easy to slide into these characters without having to make adjustments or excuses. The tone was appropriate throughout and very reminiscent of the original. It was gratifying to see that McCaig didn't try to make the original characters into his own. Rather, he expressed his vision by using and expanding upon secondary and tertiary characters in a way that complements GWTW rather than competes with it.

That said, I do have some gripes. The first is that, even though a good portion of the story is told from Rhett Butler's point of view, we never get answers to some of the burning "WHY?!?" questions that many GWTW fans have about Butler's actions (particularly in two pivotal scenes). Though these are retold from Rhett's point of view, McCaig doesn't even try to explain or even touch on Butler's rationale. I saw these as golden opportunities wasted.

The second gripe concerns the last section, which takes up after GWTW leaves off. It is surprisingly short, making up perhaps only a quarter of the novel. The climactic events come across as largely contrived and confusing, in much need of further development. As a result, it was hard to understand why the characters made the decisions that they did. It was as if McCaig was rushing to meet the publisher's deadline and cobbled together ideas that sounded good in his head but didn't quite work on paper.

Overall, it was worth the read. It was nice to revisit these characters in a context that gave them more depth but also was true to the way Mitchell had originally written them. Nice work.
6 people found this helpful
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Weightman
3.0 out of 5 stars Will the real Rosemary please stand up
Reviewed in the United States on August 22, 2020
Verified Purchase
I think it's ok until Rhett left Scarlett. I found some parts of the book to be interesting- particularly Rhett's early years in school and later in the rice fields. It fell flat on Rhett's years at West Point and in the California Gold Rush. Barely mentioned them. The author had Rhett falling apart after he left Scarlett like a lovesick pup. Come on, Rhett was a bad ass, he would be sad but not devastated. wasting away. and depressed into a drunken stupor. And just when in the last 50 pages I thought Rhett would save the day in a confrontation with the hoodlums terrorizing Scarlet, Ashley Wilkes, of all people, wielding a bull whip, and Will Benteen, beat him to it. The weirdest thing about it is the author did not acknowledge the previous authorized sequel "Scarlett." For example Rhett's sister Rosemary is single in "Scarlett." In this book she goes through two marriages and she and Ashley seem to be working toward a third at the end. I liked "Scarlett" better. Scarlett really grows up in that book and Rhett is the bad ass he has always been. So overall it is interesting to read about Rhett's early years and friends, like Belle, and enemies, as in the duel with Belle's brother, but I think a lot of it after Rhett leaves Scarlett did not make sense.
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Linda Westveer
1.0 out of 5 stars Boring, long, wordy novel
Reviewed in the United States on July 22, 2017
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I am a avid Gone With the Wind fan, so I had to buy this book. I was so disappointed! As a matter of fact; I quit before I finished it! Do not waste your money or time on this book.
27 people found this helpful
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P. Blevins
5.0 out of 5 stars Interesting story from Rhett's point of view
Reviewed in the United States on April 25, 2021
Verified Purchase
Rhett Butler’s People is by Donald McCaig. This novel is a magnificent addition to the Gone With the Wind saga written by Margaret Mitchell. This novel, however, takes the character of Rhett Butler and expands his personality and character. Although Margaret Mitchell creates a dashing figure in Rhett Butler, her focus is on Scarlett and not on Rhett, so her description of him is somewhat lacking. Donald McCaig takes the character she creates and adds to his story, both prior to meeting Scarlet and after leaving her. We see his abusive childhood where much of his dare-devil ways are created along with his “who cares” attitude. Through his own words and actions, we see how his reputation was formed and shaped to fit the one he wants; although in reality, it may not be the one he really wants.
The story that Margaret Mitchell writes is about Scarlett and Donald lets her story reclaim its place in Rhett’s life. He vaguely mentions events and then gives us details of how Rhett saw those details and that event. Then, we enter the world of both characters after Rhett leaves Scarlett and Scarlett returns to Tara. However, she doesn’t return alone and those new characters continue to stay for a variety of reasons.
I highly recommend this book be added to the Gone With the Wind selections. It is interesting and adds to the reading about this period of time in our history.
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L. Kain
3.0 out of 5 stars Good, but not great.
Reviewed in the United States on January 13, 2018
Verified Purchase
Not sure what “authorized novel” means - I’m assuming the author or publisher got permission from Margaret Mitchell’s estate and maybe tendered some payment. I read this book right after rereading Gone With the Wind, which pretty much set me up for disappointment. The beginning and end of Rhett Buttler’s People was enjoyable. The middle of the book was not consistently believable. Sometimes the dialog did not ring true and/or it was not clear who was speaking. McCaig does not seem to have a real, consistent understanding of Margaret Mitchell’s characters. For instance, it is not believable that Melanie would write about her sex life to Rhett’s sister, given the era and Melanie’s shyness. Gone With the Wind transported me to a different era, and although I did not necessarily like or agree with the values of the characters, their behavior was believable, their motives clear, and the dialog engaging within the world that Mitchell creates. McCaig, on the other hand, has moments where he does not seem to know or understand these people he is writing about.
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LeeAnn G
5.0 out of 5 stars I love Rhett Butler!
Reviewed in the United States on August 27, 2021
Verified Purchase
This book was captivating. It gave you the background for why Rhett is the way he is and the relationship he has with his family and especially Belle. You see his love of Scarlett through his eyes. I am absolutely in love with this book. I’ve read all three: Rhett Butler’s People, Gone With the Wind and Scarlett. It might be good to read GWTW before reading this because it does reference numerous events you may have forgotten. I was happy I reread it then read this book. Five stars all the way! ⭐️⭐️⭐️⭐️⭐️
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Elizabeth G Melillo
VINE VOICE
1.0 out of 5 stars Neither prequels nor sequels come any worse than this one
Reviewed in the United States on March 13, 2009
Verified Purchase
Margaret Mitchell's Rhett Butler is a complex, multi dimensional, impressive character, and an effort to present more of his background and viewpoint could have been a fascinating one. Unfortunately, this presentation is dismal, and not only fails to present further depth to Rhett's character but eliminates the qualities, whether fine or roguish, which were intriguing in Gone with the Wind. Such plot as exists is a saga of Rosemary Butler and Belle Watling's dreadful family, and incidents are such a catalogue of catastrophes that they are drowned in stock melodrama.

Presumably those purchasing this book are Gone with the Wind fans (as I am), and indeed many segments in the book would be incomprehensible were one not already familiar with incidents in Margaret Mitchell's book. (Rhett's sudden marriage to widowed Scarlett, for example, which is mentioned in passing, would seem bizarre in this companion book, which makes one wonder why anything but an obsession with one he sees as identical to himself would make him become involved with a woman who seems to view him with utter contempt.) Oddly enough, there not only is no further dimension given to any character when such incidents are mentioned, but actions or motives are often in total contradiction to what one 'knows' from Gone with the Wind. Rather than further character development, the effect is wondering if the author did more than skim the original in the first place.

Some of the best-known story lines in GWTW are absurdly distorted. For example, it is well-known that Scarlett married Frank Kennedy for the tax money she could not get from Rhett, who was in jail - in this version, Rhett is pining for Scarlett, but can get nowhere with her because she is in love with Frank. Rhett's quest to appear respectable in GWTW is rooted in a fear that Bonnie will be ostracised later, as Wade already is - he hardly would have taken Bonnie on a trip with the madam of a whorehouse. Melanie, so modest that she is embarrassed to write to Ashley that is pregnant with Beau, has Belle Watling advise her on hooker's techniques for engaging in sexual acts that would not cause another pregnancy. In fact, even those who had only seen the film version of GWTW would wonder who Rhett, or any mother main characters, were, since they bear no resemblance to Margaret Mitchell's.
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Amazon Customer
3.0 out of 5 stars Ok on it's own, but...
Reviewed in the United States on September 15, 2009
Verified Purchase
I will reiterate what many have said- McCaig was screwed either way with trying to write a follow up book to one of the most classic novels of all time. There was no way it could ever come close to GWTW just because GWTW is so "classic" and "epic." So I kept that in mind when reading it and decided to judge it accordingly. I read GWTW at least once a year, so I know the story in and out.

I think McCaig's characterisations are a bit off. Mitchell did a great job of making Scarlett a wonderful enigma- she did bad things but somehow you loved her anyway. In this book, she is just a cold heatless bi*ch and I can't see why Rhett is so whipped by her. And Rhett's character starts out strong, but his obsession with Scarlett, a woman who is clear about not loving him, makes no sense at all. I spent most of the book wishing he'd just marry Belle. After all, why would Rhett care that she wasn't a "lady" (McCaig's reason for them not getting together.)

I am also put off by McCaig's habit of re-writing key scenes from GWTW. He totally butchers some of the most important scenes, like Rhett leaving Scarlett on the road to Tara or Rhett and Scarlett's confrontation after Ashley's party. I get why he did it- to establish his own voice seperate of Mitchell I suppose- but I thought it was a bad move.

That said, overall, this is a good story (not great, but good). But, you have to think of it completely separate from the original. If you enjoy civl war & reconstruction period historical fiction, you will enjoy this book. If you are a die hard GWTW fan, you will roll your eyes a lot. Though, I must say it is a THOUSAND times better than Ripley's "Scarlett." That was just horrible.
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