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Ride the Star Wind: Cthulhu, Space Opera, and the Cosmic Weird Kindle Edition
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Explore the fringes of the known. Fly away with us to the deeps of space for action and adventure, alien intrigue and bloody surprises. Join us out here where all things alien and weird flow freely. Dive headlong into spaceships and monsters, tentacles and insanity, determined struggle and starborne terror. Whether sprawling across civilizations or tightly focused and personal, these tales paint a psychedelic vision of strange proportions and wondrous possibility.
Where space opera meets the weird. An anthology of 29 illustrated short stories that blend the weird cosmic horror of the Cthulhu Mythos with the star-spanning vistas of space opera by a diverse array of all-star authors...
Remy Nakamura • Lucy A. Snyder • J.E. Bates • Gord Sellar • Brian Evenson • Heather Hatch • Desirina Boskovich • DaVaun Sanders • D.W. Baldwin • J. Edward Tremlett • D.A. Xiaolin Spires • Tom Dullemond • Premee Mohamed • Wendy N. Wagner • Kara Dennison • Brandon O'Brien • Heather Terry • Wendy Nikel • Robert White • Ingrid Garcia • Richard Lee Byers • Joseph S. Pulver, Sr. • Tim Curran • Angus McIntyre • Ada Hoffmann • Bogi Takács • Wendi Dunlap • Cody Goodfellow • Nadia Bulkin
You'll meet soldiers and scientists, starship captains and intrepid explorers, each with secrets to hide and a story to tell. And then there's the aliens. So many aliens. Some friendly, some monstrous, but all of them exciting.
Engines full. Course set. We're going in.
- LanguageEnglish
- Publication dateSeptember 25, 2017
- File size8623 KB
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Editorial Reviews
Review
"Each author provides unflinching glimpses into the void beyond the starswhere misery, hungry gods, and madness most surely await." (starred review at Publisher's Weekly)
"[I]t's one of those rare anthologies wherein every single tale deserves anindividual review of its own, so it's difficult to determine which toinclude and which to leave out. Each entry in the book is so much of astandout that if you were to ask me to name the one that most deservesyour attention, I would simply say, "yes" [...] And I'm here to tell you right from the jump that they discovered wonders dark and terrifying,yet at the same time endearing and beautiful, often filling you with asense of awe and wonder at the sheer originality and transformativepower the authors answered the call with [...] A cover to coverselection of masterful brilliance penned--and curated--by some of thefinest minds working in our favorite genre today." (Shane D. Keene at Horror Talk)
"I was caught off guard at the ability of authors to unnerve and delight me in the same paragraph." (In Tori Lex)
"It is probably the best cosmic space collection I've read and it really reads like two collections stacked together." (Eddie Generousat Unnerving Magazine)
From the Author
Weird fiction and science fiction, together. Or rather, the cosmic weird and space opera. I hear what you're thinking: "You just pulled some themes out of a hat."
"Not so!" I say. "There's a plan. There was always a plan."
We came at this anthology from the side of weird fiction. With it, we wanted to do two things. Well, several things, but two stand out as large and sweeping. The first was to expand on the storytelling possibilities for the cosmic weird, hewing largely to the Cthulhu Mythos but fearlessly subverting canon or common themes where useful. In a nutshell, we wanted stories still attached firmly (mostly) to the firmament of the cosmic weird you already know--with monsters, both new and old, cults, sanity-stripping secrets, and that thin veneer of normalcy through which leaks the unknown. But to this, we've added the trappings of space opera--space travel, high-octane adventure, a bit of friendly banter, and a big ol' heaping pile of weird science. The stories roam and take on lives of their own, not diminishing what came before but adding on a dimension of new possibilities. We get to pop off earth for a spell and explore space--out where the wild fungi roam--and psychedelic vistas. And we also get to pop out of our heads for a bit,trading some brooding, sanity-crushing atmospherics for interpersonal drama and alien adventure, trading inward descent for planetwide destruction, trading bleak, lonely finality for the promise of more adventure. We certainly kept some elements of the Mythos you'll find familiar, but we explored them from a different perspective. Twenty-nine different perspectives.
And that leads us to the second large,sweeping thing, which was to find diverse takes on the cosmic weird.Rather than just look at the same stuff differently, we wanted to also look at different stuff: to find those tales that could only be told by combining the cosmic weird with space opera, not just to transplant the old tales into a new setting. We wanted to present characters all along the spectrum of experience--and then some--to speculate on manifest destiny splashed large across the universe, on neural and gender and racial identity in the face of intergalactic politics, on the cosmic ramifications of aggressive religiosity and unlucky coincidence, on dangerous alien technology and the will to use it. We wanted to find out what kind of cosmic weird tales weren't being told.
We've got twenty-nine tales for you. Some have a firm foundation in the Cthulhu Mythos; some only take the gist, the themes and touchstones, of the Mythos and apply it to something new; and some thread the needle by subverting common attributions of the Mythos while still adding to its breadth. They build on what we started in the anthology Tomorrow's Cthulhu while taking us to the stars. It's a wonderful mix of stories,filled with equal parts spaceborne terror and high-stakes adventure, existential doom and effervescent possibility.
Product details
- ASIN : B0747W4ZC9
- Publisher : Broken Eye Books (September 25, 2017)
- Publication date : September 25, 2017
- Language : English
- File size : 8623 KB
- Simultaneous device usage : Unlimited
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 458 pages
- Best Sellers Rank: #1,019,949 in Kindle Store (See Top 100 in Kindle Store)
- #718 in Horror Anthologies (Kindle Store)
- #1,754 in Horror Anthologies (Books)
- #2,539 in Fiction Anthologies
- Customer Reviews:
About the authors
Lucy A. Snyder is the five-time Bram Stoker Award-winning and Shirley Jackson Award-nominated author of 14 books:
* Sister, Maiden, Monster
* Halloween Season
* Exposed Nerves
* Garden of Eldritch Delights
* While the Black Stars Burn
* Spellbent
* Shotgun Sorceress
* Switchblade Goddess
* Soft Apocalypses
* Orchid Carousals
* Sparks and Shadows
* Chimeric Machines
* Installing Linux on a Dead Badger
* Shooting Yourself in the Head For Fun and Profit: A Writer's Survival Guide
Her writing has been translated into French, Russian, Italian, Czech, and Japanese editions and has appeared in publications such as Apex Magazine, Nightmare Magazine, Pseudopod, Strange Horizons, Weird Tales, Steampunk World, and Best Horror of the Year, Vol. 5.
She has an MFA in creative writing from Goddard College and lives in Ohio. You can follow her on Twitter at @LucyASnyder.
You can learn more at her website: www.lucysnyder.com
Wendy N. Wagner is the editor-in-chief of NIGHTMARE MAGAZINE and the managing/senior editor of LIGHTSPEED. Her short stories, essays, and poems run the gamut from horror to environmental literature. Her longer work includes the novella THE SECRET SKIN, the horror novel THE DEER KINGS, the Locus bestselling SF eco-thriller AN OATH OF DOGS, and two novels for the Pathfinder role-playing game. She lives in Oregon with her very understanding family, two large cats, and a Muppet disguised as a dog.
DaVaun Sanders has resided in Phoenix, Arizona since 2002, where the local spoken word community fostered his passion to pursue writing novels and screenplays. The World Breach series began as a dream vivid enough to play like a movie trailer. Deciding to write the debut novel took some time, as it wasn't part of "The Plan," but when the housing market collapse forced DaVaun's small design firm under in 2008, he decided to step away from architecture and plunge into writing full-time. He's currently loving every minute as an indie publisher. Sanders is a proud husband and father of twins.
The Seedbearing Prince: Part I has reached as high as #1 on Amazon's genre lists for Science Fiction and Epic Fantasy, and remains a perennial favorite in the top 100 downloads. His short screenplay Vault of Souls won the Grand Prize in Phoenix Comicon's 2014 Short Script Competition, with a scene shot in Phoenix which debuted at a 2015 Phoenix Comicon panel.
DaVaun's most recent release is The Course of Blades, the third of six books in World Breach, and he is hard at work on completing Dayn Ro'Halan's epic adventure. Follow him on Twitter @davaunwrites or like his Facebook page for updates and giveaways!
Wendy Nikel is a speculative fiction author with a degree in elementary education, a fondness for road trips, and a terrible habit of forgetting where she's left her cup of tea. Her short fiction has been published by Analog, Nature, Daily Science Fiction, and elsewhere. Her series of time travel novellas, beginning with THE CONTINUUM, was published by World Weaver Press. For more info, visit wendynikel.com
Scott Gable lives in the beautiful underwater city of Seattle. He is publishing serialized novels and anthologies, such as Nowhereville, Welcome to Miskatonic University, Ride the Star Wind, Tomorrow's Cthulhu, Ghost in the Cogs, and By Faerie Light, via Eyedolon magazine. He runs the independent press Broken Eye Books, publishing the odd, strange, and offbeat side of speculative fiction from many wonderful authors, and is lead designer on the forthcoming The Faerie Ring roleplaying game from Zombie Sky Press.
Discover more of the author’s books, see similar authors, read author blogs and more
J.E. Bates is a lifelong communicant of science fiction, fantasy, horror and other mind sugar and screen candy. He's lived in California, Finland and many worlds in between. Currently, he can be found at twitter.com/jeebates or https://jebates.com.
Premee Mohamed is a Nebula, World Fantasy, and Aurora award-winning Indo-Caribbean scientist and speculative fiction author based in Edmonton, Alberta. She is an Assistant Editor at the short fiction audio venue Escape Pod and the author of the 'Beneath the Rising' series of novels as well as several novellas. Her short fiction has appeared in many venues and she can be found on her website at www.premeemohamed.com.
Nadia Bulkin writes scary stories about the scary world we live in. Thirteen of them can be found in her debut collection, She Said Destroy (Word Horde, 2017) - nominated for a Shirley Jackson Award and a This is Horror Award for best collection. Her short stories have appeared in editions of The Year's Best Weird Fiction (Kelly & Shearman, ed., 2018, Kelly & Strantzas, ed., 2016), The Year's Best Horror (Datlow, ed., 2017), and The Year's Best Dark Fantasy & Horror (Guran, ed., 2017, 2016, 2015, 2009), and have been nominated for the Shirley Jackson Award four times.
Nadia has a B.A. in Political Science from Barnard College and an M.A. in International Affairs from American University. She also writes about and obsesses over nationalism, post-colonialism, and sport – her non-fiction essays have appeared in Tor, The Diplomat, and The Battle Royale Slam Book. She grew up in Jakarta, Indonesia, before relocating to Lincoln, Nebraska. She now lives in Washington, D.C.
Tim Curran lives in Michigan and is the author of the novels Skin Medicine, Hive, Dead Sea, and Skull Moon. Upcoming projects include the novels Resurrection, The Devil Next Door, and Hive 2, as well as The Corpse King, a novella from Cemetery Dance, and Four Rode Out, a collection of four weird-western novellas by Curran, Tim Lebbon, Brian Keene, and Steve Vernon. His short stories have appeared in such magazines as City Slab, Flesh&Blood, Book of Dark Wisdom, and Inhuman, as well as anthologies such as Flesh Feast, Shivers IV, High Seas Cthulhu, and, Vile Things. Find him on the web at:
www.corpseking.com
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It’s dark out there folks. It is dark and vast and scary. Ride the Star Wind: Cthulhu, Space Opera, and the Cosmic Weird is exactly what you’d expect given the title. Gees, it’s almost a guarantee given that title that you’ll get to space opera, space monsters, space weird, mingling with the cosmic scent of Lovecraft’s leavings. What isn’t so automatic is the quality. The writing is lyrical and smooth and vibrant in all the layers of darkness and bloodiness. The spaces and closed quarter worlds locked just walls away from the forever unknowns are full and vibrant. The reaching tendrils and fungi and notions of god-like pressures are delivered wonderfully.
There were a handful of great stories, many, many more good stories, and only a few that I didn’t see through (this perhaps thanks to a common thread wearing on me) or that I felt ran on too long. Nearly every story nailed that familiar vibe of impending dread that will chase you into oblivion (a few times humor poked its head too). So much so that at times, if not for subtle author tendencies and flourishes, it would almost seem if the same author penned several in a row.
This thing is enormous, and not only in the cosmic, all-encompassing sense either. It’s plain huge. And if doing a couple reviews a week didn’t turn my reading habits into something akin to a factory floor machine, I have a feeling I would’ve made this one work a little more for me. That is not to say I did not enjoy the stories, because obviously I did. That is more to say that, although the very best Lovecraftian fiction has been written decades after his death, twenty-nine stories told along the same vein was a lot to drink over the course of a few days. Had I gobbled down five or six stories at a time amidst reading other titles, I have a notion that I’d find a warmer spot in my heart for these undeniably cold tales.
There are also pieces of art added for each story, which still worked in the eBook version… that on its own is something to be proud of, and all added to the vibe of the collection. It is probably the best cosmic space collection I’ve read and it really reads like two collections stacked together.
Ride the Star Wind is definitely the best anthology I’ve reviewed (and I’m very picky with anthologies over here at Inside the Inkwell.) I don’t say that lightly. I haven’t yet read every story, but that’s because I’m savoring it. These guys at Broken Eye Books nailed everything about the Lovecraftian mythos and it feels amazing.
I was a little concerned at first when I saw a preview of the cover art. A lot of great popmetal and metalcore bands were doing art like this (it’s almost a nu-ratfink) ten years ago and it exploded. The problem was that so many artists were merely doing copycat pieces to make a few bucks without really embracing the weirdness of it. By this I mean that it fits a certain mold and when you look at it up close it loses something. But not this one. This art is amazing! Everything on the cover is spot-on (I recommend getting the paperback for sure, everything from the finish and feel of the book to the fonts and color.) Seriously, I’d hang this as a poster in my mancave next to my Imax floor to ceiling Logan movie poster. The interior illustrations are also right on the money, even in black and white and the little touches like the Elder Sign paragraph breaks and the story title blocks preserves the feel of the book.
As far as stories and content, the feel is awesome. There are good stories in here! (I’m not going into specifics because it is an anthology and it will vary from piece to piece.) H.P. Lovecraft didn’t write novels; a huge swath of his work was limited in word count and wouldn’t even be considered a novelette. That said, those who really know Lovecraft will feel like this book is a big heaping pile of authentic cosmic horror, and in all the best ways possible.
I know the paperback looks a little expensive if you’ve bought anthologies before—but don’t let that fool you… this isn’t like others. It’s roughly two and a half times the size of the last antho I picked up, so you’re getting at least an equal value on it (and this comes from a guy who hates spending more than twenty bucks on a book.)
I did receive my copy for free in exchange for an honest review. You’ll have to pay for yours, but if you’re into the genre, I have a feeling that you won’t regret it.
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