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About Robert Goldsborough
Robert Goldsborough (b. 1937) is an American author best known for continuing Rex Stout’s famous Nero Wolfe series. Born in Chicago, he attended Northwestern University, and upon graduation went to work for the Associated Press, beginning a lifelong career in journalism that would include long periods at the Chicago Tribune and Advertising Age. Goldsborough’s first novel starring Wolfe, Murder in E Minor (1986), was met with acclaim from both critics and devoted fans, winning a Nero Award from the Wolfe Pack. Six more Nero Wolfe novels followed, including most recently, Archie Goodwin Meets Nero Wolfe: A Prequel to Rex Stout's Nero Wolfe Mysteries (2012).
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Titles By Robert Goldsborough
Archie Goodwin is not overly fond of Theodore Horstmann, who takes care of the orchids on the rooftop of Nero Wolfe’s West Thirty-Fifth Street brownstone. But as loyal assistant to the legendary private detective, Archie will put his animosity aside when the surly orchid-keeper stumbles through the front door beaten within an inch of his life.
While the gardener lies in a coma, Nero sends Archie to poke around his apartment near the river. The place is neatly kept, if not quite as elegant as the brownstone, but across the street on Tenth Avenue Archie quickly discovers the longshoremen’s watering hole in whose back room Horstmann has been playing a lot of bridge lately. The smoky tavern is packed with tough dockworkers and recent European immigrants, and Archie does his best to blend in, filling the victim’s empty seat in his running card game, as he attempts to learn what sort of shady business might have led to attempted murder. But when one of his new bridge partners is killed, Archie finds himself caught up in something much bigger than a bar fight . . .
Trouble at the Brownstone serves up postwar New York City atmosphere in a fast-paced mystery featuring Nero Wolfe, “one of the two or three most beloved detectives in fiction” (Publishers Weekly).
“Mr. Goldsborough has all of the late writer’s stylistic mannerisms down pat.” —The New York Times
For the men of Madison Avenue, the battle between soft-drink giants Cherr-o-key and AmeriCherry seems heaven sent. For years now, the firm of Mills/Lake/Ryman has fought to help Cherr-o-key become the nation’s favorite fizzy cherry soda, but each time they come up with a new slogan, mascot, or jingle, AmeriCherry somehow beats them to it. There's a mole inside the agency, and only Nero Wolfe can ferret him out. Although he's as round as a cherry himself, Wolfe has no taste for soft drinks. But the question of industrial espionage is too sweet for him to resist, and so with assistant Archie Goodwin at his side, he sets out to end this vicious corporate feud. Only when the first adman dies does he realize that a marketing war can be just as dangerous as the real thing.
An academic so conservative he thought Ronald Reagan was a pinko, Hale Markham rules Prescott University like an intellectual tyrant—until the morning he's found dead at the bottom of one of Prescott’s famously beautiful ravines. Every liberal on campus hated the crotchety old crank, but which one is responsible for giving Markham his final push to the right? The case so intrigues the incomparable, reclusive master detective Nero Wolfe that he takes the unusual step of leaving the confines of his home. With man of action Archie Goodwin at his side, Wolfe examines jealous professors, a fanatical assistant, and a university president with an ego that—like the school itself—will not stop growing. Though they're far from the city, Wolfe and Goodwin will find that no back alley is as dangerous as the shadowy corridors of the Ivy League.
The gun was fired close to Charles Childress’s head, and his were the only fingerprints on it, forcing the police to conclude that the author committed suicide. But his friends know this is impossible, because Childress loved himself far too much. He had just begun attracting fame, writing new mysteries starring the iconic Sergeant Barnstable, and he had bright hopes for the future. His publisher hires corpulent genius Nero Wolfe to determine who cut Childress’s career short, and the detective finds no dearth of suspects. Among the many who may have wanted the wordsmith whacked are his agent, his editor, a corrupt book reviewer, and an enraged legion of Barnstable devotees. With the help of his indefatigable assistant, Archie Goodwin, Wolfe takes a look at those closest to the arrogant, argumentative author, hoping to decide which of Childress’s associates merely hated him, and which would have been willing to kill.
There are few people Nero Wolfe respects, and Lon Cohen of the New York Gazette is one of them. So when Cohen asks for a favor, the famously brilliant—and notoriously lazy—detective is inclined to listen. According to Cohen, someone wants to kill the Gazette’s gossip columnist, Cameron Clay. Death threats are a regular hazard for Clay, who’s hurled insults and accusations at every bold-faced name in the five boroughs. But the latest threats have carried a more sinister tone.
The columnist has narrowed his potential killers down to five people: an egomaniacal developer, a disgraced cop, a corrupt councilman, a sleazy lawyer, and his own ex-wife. But when Clay turns up dead, the cops deem it a suicide. The bigwigs at the Gazette don’t agree, so they retain Wolfe and his indefatigable assistant, Archie Goodwin, to figure out which of the suspects had the mettle to pull the trigger.
In this “outstanding” mystery, Robert Goldsborough, author of Murder in E Minor, “once again demonstrates an impressive ability to emulate Rex Stout’s narrative voice” (Publishers Weekly, starred review).
When a renowned theater director senses something amiss during his latest production, he calls in Nero Wolfe. Though the corpulent genius wouldn’t normally accept a job this vague, a mutual friend dangles the prospect of a very rare orchid in exchange for his services, and Wolfe can’t resist.
With a mind to suss out useful backstage gossip, Wolfe turns to his faithful assistant, Archie Goodwin, to impersonate a journalist in order to speak to the cast. Though Goodwin’s conversations prove unfruitful, on his last day at the theater, the director is murdered in his soundproof booth, poisoned by an unseen culprit during an evening performance. In short order, an actor whose health is failing attempts suicide with the same poison.
Now Goodwin is a prime suspect in the director’s demise, effectively sidelining him for the rest of the case, and freelance gumshoe Saul Panzer must step in to help wrangle the various members of the play—from the ingénue and the diva to the handsome movie star and the surly stage manager—so New York’s smartest, and most reclusive, private detective can determine who is responsible for these dramatic deaths and clear Goodwin’s name once and for all.
Continuing his beloved series—which also includes Archie Meets Nero Wolfe, Murder in the Ball Park, and Archie in the Crosshairs—Nero Award–winning author Robert Goldsborough “brings Nero Wolfe, late of Rex Stout, gloriously back to life” (Chicago).
Murder, Stage Left is the 59th book in the Nero Wolfe Mysteries, but you may enjoy reading the series in any order.
When Lily Rowan doesn’t laugh at his jokes, Archie Goodwin knows something's wrong. Her niece Noreen has been running around with Sparky Linville, a club-hopping bad boy who's the terror of Manhattan nightlife, and the last time she went out with him, Noreen wasn’t herself when she came home. All she would tell her aunt was that she had been assaulted. Springing into action, Goodwin waits for Linville outside of Morgana’s, a chrome-and-glass palace that sits like a wart on Second Avenue. They nearly come to blows, but Linville’s bodyguard intervenes, and Goodwin retreats to plan his next move. In the morning, Linville is dead, and Goodwin is the chief suspect. For years he has helped rotund genius Nero Wolfe out of jams, and now it's time for the master detective to return the favor.
Master sleuth Nero Wolfe’s small circle of friends is limited to his assistant, Archie Goodwin; his chef, Fritz; and Lon Cohen, the head man at the New York Gazette. Cohen knows more about the city’s power structure than any man in Manhattan, and for years, he happily passed Wolfe information in return for the odd exclusive scoop. But now Cohen needs Wolfe’s help, for the Gazette is ailing and the vultures have begun to circle. Scottish newspaper magnate Ian MacLaren plans to gut the paper and turn it into a sex-filled conservative rag. Standing in his way is the company’s chief shareholder, Gazette heir Harriet Haverhill. But when the aged Ms. Haverhill dies in an apparent suicide, no one remains to resist the Scot’s advances except Wolfe. MacLaren may be fierce, but when the cause is just, Nero Wolfe knows how to play dirty too.
When wealthy and popular crusader and reformer Lester Pierce is gunned down in front of his Park Avenue residence, the public outcry forces the NYPD to restructure its homicide department. As the deceased was highly critical of Inspector Lionel Cramer, the longtime head of homicide is temporarily relieved of his badge. But it seems Cramer was not just a scapegoat: He was seen dining in Little Italy with mob kingpin Ralph Mars.
All of which amounts to little more than conversational fodder for PI Nero Wolfe and his assistant Archie Goodwin. But if Cramer’s provisional replacement, Capt. George Rowcliff, becomes permanent, Wolfe’s future dealings with the force will be much compromised. Loath to depart from his routine, Wolfe makes the unusual decision to take on a case without an actual client.
His investigation quickly points toward Pierce’s organization, Good Government Group, where high-minded idealism is often trampled under the competing ambitions of the staff—several of whom would clearly have benefited from Pierce’s demise. Despite the burgeoning list of suspects, Wolfe hasn’t ruled out the involvement of the underworld and its connection to Cramer. But in order to untangle an abundance of motives and end the inspector’s forced furlough, Wolfe may have to venture out of his comfort zone—and the premises of his brownstone.
Continuing his beloved series—which also includes Archie Meets Nero Wolfe, Murder in the Ball Park, Archie in the Crosshairs, and Murder, Stage Left—Nero Award–winning author Robert Goldsborough “demonstrates an impressive ability to emulate Rex Stout’s narrative voice” (Publishers Weekly, starred review).
The Battered Badge is the 60th book in the Nero Wolfe Mysteries, but you may enjoy reading the series in any order.
Staten Island would be forgettable were it not for the gleaming Tabernacle of the Silver Spire, where thousands of congregants come every Sunday to hear the sermons of Barnabas Bay. Millions more tune in on television, giving the good Reverend international fame, and a chance to spread the gospel from New York City’s harbor all the way to South Korea. But threatening notes have been appearing in the collection bag, suggesting that one of the faithful has decided it’s time this good shepherd get the hook. Believing organized religion is nothing more than a scam, rotund sleuth Nero Wolfe refuses to investigate the threats, instead recommending veteran investigator Fred Durkin for the case. But when Durkin is accused of murdering the Reverend’s assistant, Wolfe fights to clear his name. He may not be a Christian, but he will always help a brother in need.
No matter how fabulously he’s being courted, infamously dour “art hog” Arthur Wordell isn’t keen on favoring the new Guggenheim Museum with his extensive collection. Even at the urging of his beloved daughter, Nadia. Then, the night after the museum’s fête, Arthur takes a twenty-story plunge from the window of his Times Square office. Nadia thinks it’s no mere coincidence.
Eccentric, yes. Suicidal, no. Private investigator Nero Wolfe and his assistant, Archie Goodwin, agree. Especially after eyeballing Arthur’s enemies and sycophants, including his ex-wife, a covetous curator, a troika of obsequious advisors, and an outré Greenwich Village artist anxious to see her work out of storage and on the walls of the “Guggie.”
For Wolfe, there’s a problem: Arthur didn’t leave a will. Without a beneficiary not a soul in Arthur’s circle is set to benefit from his death. Nor do they show any customary indication of guilt. If anybody can solve a seemingly unsolvable masterpiece of murder, it’s Wolfe. Unfortunately, this time, New York’s artful investigator is, admittedly, stumped.
Continuing the acclaimed series—which also includes The Battered Badge, Archie Meets Nero Wolfe, Murder in the Ball Park, Archie in the Crosshairs, and Murder, Stage Left—Nero Award–winning author Robert Goldsborough “does a masterly job with the Wolfe legacy” (Booklist).
Archie Goodwin and Saul Panzer have ventured into the wilds of northern Manhattan to watch the Giants take on the Dodgers at the Polo Grounds. The national anthem is just winding down when Panzer spies a notable in the box seats: state senator Orson Milbank, a silver-haired scoundrel with enemies in every corner of upstate New York. In the fourth inning, a monstrous line drive brings every fan in the grandstand to his feet—every fan save for one silver-haired senator, who has been shot dead by a sniper in the upper deck.
Archie’s employer—the rotund genius Nero Wolfe—has no interest in investigating the stadium slaying, but Archie is swayed by the senator’s suspiciously lovely widow. Her husband was mired hip-deep in corruption, and sorting out who killed him will be a task far less pleasant than an afternoon at the ball park.