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About Robert Goldsborough
Robert Goldsborough (b. 1937) is an American author best known for continuing Rex Stout’s famous Nero Wolfe series. Born in Chicago, he attended Northwestern University, and upon graduation went to work for the Associated Press, beginning a lifelong career in journalism that would include long periods at the Chicago Tribune and Advertising Age. Goldsborough’s first novel starring Wolfe, Murder in E Minor (1986), was met with acclaim from both critics and devoted fans, winning a Nero Award from the Wolfe Pack. Six more Nero Wolfe novels followed, including most recently, Archie Goodwin Meets Nero Wolfe: A Prequel to Rex Stout's Nero Wolfe Mysteries (2012).
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Archie Goodwin is not overly fond of Theodore Horstmann, who takes care of the orchids on the rooftop of Nero Wolfe’s West Thirty-Fifth Street brownstone. But as loyal assistant to the legendary private detective, Archie will put his animosity aside when the surly orchid-keeper stumbles through the front door beaten within an inch of his life.
While the gardener lies in a coma, Nero sends Archie to poke around his apartment near the river. The place is neatly kept, if not quite as elegant as the brownstone, but across the street on Tenth Avenue Archie quickly discovers the longshoremen’s watering hole in whose back room Horstmann has been playing a lot of bridge lately. The smoky tavern is packed with tough dockworkers and recent European immigrants, and Archie does his best to blend in, filling the victim’s empty seat in his running card game, as he attempts to learn what sort of shady business might have led to attempted murder. But when one of his new bridge partners is killed, Archie finds himself caught up in something much bigger than a bar fight . . .
Trouble at the Brownstone serves up postwar New York City atmosphere in a fast-paced mystery featuring Nero Wolfe, “one of the two or three most beloved detectives in fiction” (Publishers Weekly).
“Mr. Goldsborough has all of the late writer’s stylistic mannerisms down pat.” —The New York Times
Chicago, 1946. World War II may be over, but murder continues apace in the Windy City. This time, it hits close to home for Chicago Tribune police reporter Snap Malek. Someone has killed his cousin’s British war bride in the Bohemian neighborhood of Pilsen. As the prime suspect, the meek young man is jailed. And Malek, convinced of his innocence, begins a dogged hunt for the murderer.
Entering the shadowy world of Pilsen’s blue-collar saloons, Snap encounters hard-bitten factory workers, a tragic war widow, and a former professional prizefighter—all “bar friends” of the murdered woman. The twisting case leads him to the city’s best defense attorney, legendary architect Frank Lloyd Wright, and a bare-knuckle slugfest. And while a horrifying train wreck in Naperville draws his attention, Snap is determined to pursue his cousin’s case no matter where it takes him.
In 1930, young Archie Goodwin comes to New York City hoping for a bit of excitement. In his third week working as a night watchman, he stops two burglars in their tracks—with a pair of hot lead slugs.
Dismissed from his job for being “trigger-happy,” he parlays his newfound notoriety into a job as a detective’s assistant, helping honest sleuth Del Bascom solve cases like the Morningside Piano Heist, the Rive Gauche Art Gallery Swindle, and the Sumner-Hayes Burglary. But it’s the kidnapping of Tommie Williamson, the son of a New York hotel magnate, that introduces Goodwin to the man who will change his life.
Goodwin knows there’s only one detective who can help find Tommie: Nero Wolfe, the stout genius of West Thirty-Fifth Street. Together, they’ll form one of the most unlikely crime fighting duos in history—but first Goodwin must locate Tommie and prove that he deserves a place by Wolfe’s side.
In this witty story about the origin of a legendary partnership, Robert Goldsborough gloriously evokes the spirit of Nero Wolfe’s creator, bestselling author Rex Stout, and breathes new life into his beloved characters.
No matter how fabulously he’s being courted, infamously dour “art hog” Arthur Wordell isn’t keen on favoring the new Guggenheim Museum with his extensive collection. Even at the urging of his beloved daughter, Nadia. Then, the night after the museum’s fête, Arthur takes a twenty-story plunge from the window of his Times Square office. Nadia thinks it’s no mere coincidence.
Eccentric, yes. Suicidal, no. Private investigator Nero Wolfe and his assistant, Archie Goodwin, agree. Especially after eyeballing Arthur’s enemies and sycophants, including his ex-wife, a covetous curator, a troika of obsequious advisors, and an outré Greenwich Village artist anxious to see her work out of storage and on the walls of the “Guggie.”
For Wolfe, there’s a problem: Arthur didn’t leave a will. Without a beneficiary not a soul in Arthur’s circle is set to benefit from his death. Nor do they show any customary indication of guilt. If anybody can solve a seemingly unsolvable masterpiece of murder, it’s Wolfe. Unfortunately, this time, New York’s artful investigator is, admittedly, stumped.
Continuing the acclaimed series—which also includes The Battered Badge, Archie Meets Nero Wolfe, Murder in the Ball Park, Archie in the Crosshairs, and Murder, Stage Left—Nero Award–winning author Robert Goldsborough “does a masterly job with the Wolfe legacy” (Booklist).
An academic so conservative he thought Ronald Reagan was a pinko, Hale Markham rules Prescott University like an intellectual tyrant—until the morning he's found dead at the bottom of one of Prescott’s famously beautiful ravines. Every liberal on campus hated the crotchety old crank, but which one is responsible for giving Markham his final push to the right? The case so intrigues the incomparable, reclusive master detective Nero Wolfe that he takes the unusual step of leaving the confines of his home. With man of action Archie Goodwin at his side, Wolfe examines jealous professors, a fanatical assistant, and a university president with an ego that—like the school itself—will not stop growing. Though they're far from the city, Wolfe and Goodwin will find that no back alley is as dangerous as the shadowy corridors of the Ivy League.
When wealthy and popular crusader and reformer Lester Pierce is gunned down in front of his Park Avenue residence, the public outcry forces the NYPD to restructure its homicide department. As the deceased was highly critical of Inspector Lionel Cramer, the longtime head of homicide is temporarily relieved of his badge. But it seems Cramer was not just a scapegoat: He was seen dining in Little Italy with mob kingpin Ralph Mars.
All of which amounts to little more than conversational fodder for PI Nero Wolfe and his assistant Archie Goodwin. But if Cramer’s provisional replacement, Capt. George Rowcliff, becomes permanent, Wolfe’s future dealings with the force will be much compromised. Loath to depart from his routine, Wolfe makes the unusual decision to take on a case without an actual client.
His investigation quickly points toward Pierce’s organization, Good Government Group, where high-minded idealism is often trampled under the competing ambitions of the staff—several of whom would clearly have benefited from Pierce’s demise. Despite the burgeoning list of suspects, Wolfe hasn’t ruled out the involvement of the underworld and its connection to Cramer. But in order to untangle an abundance of motives and end the inspector’s forced furlough, Wolfe may have to venture out of his comfort zone—and the premises of his brownstone.
Continuing his beloved series—which also includes Archie Meets Nero Wolfe, Murder in the Ball Park, Archie in the Crosshairs, and Murder, Stage Left—Nero Award–winning author Robert Goldsborough “demonstrates an impressive ability to emulate Rex Stout’s narrative voice” (Publishers Weekly, starred review).
The Battered Badge is the 60th book in the Nero Wolfe Mysteries, but you may enjoy reading the series in any order.
The gun was fired close to Charles Childress’s head, and his were the only fingerprints on it, forcing the police to conclude that the author committed suicide. But his friends know this is impossible, because Childress loved himself far too much. He had just begun attracting fame, writing new mysteries starring the iconic Sergeant Barnstable, and he had bright hopes for the future. His publisher hires corpulent genius Nero Wolfe to determine who cut Childress’s career short, and the detective finds no dearth of suspects. Among the many who may have wanted the wordsmith whacked are his agent, his editor, a corrupt book reviewer, and an enraged legion of Barnstable devotees. With the help of his indefatigable assistant, Archie Goodwin, Wolfe takes a look at those closest to the arrogant, argumentative author, hoping to decide which of Childress’s associates merely hated him, and which would have been willing to kill.
There are few people Nero Wolfe respects, and Lon Cohen of the New York Gazette is one of them. So when Cohen asks for a favor, the famously brilliant—and notoriously lazy—detective is inclined to listen. According to Cohen, someone wants to kill the Gazette’s gossip columnist, Cameron Clay. Death threats are a regular hazard for Clay, who’s hurled insults and accusations at every bold-faced name in the five boroughs. But the latest threats have carried a more sinister tone.
The columnist has narrowed his potential killers down to five people: an egomaniacal developer, a disgraced cop, a corrupt councilman, a sleazy lawyer, and his own ex-wife. But when Clay turns up dead, the cops deem it a suicide. The bigwigs at the Gazette don’t agree, so they retain Wolfe and his indefatigable assistant, Archie Goodwin, to figure out which of the suspects had the mettle to pull the trigger.
In this “outstanding” mystery, Robert Goldsborough, author of Murder in E Minor, “once again demonstrates an impressive ability to emulate Rex Stout’s narrative voice” (Publishers Weekly, starred review).
When Lily Rowan doesn’t laugh at his jokes, Archie Goodwin knows something's wrong. Her niece Noreen has been running around with Sparky Linville, a club-hopping bad boy who's the terror of Manhattan nightlife, and the last time she went out with him, Noreen wasn’t herself when she came home. All she would tell her aunt was that she had been assaulted. Springing into action, Goodwin waits for Linville outside of Morgana’s, a chrome-and-glass palace that sits like a wart on Second Avenue. They nearly come to blows, but Linville’s bodyguard intervenes, and Goodwin retreats to plan his next move. In the morning, Linville is dead, and Goodwin is the chief suspect. For years he has helped rotund genius Nero Wolfe out of jams, and now it's time for the master detective to return the favor.
Archie Goodwin and Saul Panzer have ventured into the wilds of northern Manhattan to watch the Giants take on the Dodgers at the Polo Grounds. The national anthem is just winding down when Panzer spies a notable in the box seats: state senator Orson Milbank, a silver-haired scoundrel with enemies in every corner of upstate New York. In the fourth inning, a monstrous line drive brings every fan in the grandstand to his feet—every fan save for one silver-haired senator, who has been shot dead by a sniper in the upper deck.
Archie’s employer—the rotund genius Nero Wolfe—has no interest in investigating the stadium slaying, but Archie is swayed by the senator’s suspiciously lovely widow. Her husband was mired hip-deep in corruption, and sorting out who killed him will be a task far less pleasant than an afternoon at the ball park.
Archie Goodwin’s aunt Edna is about to lure him away from his work at Nero Wolfe’s New York brownstone. After a phone call, he heads off to Ohio, where the president of Farmer’s State Bank and Trust, an elderly widower, has died in an apparent suicide. But Archie’s aunt has expressed nagging suspicions—which only grow stronger when someone takes a shot at a local reporter who wrote about the case.
It wouldn’t be a small town without some gossip, and Archie soon hears the whispers: romantic intrigues, a possible paternity case, a ruined business. While reconnecting with his aging mother—and fending off his nagging aunt—Archie tries to untangle a web of grudges, scandals, and murder.
From Nero Award winner Robert Goldsborough, this is a brand-new novel in the series created by Rex Stout, starring one of the world’s most beloved detectives and his equally engaging sidekick.
Archie Goes Home is the 15th book in the Nero Wolfe Mysteries, but you may enjoy reading the series in any order.
When a renowned theater director senses something amiss during his latest production, he calls in Nero Wolfe. Though the corpulent genius wouldn’t normally accept a job this vague, a mutual friend dangles the prospect of a very rare orchid in exchange for his services, and Wolfe can’t resist.
With a mind to suss out useful backstage gossip, Wolfe turns to his faithful assistant, Archie Goodwin, to impersonate a journalist in order to speak to the cast. Though Goodwin’s conversations prove unfruitful, on his last day at the theater, the director is murdered in his soundproof booth, poisoned by an unseen culprit during an evening performance. In short order, an actor whose health is failing attempts suicide with the same poison.
Now Goodwin is a prime suspect in the director’s demise, effectively sidelining him for the rest of the case, and freelance gumshoe Saul Panzer must step in to help wrangle the various members of the play—from the ingénue and the diva to the handsome movie star and the surly stage manager—so New York’s smartest, and most reclusive, private detective can determine who is responsible for these dramatic deaths and clear Goodwin’s name once and for all.
Continuing his beloved series—which also includes Archie Meets Nero Wolfe, Murder in the Ball Park, and Archie in the Crosshairs—Nero Award–winning author Robert Goldsborough “brings Nero Wolfe, late of Rex Stout, gloriously back to life” (Chicago).
Murder, Stage Left is the 59th book in the Nero Wolfe Mysteries, but you may enjoy reading the series in any order.