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About Robert Goldsborough
Robert Goldsborough (b. 1937) is an American author best known for continuing Rex Stout’s famous Nero Wolfe series. Born in Chicago, he attended Northwestern University, and upon graduation went to work for the Associated Press, beginning a lifelong career in journalism that would include long periods at the Chicago Tribune and Advertising Age. Goldsborough’s first novel starring Wolfe, Murder in E Minor (1986), was met with acclaim from both critics and devoted fans, winning a Nero Award from the Wolfe Pack. Six more Nero Wolfe novels followed, including most recently, Archie Goodwin Meets Nero Wolfe: A Prequel to Rex Stout's Nero Wolfe Mysteries (2012).
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Titles By Robert Goldsborough
In 1930, young Archie Goodwin comes to New York City hoping for a bit of excitement. In his third week working as a night watchman, he stops two burglars in their tracks—with a pair of hot lead slugs.
Dismissed from his job for being “trigger-happy,” he parlays his newfound notoriety into a job as a detective’s assistant, helping honest sleuth Del Bascom solve cases like the Morningside Piano Heist, the Rive Gauche Art Gallery Swindle, and the Sumner-Hayes Burglary. But it’s the kidnapping of Tommie Williamson, the son of a New York hotel magnate, that introduces Goodwin to the man who will change his life.
Goodwin knows there’s only one detective who can help find Tommie: Nero Wolfe, the stout genius of West Thirty-Fifth Street. Together, they’ll form one of the most unlikely crime fighting duos in history—but first Goodwin must locate Tommie and prove that he deserves a place by Wolfe’s side.
In this witty story about the origin of a legendary partnership, Robert Goldsborough gloriously evokes the spirit of Nero Wolfe’s creator, bestselling author Rex Stout, and breathes new life into his beloved characters.
Archie Goodwin is not overly fond of Theodore Horstmann, who takes care of the orchids on the rooftop of Nero Wolfe’s West Thirty-Fifth Street brownstone. But as loyal assistant to the legendary private detective, Archie will put his animosity aside when the surly orchid-keeper stumbles through the front door beaten within an inch of his life.
While the gardener lies in a coma, Nero sends Archie to poke around his apartment near the river. The place is neatly kept, if not quite as elegant as the brownstone, but across the street on Tenth Avenue Archie quickly discovers the longshoremen’s watering hole in whose back room Horstmann has been playing a lot of bridge lately. The smoky tavern is packed with tough dockworkers and recent European immigrants, and Archie does his best to blend in, filling the victim’s empty seat in his running card game, as he attempts to learn what sort of shady business might have led to attempted murder. But when one of his new bridge partners is killed, Archie finds himself caught up in something much bigger than a bar fight . . .
Trouble at the Brownstone serves up postwar New York City atmosphere in a fast-paced mystery featuring Nero Wolfe, “one of the two or three most beloved detectives in fiction” (Publishers Weekly).
“Mr. Goldsborough has all of the late writer’s stylistic mannerisms down pat.” —The New York Times
Archie Goodwin’s aunt Edna is about to lure him away from his work at Nero Wolfe’s New York brownstone. After a phone call, he heads off to Ohio, where the president of Farmer’s State Bank and Trust, an elderly widower, has died in an apparent suicide. But Archie’s aunt has expressed nagging suspicions—which only grow stronger when someone takes a shot at a local reporter who wrote about the case.
It wouldn’t be a small town without some gossip, and Archie soon hears the whispers: romantic intrigues, a possible paternity case, a ruined business. While reconnecting with his aging mother—and fending off his nagging aunt—Archie tries to untangle a web of grudges, scandals, and murder.
From Nero Award winner Robert Goldsborough, this is a brand-new novel in the series created by Rex Stout, starring one of the world’s most beloved detectives and his equally engaging sidekick.
Archie Goes Home is the 15th book in the Nero Wolfe Mysteries, but you may enjoy reading the series in any order.
For the men of Madison Avenue, the battle between soft-drink giants Cherr-o-key and AmeriCherry seems heaven sent. For years now, the firm of Mills/Lake/Ryman has fought to help Cherr-o-key become the nation’s favorite fizzy cherry soda, but each time they come up with a new slogan, mascot, or jingle, AmeriCherry somehow beats them to it. There's a mole inside the agency, and only Nero Wolfe can ferret him out. Although he's as round as a cherry himself, Wolfe has no taste for soft drinks. But the question of industrial espionage is too sweet for him to resist, and so with assistant Archie Goodwin at his side, he sets out to end this vicious corporate feud. Only when the first adman dies does he realize that a marketing war can be just as dangerous as the real thing.
Archie Goodwin and Saul Panzer have ventured into the wilds of northern Manhattan to watch the Giants take on the Dodgers at the Polo Grounds. The national anthem is just winding down when Panzer spies a notable in the box seats: state senator Orson Milbank, a silver-haired scoundrel with enemies in every corner of upstate New York. In the fourth inning, a monstrous line drive brings every fan in the grandstand to his feet—every fan save for one silver-haired senator, who has been shot dead by a sniper in the upper deck.
Archie’s employer—the rotund genius Nero Wolfe—has no interest in investigating the stadium slaying, but Archie is swayed by the senator’s suspiciously lovely widow. Her husband was mired hip-deep in corruption, and sorting out who killed him will be a task far less pleasant than an afternoon at the ball park.
When Lily Rowan doesn’t laugh at his jokes, Archie Goodwin knows something's wrong. Her niece Noreen has been running around with Sparky Linville, a club-hopping bad boy who's the terror of Manhattan nightlife, and the last time she went out with him, Noreen wasn’t herself when she came home. All she would tell her aunt was that she had been assaulted. Springing into action, Goodwin waits for Linville outside of Morgana’s, a chrome-and-glass palace that sits like a wart on Second Avenue. They nearly come to blows, but Linville’s bodyguard intervenes, and Goodwin retreats to plan his next move. In the morning, Linville is dead, and Goodwin is the chief suspect. For years he has helped rotund genius Nero Wolfe out of jams, and now it's time for the master detective to return the favor.
The gun was fired close to Charles Childress’s head, and his were the only fingerprints on it, forcing the police to conclude that the author committed suicide. But his friends know this is impossible, because Childress loved himself far too much. He had just begun attracting fame, writing new mysteries starring the iconic Sergeant Barnstable, and he had bright hopes for the future. His publisher hires corpulent genius Nero Wolfe to determine who cut Childress’s career short, and the detective finds no dearth of suspects. Among the many who may have wanted the wordsmith whacked are his agent, his editor, a corrupt book reviewer, and an enraged legion of Barnstable devotees. With the help of his indefatigable assistant, Archie Goodwin, Wolfe takes a look at those closest to the arrogant, argumentative author, hoping to decide which of Childress’s associates merely hated him, and which would have been willing to kill.
Staten Island would be forgettable were it not for the gleaming Tabernacle of the Silver Spire, where thousands of congregants come every Sunday to hear the sermons of Barnabas Bay. Millions more tune in on television, giving the good Reverend international fame, and a chance to spread the gospel from New York City’s harbor all the way to South Korea. But threatening notes have been appearing in the collection bag, suggesting that one of the faithful has decided it’s time this good shepherd get the hook. Believing organized religion is nothing more than a scam, rotund sleuth Nero Wolfe refuses to investigate the threats, instead recommending veteran investigator Fred Durkin for the case. But when Durkin is accused of murdering the Reverend’s assistant, Wolfe fights to clear his name. He may not be a Christian, but he will always help a brother in need.
No matter how fabulously he’s being courted, infamously dour “art hog” Arthur Wordell isn’t keen on favoring the new Guggenheim Museum with his extensive collection. Even at the urging of his beloved daughter, Nadia. Then, the night after the museum’s fête, Arthur takes a twenty-story plunge from the window of his Times Square office. Nadia thinks it’s no mere coincidence.
Eccentric, yes. Suicidal, no. Private investigator Nero Wolfe and his assistant, Archie Goodwin, agree. Especially after eyeballing Arthur’s enemies and sycophants, including his ex-wife, a covetous curator, a troika of obsequious advisors, and an outré Greenwich Village artist anxious to see her work out of storage and on the walls of the “Guggie.”
For Wolfe, there’s a problem: Arthur didn’t leave a will. Without a beneficiary not a soul in Arthur’s circle is set to benefit from his death. Nor do they show any customary indication of guilt. If anybody can solve a seemingly unsolvable masterpiece of murder, it’s Wolfe. Unfortunately, this time, New York’s artful investigator is, admittedly, stumped.
Continuing the acclaimed series—which also includes The Battered Badge, Archie Meets Nero Wolfe, Murder in the Ball Park, Archie in the Crosshairs, and Murder, Stage Left—Nero Award–winning author Robert Goldsborough “does a masterly job with the Wolfe legacy” (Booklist).
Archie Goodwin is chipper as he strolls home from his weekly poker game, money in his pocket and a smile on his lips. He has just reached Nero Wolfe’s stately brownstone on West Thirty-Fifth Street when a sedan whips around the corner and two gunshots ring out, nearly hitting Goodwin. It is a warning, and the message is clear: The next bullet will not miss.
Rotund investigator Nero Wolfe has made more than his fair share of enemies over the years, and it seems one of them has decided to strike, targeting Wolfe’s indefatigable assistant. Some might run for cover, but Archie Goodwin is not the type. With the help of Wolfe’s brainpower, Goodwin will find the man who wants him dead—unless the killer gets to Goodwin first.
Nero Award–winning author Robert Goldsborough continues the brilliant work of Rex Stout in this classic mystery series. According to Publishers Weekly, “Goldsborough cleverly captures the tone and language of the originals. Rex Stout fans can only hope he has no plans to wind up the series soon.”
Master sleuth Nero Wolfe’s small circle of friends is limited to his assistant, Archie Goodwin; his chef, Fritz; and Lon Cohen, the head man at the New York Gazette. Cohen knows more about the city’s power structure than any man in Manhattan, and for years, he happily passed Wolfe information in return for the odd exclusive scoop. But now Cohen needs Wolfe’s help, for the Gazette is ailing and the vultures have begun to circle. Scottish newspaper magnate Ian MacLaren plans to gut the paper and turn it into a sex-filled conservative rag. Standing in his way is the company’s chief shareholder, Gazette heir Harriet Haverhill. But when the aged Ms. Haverhill dies in an apparent suicide, no one remains to resist the Scot’s advances except Wolfe. MacLaren may be fierce, but when the cause is just, Nero Wolfe knows how to play dirty too.
An academic so conservative he thought Ronald Reagan was a pinko, Hale Markham rules Prescott University like an intellectual tyrant—until the morning he's found dead at the bottom of one of Prescott’s famously beautiful ravines. Every liberal on campus hated the crotchety old crank, but which one is responsible for giving Markham his final push to the right? The case so intrigues the incomparable, reclusive master detective Nero Wolfe that he takes the unusual step of leaving the confines of his home. With man of action Archie Goodwin at his side, Wolfe examines jealous professors, a fanatical assistant, and a university president with an ego that—like the school itself—will not stop growing. Though they're far from the city, Wolfe and Goodwin will find that no back alley is as dangerous as the shadowy corridors of the Ivy League.