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About the Author
Gardner Dozois has won fifteen Hugo Awards and thirty-two Locus Awards for his editing work, plus two Nebula Awards for his own writing. He was the editor of Asimov’s Science Fiction for twenty years, and is the author or editor of more than a hundred books, including many volumes of The Year’s Best Science Fiction. --This text refers to an out of print or unavailable edition of this title.
Excerpt. © Reprinted by permission. All rights reserved.
Joe Abercrombie is one of the fastest-rising stars in fantasy today, acclaimed by readers and critics alike for his tough, spare, no-nonsense approach to the genre. He’s probably best known for his First Law trilogy, the first novel of which, The Blade Itself, was published in 2006; it was followed in subsequent years by Before They Are Hanged and Last Argument of Kings. He’s also written the stand-alone fantasy novels Best Served Cold and The Heroes. His most recent novel is Red Country. In addition to writing, Abercrombie is also a freelance film editor, and lives and works in London.
In the fast-paced thriller that follows, he takes us deep into the dirty, rank, melodious, and mazelike streets of Sipani, one of the world’s most dangerous cities, for a deadly game of Button, Button, Who’s Got the Button?
Tough Times All Over
Damn, but she hated Sipani.
The bloody blinding fogs and the bloody slapping water and the bloody universal sickening stink of rot. The bloody parties and masques and revels. Fun, everyone having bloody fun, or at least pretending to. The bloody people were worst of all. Rogues every man, woman, and child. Liars and fools, the lot of them.
Carcolf hated Sipani. Yet here she was again. Who, then, she was forced to wonder, was the fool?
Braying laughter echoed from the mist ahead and she slipped into the shadows of a doorway, one hand tickling the grip of her sword. A good courier trusts no one, and Carcolf was the very best, but in Sipani, she trusted . . . less than no one.
Another gang of pleasure-seekers blundered from the murk, a man with a mask like a moon pointing at a woman who was so drunk she kept falling over on her high shoes. All of them laughing, one of them flapping his lace cuffs as though there never was a thing so funny as drinking so much you couldn’t stand up. Carcolf rolled her eyes skyward and consoled herself with the thought that behind the masks they were hating it as much as she always did when she tried to have fun.
In the solitude of her doorway, Carcolf winced. Damn, but she needed a holiday. She was becoming a sour ass. Or, indeed, had become one and was getting worse. One of those people who held the entire world in contempt. Was she turning into her bloody father?
“Anything but that,” she muttered.
The moment the revelers tottered off into the night, she ducked from her doorway and pressed on, neither too fast nor too slow, soft bootheels silent on the dewy cobbles, her unexceptional hood drawn down to an inconspicuous degree, the very image of a person with just the average amount to hide. Which, in Sipani, was quite a bit.
Over to the west somewhere, her armored carriage would be speeding down the wide lanes, wheels striking sparks as they clattered over the bridges, stunned bystanders leaping aside, driver’s whip lashing at the foaming flanks of the horses, the dozen hired guards thundering after, streetlamps gleaming upon their dewy armor. Unless the Quarryman’s people had already made their move, of course: the flutter of arrows, the scream of beasts and men, the crash of the wagon leaving the road, the clash of steel, and finally the great padlock blown from the strongbox with blasting powder, the choking smoke wafted aside by eager hands, and the lid flung back to reveal . . . nothing.
Carcolf allowed herself the smallest smile and patted the lump against her ribs. The item, stitched up safe in the lining of her coat.
She gathered herself, took a couple of steps, and sprang from the canal side, clearing three strides of oily water to the deck of a decaying barge, timbers creaking under her as she rolled and came smoothly up. To go around by the Fintine bridge was quite the detour, not to mention a well-traveled and well-watched way, but this boat was always tied here in the shadows, offering a shortcut. She had made sure of it. Carcolf left as little to chance as possible. In her experience, chance could be a real bastard.
A wizened face peered out from the gloom of the cabin, steam issuing from a battered kettle. “Who the hell are you?”
“Nobody.” Carcolf gave a cheery salute. “Just passing through!” and she hopped from the rocking wood to the stones on the far side of the canal and was away into the mold-smelling mist. Just passing through. Straight to the docks to catch the tide and off on her merry way. Or her sour-assed one, at least. Wherever Carcolf went, she was nobody. Everywhere, always passing through.
Over to the east, that idiot Pombrine would be riding hard in the company of four paid retainers. He hardly looked much like her, what with the moustache and all, but swaddled in that ever-so-conspicuous embroidered cloak of hers, he did well enough for a double. He was a penniless pimp who smugly believed himself to be impersonating her so she could visit a lover, a lady of means who did not want their tryst made public. Carcolf sighed. If only. She consoled herself with the thought of Pombrine’s shock when those bastards Deep and Shallow shot him from his saddle, expressed considerable surprise at the moustache, then rooted through his clothes with increasing frustration, and finally, no doubt, gutted his corpse only to find . . . nothing.
Carcolf patted that lump once again and pressed on with a spring in her step. Here went she, down the middle course, alone and on foot, along a carefully prepared route of back streets, of narrow ways, of unregarded shortcuts and forgotten stairs, through crumbling palaces and rotting tenements, gates left open by surreptitious arrangement and, later on, a short stretch of sewer that would bring her out right by the docks with an hour or two to spare.
After this job, she really had to take a holiday. She tongued at the inside of her lip, where a small but unreasonably painful ulcer had lately developed. All she did was work. A trip to Adua, maybe? Visit her brother, see her nieces? How old would they be now? Ugh. No. She remembered what a judgmental bitch her sister-in-law was. One of those people who met everything with a sneer. She reminded Carcolf of her father. Probably why her brother had married the bloody woman . . .
Music was drifting from somewhere as she ducked beneath a flaking archway. A violinist, either tuning up or of execrable quality. Neither would have surprised her. Papers flapped and rustled upon a wall sprouting with moss, ill-printed bills exhorting the faithful citizenry to rise up against the tyranny of the Snake of Talins. Carcolf snorted. Most of Sipani’s citizens were more interested in falling over than rising up, and the rest were anything but faithful.
She twisted about to tug at the seat of her trousers, but it was hopeless. How much do you have to pay for a new suit of clothes before you avoid a chafing seam just in the worst place? She hopped along a narrow way beside a stagnant section of canal, long out of use, gloopy with algae and bobbing rubbish, plucking the offending fabric this way and that to no effect. Damn this fashion for tight trousers! Perhaps it was some kind of cosmic punishment for her paying the tailor with forged coins. But then Carcolf was considerably more moved by the concept of local profit than that of cosmic punishment, and therefore strove to avoid paying for anything wherever possible. It was practically a principle with her, and her father always said that a person should stick to their principles—
Bloody hell, she really was turning into her father.
A ragged figure sprang from an archway, the faintest glimmer of steel showing. With an instinctive whimper, Carcolf stumbled back, fumbling her coat aside and drawing her own blade, sure that death had found her at last. The Quarryman one step ahead? Or was it Deep and Shallow, or Kurrikan’s hirelings . . . but no one else showed themselves. Only this one man, swathed in a stained cloak, unkempt hair stuck to pale skin by the damp, a mildewed scarf masking the bottom part of his face, bloodshot eyes round and scared above.
“Stand and deliver!” he boomed, somewhat muffled by the scarf.
Carcolf raised her brows. “Who even says that?”
A slight pause, while the rotten waters slapped the stones beside them. “You’re a woman?” There was an almost apologetic turn to the would-be robber’s voice.
“If I am, will you not rob me?”
“Well . . . er . . .” The thief seemed to deflate somewhat, then drew himself up again. “Stand and deliver anyway!”
“Why?” asked Carcolf.
The point of the robber’s sword drifted uncertainly. “Because I have a considerable debt to . . . that’s none of your business!”
“No, I mean, why not just stab me and strip my corpse of valuables, rather than giving me the warning?”
Another pause. “I suppose . . . I hope to avoid violence? But I warn you I am entirely prepared for it!”
He was a bloody civilian. A mugger who had blundered upon her. A random encounter. Talk about chance being a bastard! For him, at least. “You, sir,” she said, “are a shitty thief.”
“I, madam, am a gentleman.”
“You, sir, are a dead gentleman.” Carcolf stepped forward, weighing her blade, a stride length of razor steel lent a ruthless gleam from a lamp in a window somewhere above. She could never be bothered to practice, but nonetheless she was far more than passable with a sword. It would take a great deal more than this stick of gutter trash to get the better of her. “I will carve you like—”
The man darted forward with astonishing speed, there was a scrape of steel, and before Carcolf even thought of moving, the sword was twitched from her fingers and skittered across the greasy cobbles to plop into the canal.
“Ah,” she said. That changed things. Plainly her attacker was not the bumpkin he appeared to be, at least when it came to swordplay. She should have known. Nothing in Sipani is ever quite as it appears.
“Hand over the money,” he said.
“Delighted.” Carcolf plucked out her purse and tossed it against the wall, hoping to slip past while he was distracted. Alas, he pricked it from the air with impressive dexterity and whisked his sword point back to prevent her escape. It tapped gently at the lump in her coat.
“What have you got . . . just there?”
From bad to much, much worse. “Nothing, nothing at all.” Carcolf attempted to pass it off with a false chuckle, but that ship had sailed and she, sadly, was not aboard, any more than she was aboard the damn ship still rocking at the wharf for the voyage to Thond. She steered the glinting point away with one finger. “Now I have an extremely pressing engagement, so if—” There was a faint hiss as the sword slit her coat open.
Carcolf blinked. “Ow.” There was a burning pain down her ribs. The sword had slit her open too. “Ow!” She subsided to her knees, deeply aggrieved, blood oozing between her fingers as she clutched them to her side.
“Oh . . . oh no. Sorry. I really . . . really didn’t mean to cut you. Just wanted, you know . . .”
“Ow.” The item, now slightly smeared with Carcolf’s blood, dropped from the gashed pocket and tumbled across the cobbles. A slender package perhaps a foot long, wrapped in stained leather.
“I need a surgeon,” gasped Carcolf, in her best I-am-a-helpless-woman voice. The Grand Duchess had always accused her of being overdramatic, but if you can’t be dramatic at a time like that, when can you? It was likely she really did need a surgeon, after all, and there was a chance that the robber would lean down to help her and she could stab the bastard in the face with her knife. “Please, I beg you!”
He loitered, eyes wide, the whole thing plainly gone further than he had intended. But he edged closer only to reach for the package, the glinting point of his sword still leveled at her.
A different and even more desperate tack, then. She strove to keep the panic out of her voice. “Look, take the money, I wish you joy of it.” Carcolf did not, in fact, wish him joy, she wished him rotten in his grave. “But we will both be far better off if you leave that package!”
His hand hovered. “Why, what’s in it?”
“I don’t know. I’m under orders not to open it!”
“Orders from who?”
Carcolf winced. “I don’t know that either, but—”
Kurtis took the packet. Of course he did. He was an idiot, but not so much of an idiot as that. He snatched up the packet and ran. Of course he ran. When didn’t he?
He tore down the alleyway, heart in mouth, jumped a burst barrel, caught his foot and went sprawling, almost impaled himself on his own drawn sword, slithered on his face through a slick of rubbish, scooping a mouthful of something faintly sweet and staggering up, spitting and cursing, snatching a scared glance over his shoulder—
There was no sign of pursuit. Only the mist, the endless mist, whipping and curling like a thing alive.
He slipped the packet, now somewhat slimy, into his ragged cloak and limped on, clutching at his bruised buttock and still struggling to spit that rotten-sweet taste from his mouth. Not that it was any worse than his breakfast had been. Better, if anything. You know a man by his breakfast, his fencing master always used to tell him.
He pulled up his damp hood with its faint smell of onions and despair, plucked the purse from his sword, and slid blade back into sheath as he slipped from the alley and insinuated himself among the crowds, that faint snap of hilt meeting clasp bringing back so many memories. Of training and tournaments, of bright futures and the adulation of the crowds. Fencing, my boy, that’s the way to advance! Such knowledgeable audiences in Styria, they love their swordsmen there, you’ll make a fortune! Better times, when he had not dressed in rags, or been thankful for the butcher’s leftovers, or robbed people for a living. He grimaced. Robbed women. If you could call it a living. He stole another furtive glance over his shoulder. Could he have killed her? His skin prickled with horror. Just a scratch. Just a scratch, surely? But he had seen blood. Please, let it have been a scratch! He rubbed his face as though he could rub the memory away, but it was stuck fast. One by one, things he had never imagined, then told himself he would never do, then that he would never do again, had become his daily routine. --This text refers to an out of print or unavailable edition of this title.
- ASIN : B00IWTTPOI
- Publisher : Bantam (June 17, 2014)
- Publication date : June 17, 2014
- Language : English
- File size : 2759 KB
- Text-to-Speech : Enabled
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Print length : 832 pages
- Lending : Not Enabled
- Best Sellers Rank: #66,652 in Kindle Store (See Top 100 in Kindle Store)
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Top reviews from the United States
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Of the twenty-one stories featured in Rogues the three best not only were high quality writing and features very roguish characters, but also were able to introduce a reader into the already established universe they take place in that only enhanced the story. The opening story “Tough Times All Over” takes place within the First Law world that Joe Abercrombie established himself writing about, “The Inn of the Seven Blessings” by Matthew Hughes takes place with in the world of Archonate, and “A Cargo of Ivories” by Garth Nix takes place within the world of Sir Hereward and Mister Fitz. While these were the best, the stories by Joe R. Lansdale, Michael Stanwick, and Patrick Rothfuss set within an establish world they had create were also very good.
The stories especially created for this anthology is a mixture of the very good, the bad, and those that were just missing something. Daniel Abraham’s “The Meaning of Love”, David W. Ball’s “Provenance”, and Scott Lynch’s “A Year and A Day in Old Theradane” were wonderfully written stories in two separate genres that were in the top seven stories of the whole collection. “Now Showing” by Connie Willis is unfortunately one of the worst stories of the collection which was a shame considering that she wrote about several interesting ideas, but the execution with the characters crushed the story. Yet some of the stories while good and having roguish characters just felt like they were missing something: “Heavy Metal” was missing a fuller backstory to the main character and a better understanding of the supernatural powers at work yet once done could become a fascinating future series for Cherie Priest, and “The Curious Affair of the Dead Wives” was fantastic homage to Sherlock Holmes and John Watson by Lisa Tuttle that just felt it could have been more.
Yet some of the biggest disappointments in this collection were from established authors and their established series. The worst story of the collection is “A Better Way to Die” by Paul Cornell that takes place in his alternate history timeline that features the spy Johnathan Hamilton but the reader has no idea about the world if you had never read an earlier story that featured Hamilton. And my personal disappointment was “The Rogue Prince” that George R.R. Martin wrote as an Archmaester of the Citadel as a biography of Daemon Targaryen but was more of a history of the events leading up to The Dance of the Dragons that he told in “The Princess and the Queen”.
The twenty-one stories that make up Rogues feature--more than not--very good short stories from across genres whether in established worlds or one-offs. Yet like all anthologies, it is a mixed bag in quality and expectations, but often than not the reader will be satisfied after finishing these stories with time well spent in several wonderful settings following some very unscrupulous individiuals.
Individual Story Ratings
Tough Times All Over by Joe Abercrombie (4.5/5)
What Do You Do? by Gillian Flynn (3.5/5)
The Inn of the Seven Blessings by Matthew Hughes (5/5)
Bent Twig by Joe R. Lansdale (4/5)
Tawny Petticoats by Michael Stanwick (4/5)
Provenance by David W. Ball (4/5)
Roaring Twenties by Carrie Vaughn (3/5)
A Year and A Day in Old Theradane by Scott Lynch (4/5)
Bad Brass by Bradley Denton (2.5/5)
Heavy Metal by Cherie Priest (3/5)
The Meaning of Love by Daniel Abraham (4/5)
A Better Way to Die by Paul Cornell (1/5)
Ill Seen in Tyre by Steven Saylor (3/5)
A Cargo of Ivories by Garth Nix (4.5/5)
Diamonds from Tequila by Walter Jon Williams (3/5)
The Caravan to Nowhere by Phyllis Eisenstein (2.5/5)
The Curious Affair of the Dead Wives by Lisa Tuttle (3/5)
How the Marquis Got His Coat Back by Neil Gaiman (3.5/5)
Now Showing by Connie Willis (2/5)
The Lightning Tree by Patrick Rothfuss (4/5)
The Rogue Princes, or, A King’s Brother by George R.R. Martin (2.5/5)
That said: I have to address the elephant in the room. WTH is up with Martin!?!??! Am I the only one that is just baffled about how boring his story is? (And this ain't the first time; his contribution to The Book of Swords was even worse)
I don't even claim to be a writer, but I did give it a try once and took an at home creative writer course -back in the days of word processors- and I remember one of the first critiques I got from my writing coach was; a story is not just the narrating of a series of events, it's got to have a point to it. That's all The Rogue Prince is, -at least as far as I've gotten with the story, admittedly I haven't finished. I have been skipping pages though hoping to get to something that feels like a story instead of a pro-log.
This is not how I remember A Song of Fire and Ice reading like. Then again, it's been sooo long since the last book, maybe I've forgotten. Surly though, if ASoFaI read like this I would have never got through A Game of Thrones.
Please tell me if I'm wrong about this.
Despite my rant; the book is a solid 5 stars and then some, despite Martin.
Top reviews from other countries
After a long, rambling and not very interesting introduction by GRR Martin, this volume, epic in its sheer size, contains 21 stories. The book itself makes clear that these are very varied so it's no surprise that some are good, some poor and some indifferent. sadly, there aren't many in the 'good' category, with most falling into 'indifferent' and there simply aren't any that are 'stand out wow'.
My main gripe with this volume is the idea that they are short stories when, with a few exceptions, they aren't. They are episodes. I once read a fascinating article by the mystery thriller writer Jeffery Deaver in which he set out, very accurately in my opinion, what it takes to create a short story and just why it is much more difficult than most folk think. The essence is that a short story must contain all of the elements of a full-sized novel, including a beginning, a middle and an end, such that the whole thing is an encapsulated and complete story in its own right. The problem with most of the entries in Rogues is that they don't do that. Many of them use characters taken from earlier works by the author and others start their stories in the middle, with an apparent back-story that isn't explained. The result is that most of these read like an episode or chapter taken from the middle of a larger book and not as a proper short story. Some are still engaging but there is a strong sense that this book could have so much more.
So, to the stories themselves. Well, as others have said, this is a very mixed bag. I have particular things to say about the first and the last stories but, those aside, my very brief comments on some of the others are:
'What Do You Do?', by Gillian Flyn, is one of the better stories in the book; less episodic than most and with an interesting and engaging story and style. There are also a couple of good twists and it left me wanting to read more.
'Bent Twig', by Joe R Lansdale, is a standard episode from one of his 'Hap & Leonard' series and you'd have to like those to get along with this story. Not to my taste.
'Provenance', by David W Ball, is set in a modern era and, although it becomes very convoluted, it is one of the better stories and worth persevering with.
Both 'Roaring Twenties', by Carrie Vaughn, and 'A Year and a Day in Old Theradane', by Scott Lynch are worth the time spent reading them and have a similar theme.
'Bad Brass, by Bradley Denton feels very much like an episode snatched from another book. It tries, unsuccessfully, to be funny and is one of the poorer offerings.
Similarly, 'Heavy Metal' by Cherie Priest just felt like a waste of my reading time.
Right in the middle of the book, possibly intended as an anchor, is 'The Meaning of Love' by Daniel Abraham. This very popular author has written fantastic stuff and this episode is set in one of the fantasy worlds previously created by DA. One element in here is that the main character of Asa appears early but there is nothing for many, many, pages to suggest the gender of Asa. I don't mean this to be sexist but merely to point out that, when reading, I picture the story in my mind and so being able to accurately draw a mental picture of Asa is helped by knowing the gender. I've read everything that Daniel Abraham has written as I just love it but, although still much better than most of the rest of the works in this book, this isn't his best effort.
The works that follow, 'A Better Way to Dies' and 'Ill Seen in Tyre' are among the poorer efforts.
'A Cargo of Ivory', by Garth Nix, might be episodic but it is still quite engaging.
'Diamonds from Tequila', by Walter Jon Williams stands out for several reasons. Firstly, this is proper short story rather than just an episode. Secondly, it is set in a modern world without any fantasy element at all (apart from a slight stretching of scientific capability). But mainly, it stands out as a really good and engaging plot, filled with movie detail and a good pace. I really liked this.
Although 'The Caravan to Nowhere', by Phyllis Eisenstein, is exceptionally episodic, it is still engaging and worth the read.
The accolade of 'worst entry in the book' goes to 'The Curious Affair of the Dead Wives' by Lisa Tuttle. This is so poor on so many levels that I can't even waste the time to vent my ire.
'How the Marquis Got His Coat Back', by Neil Garman is what you'd expect from such a well respected author; it's engaging and rich in detail and left me wanting more.
'Now Showing', by Connie Willis, gets a mention because, despite it being a proper short story, it's such a thin plot as to be boring. It seems to have been written for teenaged girls who are having a break from watching their 'Twilight' DVDs.
The penultimate story in the book is 'The Lightning Tree' by Patrick Rothfuss. I just don't know what to think about this story as, although it is still just an episode, it is an engaging read. The problem is that the main character, Bast , has some repulsive traits, not least using his powers to seduce every woman to whom he takes a fancy. There are also some quite disturbing elements in the concept of Bast, an adult, using his powers mainly to interact with young children and influence their actions.
And so to the 'bookend' stories. The first story in the book is 'Tough Times All over' by the hugely popular Joe Abercrombie. This is, clearly, intended to get the book off to a good start and, indeed, it does. An episode that sets his character, Carcolf, in the fantasy world that Abercrombie used in his superb 'First Law' series, this is a first rate story. Yet, for me, it had the opposite effect to that intended because this story had only recently appeared in Joe Abercrombie's own collection of 'out-takes', 'Sharp Ends' and I had read this story only a short while ago. A classic example of publishers seeking to claw in added revenue by bringing snippets form their authors together into collections. So I just skipped this story.
That brings us the real meat; the final story in the book by George RR Martin; the only thing justifying the grand dust cover. I've loved GRR Martin's work for many years and, having read, avidly, all of the 'Song of Ice & Fire' series penned to date, was thrilled when, as 'A Game of Thrones' the TV series drew so many more to Mr Martin's brilliance. But this isn't written like any of the other chapters in 'Ice & Fire'. They are written as a third person narrative whereas this story, presented as the recordings of a Meister, are more of a report format and, as such, are far less engaging. Many who have either read the novels or watched the TV series have complained of the complexity of the dynastic structure of the Houses used throughout; a silly complaint really as it is that depth of detail that enriches the whole series so. Yet this story just about proves the point of those dissenters. This is simply a chronicle of 'who's who' in the fantasy world created by GRRM before the main story in 'Ice & Fire' begins. It's like a family tree set into words. Indeed, my guess is that that is exactly what it is; when asked to come up with an entry for this book, I can just imagine GRRM pulling out one of his 'back-story' lineage charts and shaping some text around that. As such, it is hugely complex, confusing and not terribly interesting or engaging. If anything was intended to turn of 'newbies' from reading GRR Martin, this is it. I felt as though I should sit a test after reading this.
So there it is. For me, the 'blockbuster' first and last stories failed to engage and the remainder are a moderately interesting bunch with a few high spots and a few real duds. Reading this was more of a chore than enjoyment. If I had my choice again, I just wouldn't bother.