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About Sheree Renée Thomas
Her work is published in Callaloo, Smith College's Meridians, Mythic Delirium, Obsidian: Literature of the African Diaspora, StorySouth, Harvard's Transition, The New York Times, The Washington Post, Upscale, VIBE, ESSENCE, Renaissance/Renaissance Noire, Drumvoices Revue, African Voices, Mythic Delirium, Jalada, and in anthologies such as Nikky Finney's The Ringing Ear (University of Georgia Press), Nalo Hopkinson's Mojo: Conjure Stories (Warner/Hachette), Memphis Noir (Akashic Press), Stories for Chip: A Tribute to Samuel R. Delany (Rosarium Publishing), An Alphabet of Embers (Stone Bird Press), Bum Rush the Page: A Def Poetry Jam (Crown Books), Circe's Lament (Accents Publishing), Revenge (RoboCup Press), Bronx Biannual 2 (Akashic Press), The Moment of Change: Feminist Speculative Poetry (Aqueduct Press), 80! Memories & Recollections of Ursula K. Le Guin (Aqueduct Press), So Long Been Dreaming: Postcolonial Science Fiction and Fantasy (Consortium Publishing), and SCARAB (Wanganegresse Press), a limited, signed artist edition of the Coptic-bound anthology.
Sheree edited the groundbreaking anthologies, Dark Matter: A Century of Speculative Fiction from the African Diaspora and Dark Matter: Reading the Bones (Warner/Hachette/Grand Central) and is the first black writer to win the World Fantasy Awards(2001 & 2005). A Clarion West '99 grad, Sheree's writing has received Honorable Mention in The Year's Best Fantasy & Horror (vol. 16-17), and was nominated for two Pushcart Prizes, and two Rhysling Awards.
A mother and a teaching artist, read her new work forthcoming in the anthologies, Revise the Psalm: Work Inspired by Gwendolyn Brooks (Curbside Splendor, January 2017) and Ghost Fishing: An Eco-Justice Poetry Anthology (University of Georgia Press).
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Step through a shimmering portal . . . a worn wardrobe door . . . a schism in sky . . . into a bold new age of fantasy. When worlds beyond worlds became a genre unto itself. From the swinging sixties to the strange, strange seventies, the over-the-top eighties to the gnarly nineties--and beyond, into the twenty-first century--the VanderMeers have found the stories and the writers from around the world that reinvented and revitalized the fantasy genre after World War II. The stories in this collection represent twenty-two different countries, including Russia, Argentina, Nigeria, Columbia, Pakistan, Turkey, Finland, Sweden, China, the Philippines, and the Czech Republic. Five have never before been translated into English.
From Jorge Luis Borges to Ursula K. Le Guin, Michael Moorcock to Angela Carter, Terry Pratchett to Stephen King, the full range and glory of the fantastic are on display in these ninety-one stories in which dragons soar, giants stomp, and human children should still think twice about venturing alone into the dark forest.
Completing Ann and Jeff VanderMeer's definitive The Big Book of Classic Fantasy, this companion volume to takes the genre into the twenty-first century with ninety-one astonishing, mind-bending stories.
Whenever we envision a world without war, without prisons, without capitalism, we are producing speculative fiction. Organizers and activists envision, and try to create, such worlds all the time. Walidah Imarisha and adrienne maree brown have brought twenty of them together in the first anthology of short stories to explore the connections between radical speculative fiction and movements for social change. The visionary tales of Octavia’s Brood span genressci-fi, fantasy, horror, magical realismbut all are united by an attempt to inject a healthy dose of imagination and innovation into our political practice and to try on new ways of understanding ourselves, the world around us, and all the selves and worlds that could be. The collection is rounded off with essays by Tananarive Due and Mumia Abu-Jamal, and a preface by Sheree Renée Thomas.
PRAISE FOR OCTAVIA'S BROOD:
"Those concerned with justice and liberation must always persuade the mass of people that a better world is possible. Our job begins with speculative fictions that fire society's imagination and its desire for change. In adrienne maree brown and Walidah Imarisha's visionary conception, and by its activist-artists' often stunning acts of creative inception, Octavia's Brood makes for great thinking and damn good reading. The rest will be up to us." Jeff Chang, author of Who We Be: The Colorization of America
Conventional exclamatory phrases don’t come close to capturing the essence of what we have here in Octavia’s Brood. One part sacred text, one part social movement manual, one part diary of our future selves telling us, It’s going to be okay, keep working, keep loving.’ Our radical imaginations are under siege and this text is the rescue mission. It is the new cornerstone of every class I teach on inequality, justice, and social change....This is the text we’ve been waiting for.” Ruha Benjamin, professor of African American Studies at Princeton University and author of People’s Science: Bodies and Rights on the Stem Cell Frontier
"Octavia once told me that two things worried her about the future of humanity: The tendency to think hierarchically, and the tendency to place ourselves higher on the hierarchy than others. I think she would be humbled beyond words that the fine, thoughtful writers in this volume have honored her with their hearts and minds. And that in calling for us to consider that hierarchical structure, they are not walking in her shadow, nor standing on her shoulders, but marching at her side." Steven Barnes, author of Lion’s Blood
Never has one book so thoroughly realized the dream of its namesake. Octavia's Brood is the progeny of two lovers of Octavia Butler and their belief in her dream that science fiction is for everybody.... Butler could not wish for better evidence of her touch changing our literary and living landscapes. Play with these children, read these works, and find the children in you waiting to take root under the stars!” Moya Bailey and Ayana Jamieson, Octavia E. Butler Legacy
Like [Octavia] Butler's fiction, this collection is cartography, a map to freedom.” dream hampton, filmmaker and Visiting Artist at Stanford University’s Institute for Diversity in the Arts
Walidah Imarisha is a writer, organizer, educator, and spoken word artist.
T’Challa faces the gods of his parents. Vampires stalk Shuri and a Dora Milaje in voodoo-laced New Orleans. Erik Killmonger grapples with racism, Russian spies, and his own origins. Eighteen brand-new tales of Wakanda, its people, and its legacy.
The first mainstream superhero of African descent, the Black Panther has attracted readers of all races and colors who see in the King of Wakanda reflections of themselves. Storytellers from across the African Diaspora—some already literary legends, others who are rising stars—have created for this collection original works inspired by the world of the Panther and its inhabitants. With guest stars including Storm, Monica Rambeau, Namor, and Jericho Drumm, these are stories of yesterday and today, of science and magic, of faith and love.
These are the tales of a king and his country. These are the legends whispered in the jungle, myths of the unconquered men and women and the land they love.
These are the Tales of Wakanda.
Featuring stories by Linda D. Addison, Maurice Broaddus, Christopher Chambers, Milton J. Davis, Tananarive Due, Nikki Giovanni, Harlan James, Danian Jerry, Kyoko M., L.L. McKinney, Temi Oh, Suyi Davies Okungbowa, Glenn Parris, Alex Simmons, Sheree Renée Thomas, Cadwell Turnbull and Troy L. Wiggins.
The Home of the Blues knows how darkness can permeate a person’s soul—and what it can drive you to do. It’s the soundtrack to a city that’s made up of equal parts hope and despair, past and present, death and rebirth. On the streets of Memphis, noir hits the right note.
Memphis Noir features stories by city standouts Richard J. Alley, David Wesley Williams, Dwight Fryer, Jamey Hatley, Adam Shaw, Penny Register-Shaw, Kaye George, Arthur Flowers, Suzanne Berube Rorhus, Ehi Ike, Lee Martin, Stephen Clements, Cary Holladay, John Bensko, Sheree Renée Thomas, and Troy L. Wiggins.
“A remarkable picture of contemporary Memphis emerges in this Akashic noir volume . . . Something for everyone.” —Publishers Weekly
“Covers train cars and Beale Street, hoodoo and segregation, Nathan Bedford Forrest and, of course, Graceland, and even includes a graphic novella.” —Memphis Flyer
“Captures the subtlety of the Memphis ethos, where blacks and whites, rich and poor, are intimately entwined. The collection—fifteen stories by some of the city’s finest writers—bleeds the blues and calls down the dark powers that permeate this capital of the Delta.” —The Commercial Appeal (Memphis)
“The new anthology Memphis Noir is replete with murders, ghosts, gangsters, a sharp-toothed baby, Boss Crump, and high water on the bluff.” —Memphis Magazine
So Long Been Dreaming: Postcolonial Science Fiction & Fantasy is an anthology of original new stories by leading African, Asian, South Asian and Aboriginal authors, as well as North American and British writers of color.
Stories of imagined futures abound in Western writing. Writer and editor Nalo Hopkinson notes that the science fiction/fantasy genre “speaks so much about the experience of being alienated but contains so little writing by alienated people themselves.” It’s an oversight that Hopkinson and Mehan aim to correct with this anthology.
The book depicts imagined futures from the perspectives of writers associated with what might loosely be termed the “third world.” It includes stories that are bold, imaginative, edgy; stories that are centered in the worlds of the “developing” nations; stories that dare to dream what we might develop into.
The wealth of postcolonial literature has included many who have written insightfully about their pasts and presents. With So Long Been Dreaming they creatively address their futures.
Contributors include: Opal Palmer Adisa, Tobias Buckell, Wayde Compton, Hiromi Goto, Andrea Hairston, Tamai Kobayashi, Karin Lowachee, devorah major, Carole McDonnell, Nnedi Okorafor-Mbachu, Eden Robinson, Nisi Shawl, Vandana Singh, Sheree Renee Thomas and Greg Van Eekhout.
Nalo Hopkinson is the internationally-acclaimed author of Brown Girl in the Ring, Skin Folk, and Salt Roads. Her books have been nominated for the Hugo, Nebula, Tiptree, and Philip K. Dick Awards; Skin Folk won a World Fantasy Award and the Sunburst Award. Born in Jamaica, Nalo moved to Canada when she was sixteen. She lives in Toronto.
Uppinder Mehan is a scholar of science fiction and postcolonial literature. A South Asian Canadian, he currently lives in Boston and teaches at Emerson College.
Edited by Rose Lemberg, and featuring work by:
Celeste Rita Baker
M. David Blake
Sheree Renée Thomas
Yoon Ha Lee
Cover art by Galen Dara
Interior illustrations by M Sereno (Likhain)
Designed and typeset by Bogi Takács
"In the hands of Gwendolyn Brooks, old age is a diamond with many facets. Throughout her poetry Brooks has illuminated old age as a time of isolation and withdrawal, remembrance and continuity, poverty, vulnerability, even homelessness, exploitation, neglect, abandonment, marginalization and destruction. And, yet, she offered resistance and affirmation."Angela Jackson, award-winning poet and activist
The year 2017 marks the 100th birthday of the late poet and cultural icon Gwendolyn Brooks. Miss Brooks' depictions of poor and working class African Americans provides insight into the civil rights movement of the 1960s, and her lens on the Great Migration, hard and necessary truths about race injustice, and the Black Power movement interprets and contextualizes current racial inequities and tensions. This collection of poetry, essays, and art inspired by the work of Miss Brooks celebrates her life, writing, and activism.
Quraysh Ali Lansana is author or editor of twenty books. He is a faculty member of the Writing Program of the School of the Art Institute of Chicago. Lansana served as Director of the Gwendolyn Brooks Center for Black Literature and Creative Writing at Chicago State University from 2002 to 2011.
Sandra Jackson-Opoku has authored two novels. The River Where Blood is Born earned the American Library Association Black Caucus Award for Best Fiction. Hot Johnny (and the Women Whom Loved Him) was an Essence magazine bestseller. Her fiction, poetry, articles, essays, and scripts have appeared the Los Angeles Times, Ms. magazine, the Literary Traveler, Islands Magazine, and elsewhere.