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About Silvia Moreno-Garcia
Silvia Moreno-Garcia is the author of the novels Velvet Was the Night, Mexican Gothic, Gods of Jade and Shadow, Certain Dark Things, Untamed Shore, and many other books. She has also edited several anthologies, including the World Fantasy Award-winning She Walks in Shadows (a.k.a. Cthulhu's Daughters).
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IN DEVELOPMENT AS A HULU ORIGINAL LIMITED SERIES PRODUCED BY KELLY RIPA AND MARK CONSUELOS • WINNER OF THE LOCUS AWARD • NOMINATED FOR THE BRAM STOKER AWARD • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New Yorker • Vanity Fair • NPR • The Washington Post • Tordotcom • Marie Claire • Vox • Mashable • Men’s Health • Library Journal • Book Riot • LibraryReads
An isolated mansion. A chillingly charismatic aristocrat. And a brave socialite drawn to expose their treacherous secrets. . . . From the author of Gods of Jade and Shadow comes “a terrifying twist on classic gothic horror” (Kirkus Reviews) set in glamorous 1950s Mexico.
After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region.
Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemi’s dreams with visions of blood and doom.
Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness.
And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.
“It’s as if a supernatural power compels us to turn the pages of the gripping Mexican Gothic.”—The Washington Post
“Mexican Gothic is the perfect summer horror read, and marks Moreno-Garcia with her hypnotic and engaging prose as one of the genre’s most exciting talents.”—Nerdist
“A period thriller as rich in suspense as it is in lush ’50s atmosphere.”—Entertainment Weekly
*Simone St. James, New York Times bestselling author of The Sun Down Motel
1970s, Mexico City. Maite is a secretary who lives for one thing: the latest issue of Secret Romance. While student protests and political unrest consume the city, Maite escapes into stories of passion and danger.
Her next-door neighbor, Leonora, a beautiful art student, seems to live a life of intrigue and romance that Maite envies. When Leonora disappears under suspicious circumstances, Maite finds herself searching for the missing woman—and journeying deeper into Leonora’s secret life of student radicals and dissidents.
Meanwhile, someone else is also looking for Leonora at the behest of his boss, a shadowy figure who commands goon squads dedicated to squashing political activists. Elvis is an eccentric criminal who longs to escape his own life: He loathes violence and loves old movies and rock ’n’ roll. But as Elvis searches for the missing woman, he watches Maite from a distance—and comes to regard her as a kindred spirit who shares his love of music and the unspoken loneliness of his heart.
Now as Maite and Elvis come closer to discovering the truth behind Leonora’s disappearance, they can no longer escape the danger that threatens to consume their lives, with hitmen, government agents, and Russian spies all aiming to protect Leonora’s secrets—at gunpoint.
Velvet Was the Night is an edgy, simmering historical novel for lovers of smoky noirs and anti-heroes.
Baja California, 1979. Viridiana spends her days watching the dead sharks piled beside the seashore, as the fishermen pull their nets. There is nothing else to do, nothing else to watch, under the harsh sun. She’s bored. Terribly bored. Yet her head is filled with dreams of Hollywood films, of romance, of a future beyond the drab town where her only option is to marry and have children.
Three wealthy American tourists arrive for the summer, and Viridiana is magnetized. She immediately becomes entwined in the glamorous foreigners’ lives. They offer excitement, and perhaps an escape from the promise of a humdrum future. When one of them dies, Viridiana lies to protect her friends. Soon enough, someone’s asking questions, and Viridiana has some of her own about the identity of her new acquaintances. Sharks may be dangerous, but there are worse predators nearby, ready to devour a naïve young woman who is quickly being tangled in a web of deceit.
“A spellbinding fairy tale rooted in Mexican mythology . . . Gods of Jade and Shadow is a magical fairy tale about identity, freedom, and love, and it's like nothing you've read before.”—Bustle
NEBULA AWARD FINALIST • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • Tordotcom • The New York Public Library • BookRiot
The Jazz Age is in full swing, but Casiopea Tun is too busy cleaning the floors of her wealthy grandfather’s house to listen to any fast tunes. Nevertheless, she dreams of a life far from her dusty small town in southern Mexico. A life she can call her own.
Yet this new life seems as distant as the stars, until the day she finds a curious wooden box in her grandfather’s room. She opens it—and accidentally frees the spirit of the Mayan god of death, who requests her help in recovering his throne from his treacherous brother. Failure will mean Casiopea’s demise, but success could make her dreams come true.
In the company of the strangely alluring god and armed with her wits, Casiopea begins an adventure that will take her on a cross-country odyssey from the jungles of Yucatán to the bright lights of Mexico City—and deep into the darkness of the Mayan underworld.
Praise for Gods of Jade and Shadow
“A dark, dazzling fairy tale . . . a whirlwind tour of a 1920s Mexico vivid with jazz, the memories of revolution, and gods, demons, and magic.”—NPR
“Snappy dialog, stellar worldbuilding, lyrical prose, and a slow-burn romance make this a standout. . . . Purchase where Naomi Novik, Nnedi Okorafor, and N. K. Jemisin are popular.”—Library Journal (starred review)
“A magical novel of duality, tradition, and change . . . Moreno-Garcia’s seamless blend of mythology and history provides a ripe setting for Casiopea’s stellar journey of self-discovery, which culminates in a dramatic denouement. Readers will gladly immerse themselves in Moreno-Garcia’s rich and complex tale of desperate hopes and complicated relationships.”—Publishers Weekly (starred review)
From Silvia Moreno-Garcia, the New York Times bestselling author of Mexican Gothic, comes Certain Dark Things, a pulse-pounding neo-noir that reimagines vampire lore.
Welcome to Mexico City, an oasis in a sea of vampires. Domingo, a lonely garbage-collecting street kid, is just trying to survive its heavily policed streets when a jaded vampire on the run swoops into his life. Atl, the descendant of Aztec blood drinkers, is smart, beautiful, and dangerous. Domingo is mesmerized.
Atl needs to quickly escape the city, far from the rival narco-vampire clan relentlessly pursuing her. Her plan doesn’t include Domingo, but little by little, Atl finds herself warming up to the scrappy young man and his undeniable charm. As the trail of corpses stretches behind her, local cops and crime bosses both start closing in.
Vampires, humans, cops, and criminals collide in the dark streets of Mexico City. Do Atl and Domingo even stand a chance of making it out alive? Or will the city devour them all?
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
From the New York Times bestselling author of Mexican Gothic comes a sweeping romance with a dash of magic.
They are the Beautiful Ones, Loisail’s most notable socialites, and this spring is Nina’s chance to join their ranks, courtesy of her well-connected cousin and his calculating wife. But the Grand Season has just begun, and already Nina’s debut has gone disastrously awry. She has always struggled to control her telekinesis—neighbors call her the Witch of Oldhouse—and the haphazard manifestations of her powers make her the subject of malicious gossip.
When entertainer Hector Auvray arrives to town, Nina is dazzled. A telekinetic like her, he has traveled the world performing his talents for admiring audiences. He sees Nina not as a witch, but ripe with potential to master her power under his tutelage. With Hector’s help, Nina’s talent blossoms, as does her love for him.
But great romances are for fairytales, and Hector is hiding a truth from Nina — and himself—that threatens to end their courtship before it truly begins.
The Beautiful Ones is a charming tale of love and betrayal, and the struggle between conformity and passion, set in a world where scandal is a razor-sharp weapon.
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
El único amigo que Noemí encontrará es el hijo menor de la familia, quien también da la impresión de estar tapando secretos oscuros. Porque hay muchos secretos escondidos en las pareces de High Place, como descubrirá Noemí cuando empiece a desenterrar historias de violencia y locura. Cautivada por este mundo aterrador a la par que seductor, a Noemí le resultará difícil salvar a su prima... O incluso escapar de esa enigmática casa.
Premio Goodreads a Mejor Novela de Terror 2020.
Premio Locus a Mejor Novela de Terror 2021.
Yalxi, the deposed Supreme Mistress of the Guild of Sorcerers, is on a desperate mission. Her lover and confidant seized her throne and stole the precious diamond heart, the jewel that is the engine of her power. Yalxi sets out to regain her magic and find a weapon capable of destroying the usurper. But this will mean turning to unlikely allies and opening herself up to unpleasant memories that have been suppressed for many years. For Yalxi is no great hero, but a cunning sorceress who once forged her path in blood—and must reckon with the consequences.
Set in a fantastical land where jewels and blood provide symbiotic magical powers to their wearers, The Return of the Sorceress evokes the energy of classic sword and sorcery, while building a thoroughly fresh and exciting adventure ripe for our era.
Spanning a variety of genres—fantasy, science fiction, horror—and time periods, Silvia Moreno-Garcia's exceptional debut collection features short stories infused with Mexican folklore yet firmly rooted in a reality that transforms as the fantastic erodes the rational. This speculative fiction compilation, lyrical and tender, quirky and cutting, weaves the fantastic and the horrific alongside the touchingly human. Perplexing and absorbing, the stories lift the veil of reality to expose the realms of what lies beyond with creatures that shed their skin and roam the night, vampires in Mexico City that struggle with disenchantment, an apocalypse with giant penguins, legends of magic scorpions, and tales of a ceiba tree surrounded by human skulls.
This decadent collection contains unique creations of Mythos fiction, plus thought-provoking academic essays. In addition, the revised edition contains more than 20 pieces of original art.
With work by Cody Goodfellow, Kenneth Hite, Steven J. Scearce, Silvia Moreno-Garcia, Gabrielle Harbowy, Matthew Marovich, Kirsten Brown, Richard Baron, Don Pizarro, K.V. Taylor, Jennifer Brozek, Galen Dara, Mae Empson, Nathan Crowder, Leon J. West, and many more ...
Astrophobos by H.P. Lovecraft
Introduction by Carrie Cuinn
Descent of the Wayward Sister by Gabrielle Harbowy
The C-Word by Don Pizarro
Infernal Attractors by Cody Goodfellow
Daddy’s Girl by Madison Woods
Victim of Victims by Anonymous
The Cry in the Darkness by Richard Baron
Riemannian Dreams by Juan Miguel Marin
Turning On, Tuning In, and Dropping Out at the Mountains of Madness by Ahimsa Kerp
Song of the Catherine Clark by Maria Mitchell
Between a Rock and an Elder Goddess by Mae Empson
The Fishwives of Sean Brolly by Nathan Crowder
Flash Frame by Silvia Moreno-Garcia
Transfigured Night by K.V. Taylor
The Lake at Roopkund by Andrew Scearce
Ipsa Scientia by Constella Espj
Amid Disquieting Dreams by Leon J. West
The Dreamlands of Mars by Travis King
The Assistant from Innsmouth by Steven J. Scearce
The Summoned by Clint Collins
Sense by Matthew Marovich
Optional On The Beach At The Festival Of Shug Niggurath by Gary Mark Bernstein
Le Ciél Ouvert by Kirsten Brown
Astrophobos, conclusion by H.P. Lovecraft
Cthulhu’s Polymorphous Perversity by Kenneth Hite
The Sexual Attraction Of The Lovecraftian Universe by Jennifer Brozek
Cthulhurotica, Female Empowerment, and the New Weird by Justin Everett, PhD
ILLUSTRATIONS Cthulhurotica by Oliver Wetter
Glyphs by Carrie Cuinn
Into the Darkness by Galen Dara
The Widow's Walk by Galen Dara
Infernal Machine by Galen Dara
Shirley's Demon Lover by Galen Dara
Whateley Family Portrait by Kirsten Brown
Wandering Bride by Galen Dara
Lovecraftian Love by Galen Dara
Deep Ones by Galen Dara
Woman, Yellow by Galen Dara
Love from the Black Lagoon by Galen Dara
Your Fisheater by Stephen Stanley
The Whateley Estate by Galen Dara
Anna by Galen Dara
The Box by Galen Dara
The Brides of Tindalos by Kirsten Brown
Great Rift by Galen Dara
Plus additional interior images by Carrie Cuinn
Meche, awkward and fifteen, has two equally unhip friends – Sebastian and Daniela – and a whole lot of vinyl records to keep her company. When she discovers how to cast spells using music, the future looks brighter for the trio. The three friends will piece together their broken families, change their status as non-entities, and maybe even find love...
Mexico City, 2009: Two decades after abandoning the metropolis, Meche returns alone for her estranged father’s funeral.
It’s hard enough to cope with her family, but then she runs into Sebastian, reviving memories from a childhood she thought she buried a long time ago. What really happened back then? What precipitated the bitter falling out with her father? Is there any magic left?