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The Song of Achilles: A Novel Kindle Edition
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“At once a scholar’s homage to The Iliad and startlingly original work of art by an incredibly talented new novelist….A book I could not put down.”
“Mary Renault lives again!” declares Emma Donoghue, author of Room, referring to The Song of Achilles, Madeline Miller’s thrilling, profoundly moving, and utterly unique retelling of the legend of Achilles and the Trojan War.
A tale of gods, kings, immortal fame, and the human heart, The Song of Achilles is a dazzling literary feat that brilliantly reimagines Homer’s enduring masterwork, The Iliad. An action-packed adventure, an epic love story, a marvelously conceived and executed page-turner, Miller’s monumental debut novel has already earned resounding acclaim from some of contemporary fiction’s brightest lights—and fans of Mary Renault, Bernard Cornwell, Steven Pressfield, and Colleen McCullough’s Masters of Rome series will delight in this unforgettable journey back to ancient Greece in the Age of Heroes.
Gregory Maguire is the best-selling author of Confessions of an Ugly Stepsister, Lost, Mirror Mirror, the Wicked Years, a series that includes Wicked, Son of a Witch, A Lion Among Men, and most recently, Out of Oz.
Gregory Maguire: Ms. Miller, you write with the confidence of the zealously inspired, taking as your material one of the great foundation texts of world literature. In three millennia, The Iliad has garnered somewhat wider attention than The Wizard of Oz, with which I have played, so I have to ask: where do you get the noive? How did you come to dare to take on such a daunting task, and for your first book?
Madeline Miller: A little knowledge is a dangerous thing, and in my case it was just dangerous enough to get me started. If I had stopped to ponder, I think I might have been too intimidated. But it helped that Patroclus is such an underdog—giving him voice felt like standing up for him. I had been intensely frustrated by a number of articles that kept side-stepping the love between him and Achilles, which to me felt so obviously at the story’s heart. So I wanted to set the record straight, as I saw it.
Maguire: The novel tells the story of the rise, fall and immortalization of the golden Achilles. You approach his famous story from a sideline, that of Patroclus, his bosom companion and lover. Was it hard to keep the mighty arc of legend from overwhelming shadowy Patroclus, and did you write more of him than you ended up using, just to be sure you had him firmly grounded in your mind?
Miller: Definitely yes to the second. I actually spent five years writing a first draft of the novel, took a good long look at it, then threw it out and started from scratch. Even though not a word survived, that draft was an essential first step. It helped me understand the story and characters, especially Patroclus, from the inside out.
As for the overwhelming legends, I actually think they worked in my favor—because Patroclus is overwhelmed by them himself. He is this ordinary person who is pulled into a terrifying world of angry deities and destiny because of his love for Achilles.
Maguire: Having glancingly heard of this legend before, I knew more or less how it would end. I had no idea how you might handle the loss of perspective and point of view when tragedy would inevitably strike. You managed to narrate an almost impossible transition from life into myth in part, I think, by your instinctual use of a combination of present and past tense, to say nothing of a masterly combining of authorial and first person observations. How many slaughtered bulls did you sacrifice, and on whose altar, to deserve the talent to risk such dangerous technique?
Miller: It was a lot of bulls. And whatever ended up working, I give all the credit to my background in theater. When I first started writing, I had this idea that I should be in control of the story, forcing it forward. It never worked. What I needed to do was learn how to get in character, and write from there.
It took me a long time to find just the right tone for the ending—I kept writing and throwing away, writing and throwing away. Then, in the middle of apartment-hunting, inspiration struck. All the other ideas had started out well, but would gum up before they got anywhere near the finish line. But this one kept humming right along. And it was the simplest, so there you go.
Maguire: Oscar Wilde said something like, “The Odyssey was written by Homer, or another Greek of the same name.” But Oscar Wilde had clearly not met you. This is not a question. It is a salute.
- ASIN : B006IE2IO8
- Publisher : Ecco (March 6, 2012)
- Publication date : March 6, 2012
- Language : English
- File size : 3871 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Print length : 369 pages
- Page numbers source ISBN : 1408891387
- Lending : Not Enabled
- Best Sellers Rank: #954 in Kindle Store (See Top 100 in Kindle Store)
- Customer Reviews:
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Top reviews from the United States
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The story and plot revolves around the Trojan war and the moments before and after where Patroclus meets Achilles and laters waits for him. The flow is actually quite gentle, even during the war fighting. I had expected more action and heart racing moments, and that is maybe why I did not rush into a higher rating.
However, even though I had a feeling of who and the knowledge of death, I was still struck hard. It did not come on suddenly, no. It crept slowly, clung to my heart and then watered in my eyes. It was the reaction to death that got me.
The end is beautiful and sweet. It brings together the readers and the characters who are in pain and comforts us and makes us allies.
The writing is also wonderful. It's poetic and lovely at times. Of course if you do not like things being compared to unrelated things, such as the plumpness of lips to that of a bee, then you will disagree with me here. Regardless, this is the writing style I most adore in moderation and thus have loved this book.
As most of us know, it was not uncommon in Ancient Greek life for older men to have sexual relationships with younger men. Homosexual relationships between men of the same age, however, were rarer. When I was taught The Iliad, even in college, the bond between Patroclus and Achilles was usually described as just a deep friendship (lip service was paid to the idea they could have been lovers but it was never taught as being the more persuasive interpretation). Miller's novel, however, roots itself in the alternate interpretation: she presents us with Achilles, the most gifted warrior in Greece, as a man in a loving and stable lifelong relationship with Patroclus.
It would actually be more accurate to say she presents us with Patroclus as the romantic partner of Achilles: the story belongs to Patroclus, it is told through his eyes. Patroclus as created by Miller is a gentle soul, a disappointment to his aggressive father, who is banished when he kills another child purely by accident. He is sent to Peleus, father of Achilles, to be fostered, and is chosen by Achilles of all the young men at court to be his companion. Their relationship only gradually becomes romantic, much to the disgust of Achilles' river goddess mother, Thetis. She conspires more than once to break the couple apart, but their love is too strong and they remain together until the end. Miller explains Achilles' rage over the theft of his slave girl as being not about being deprived of a lover, but as being disrespected as the greatest soldier in the army by having his rightfully-claimed prize taken away.
I found it a much more enjoyable take on the story than the original. Miller really gets the time to develop Patroclus and Achilles as characters in depicting them from boyhood all the way through adulthood. She paints a very devoted relationship between them: though both briefly experiment with sex with women, they never stray from each other and Achilles refuses to leave Patroclus despite strong maternal pressure to do so. Since Miller's Patroclus isn't a skilled or enthusiastic warrior and instead serves the Greek contingent at Troy as a healer, most of the battlefield scenes that I find so boring to read are left out entirely. This is a solid read for fans of historical fiction and/or classical retellings.
Top reviews from other countries
The Song of Achilles is a retelling, one which takes the myth and runs with it. Here Achilles really is the son of a sea nymph, he is trained by a centaur, and gods play their part in the lives of man.
I used to know my Classics a lot better that I do now - Roger Lancelyn Green’s books were a staple of my childhood library - so this was a book which unfolded for me. I remembered each plot point as we hit it, so I’m entirely the wrong person to ask if it makes any logical sense. It probably doesn’t. It certainly could have done a better job of selling ancient motivations to a modern audience.
The story is told by Patroclus, a prince and, when he begins this story, unlikely candidate for Helen’s hand in marriage. I am super here for a room full of men deciding what will happen to a teenage girl, as you can imagine. This is a male story, though, and Miller doesn’t attempt to change that.
However, when Patroclus inadvertently kills another boy, he is exiled to the court of Peleus where he falls swooningly in love with Mary Sue Achilles, who’s super perfect at everything (as one expects from a demi-god). Thetis, Achilles’ mother, really hates Patroclus. The boys go off to learn things on a mountain. They are swoonily swoony. They come back. Thetis hates Patroclus. Then she hides Achilles because she doesn’t want him to go to Troy as he will be killed.
Once the war actually begins, a good half way through the book, things improve, in part because there’s actually things happening. There is air of inexorability to the whole thing which really gets into its stride in the last third as we make the drive towards what is fated to happen (and we’re no longer reading rambling scenes about how swoony teenage Achilles is).
When Miller hits the predetermined narrative events, she’s good. When she’s making her own way between, she’s… less good.
For a book which treats the gods as real, there’s an awful lot of “something’s happening because the gods are displeased” conversations, followed by “here’s the solution to that” conversations. Obviously there’s no one correct version of many of the myths, but sometimes Miller takes the path of most boredom, such as the demand for the sacrifice of Iphigenia. Apollo’s appearance on the walls of Troy especially charmed me, so the omission of the gods involvement in other ways, even as a background, felt disappointing.
I am also critical of the characterisation. Odysseus is great, true, but everybody else? Eh.
Achilles lives his whole life chained to the prophecies made about him, but whatever this does to him remains unexplored. He’s just some guy. Admittedly one who is super good at everything and jolly good looking. And when we’re reading the narrative of a boy, then man, who is in love with him, I’d really have preferred to grasp the appeal.
Thetis is especially poorly done. Like her son she is chained to the pronouncements of the Fates, but here she is a pure JustNoMil. She’s such a central figure in the original myth - the Trojan war begins because of a prophecy made about her: the son of Thetis will be greater than his father, hence “marriage” to Peleus, hence somebody not doing the invitations right, hence golden apple etc etc etc
I was also unreasonably annoyed that Miller chooses to not use the one thing everybody knows about our demi-god: that he really should have invested in some foot armour. Google assures me Homer doesn’t include the story of Thetis’s attempt to make her son invulnerable and immortal, but Homer doesn’t include Achilles’ death, either. Or the romantic relationship between him and Patroclus. It felt like a massive oversight rather than a deliberate decision.
The beginning was interesting if not grippy. Then it got a bit dull. Then a bit duller. Then, by the end, it was very good indeed. I don’t rule out reading Circe, Miller’s second full length novel, but I could just as easily not. Overall?
She's managed to take everything we know of the story from the existing texts and build a world that is thoroughly absorbing and beautiful. It's a story of epic soul binding love, so beautifully rendered.
I really enjoyed how there was no modern lens put onto the story. She just tells it. Ideas and concepts that mean something to us would have been meaningless to the ancients, and behaviours we find unacceptable were normal. So some bits are difficult, there's human sacrifice, and slavery including sexual slavery, but nothing is gratuitous or too graphic.
Just read it it's beautiful.
Does this count as historical, or mythological, or pure fantasy? Don't care - brilliant, brilliant book. It was positively painful to read it if I'm honest but I couldn't put it down. One of those books that I felt a true and consuming sense of loss for a few days after reading it. Recommended to EVERYONE.
I actually loved it. This is a beautifully-written, very descriptive book. It was easy to read, and a real page turner. I felt that I learned a lot about ancient Greece and the Trojan war. I can't fully remember the story of Achilles from school (it has been erased from my memory, along with Jason and the Argonauts, and the Minotaur) but I loved this re-telling and couldn't put the book down. The simple, striking cover is beautiful too and I would thoroughly recommend this book. A wonderful read.