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The Star-Touched Queen (Star-Touched, 1) Hardcover – April 26, 2016
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A lush and vivid story steeped in Indian folklore and mythology, Roshani Chokshi's The Star-touched Queen is a novel that no reader will soon forget. An instant New York Times bestseller!
Fate and fortune. Power and passion. What does it take to be the queen of a kingdom when you're only seventeen?
Maya is cursed. With a horoscope that promises a marriage of Death and Destruction, she has earned only the scorn and fear of her father's kingdom. Content to follow more scholarly pursuits, her whole world is torn apart when her father, the Raja, arranges a wedding of political convenience to quell outside rebellions. Soon Maya becomes the queen of Akaran and wife of Amar. Neither roles are what she expected: As Akaran's queen, she finds her voice and power. As Amar's wife, she finds something else entirely: Compassion. Protection. Desire...
But Akaran has its own secrets -- thousands of locked doors, gardens of glass, and a tree that bears memories instead of fruit. Soon, Maya suspects her life is in danger. Yet who, besides her husband, can she trust? With the fate of the human and Otherworldly realms hanging in the balance, Maya must unravel an ancient mystery that spans reincarnated lives to save those she loves the most... including herself.
- Print length352 pages
- LanguageEnglish
- PublisherSt. Martin's Griffin
- Publication dateApril 26, 2016
- Grade level7 - 9
- Reading age13 years and up
- Dimensions6.44 x 1.27 x 9.58 inches
- ISBN-101250085470
- ISBN-13978-1250085474
- Lexile measureHL700L
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Editorial Reviews
From School Library Journal
Review
Praise for The Star-Touched Queen:
New York Times Bestseller
#9 on the Summer 2016 Kids' Indie Next List
An Amazon Best Book of the Month
A Goodreads Best Book of the Month
“Chokshi's prose is captivating, and the pages come alive …. Maya is a strong heroine, and while there is romance, an emphasis on familial love adds another level of richness to a folkloric fantasy about sacrifice, self-discovery, and making your own destiny.” ―Publishers Weekly, starred review
“Richly imagined, deeply mythic, filled with lovely language… this is an author to watch” ― Kirkus Reviews
"Magic is woven into every word of the STAR-TOUCHED QUEEN. Vibrantly imaginative and gracefully written, I was spellbound from the first line. A dazzling, sensuous feast of world-building, romance, and mythology." ―Sarah J. Maas, New York Times Bestselling author of the Throne of Glass series.
"Roshani Chokshi has crafted a bewitching tale with a setting so vivid and unique, I wished I could step right through the pages." ―Amy Ewing, New York Times Bestselling Author of The Jewel
"Chokshi's storytelling glimmers like magic on every page-a novel meant to be savored." ―Cindy Pon, author of Serpentine and Silver Phoenix
"A luscious, bloodthirsty fairy tale with all the romance, magic, and gorgeous mythology I could ask for ―Tessa Gratton, author of Blood Magic and The United States of Asgard series
"Gorgeously poetic writing gives vibrant, sensuous life to the worlds of THE STAR-TOUCHED QUEEN." ―Kate Elliott, of Court of Fives
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
The Star-Touched Queen
By Roshani ChokshiSt. Martin's Press
Copyright © 2016 Roshani ChokshiAll rights reserved.
ISBN: 978-1-250-08547-4
CHAPTER 1
NOT A GHOST
Staring at the sky in Bharata was like exchanging a secret. It felt private, like I had peered through the veil of a hundred worlds. When I looked up, I could imagine — for a moment — what the sky hid from everyone else. I could see where the winds yawned with silver lips and curled themselves to sleep. I could glimpse the moon folding herself into crescents and half-smiles. When I looked up, I could imagine an existence as vast as the sky. Just as infinite. Just as unknown.
But today, there was no time to let my head wander. Duty kept my gaze fixed on the funeral pyre slowly winding its way toward the harem. I choked back a cough. Charred incense filled my lungs, thick and over-sweet with the smell of burning marigolds. Beside the pyre, mourners screeched and wept, tearing their hair and smearing ash across their faces. It was an impressive show, but their bored eyes betrayed them. Hired help, no doubt. Real grief had no place in my father's court.
An ivory screen separated the harem from the funerary procession, but I caught snatches of him through the lattice. He wore a white sherwani jacket, and around his throat coiled a necklace strung together with the birthstones of his children. There, by the crook of his neck, my birthstones — a handful of muted sapphires — caught the watery morning light. My father's head was bent to the ear of a pale-faced courtier, his voice low. He wasn't talking about the dead wife on the pyre. He probably didn't even know her name. It was Padmavathi. She had a round face and used to sing in the morning, crooning to her swelling stomach with a secret smile. I never once heard her say a cruel thing about anyone. Not even me.
No, my father was discussing war. The shadow of it looms over us constantly, sometimes hidden. Always present. I only know of the war in glimpses, but I see its pall everywhere. I see war in my father's face, pinching his cheeks sallow. I see war in the courtier's brows, always bent in grief. I see war in the empty coffers, in the tents where once-spirited soldiers await the crematory grounds.
I leaned closer to catch his words, only to be yanked back.
"Get away from there," Mother Dhina hissed. "It's not right for you to stand at the front."
My jaw tightened, but I stepped back without a word. I couldn't risk giving the wives more venom. They may have covered their lips with silk, but their words were unsheathed daggers. According to the royal physician, childbirth had killed Padmavathi, but no one believed him. In the eyes of the court, there was only one killer —
Me.
* * *
In Bharata, no one believed in ghosts because the dead never lingered. Lives were remade instantly, souls unzipped and tipped into the streaked brilliance of a tiger, a gopi with lacquered eyes or a Raja with a lap full of jewels. I couldn't decide whether I thought reincarnation was a scare tactic or a hopeful message. Do this, so you won't come back as a cockroach. Give alms to the poor, and in your next life you'll be rich. It made all good deeds seem suspect.
Even then, it was a comfort to know that there were no ghosts in my country. It meant that I was alive. To everyone else, I was a dead girl walking. But I was no ghost. I was no spectral imprint of something that had lived and died and couldn't leave this place behind. It meant I still had a chance at life.
By the time the funerary procession ended, the sun had barely begun to edge its way across the sky. The mourners had dispersed as soon as the royal announcement ended and only the flames presided over Padmavathi's burial. When the noonday bell rang throughout the palace, even the smells — smoke and petals, salt and jasmine — had disappeared, scraped up by the wind and carried far into the shadowless realm of the dead.
Before me, the halls of the harem glittered, sharp as a predator's eyes. Light clung to the curved torsos of statuettes and skimmed the reflections from still pools of water. In the distance, the great double doors of the harem yawned open and the mellow midday heat crept in from the outside. I could never trust the stillness of the harem.
Behind me, the living quarters and personal rooms of the harem wives and my half-sisters had melted into shadow. The caretakers had set the children of the royal nursery to sleep. The tutors had begun droning to the betrothed princesses about the lands and ancestries of their soon-to-be husbands.
I had my own appointment. My "tutor of the week." Poor things. They never lasted long; whether that was their decision or mine just depended on the person. It wasn't that I disliked learning. It was simply that they couldn't teach me what I wanted to know. My real place of study hovered above their heads. Literally.
Outside, the thunder of clashing gongs drifted through the harem walls. Parrots scattered from their naps, launching into the air with a huff and a screech. The familiar shuffle of pointed shoes, golden tassels and nervous voices melted into a low murmur. All of my father's councilors were making their way to the throne room for his announcement.
Within moments, my father would reveal his solution for dealing with the rebel kingdoms. My heart jostled. Father, while never on time, was nonetheless efficient. He wouldn't waste time on the frivolities of the court, which meant that I had a limited amount of time to get to the throne room and I still had to deal with the most recent tutor. I prayed he was a simpleton. Better yet — superstitious.
Father once said the real language of diplomacy was in the space between words. He said silence was key to politics.
Silence, I had learned, was also key to spying.
I slipped off anything noisy — gold bracelets, dangling earrings — and stashed them behind a stone carving of a mynah bird. Navigating through the harem was like stepping into a riddle. Niches filled with statues of gods and goddesses with plangent eyes and backs arced in a forgotten reel of a half-dance leaned out into the halls. Light refracted off crystal platters piled with blooms the bright color of new blood, and flickering diyas cast smoke against the mirrors, leaving the halls a snarl of mist and petals. I touched the sharp corners. I liked the feeling of stone beneath my fingers, of something that pushed back to remind me of my own solidity.
As I rounded the last corner, the harem wives' sharp laughter leapt into the halls, sending prickles across my arm. The harem wives' habits never changed. It was the one thing I liked about them. My whole life was crafted around their boredom. I could probably set my heartbeat to the hours they whittled away exchanging gossip.
Before I could run past them, a name rooted me to the spot ... my own. At least, I thought I heard it. I couldn't be sure. No matter how much I wanted to plant one foot in front of the other and leave them behind, I couldn't.
I held my breath and stepped backward, pressing my ear as close to the curtains as I could.
"It's a pity," said a voice sultry from years spent smoking the rose-scented water pipes.
Mother Dhina. She ruled the harem with an iron fist. She may not have given the Raja any sons, but she had one enduring quality: life. She had survived seven pregnancies, two stillbirths and a sweating sickness that claimed eight wives in the past three years. Her word was law.
"What is?"
A simpering voice. Mother Shastri. Second in command. She was one of the younger wives, but had recently given birth to twin sons. She was far more conniving than Mother Dhina, but lacked all the ambition of real malice.
"It's just a pity Advithi didn't go the same way as Padmavati."
My hands curled into fists, nails sinking into the flesh of my palms. Advithi. I didn't know her long enough to call her mother. I knew nothing of her except her name and a vague rumor that she had not gotten along with the other wives. In particular, Mother Dhina. Once, they had been rivals. Even after she died, Mother Dhina never forgave her. Other than that, she was a non-descript dream in my head. Sometimes when I couldn't sleep at night, I'd try to conjure her, but nothing ever revealed itself to me — not the length of her hair or the scent of her skin. She was a mystery and the only thing she left me was a necklace and a name. Instinctively, my fingers found her last gift: a round-cut sapphire strung with seed pearls.
Mother Dhina wheezed, and when she spoke, I could almost smell the smoke puffing out between her teeth. "Usually when a woman dies in childbirth, the child goes too."
Mother Shastri chided her with a hollow tsk. "It's not good to say such things, sister."
"And why is that?" came a silvery voice. I couldn't place that one. She must have been new. "It should be a good thing for a child to survive the mother. It is a shame Padmavathi's son died with her. Who is Advithi —?"
"Was," corrected Mother Dhina with a tone like thunder. The other wife stuttered into silence. "She was nothing more than a courtesan who caught the Raja's eye. Mayavati is her daughter."
"Her? The one with the horoscope?"
Another wife's voice leapt to join the other's: "Is it true that she killed Padmavathi?"
Bharata may not believe in ghosts, but horoscopes were entirely different. The kingdom choreographed whole lives on whatever astral axis was assigned to you. Father didn't seem to believe in horoscopes. He spoke of destiny as a malleable thing, something that could be bent, interpreted or loosened to any perspective. But that didn't change the mind of the court. Whatever magic had unearthed meaning in stars, my celestial forecast was shadowed and torn, and the wives never let me forget. It made me hate the stars and curse the night sky.
"She might as well have," said Mother Dhina dismissively. "That kind of bad fortune only attracts ill luck."
"Is it true, then?"
How many times had I asked myself that question? I tried to convince myself that it was just the idle talk of the harem wives and a series of bad coincidences, but sometimes ... I wasn't so sure.
"The Raja needs to get rid of her," said Mother Shastri. "Before her plague spreads to someone else."
"How can he?" scoffed another. "Who would marry her with that horoscope? She brings death wherever she goes."
The new wife, with the silvery voice, piped up eagerly, "I heard her shadow doesn't stay in one place."
Another voice chimed in, "A servant told me that snakes bow to her."
I pushed myself off the wall. I knew all the rumors, and I didn't care to hear them again. Their words crawled over my skin. I wanted to shake off the insults, the laughter, the shadows. But all of it clung to me, thick as smoke, pushing out the blood from my veins until I pulsed with hate.
The second gong rang in the distance. I walked faster, feet pounding on the marble. As I ran through the gardens, sunlight slanted off my skin and a feeling of wrongness struck me. It didn't dawn on me until afterward, until light knifed through the fig trees and striped me like a tiger, until I caught the shadow-seamed imprint of a leaf against the paved walkway to the archival buildings.
My shadow.
I couldn't see it.
CHAPTER 2LESSONS IN SILENCE
The archives were cut like honeycombs and golden light clung to them, dousing every tome, painting, treatise and poem the soft gold of ghee freshly skimmed from boiling butter. I was only allowed to visit once a week — to meet with my weekly tutor before I inevitably scared him away. Every time I left the archival room, my arms brimmed with parchment paper. I loved the feeling of discovery, of not knowing how much I wanted something until I had discovered its absence.
The week before, I had lost myself in the folktales of Bharata. Stories of elephants who spun clouds, shaking tremors loose from ancient trunks gnarled with the rime of lost cyclones, whirlwinds and thunderstorms. Myths of frank-eyed naga women twisting serpentine, flashing smiles full of uncut gemstones. Legends of a world beneath, above, beside the one I knew — where trees bore edible gems and no one would think twice about a girl with dark skin and a darker horoscope. I wanted it to be real so badly that sometimes I thought I could see the Otherworld. Sometimes, if I closed my eyes and pressed my toes into the ground, I could almost sense them sinking into the loam of some other land, a dream demesne where the sky cleaved in two and the earth was sutured with a magic that could heal hearts, mend bones, change lives.
It was a dream I didn't want to part with, but I had to settle for what magic I could create on my own. I could read more. Learn more. Make new dreams. But the best part wasn't hoarding those wishes to myself. It was sharing everything I learned with Gauri, my half-sister. She was the only one I couldn't scare away ... the only one I didn't want to.
Thinking of Gauri always made me smile. But as soon as I caught sight of my tutor of the week, the smile disappeared. He stood between two pillars of the archive section marking the kingdom's history. Beyond the sheer number of things to read in the archive room, what I loved most was its ceiling. It was empty, wide enough to crawl through and conveniently linked to my father's inner sanctum.
The tutor, as luck would have it, stood directly below my hiding spot.
At least Father's announcement hadn't started. The courtiers still murmured and the footfall of tardiness fell on my ears like music. But if I was ever going to get to hear that meeting, I had to get rid of the tutor first.
"Punctuality is a prize among women," said the tutor.
I bit back a cringe. His voice was sticky. The words drawn out like they would morph into a noose and slip around you in the dark. I stepped back, only to see his eyes sharpen into a glare.
He was heavyset and tall. Soft-rounded jowls faded into a non-chin and thick neck. Greasy black eyes dragged across my body. In the past, my tutors had all been the same — a little doughy, a little nervous. Always superstitious. This new tutor held my gaze evenly. That was unexpected. None of my other tutors had ever met my eye. Sometimes the tutors sidled against the dark of the archival chambers, hands trembling as they pushed a set of notes toward me. History lessons, they said. Why did they always start with history? Show me a dream unrealized. Don't show me unchangeable paths.
The tutor cleared his throat. "I have no intention to teach you history or letters or speech. I intend to teach you silence. Stillness."
This time I didn't even try to hide my scowl. I did not like this replacement. Tutors generally left me alone. I never had to raise my voice. I never had to scowl. I didn't even need words. What scared them most was much simpler and sweeter than that — a smile. The moment I smiled — not a real one, of course, but a slow, crocodile reveal of teeth and a practiced manic gleam — the tutor would make an excuse, edge along the wall and flee out of the archive rooms.
Who wanted to be smiled at by the girl that trailed shadows like pets, conjured snakes and waited for Death, her bridegroom, to steal her from these walls? Never mind that none of it was true. Never mind that the closest I had come to real magic was making off with an entire tray of desserts without anyone noticing. The shadow of me always loomed larger than the person who cast it. And sometimes that had its benefits.
This tutor, however, was not as easily cowed. I strained my ears, listening for the footfall of more courtiers, but it was silent. The meeting would start any minute now and here I was, stuck with some fool who wanted to teach me the virtue of silence.
I grinned at him ...
... and he grinned back.
"It is unseemly to smile at strangers, Princess."
He took a step closer to me. Shadows glommed around him, choking off the honey light of the room. He smelled wrong. Like he had borrowed the scent of another person. Sweat slicked his skin and when he walked closer, red shimmered in his eyes — like coal smoldering in each socket.
"Let me teach you, lovely thing," he said, taking another step closer. "Humans always get it wrong, don't they? They think a bowl of rice at the front door is strong enough to keep a demon away. Wrong. What you know is a false promise of strength. Let me show you weakness."
The room had never felt this empty, like I was trapped between the space of an echo and a scream. I couldn't hear anything. Not the parrots scuttling on their branches or the court notary droning his list of the afternoon's agenda. Silence was a silhouette, something I could trace.
(Continues...)Excerpted from The Star-Touched Queen by Roshani Chokshi. Copyright © 2016 Roshani Chokshi. Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Product details
- Publisher : St. Martin's Griffin (April 26, 2016)
- Language : English
- Hardcover : 352 pages
- ISBN-10 : 1250085470
- ISBN-13 : 978-1250085474
- Reading age : 13 years and up
- Lexile measure : HL700L
- Grade level : 7 - 9
- Item Weight : 1.2 pounds
- Dimensions : 6.44 x 1.27 x 9.58 inches
- Best Sellers Rank: #928,603 in Books (See Top 100 in Books)
- #201 in Romance Fiction Writing Reference
- #1,820 in Teen & Young Adult Epic Fantasy
- #3,166 in Teen & Young Adult Sword & Sorcery Fantasy
- Customer Reviews:
About the author

Roshani Chokshi is the author of commercial and critically acclaimed books for middle grade and young adult readers that draws on world mythology and folklore. Her work has been nominated for the Locus and Nebula awards, and has frequently appeared on Best of The Year lists from Barnes and Noble, Forbes, Buzzfeed and more. Her New York Times bestselling series includes The Star-Touched Queen duology, The Gilded Wolves, and Aru Shah and The End of Time, which was recently optioned for film by Paramount Pictures.
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Reviewed in the United States on December 12, 2018
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This is a book about a woman of color by a woman of color. The cast is all people of color--specifically Indian people. The fantastic creatures that appear come from Indian folklore and mythology.
In many ways, the diversity stops there. No queer characters appear in the book. There is no discussion of disability. Class does not come to the fore.1 Readers longing for an exploration of these themes may want to look elsewhere.
REVIEW:
Mayavati was born with bad luck. Her horoscope states that her marriage will join her to death, devastation and destruction. In the land of her birth, Bharata, a bad horoscope taints a person.
Maya is shunned by the wives and daughters of the harem, left to her own devices, until fate moves her to a place where her death can be used as a political tool. But she does not die. She finds herself married to a mysterious king of a mysterious land--Akaran, where creatures of myth and legend roam. Amar, her new husband, tells her she has powers she never dreamed of, and that he can teach her, but only if she doesn’t ask too many questions, and only if she doesn’t explore the new palace. But, of course Maya’s curiosity gets the better of her.
First, I have to say that Chokshi’s writing is gorgeous. I’ve read her short stories, so I knew that going in. She has a wonderful way with unexpected visual metaphors that surprise and delight me:
"This was the court of Bharata, a city like a bone spur -- tacked on like an afterthought."
Or:
"A sound spidered through the floor."
The book is beautifully written, a real pleasure to read. Chokshi is the kind of stylist I am jealous of as a fellow writer as I know my own writing is much more prosaic than hers. Hers sings; it’s lyrical. You can get lost in the words.
The structure of the book, too, is so clever once you know the story. *Of course* Maya told all of those stories to Gauri!2 *Of course* the details she made up proved to be true when she makes it to the Night Market! I REALLY WANT TO TELL YOU THINGS RIGHT NOW THAT ARE SPOILERS but I will not, so please read the book so we can discuss, ok?
The narrative is lovely, too. I really rooted for Maya. As a character she is ambitious and she is suspicious. She sneaks into the rafters of her father’s diplomatic councils and learns about warcraft and politics. She yearns for power. She knows she is smart, and she wants to use her sharp and cutting mind for *something* for *anything*. It was not surprising to me that when presented with the opportunity her new husband, Amar, represents that she would take it. She may be attracted to him at the outset, and grateful for his rescue, but she does not immediately fall in love with him. I loved this tension within her, the suspicion of him (she openly says she does not trust him to him) and this desire for power.
Maya is such a strong character. She has such agency throughout. Chokshi draws her as a complete human being, and allows her to both rise to full glorious potential and to give in to her weaknesses. She falters. She learns from her mistakes. One of her mistakes is very dire, indeed, and she does what she needs to, sacrifices what she has to, to make things right. Maya is a better, more mature version of herself by the end of the book. Not a different person--still herself, still recognizably herself, but grown up. The character work in THE STAR-TOUCHED QUEEN when it comes to Maya is truly excellent. The characterization of some of the minor characters--Kamala and Gauri, especially--was also very strong.
I wish the characterization of the other two main leads, Amar and Nritti, were as strong. Amar remains throughout a besotted cypher. We know he loves her, and that he has secrets, and that’s about it in terms of his character development. Honestly, in terms of plot, he doesn’t have much else to do, but there could have been a great deal more shading here to differentiate him from the other Brooding But Secretly Very Loving Love Interests I’ve read.
Nritti is a much more interesting case. She is the book’s main antagonist, and her role in the plot and in Maya’s life3 is a complicated one. They were friends, until they weren’t, and Maya only half-remembers a shadow of a feeling of trust in Nritti. Until Nritti’s backstory is revealed, it’s key that her characterization is very strong--that the reader feel that she is trustworthy, that we have a strong connection to her, too, stronger to her, perhaps, than to Amar because her role in the story is not so well telegraphed by narrative convention as Amar’s is. But she winds up ambiguous. And then she winds up duplicitous. And as a character, for me, she wound up a hollow, strange mess of wasted potential.
Nritti, also, was highlights worrisome issue in that there was an underlying element of femme...suspicion? in the book. It seemed as if the more feminine a female character was, the less Maya could trust that character (from childhood, an example would be the harem wives who exclude her). Gauri, her sister, grows into a soldier. Kamala, a female-identified flesh-eating horse demon that appears in the last third or so of the book ends up being a much more interpretable, sympathetic, and interesting character than Nritti. Kamala has more shading and depth. So it isn’t that Chokshi didn’t know how to write her non-human characters, or characters that are at first glance repugnant. It’s that Nritti never quite formed. I think this is an Unfortunate Unintended Consequence, but that doesn’t mean it didn’t happen in the text.
Still, I would recommend this book. The weaknesses with Amar and Nritti are, to me, quite well balanced by the strength of Maya herself, and by the beauty of the writing. I very much enjoyed this book, and I am excited to see what Chokshi does with the next book.
__________
1: Arguably there is a glancing blow at class made in the book when Maya returns to Bharata as a sahdvi. I don’t count this, personally, as a discussion of class since she experiences her role as a sahdvi as a costume/disguise. She never claims the status fully. This is a book about a princess. Maya is a princess who was abused emotionally and psychologically, yes, but she was first a princess and then a queen, and her social position and worldview is different throughout the book than a peasant or a pauper.
2: GAURI!!!! I am very excited that the companion novel, A CROWN OF WISHES, is all about her.
3: Technically, in Maya’s *lives* since Nritti knew Maya in a previous incarnation, too.
A story entrenched in Indian folklore and mythology, we find ourselves poured into a world that is very far from our own. Our main character Mayavati, Maya for short, seems to be doomed from the start. In the world of Bharata, its citizens rely heavily on the stars to help dictate their whole lives, and the lives of others. Maya's horoscope is deemed the most tragic of all; a life that will be paired with death and destruction. Her father, the Raja of Bharata (in our terms, a King of his land), does not take stock in prophecies that are said to be written in the costellations.
While Maya loves her father for this, he does not stop his many wives, or their daughters, from tormenting her and ostracizing her from everyone. Maya's own mother died during child birth, an event that added to Maya's cursed horoscope beliefs; Maya feels all alone.
Mother Dhina, the top wife of Maya's father, who's status was raised based solely on her own hardships of countless still-born births and her own victories against encountering death, she is pretty much the Queen. She's ruthless against Maya, and never lets her forget that she's a blight on the world. We as readers, pity Maya from the start. And easily grow to hate Mother Dhina too.
The story progresses quickly with the events that unfold. Maya's land is on the verge of losing the war against the other Raja's. A quick plan is hatched by Maya's father, thrusting Maya into a betrothal with another Raja. But devious in his plans, he gives Maya poison in a vial, and says to kill herself. Basically, the plan was to lure the enemies to their land and then attack. But Maya's father believes he's doing his daughter a favor by letting her make her end her way, rather than becoming the wife of an enemy Raja.
Of course, Maya sees this as deep betrayal. However, she comes close to killing herself. Until, she's saved by the Raja of Akaran, a mysterious man named Amar. Maya later finds out he's the ruler of the Otherworld, a place that's between the living and the dead.
Things become more complex, and I won't divulge anymore information on plot. I will say that this book is chock full of amazing quotes that I would love to now share.
"I wanted a love thick with time, as inscrutable as if a lathe had carved it from night and as familiar as the marrow in my bones."
Who doesn't want a timeless love that feels as familiar as your own mind and body? Duh!
"No matter where we are, we'll always share the same sky. We can always find eachother in the same constellation."
(Swoons)
"I know your soul. Everything else is an ornament."
I guess Amar doesn't find her pretty? Hehe, just joking. Seriously though, Chokshi continuously writes some amazing lines.
The reason this book did not get 5 stars is mainly out of my own personal aesthetics. I find it hard to fall in love with books that dive into "suspension of belief" material. I'm not familiar with Indian mythology or its culture, but I often found myself deeply confused by the imagery. I felt disconnected, as if I wasn't invited to a very important party I'm supposed to attend. An author that's writing about a culture that's very specific, yet writes for an audience that is diverse, needs to make their work relatable. I should be able to pick up the book and understand everything your telling me, even if I'm not from that culture.
A lot of the world within the book, seemed so far from my own, or any other world I've read about, it was hard to fully appreciate it. I couldn't completely fall in love with the world or it's characters. It was so frustration because I love the ornate writing so much. But if you can't completely draw me in, where I'm 100% invested, then I feel like the author has failed in telling their story properly. And it pains me to say this, but there were times the ornate writing and imagery made the situation even worse. It was in these moments, I honestly felt like I was on an acid trip, completely high and seeing things that did not make any lick of sense.
A Star-Touched Queen is coated with flowery words and spell-binding language and imagery. A story about a girl who's fate seems tragically sealed. And a man who's shrouded in darkness, but finds the light in our favored young protagonist. If you like the element of suspension of belief, this is the book for you. However, if you like your characters and world more grounded in reality, this is not the story for you. In the end, readers will soar high in the sky, become mesmerized by the stars that are our characters, and dance with fate as we see our characters' own fates unfold.
Top reviews from other countries

Princess Mayavati has a bad horoscope, her future marriage is destined to be disturbed, partnered with death and all sorts of doom and gloom, and this bad vibe means a great deal to her people and her father the Raja. No pressure. Unfortunately their opinions of her are so low due to their superstitions, and their Kingdom is under lots of pressure to hold the fort, so the only way the Raja can solve this problem is to marry her off to an ally right? Well, that's what I thought too. Predictable YA. But you're wrong, he'd rather get her to drink some poison and kill her off. Fathers!
Somehow Mayavati finds herself in the Night Bazaar, a place full of otherworldly creatures and stalls filled with mysterious items; she is heading to Akaran with the Raja, Amar. She is to be his new Queen of this underworld. Amar is largely quite mysterious which was fantastic for me - I love to be given tiny bits of information about a character, ever lost in trying to figure them out, rather than having the characters immediately swoon over each other, lock eyes and have some cringe-worthy insta-love. Chokshi absolutely nails the relationships she develops in this book to make them believable, but also to make you want more - a rarity in YA fiction where romance is involved.
There are so many different threads to this story. Akaran and the duties required of it's rulers (Now Amar and Mayavati) are mysterious, unusual and highly creative - the descriptions of controlling someones fate are especially beautiful. The creatures within are unique, fun to read about and highly imaginative. Unfortunately, that's kind of the problem with this book (but really quite a small one, given how clever it is); the writing is so beautiful and the descriptions of what Mayavati can see and is surrounded by are woven so intricately and expressively that you actually lose track of what is really going on - the descriptions are almost too colourful, too distracting, that the plot suffers for it.
Despite this, if you're willing to get sucked it in to a truly well-developed Night Bazaar with unpredictable characters and some highly original ideas then you absolutely should read this; its lovely to read and imagine all of the culture, smells and rich descriptions. But keep in mind you might lose your head in Akaran; it likes to play tricks on you.

Really torn between 3 and 4 stars for this one as I loved it but there were also a few problems.
The world building and magical element were good, but it was very confusing at times.
I loved all the characters and their development, especially Kamala and Amer.
The plot was also a bit slow at times and forgettable.
I doubt I will pick up the 2nd book but overall it was a unique story and based on one of my favourite Greek myths, Hades and Persephone, while also incorporating Indian mythology.
If you liked this book I would also recommend: The Wrath and the Dawn by Renee Ahdieh and Persephone by Kaitlin Bevis.

I don't know where to start! So I'll just start everywhere and this review will be all over.
Perfect.
I LOVED Amar. I loved his pretty words and I loved his encouragements of Maya, to be HER and not to think the way she thought he wanted her to, but to think her OWN way. He even said at one point he was fine with WHATEVER decision she made, but she had to THINK. It's obvious he's very in love with her and it kinda gives some of the game away - but then it's meant to.
So, understandably, I was LIVID with Maya for the way she reacted when she found out who he was. Especially with their belief system! On a side note, these people had a lot of issues with people dying despite their believing in reincarnation... (this could be a major plot hole OR just simple evidence of the stupidity of humans. Honestly, I'm taking it as the second, because there really are some silly people out there and I can totally see someone reacting this way.)
Where was I?
Oh yes, LIVID I tell you! Luckily she sorts herself out and gets on with it and I commend her on that, but I'm still not a fan. Ok, you can argue it all started with miscommunication , but ugh! I'm so close to saying Amar needs a new match. But, I guess some people might think her reaction fair.
(it's not.)
It's very hard to try putting what I want to say into words, basically it can be summed up in two sentences, but this is a (hopefully) spoiler free review! So I'm trying to beat around the bush. (SO sorry if I failed!)
Apart from that I enjoyed this world and it's characters. Some of it was predictable, the way legends and myths can sometimes be, but at the same time there were some well hidden things that rounded out the whole thing nicely. If you're a fan of elegant writing and vivid imagery this is a book for you. Personally I'm a fan of flowery, shiny lines that take some re-reading to understand. The more you read them the deeper they are. LOVE it.
And there's a knitting elephant.
Though I have to say I AM very confused. I was seriously hating on Maya for a bit there and yet I've given this book 4 Voodoos! (Pretty sure it's not all for Amar). I'm also pretty impressed I kept going after I swore a blue streak at Maya and I think that that says a lot about this story and how it's written. Maya did grow into herself and I think that, if Amar can forgive her for stumbling a bit, we probably should too.
I'd love to know if this was based on a spesific myth/legend, so I may drop the author a question on goodreads. I'm also highly curious who the next book will be about. There's one main loose end that I can see, so hopefully it'll be over that!

As Maya's world is taken from her, she must find a way to get back her life and protect the world from evil. At no point was I bored - I was racing through the chapters to find out what happens! It's a truly beautifully written book and I can't wait for the sequel.

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