Book one in Crystal Lake Publishing’s The Dream Weaver series...
Where Nightmares Come From focuses on the art of storytelling in the Horror genre, taking an idea from conception to reality—whether you prefer short stories, novels, films, or comics.

Featuring in-depth articles and interviews by Joe R. Lansdale (Hap & Leonard series), Clive Barker (Books of Blood), John Connolly (Charlie Parker series), Ramsey Campbell, Stephen King (IT), Christopher Golden (Ararat), Charlaine Harris (Midnight, Texas), Jonathan Maberry (Joe Ledger series), Kevin J. Anderson (Tales of Dune), Craig Engler (Z Nation), and many more.

The full non-fiction anthology lineup includes:

• Introduction by William F. Nolan
• IT’S THE STORY TELLER by Joe R. Lansdale
• A-Z OF HORROR of Clive Barker
• WHY HORROR? by Mark Alan Miller
• PIXELATED SHADOWS by Michael Paul Gonzalez
• LIKE CURSES by Ray Garton
• HOW TO GET YOUR SCARE ON by S.G. Browne
• STORYTELLING TECHNIQUES by Richard Thomas
• HORROR IS A STATE OF MIND by Tim Waggoner
• BRINGING AN IDEA TO LIFE by Mercedes M. Yardley
• THE PROCESS OF A TALE by Ramsey Campbell
• GREAT HORROR IS SOMETHING ALIEN by Michael Bailey
• A HORRIFICALLY HAPPY MEDIUM by Taylor Grant
• INTERVIEW WITH JOHN CONNOLLY by Marie O’Regan
• THE STORY OF A STORY by Mort Castle
• WRITING ROUNDTABLE INTERVIEW with Christopher Golden, Kevin J. Anderson, and Silvia Moreno-Garcia
• HOW I SPENT MY CHILDHOOD LOOKING FOR MONSTERS AND FOUND POETRY INSTEAD by Stephanie M. Wytovich
• BITS AND PIECES INTERVIEW WITH JONATHAN MABERRY by Eugene Johnson
• THE REEL CREEPS by Lisa Morton
• THE MONSTER SQUAD by Jess Landry
• WHAT SCARES YOU by Marv Wolfman
• PLAYING IN SOMEONE ELSE’S HAUNTED HOUSE by Elizabeth Massie
• CREATING MAGIC FROM A BLANK PIECE OF PAPER: Del Howison interviews Tom Holland, Amber Benson, Fred Dekker, and Kevin Tenney
• Z NATION: HOW SYFY’S HIT SHOW CAME TO LIFE by Craig Engler
• LIFE IMITATING ART IMITATING LIFE: FILM AND ITS INFLUENCE ON REALITY by Jason V Brock
• WHERE NIGHTMARES COME FROM by Paul Moore
• STEPHEN KING AND RICHARD CHIZMAR DISCUSS COLLABORATING by Bev Vincent
• CHARLAINE HARRIS DISCUSSES STORYTELLING by Eugene Johnson
• WHAT NOW? by John Palisano

This collection is perfect for…

• writers of all genres
• authors looking for motivation and/or inspiration
• authors seeking guidance
• struggling authors searching for career advice
• authors interested in improving their craft
• writers interested in comics
• authors looking into screenwriting and films
• horror fans in general
• those looking to better understand the different story formats
• authors planning on infiltrating a different field in horror writing
• artists trying to establish a name brand
• authors looking to get published

A disturbing journey into the beauty that rests inside the very heart of darkness.

From the Bram Stoker Award-winning Crystal Lake Publishing and the editing duo who brought you the critically acclaimed small-town Lovecraftian horror anthology Shadows Over Main Street, comes Gutted: Beautiful Horror Stories.

Fifteen short stories and one poem span nearly every twisted corner of the horror and dark fiction genres:

• A woman experiences an emotional reckoning inside a haunted house.
• A father sees his daughter rescued after a cold case is solved, only to learn the tragic limits of his love.
• A man awakens a vengeful spirit and learns the terrible price of settling scores.
• A boy comes of age into awareness of a secret universe of Lovecraftian scale.
• A young woman confronts the deathly price of existence inside a German concentration camp during the Holocaust.
• And much, much more…

Gutted: Beautiful Horror Stories features the most celebrated voices in dark fiction, as well as a number of exciting new talents:

Clive Barker, Neil Gaiman, Ramsey Campbell, Paul Tremblay, John F.D. Taff, Lisa Mannetti, Damien Angelica Walters, Josh Malerman, Christopher Coake, Mercedes M. Yardley, Brian Kirk, Stephanie M. Wytovich, Amanda Gowin, Richard Thomas, Maria Alexander and Kevin Lucia. Edited by Doug Murano and D. Alexander Ward.

With a foreword from Cemetery Dance magazine founder Richard Chizmar.

Proudly brought to you by Crystal Lake Publishing – Tales from the Darkest Depths

Interview with the Authors:

So what makes Gutted: Beautiful Horror Stories so special?

John F.D. Taff: Usually, horror stories tell us the dark side of dark stories, the bad stuff that happens during bad times. It's expected that there will be horrors in the kinds of stories horror generally tells. But Gutted explores the other side of things, the darkness that's there in moments you might not otherwise expect; those moments that touch our hearts or resonate more strongly with our other emotions. It's that beauty—that unexpected emotional resonance that can reside comfortably, side by side with fear, in a good horror story—that separates the stories in Gutted and makes them quite unique.

Tell us more about your story.

Ramsey Campbell: Occasionally I try to repay my debt to specific writers. Midnight Sun was my attempt to scale the awesome peak of Algernon Blackwood’s achievement, while The Darkest Part of the Woods clambered the Lovecraftian. “The Place of Revelation” goes for another giant of the field. If anybody guesses which one, I’ll count the tale some kind of a success. The naïve voice can be a highly effective way to tell a tale of terror, creating a tension between what’s told and how.

John F.D. Taff: My story is a distillation of my childhood. I grew up in the '70s, and I wanted to capture that time period as much as anything else. I also wanted to explore one moment during my childhood, when I got my first 10-speed bike—the freedom that bought a kid like me. It opened so many doors, the ability to go out on my own, far beyond my neighborhood. To explore the world, to discover new things.

Bram Stoker Award-winner for Superior Achievement in Non-Fiction!

Nightmares come to life in this comprehensive how-to guide for new and established authors…

Book two in Crystal Lake Publishing’s The Dream Weaver series picks up where the Bram Stoker Award-nominated Where Nightmares Come From left off.

It’s Alive focuses on learning the craft in order to take your story from concept to completion.

With an introduction by Richard Chizmar and cover art by Luke Spooner. Featuring interior artwork from horror master Clive Barker!

Table of Contents:

• Introduction by Richard Chizmar
• Confessions of a Professional Day Dreamer by Jonathan Maberry
• What is Writing and Why Write Horror by John Skipp
• Tribal Layers by Gene O’Neill
• Bake That Cake: One Writer’s Method by Joe R. Lansdale and Kasey Lansdale
• Ah-Ha: Beginning to End with Chuck Palahniuk and Michael Bailey (Discussing the Spark of Creativity)
• They Grow in the Shadows: Exploring the Roots of a Horror Story by Todd Keisling
• Sell Your Script, Keep Your Soul and Beware of Sheep in Wolves' Clothing by Paul Moore
• The Cult of Constraint (or To Outline or Not) by Yvonne Navarro
• Zombies, Ghosts and Vampires─Oh My! by Kelli Owen
• The Many Faces of Horror: Craft Techniques by Richard Thomas
• Giving Meaning to the Macabre by Rachel Autumn Deering
• The Horror Writer’s Ultimate Toolbox by Tim Waggoner
• Sarah Pinborough Interview by Marie O’Regan
• Conveying Character by F. Paul Wilson
• Sympathetic Characters Taste Better: Creating Empathy in Horror Fiction by Brian Kirk
• Virtue & Villainy: The Importance of Character by Kealan Patrick Burke
• How to write Descriptions in a story by Mercedes Yardley
• “Don’t Look Now, There’s a Head in That Box!” She Ejaculated Loudly (or Creating Effective Dialogue in Horror Fiction) by Elizabeth Massie
• Point of View by Lisa Mannetti
• What Came First the Monster or the Plot? In Conversation with Stephen Graham Jones by Vince A. Liaguno
• Building Suspense by David Wellington
• Conveying Horror by Ramsey Campbell
• Unveiling Theme Through Plot: An Analysis of Nathaniel Hawthorne’s “The Birthmark” by Stephanie M. Wytovich
• Interview with Clive Barker by Tim Chizmar
• World Building (Building a terrifying world) by Kevin J. Anderson
• Speak Up: The Writer’s Voice by Robert Ford
• Writing for a Better World by Christopher Golden
• Shaping the Ideas: Getting Things from Your Head to the Paper or on Screen. Interview with Steve Niles, Mick Garris, Heather Graham, Mark Savage, and Maria Alexander by Del Howison
• On Research by Bev Vincent
• Editing Through Fear: Cutting and Stitching Stories by Jessica Marie Baumgartner
• Leaping into the Abyss by Greg Chapman
• Edit Your Anthology in Your Basement for Fun and Profit! . . . or Not by Tom Monteleone
• When It’s Their World: Writing for the Themed Anthology by Lisa Morton
• Roundtable Interview by John Palisano
• The Tale of the Perfect Submissions by Jess Landry
• Turning the Next Page: Getting Started with the Business of Writing by James Chambe

Writing Poetry in the Dark brings together some of the most successful contemporary genre poets to discuss topics related to creating dark and fantastical poetry.

While there are countless books available for the aspiring poet, there is a lack of resources specifically for and on speculative poetry, and with the market thriving, publishers who previously did not put out poetry are now adding it to their catalogs, requesting it for their anthologies, and seeking it for their magazines. Given these factors, it seemed like the perfect time to put together a guide for dark poets that addresses some of the unique challenges they face, such as creating monsters out of white space, writing the hybrid poem, or subverting folklore in the retelling of a classic tale.

Included in Writing Poetry in the Dark are recommendations on how to bring fear to the page, write from the wound, let violence loose, channel the weird, and tackle the dark side of daily life. There are also practical suggestions for exploring different poetic forms and topics ranging from building worlds, writing from different points of view, and exploring gender and sexuality on the page. This book will bring something different to every speculative writer who is interested in exploring poetry with a genre twist, and it is our hope that this book will help poetry itself continue to evolve, grow, and redefine itself in the market for many years to come.

Writing Poetry in the Dark Table of Contents –

• “To Sing Dark Songs” by Tim Waggoner
• “Dislocating the World” by F.J. Bergmann
• “Writing Speculative Poetry in Experimental Forms” by Linda D. Addison
• “The Art of Speculative Haiku” by Christina Sng
• “A Slippery World: Writing Poetry About Gender and Sexuality” by Lucy A. Snyder
• “Do Not Fear Poetic Collaboration” by Jim & Janice Leach
• “Here Are the Stairs to the Dark Cellar; Yes, You Must Go There: POV in Dark Poetry” by Timons Esaias
• “World-Building…in a Poem?” by Albert Wendland
• “Putting the Science in Science Fiction Poetry” by Jeannine Hall Gailey
• “Like Fright on Lice: Humor and Horror Poetry” by Michael Arnzen
• “Dark Poetry and War” by Alessandro Manzetti
• “This Is Not a Poem” by Cynthia Pelayo
• “Global Reflections Within Our Fear-Lit Ink” by Bryan Thao Worra
• “Of Poison Doors and Uncarved Stones” by Saba Syed Razvi, PhD
• “Into the Dark Woods: Fairy Tale Poetry” by Carina Bissett
• “Dreams as Poetry: Translating Dreams into Verse” by Joanna C. Valente
• “I Got My Passport Stamped in Hades: Waking the Dead in the Poem” by Leza Cantoral
• “Historical Horror in Poetry” by Sara Tantlinger
• “Exploring the Monstrous Woman Archetype: Writing Satan’s Sweethearts” by Marge Simon
• “Freeing the Demon: Writing Violence Into the Poem” by Claire C. Holland
• “Dancing in the Design: Creating Blackout Poetry” by Jessica McHugh
• “Writing the Wound” by Donna Lynch

Discover the lost supernatural stories behind some of the most famous people and events in history.

These Fantastic Tales explore the secret history that has been hidden in the shadows of the world, and even alternative histories from other worlds. Tales such as a young man seeking the secret of immortality from none other than Bela Lugosi. The tragic story of how the Titanic really sank. The horrifying lengths the people of New York city would go to raise above the Great Depression, rather in seeking fame or trying to feed the city. And many more Fantastic Tales of Terror.

Lineup:

• Introduction by Tony Todd
• “The Deep Delight of Blood” by Tim Waggoner
• “Unpretty Monster” by Mercedes Yardley
• “The Tell-Tale Mind” by Kevin J. Anderson
• “Topsy-Turvy” by Elizabeth Massie
• “Ray and the Martian” by Bev Vincent
• “The Girl with the Death Mask” by Stephanie M. Wytovich
• “On a Train Bound for Home” by Christopher Golden
• “The Custer Files” by Richard Chizmar
• “Red Moon” by Michael Paul Gonzalez
• “The Prince of Darkness and the Showgirl” by John Palisano
• “The Secret Engravings” by Lisa Morton
• “Mutter” by Jess Landry
• “La Llorona” by Cullen Bunn
• “The London Encounter” by Vince Liaguno
• “Bubba Ho-Tep” by Joe R. Lansdale
• “Gorilla my Dreams” by Jonathan Maberry
• “Articles of Teleforce” by Michael Bailey
• “Sic Olim Tyrannis” by David Wellington
• “The Washingtonians” by Bentley Little
• “Scent of Flesh” by Jessica Marie Baumgartner
• “Rotoscoping Toodies” by Mort Castle
• “Lone Wolves” by Paul Moore
• “The Great Stone Face vs. the Gargoyles” by Jeff Strand
• “The Return of the Thin White Duke” by Neil Gaiman

Proudly represented by Crystal Lake Publishing—Tales from the Darkest Depths.

Categories:

• Horror Anthology
• Historical Fantasy
• Horror Short Stories
• Dark Fiction
• Anthologies & Collections
• Horror books
• Weird Tales
• Weird Fiction
• Alternative history
• Monsters
• Aliens
• Supernatural

This is Writers on Writing – An Author’s Guide where your favorite authors share their ultimate secrets in becoming and being an author. 

Learn the craft of writing from those who know it best.

Line-up:

• How to Write Killer Poetry by Stephanie M. Wytovich
• Happy Little Trees by Michael Knost
• In Lieu of Patience Bring Diversity by Kenneth W. Cain
• Networking is Scary, but Essential by Doug Murano
• Are You In The Mood? by Sheldon Higdon
• What if Every Novel is a Horror Novel? by Steve Diamond
• Description by Patrick Freivald
• A First-Time Novelist’s Odyssey by William Gorman
• I Am Setting by J.S. Breukelaar
• Finding Your Voice by Lynda E. Rucker

The Writers on Writing series gives young authors the guidance they need, but has advice for all authors, from the interested newbie to the seasoned veteran. 

Are you ready to unleash the author in you?

Proudly brough to you by Crystal Lake Publishing - Tales from the Darkest Depths

Interview with the Authors:

So what makes Writers on Writing so special?

Kenneth W. Cain: What makes a compilation like this so great is getting advice from many different writers at all levels in their career. 

Tell us more about your essay in Writers on Writing.

Stephanie M. Wytovich: My essay “Blunt Force Trauma: How to Write Killer Poetry” talks about the catharsis of writing poetry, but does so in a step-by-step guide to plotting a good murder…and a great stanza or two. Readers will experience the emotional attachment that goes along with inserting mood and tone into their work, as well as watch the physical and mental binding that the poet/killer has with their poem/victim. Together we’ll plot and we’ll execute, and in the end, we’ll see what consequences we’ve reaped.

Why should authors read Writers on Writing?

Kenneth W. Cain: If you’re like me, you’re always looking for ways to produce a stronger story. It’s not a preference, but a need, as I constantly evolve and reshape my words in different and new ways, all the while trying to retain a particular voice within my work. It’s about growth, and there’s no better source for this development than utilizing the experiences of your peers and colleagues. So when an opportunity like this comes about, to read of the experiences of so many great authors, I’m quite anxious to digest every bit of what they have to offer. It’s a great opportunity to grow as a writer, an education which I feel has no boundaries or conclusion.

Do you have other non-fiction books authors should try out?

Stephanie M. Wytovich: I’m currently reading Horror 101: The Way Forward: Career advice by Seasoned Professionals and I read Many Genres, One Craft, while I was in graduate school and found it really helpful because it comes at writing from all genre perspectives rather than just horror, and as someone who firmly believes that it’s crucial to read and study outside of one’s genre, I think this is a great book to have at the writing desk.

***Winner of the Bram Stoker Award for Superior Achievement in the Anthology category***
Want to see something weird?
Embrace the odd? Satisfy your curiosity? Surrender to wonder?
From Crystal Lake Publishing and the Bram Stoker Award-winning co-editor of the smash hit Gutted: Beautiful Horror Stories comes Behold! Oddities, Curiosities and Undefinable Wonders.

Sixteen stories and two poems take you into the spaces between the ordinary—and the imaginations of some of today's masters of dark and thrilling fiction.

• A travel writer learns the terrible secrets at a hotel that's not at all as it seems.
• A disfigured woman and her daughter explore methods of weaponizing beauty.
• An amateur beekeeper acquires an object that shows her the true
  danger of the hive-mind.
• Drifters ride the rails seeking something wondrous that could change their fates forever.
• A strange creature that holds our very existence in its hands shapes the lives of two lovers to touching and devastating effect.
• A young man helps his grandfather—and something much more monstrous—atone for bargains made during wartime.
• And much, much more…

Featuring Clive Barker, Neil Gaiman, Ramsey Campbell, Lisa Morton, Brian Kirk, Hal Bodner, Stephanie M. Wytovich, John Langan, Erinn L. Kemper, John F.D. Taff, Patrick Freivald, Lucy A. Snyder, Brian Hodge, Kristi DeMeester, Christopher Coake, Sarah Read and Richard Thomas. Foreword by Josh Malerman. Illustrations by Luke Spooner. Cover art by John Coulthart. Brought to you by Bram Stoker Award-nominated editor Doug Murano and Crystal Lake Publishing—Tales from the Darkest Depths.

Interview with the editor:

What kinds of short stories will readers find in this anthology?

Doug Murano: I wanted this book to encompass a lot of the things I love about weird fiction, fantasy and horror—as well as give a tip of my cap to some of the things I loved growing up. So, it’s not exclusively a horror anthology, though you’ll find there’s plenty of darkness and dread throughout the book.

It was important to me that the stories throughout the anthology embraced and celebrated the odd—so you're not going to find stories of big-top exploitation or carnival freak shows here. The closest, perhaps, you'll find to this angle is in Lisa Morton's story—but that piece turns the freak-show trope on its head and aspires to something much more daring, interesting, and, ultimately, haunting.

Some tonal touch-points for much of the book are actually Jim Henson's work — like Labyrinth and The Dark Crystal — particularly in the Undefinable Wonders section. I also drew tonal influences from Guillermo del Toro’s filmography, especially his Spanish-language films like Pan’s Labyrinth and The Devil’s Backbone. As in those films, there’s terror and darkness here, but there’s beauty, wonder, and magic, as well. In other words, the book is willfully bizarre, wide-ranging, and beautifully strange.