Stephen Graham Jones
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About Stephen Graham Jones
Born and raised in Texas. In Boulder, Colorado now. Forty-nine. Blackfeet. Into werewolves and slashers, zombies and vampires, haunted houses and good stories. Would wear pirate shirts a lot if I could find them. And probably carry some kind of sword. More over at http://demontheory.net or http://twitter.com/@SGJ72
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Titles By Stephen Graham Jones
From USA TODAY bestselling author Stephen Graham Jones comes a “masterpiece” (Locus Magazine) of a novel about revenge, cultural identity, and the cost of breaking from tradition. Labeled “one of 2020’s buzziest horror novels” (Entertainment Weekly), this is a remarkable horror story that “will give you nightmares—the good kind of course” (BuzzFeed).
From New York Times bestselling author Stephen Graham Jones comes a novel that is equal parts psychological horror and cutting social commentary on identity politics and the American Indian experience. Fans of Jordan Peele and Tommy Orange will love this story as it follows the lives of four American Indian men and their families, all haunted by a disturbing, deadly event that took place in their youth. Years later, they find themselves tracked by an entity bent on revenge, totally helpless as the culture and traditions they left behind catch up to them in a violent, vengeful way.
In her quickly gentrifying rural lake town Jade sees recent events only her encyclopedic knowledge of horror films could have prepared her for in this latest chilling novel that “will give you nightmares. The good kind, of course” (BuzzFeed) from the Jordan Peele of horror literature, Stephen Graham Jones.
“Some girls just don’t know how to die…”
Shirley Jackson meets Friday the 13th in My Heart Is a Chainsaw, written by the New York Times bestselling author of The Only Good Indians Stephen Graham Jones, called “a literary master” by National Book Award winner Tananarive Due and “one of our most talented living writers” by Tommy Orange.
Alma Katsu calls My Heart Is a Chainsaw “a homage to slasher films that also manages to defy and transcend genre.” On the surface is a story of murder in small-town America. But beneath is its beating heart: a biting critique of American colonialism, Indigenous displacement, and gentrification, and a heartbreaking portrait of a broken young girl who uses horror movies to cope with the horror of her own life.
Jade Daniels is an angry, half-Indian outcast with an abusive father, an absent mother, and an entire town that wants nothing to do with her. She lives in her own world, a world in which protection comes from an unusual source: horror movies…especially the ones where a masked killer seeks revenge on a world that wronged them. And Jade narrates the quirky history of Proofrock as if it is one of those movies. But when blood actually starts to spill into the waters of Indian Lake, she pulls us into her dizzying, encyclopedic mind of blood and masked murderers, and predicts exactly how the plot will unfold.
Yet, even as Jade drags us into her dark fever dream, a surprising and intimate portrait emerges…a portrait of the scared and traumatized little girl beneath the Jason Voorhees mask: angry, yes, but also a girl who easily cries, fiercely loves, and desperately wants a home. A girl whose feelings are too big for her body. My Heart Is a Chainsaw is her story, her homage to horror and revenge and triumph.
But Mrs. Allardyce never seems to emerge from her room, and it soon becomes clear that something weird and terrifying is happening in the house. As the suspense builds towards a revelation of what really lies behind that locked door, the Rolfes will discover that their cheap vacation rental comes at a terrible cost . . .
The basis for a classic 1976 film adaptation and an acknowledged influence on Stephen King’s The Shining, Burnt Offerings is one of the most original and scariest haunted house novels ever written. This edition, the first in decades, features a new introduction by award-winning author Stephen Graham Jones.
“Burnt Offerings has no peer. Better than Rosemary’s Baby, The Other, and The Exorcist.” - Hartford Courant
“Insidiously frightening . . . It snares you early and draws you inexorably to one of the most nerve-shattering finales in years.” - Publishers Weekly
“Just pick a quiet place and an uninterrupted time to read this novel. You’ll be inclined to jump at sudden noises or even hurl the book at intruders.” - Chicago Tribune
Four years after her tumultuous senior year, Jade Daniels is released from prison right before Christmas when her conviction is overturned. But life beyond bars takes a dangerous turn as soon as she returns to Proofrock. Convicted Serial Killer, Dark Mill South, seeking revenge for thirty-eight Dakota men hanged in 1862, escapes from his prison transfer due to a blizzard, just outside of Proofrock, Idaho.
Dark Mill South’s Reunion Tour began on December 12th, 2019, a Thursday.
Thirty-six hours and twenty bodies later, on Friday the 13th, it would be over.
Don’t Fear the Reaper is the page-turning sequel to My Heart Is a Chainsaw from New York Times bestselling author Stephen Graham Jones.
A World Fantasy Award nominee, “this anthology . . . is a collection of some of the most talented horror and speculative fiction authors writing today” (BuzzFeed). It includes all-new stories by Laird Barron, Pat Cadigan, Brian Evenson, Jeffrey Ford, Caítlin R. Kiernan, Garth Nix, Michael Marshall Smith, Kaaron Warren, and other masters of all things spooky and suspenseful.
In tales that crisscross the boundaries of fear and imagination—from a haunted courtyard in New Orleans to a remote Arctic research station—swamp monsters, pool-cleaning robots, and cannibalistic spirits wreak chaos and terror across the pages. You’ll be invited to a prom where a psycho hides inside a sparkly dress or rented tux; on a trip aboard a train to a destination that teems with ghosts; and into the darkest recesses of a human mind, the most fertile ground for the blossoming of true evil.
“Datlow’s ‘experimental’ crowdfunded horror anthology is nicely unthemed. . . . This is an excellent anthology for horror fans, with a nice range of tones and styles and some intriguing new voices.” —Publishers Weekly
“[Fearful Symmetries] not only goes beyond expectations, it raises the bar high above into the horror heavens. . . . A melting pot of distinct voices and styles that leave you wanting more.” —Hellnotes
“One of the best horror anthologies I’ve ever read.” —Thirteen O’Clock
A spellbinding and darkly humorous coming-of-age story about an unusual boy, whose family lives on the fringe of society and struggles to survive in a hostile world that shuns and fears them.
He was born an outsider, like the rest of his family. Poor yet resilient, he lives in the shadows with his aunt Libby and uncle Darren, folk who stubbornly make their way in a society that does not understand or want them. They are mongrels, mixed blood, neither this nor that. The boy at the center of Mongrels must decide if he belongs on the road with his aunt and uncle, or if he fits with the people on the other side of the tracks.
For ten years, he and his family have lived a life of late-night exits and narrow escapes--always on the move across the South to stay one step ahead of the law. But the time is drawing near when Darren and Libby will finally know if their nephew is like them or not. And the close calls they've been running from for so long are catching up fast now. Everything is about to change.
A compelling and fascinating journey, Mongrels alternates between past and present to create an unforgettable portrait of a boy trying to understand his family and his place in a complex and unforgiving world. A smart and innovative story-- funny, bloody, raw, and real--told in a rhythmic voice full of heart, Mongrels is a deeply moving, sometimes grisly, novel that illuminates the challenges and tender joys of a life beyond the ordinary in a bold and imaginative new way.
Award-winning author Stephen Graham Jones returns with Night of the Mannequins, a contemporary horror story where a teen prank goes very wrong and all hell breaks loose: is there a supernatural cause, a psychopath on the loose, or both?
We thought we'd play a fun prank on her, and now most of us are dead.
One last laugh for the summer as it winds down. One last prank just to scare a friend. Bringing a mannequin into a theater is just some harmless fun, right? Until it wakes up. Until it starts killing.
Luckily, Sawyer has a plan. He’ll be a hero. He'll save everyone to the best of his ability. He'll do whatever he needs to so he can save the day. That's the thing about heroes—sometimes you have to become a monster first.
"Suffused with questions about the nature of change and friendship, “Night of the Mannequins” is a fairy tale of impermanence showcasing Graham Jones’s signature style of smart, irreverent horror." —The New York Times
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Life in a slasher film is easy. You just have to know when to die.
Aerial View: A suburban town in Texas. Everyone's got an automatic garage door opener. All the kids jump off a perilous cliff into a shallow river as a rite of passage. The sheriff is a local celebrity. You know this town. You're from this town.
Zoom In: Homecoming princess, Lindsay. She's just barely escaped death at the hands of a brutal, sadistic murderer in a Michael Jackson mask. Up on the cliff, she was rescued by a horse and bravely defeated the killer, alone, bra-less. Her story is already a legend. She's this town's heroic final girl, their virgin angel.
Monster Vision: Halloween masks floating down that same river the kids jump into. But just as one slaughter is not enough for Billie Jean, our masked killer, one victory is not enough for Lindsay. Her high school is full of final girls, and she's not the only one who knows the rules of the game.
When Lindsay chooses a host of virgins, misfits, and former final girls to replace the slaughtered members of her original homecoming court, it's not just a fight for survival-it's a fight to become The Last Final Girl.
A boy's summer romance doesn't end in that good kind of heartbreak, but in blood. A girl on a fishing trip makes a friend in the woods who's exactly what she needs, except then that friend follows her back to the city. A father hears a voice through his baby monitor that shouldn't be possible, but now he can't stop listening. A woman finds out that the shipwreck wasn't the disaster, but who she's shipwrecked with. A big brother learns just what he will, and won't, trade for one night of sleep.
From prison guards making unholy alliances to snake-oil men in the Old West doling out justice, these stories carve down into the body of the mind, into our most base fears and certainties, and there's no anesthetic. Turn the light on if you want, but that just makes for more shadows.
NOMINATED, Best Collection of the Year, BRAM STOKER AWARDS
The fifteen stories in After the People Lights Have Gone Off by Stephen Graham Jones explore the horrors and fears of the supernatural and the everyday. Included are two original stories, several rarities and out of print narratives, as well as a few "best of the year" inclusions. In "Thirteen," horrors lurk behind the flickering images on the big screen. "Welcome to the Reptile House" reveals the secrets that hide in our flesh. In "The Black Sleeve of Destiny," a single sweatshirt leads to unexpectedly dark adventures. And the title story, "After the People Lights Have Gone Off," is anything but your typical haunted house story.
With an introduction by Edgar Award winner Joe R. Lansdale, and featuring fifteen full-page illustrations by Luke Spooner, After the People Lights Have Gone Off gets under your skin and stays there.
Table of Contents:
Introduction by Joe R. Lansdale
Illustrations by Luke Spooner
Welcome to the Reptile House
This is Love
The Spindly Man
The Black Sleeve of Destiny
The Spider Box (original
The Dead Are Not
After the People Lights Have Gone Off
Solve for X
It's been two years since Jenna's ex-boyfriend left her alone in East Texas heartbroken. Now he's back in town and she wants to payback. One night, she stumbles upon a bloodthirsty Camaro that may be the key to carrying out her revenge.
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.