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In the midst of a normal life, Katie became increasingly depressed, and over a ten-year period sank further into rage, despair, and thoughts of suicide. Then one morning, she woke up in a state of absolute joy, filled with the realization of how her own suffering had ended. The freedom of that realization has never left her, and now in Loving What Is you can discover the same freedom through The Work.
The Work is simply four questions that, when applied to a specific problem, enable you to see what is troubling you in an entirely different light. As Katie says, “It’s not the problem that causes our suffering; it’s our thinking about the problem.” Contrary to popular belief, trying to let go of a painful thought never works; instead, once we have done The Work, the thought lets go of us. At that point, we can truly love what is, just as it is.
Loving What Is will show you step-by-step, through clear and vivid examples, exactly how to use this revolutionary process for yourself. You’ll see people do The Work with Katie on a broad range of human problems, from a wife ready to leave her husband because he wants more sex, to a Manhattan worker paralyzed by fear of terrorism, to a woman suffering over a death in her family. Many people have discovered The Work’s power to solve problems; in addition, they say that through The Work they experience a sense of lasting peace and find the clarity and energy to act, even in situations that had previously seemed impossible.
If you continue to do The Work, you may discover, as many people have, that the questioning flows into every aspect of your life, effortlessly undoing the stressful thoughts that keep you from experiencing peace. Loving What Is offers everything you need to learn and live this remarkable process, and to find happiness as what Katie calls “a lover of reality.”
Gilgamesh dates from as early as 1700 BCE -- a thousand years before the Iliad. Lost for almost two millennia, the eleven clay tablets on which the epic was inscribed were discovered in 1853 in the ruins of Nineveh, and the text was not deciphered and fully translated until the end of the century. When the great poet Rainer Maria Rilke first read Gilgamesh in 1916, he was awestruck. "Gilgamesh is stupendous," he wrote. "I consider it to be among the greatest things that can happen to a person."
The epic is the story of literature's first hero -- the king of Uruk in what is present-day Iraq -- and his journey of self-discovery. Along the way, Gilgamesh discovers that friendship can bring peace to a whole city, that a preemptive attack on a monster can have dire consequences, and that wisdom can be found only when the quest for it is abandoned. In giving voice to grief and the fear of death -- perhaps more powerfully than any book written after it -- in portraying love and vulnerability and the ego's hopeless striving for immortality, the epic has become a personal testimony for millions of readers in dozens of languages.
The Bhagavad Gita is universally acknowledged as one of the world's literary and spiritual masterpieces. It is the core text of the Hindu tradition and has been treasured by American writers from Emerson and Thoreau to T. S. Eliot, who called it the greatest philosophical poem after the Divine Comedy. There have been more than two hundred English translations of the Gita, including many competent literal versions, but not one of them is a superlative literary text in its own right.
Now all that has changed. Stephen Mitchell's Bhagavad Gita sings with the clarity, the vigor, and the intensity of the original Sanskrit. It will, as William Arrowsmith said of Mitchell's translation of The Sonnets to Orpheus, "instantly make every other rendering obsolete."
Internationally acclaimed, bestelling author Byron Katie’s most anticipated work since Loving What Is
We live in difficult times, leaving far too many of us suffering from anxiety and depression, fear and anger. In her new and most anticipated work since Loving What Is, beloved spiritual teacher Byron Katie provides a much-needed beacon of light, and a source of hope and joy.
In A Mind at Home with Itself, Byron Katie illuminates one of the most profound ancient Buddhist texts, The Diamond Sutra (newly translated in these pages by Stephen Mitchell) to reveal the nature of the mind and to liberate us from painful thoughts, using her revolutionary system of self-inquiry called “The Work.” Byron Katie doesn’t merely describe the awakened mind; she empowers us to see it and feel it in action. At once startlingly fresh and powerfully enlightening, A Mind at Home with Itself offers us a transformative new perspective on life and death.
In the midst of a normal American life, Byron Katie became increasingly depressed and over a ten-year period sank further into despair and suicidal thoughts. Then one morning in 1986 she woke up in a state of absolute joy, filled with the realization of how her own suffering had ended. The freedom of that realization has never left her. Its direct result, The Work, has helped millions of people all over the world to question their stressful thoughts and set themselves free from suffering.
From Stephen Mitchell comes an anthology of poetry chosen from the world's great religious and literary traditions--the perfect companion to Mitchel's bestselling translation of Tao Te Ching
• The Upanishads • The Book of Psalms • Lao-tzu • The Bhagavad Gita • Chuang-tzu • The Odes of Solomon • Seng-ts'an • Han-shan • Li Po • Tu Fu • Layman P'ang • Kukai • Tung-shan • Symeon the New Theologian • Izumi Shikibu • Su Tung-p'o • Hildegard of Bingen • Francis of Assisi • Wu-men • Dõgen • Rumi • Mechthild of Magdeburg • Dante • Kabir Mirabai • William Shakespeare • George Herbert • Bunan • Gensei • Angelus Silesius • Thomas Traherne • Basho • William Blake • Ryõkan • Issa • Ghalib • Bibi Hayati • Wait Whitman • Emily Dickinson • Gerard Manley Hopkins • Uvavnuk • Anonymous Navaho • W. B. Yeats • Antonio Machado • Rainer Maria Rilke • Wallace Stevens • D.H. Lawrence • Robinson Jeffers
The Book of Job pulses with moral energy, outrage, and spiritual insight; it is nothing less than human suffering and the transcendence of it.
Now, The Book of Job has been translated into English by the eminent translator and scholar Stephen Mitchell, whose versions of Rilke, Israeli poetry, and the Tao Te Ching have been widely praised. This is the first time ever that the Hebrew verse of Job has been translated into verse in any language, ancient or modern, and the result is a triumph.
All Coterie Classics have been formatted for ereaders and devices and include a bonus link to the free audio book.
“Those who know do not speak. Those who speak do not know.” ― Lao Tzu, Tao Te Ching
Originally written in the 6th century B.C., the Tao Te Ching is an ageless compilation of ancient wisdom.
Vivid, enjoyable and comprehensible, the poet and pre-eminent translator Stephen Mitchell makes the oldest epic poem in the world accessible for the first time. Gilgamesh is a born leader, but in an attempt to control his growing arrogance, the Gods create Enkidu, a wild man, his equal in strength and courage. Enkidu is trapped by a temple prostitute, civilised through sexual experience and brought to Gilgamesh. They become best friends and battle evil together. After Enkidu's death the distraught Gilgamesh sets out on a journey to find Utnapishtim, the survivor of the Great Flood, made immortal by the Gods to ask him the secret of life and death. Gilgamesh is the first and remains one of the most important works of world literature. Written in ancient Mesopotamia in the second millennium B.C., it predates the Iliad by roughly 1,000 years. Gilgamesh is extraordinarily modern in its emotional power but also provides an insight into the values of an ancient culture and civilisation.
“A unique and special kind of masterpiece.” —John Banville
Stephen Mitchell’s gift is to breathe new life into ancient classics. In Joseph and the Way of Forgiveness, he offers us his riveting novelistic version of the Biblical tale in which Jacob’s favorite son is sold into slavery and eventually becomes viceroy of Egypt. Tolstoy called it the most beautiful story in the world. What’s new here is the lyrical, witty, vivid prose, informed by a wisdom that brings fresh insight to this foundational legend of betrayal and all-embracing forgiveness. Mitchell’s retelling, which reads like a postmodern novel, interweaves the narrative with brief meditations that, with their Zen surprises, expand the narrative and illuminate its main themes.
By stepping inside the minds of Joseph and the other characters, Mitchell reanimates one of the central stories of Western culture. The engrossing tale that he has created will capture the hearts and minds of modern readers and show them that this ancient story can still challenge, delight, and astonish.