- File Size: 1438 KB
- Print Length: 320 pages
- Publisher: G.P. Putnam's Sons (December 31, 2019)
- Publication Date: December 31, 2019
- Sold by: Penguin Group (USA) LLC
- Language: English
- ASIN: B07QLJ7VTN
- Text-to-Speech: Enabled
- Word Wise: Enabled
- Lending: Not Enabled
- Amazon Best Sellers Rank: #834 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
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A Book Club Pick:
Marie Claire #ReadWithMC • Buzzfeed • Book Girl Magic • Well-Read Black Girl • WNYC Get Lit With All of It • Nerdette
“Reid constructs a plot so beautifully intricate and real and fascinating that readers will forget it’s also full of tough questions about race, class and identity….With this entertaining novel, Reid subverts our notions of what it means to write about race and class in America, not to mention what it means to write about love. In short, it’s a great way to kick off 2020.” —Washington Post
“A complex, layered page-turner…This is a book that will read, I suspect, quite differently to various audiences—funny to some, deeply uncomfortable and shamefully recognizable to others—but whatever the experience, I urge you to read Such a Fun Age. Let its empathetic approach to even the ickiest characters stir you, allow yourself to share Emira’s millennial anxieties about adulting, take joy in the innocence of Briar’s still-unmarred personhood, and rejoice that Kiley Reid is only just getting started.” —NPR
“Kiley Reid has written the most provocative page-turner of the year....[Such a Fun Age] nestl[es] a nuanced take on racial biases and class divides into a page-turning saga of betrayals, twists, and perfectly awkward relationships....The novel feels bound for book-club glory, due to its sheer readability. The dialogue crackles with naturalistic flair. The plotting is breezy and surprising. Plus, while Reid’s feel for both the funny and the political is undeniable, she imbues her flawed heroes with real heart.” —Entertainment Weekly
“Reid’s acerbic send-up of identity politics thrives in the tension between the horror and semiabsurdity of race relations in the social media era. But she is too gifted a storyteller to reduce her tale to, well, black-and-white….Clever and hilariously cringe-y, this debut is a provocative reminder of what the road to hell is paved with.” —O, The Oprah Magazine
“Lively…[A] carefully observed study of class and race, whose portrait of white urban affluence—Everlane sweaters, pseudo-feminist babble—is especially pointed. Attempting to navigate the white conscience in the age of Black Lives Matter, Reid unsparingly maps the moments when good intentions founder.” —The New Yorker
“Such a Fun Age is blessedly free of preaching, but if Reid has an ethos, it’s attention: the attention Emira pays to who Briar really is, and the attention that Alix fails to pay to Emira, instead spending her time thinking about her….The novel is often funny and always acute, but never savage; Reid is too fascinated by how human beings work to tear them apart. All great novelists are great listeners, and Such a Fun Age marks the debut of an extraordinarily gifted one.” —Slate
“[A] hilarious, uncomfortable and compulsively readable story about race and class.” –TIME
“[A] funny, fast-paced social satire about privilege in America…Beneath her comedy of good intentions, [Reid] stages a Millennial bildungsroman that is likely to resonate with 20-something postgraduates scrambling to get launched in just about any American city.” —The Atlantic
“Provocative...Surprisingly resonant insights into the casual racism in everyday life, especially in the America of the liberal elite.” —The New York Times Book Review
“Fun is the operative word in Such a Fun Age, Kiley Reid’s delectably discomfiting debut. The buzzed-about novel takes a thoroughly modern approach to the timeless upstairs-downstairs trope....Told from alternating points of view, the novel loops through vibrant vignettes set in reggaeton nightclubs and Philadelphia farmers markets before landing firmly on one side of the maternal divide….This page-turner goes down like comfort food, but there’s no escaping the heartburn.” —Vogue
“Buoyed by a tight narrative structure, Such a Fun Age is a compulsive read whose dark humor comes at the expense of Emira, who often finds herself sitting in the wormy discomfort of a social faux pas.” —Elle
“[Such a Fun Age] grapples with racism and nods to titans of literature....[A] vivid page-turner [that] explores agency and culpability through the entangled lives of Emira and her employer, Alix.” —Vanity Fair
“Such a Fun Age keeps it real on race, wealth, and class….Subtly illustrat[es] the systemic racism in America and the ways that we’re routinely perpetuating it or being subjected to it on a daily basis. The question that will sit with readers for days after finishing the book: What role do I play?” —Marie Claire
“If you don’t read [Such a Fun Age] soon, you will have nothing to talk about at book clubs, dinner parties, playgroups, or friend drinks. Kiley Reid’s debut novel…is getting raves and making waves.” —Glamour
“[A] sparkling debut…[Such A Fun Age is] an entertaining tale with plenty to say about race, human connection, and the pitfalls of good intentions.” —People (Book of the Week)
“Such a Fun Age tackles big issues—race, class, employer-caregiver tensions—through a riveting story.” —Real Simple
“Crack open Kiley Reid’s buzzy, addictive debut, Such a Fun Age—you’ll inhale it. Reid deftly reveals a surprising overlap between a twentysomething babysitter’s and her well-to-do employer’s very different circles, then plunks you down to wait for the collision.” —Martha Stewart Living
"This striking exploration of race, class, and what it means to be 'woke' in today's world will stick with readers long after the last page." —Good Housekeeping
"[An] interesting look at how Millennials navigate pre-existing concepts of race, classism, micro-aggressions, and transactional relationships." —Teen Vogue
“An exploration of race and racism and misguided perceptions of the issue, executed with wit and a sharp edge…[Such a Fun Age] reveals how trapped black people who work in service jobs for white people feel, how easily privileged whites—who would protest any claims of prejudice—can fetishize blacks, or fail to see them as fully three-dimensional humans. And yes, dear reader, you are implicated in this too.” —The Boston Globe
“A bold, urgent, essential exploration of race, class, labor, friendship, identity and self-delusion, both deliciously readable and incredibly complex. This smart, quick-paced novel tracks the fallout and triumphs that follow its characters’ slightest gestures and impulses. Without ever resorting to didactic tones or prescriptive proclamations, Reid portrays the way different bodies are read in public spaces….From a craft perspective, Reid’s debut is an exemplar novel: Each character’s voice is perfectly distinct in dialogue; each text message is plausible, powerful. There is humor [and] not a small amount of suspense….Not a word is wasted, and not a nuance goes unnoticed in this masterwork.” —Minneapolis Star Tribune
“With concise writing and characters who continually reveal new layers, Such a Fun Age uses a modern setting to examine age-old topics such as race, class and transactional relationships. It’s a rewarding read, not just because those topics are important, but also because readers will be thinking about them long after the last page.” —San Francisco Chronicle
“By blurring the lines between hero and villain, victim and tormenter, Reid sets out to examine who’s complicit in racism and the insidious, subtler forms by which prejudice sometimes exerts itself in Such a Fun Age.” —NBC News
“[A] provocative novel that explores themes of race and privilege in modern-day American society.” –TODAY
“[Such a Fun Age] will leave you on the edge of your seat.” —theSkimm (Skimm Reads)
“A sharply clever debut novel about the uneasy relationship between a privileged young woman, Alix, and her black babysitter, Emira, who is stopped by a security guard one night while taking care of Alix’s child. All manner of awkwardness ensues.” —New York Post
“With all its awkwardness and tension considered, Such a Fun Age is immensely readable, almost unbelievably so. The pages fly, relaxed with frequent dialogue and references to social media and paced impeccably by the compelling triangles between Alix, Emira and the various relationships (transactional, romantic) that bind them….The sweet-and-sour spot between heavy and light, a book about difficulty and nuance, specifically regarding class, money, and race.” —Michigan Daily
“Witty and biting…[Reid] is writing smart, accomplished satire here. The prose is so accessible and immediate that it seems to turn transparent as water as you read, but it’s laced with telling details about liberal racial politics….[Such a Fun Age’s] satire never overwhelms its empathy toward its characters. That’s what makes them feel like fully realized people—and what makes their casual bourgeois racism so painfully, cringingly familiar to read.” —Vox
“Instantly compelling, this debut novel from bold new voice Kiley Reid is poised to be one of 2020’s most-talked-about books….Braids coincidence with pitch-perfect dialogue as it dives deep into the uncomfortable dynamics of race and privilege. It’s also hilariously astute about myriad other aspects of modern life, from dating to décor.” —Net-a-Porter
“Writing in a breezy, conversational style, Reid has a knack for creating recognizable characters — both Alix and Kelley are particularly devastating send-ups of a certain kind of earnest white liberal....Fortunately, the seeming simplicity of the prose doesn’t detract from the complicated morass Reid creates, showing us how race and class become entangled in a way that is refreshingly humorous and compulsively readable.” —Buzzfeed
“A searing commentary on race and privilege.” —Refinery29
“Darkly funny and often sincere…The satire is cutting, but the novel is at its best when it shows, without the distancing effects of humor, how the white characters reinforce racism even when they seem to oppose it….Reid’s novel captures something important about race and the inexorability of whiteness, upward mobility, and the inescapability of digital life.” —BookForum
“[A] sharp and gripping debut...Written with both empathy and unflinching candor, Reid's novel delivers piercing social commentary on race and privilege in America that will have you contemplating it long after you finish reading.” —BookRiot
"This exploration of racial tensions and privilege reveals that the best intentions don't always stem from sheer goodwill." —Domino
"It's smary, wry, plot-driven, and all about how earnest white people so often get race majorly wrong." —Bustle
"A smart, thoughtful novel that you will want to discuss with your friends. Perfect for book clubs." —PopSugar
"[A] pitch-perfect debut novel...Reid [shows], with both biting humor and enormous empathy, how deeply awry good intent can go—especially when it comes to the complicated issues of race and class in late-2010s America." —PureWow
"[A] narrative rife with empathy as it explores race, privilege, and what happens when we do the right things for the wrong reasons." —Shondaland
"Kiley Reid tackles the white savior complex and transactional relationships in her hilarious and relevant debut....Such a Fun Age captures the consequences of unexamined privilege while also bringing to light the discomfort of post-graduate limbo....A smart, engaging novel packed with nuance." —Bust
"Curious, empathetic Sags will fall for this debut novel, a coming of age story about a young black babysitter and the white woman she works for, which also happens to be one of the most anticipated books of the month." —Lit Hub, Astrology Book Club
“This novel about race and privilege is the book we all need to read as the 2020 election year approaches.” —Electric Literature
"It's timely, the characters are fantastic, but, more than that, it's in the literary space but almost has the pacing of a thriller. It's a magic trick of a book." —LitReactor
“Readers who enjoy coming-of-age stories that tackle serious issues with a touch of wit will find this a worthy alternative to a wild night out.” —Ms. Magazine
“Witty, smart, and relevant.” —Omaha World-Herald
“Reid’s clear writing style is the perfectly invisible backdrop to the action. Her dialogue is witty and authentic….As the drama unfolds, Such a Fun Age sucks you in and surprises you. With this debut novel, Reid provides a fresh look at how racial anxieties can drive both healthy and heated conversations about race, while exposing toxic relationships.” —Chicago Review of Books
“[Reid] blends black horror, satire, and current events to create a scathing critique of white, middle-class America. Her social commentaries land like a series of swift kicks to the ribs; tokenizing, fetishizing, and every microaggression you can imagine are blown up to proportions too large to miss, unless you’re in denial.” —Pittsburgh Post-Gazette
“Kiley Reid doesn’t shy away from tackling tough contemporary topics like class, race and privilege, yet she manages to thoroughly entertain the reader while delivering social commentary. This fast-paced story feels like a romp, but underneath, you’ll find currents of strained relationships, the ripple effect of transactional relationships, and bouts of anxiety and humiliation.”—The Addison County Independent
"[A] heart-piercing look at relationships and race...Reid's story captures the reader with a rich, layered narrative that avoids the rookie mistake of being overly descriptive or forced. She opens her characters' lives and invites the reader in. And we are captivated." —Chicago Now
“Reflecting on themes of race, class, friendship, and romance, Reid has written a page-turner for our time, one that you can speed through in a day but will likely mull over for much longer.” —Here Magazine
“One of the most incisive books I’ve read about race and class in modern-day America. It’s also really funny. And fun…It also has one of the most exquisitely awkward Thanksgiving dinners I’ve ever read.” —WBEZ ("Nerdette")
"[A] lighthearted yet searing look at the racial and social divisions in America." —Augusta Chronicle
“Reid asks how our relationships, values, and sense of self can survive in a society built on racism, classism, and privilege. Which is not to say that Such a Fun Age is not a fun read. Reid’s tone is warm and gimlet-eyed, and her prose fleet. The novel occasionally verges into spiky social satire and the climax credibly veers from hilarious to heartbreaking. . . It is a story that offers laughter, tears, and rage—some readers may feel recognition, and others discomfort.” —Broad Street Review
"[A] deft and heartfelt exploration of race, class, parenthood, and youth." —Business Insider
“Reid has an ear for dialogue, and a keen eye for details that make characters come alive. Readers will laugh out loud at some of the pitch-perfect lines and cringe at others, as she tackles race and privilege in a way that is fresh and nuanced. A great pick for fans of Celeste Ng’s Little Fires Everywhere.” —425 Magazine
“Darkly humorous.” —Suitcase Magazine
“Such a Fun Age signals the arrival of a bold, intrepid new voice with a story heavy-handed in both its dealings of racial prejudices and its wholehearted conviction to salve those wounds with hope and understanding.” —Paperback Paris
“To call this a novel about race would be to diminish its considerable powers, just as to focus on race alone is to diminish a human being. It skillfully interweaves race-related explorations with astute musings on friendship, motherhood, marriage, love and more, underlining that there’s so much more to us than skin. This is the calling card of a virtuoso talent, a thrilling millennial spin on the 19th-century novel of manners that may call to mind another recent literary sensation.” —The Guardian
“A new literary star…What a joy to find a debut novel so good that it leaves you looking forward to the rest of its author’s career. With an unfussy, witty voice comparable to American contemporaries Curtis Sittenfeld and Taffy Brodesser-Akner, in Such a Fun Age Kiley Reid has painted a portrait of the liberal middle class that resonates far beyond its Philadelphia setting….A tantalizingly plotted tale about the way we live now: about white guilt and virtue-signaling, but also about the uneven dynamic between domestic staff and their employers….Such a Fun Agespeaks for itself; I suspect it will turn its writer into a star.” —The Times (UK)
“Flawlessly paced…Reid writes with a confidence and verve that produce magnetic prose, and she’s a whiz at dialogue….While race dominates, Reid is far too engaged a writer to let it define a narrative that has equally incisive observations to share about everything from maternal ambivalence to dating mores. Hypocrisy and forgiveness get a look in, and in some respects, this is a novel that’s as much about money and class as anything. All in all, it’s a crackling debut—charming, authentic and every bit as entertaining as it is calmly, intelligently damning.” —The Observer (UK)
“The first chapter of Kiley Reid’s debut, Such a Fun Age, might be one of the most powerful opening scenes you’ll read in the coming months….These first few pages set the tone for what follows: a subtle exploration of not just racial dynamics, but motherhood, work, emotional labor, female friendship and how to find your place in the world….The pages sing with charisma and humor.” —Sunday Times Style (UK)
“Smart, fast-paced and beautifully observed, Reid tackles timely themes around race and political correctness with wit and verve.” —The Mail on Sunday (UK)
“A whip-smart, keenly observed and thought-provoking examination of privilege, race and gender.” —Daily Mail (UK)
“Reid is wincingly good on the well-intentioned attitudes that mainly serve to sooth white liberal consciences but her eye for social comedy roves far and wide….A smart, witty debut that smuggles sharp points about racial blindness, privilege and the gig economy inside a zesty comedy of manners.” —Metro (UK)
“[A] compelling indictment of humans, of how we interact with ourselves and each other. . . Reid is joyously funny on the wokeness of the white progressive liberal [yet] the novel undermines stereotypes even as it courts them.” —Financial Times
"Reid explores privilege and the problematic nature of the white savior in a debut you won't be able to put down." —Bookish
“Brilliant...Witty, relevant, and thought-provoking, Such a Fun Age tackles issues of race, privilege, and the nature of transactional relationships.” —BookBub
“The strength of Such a Fun Age lies in Reid's even hand with both Emira and Alix, whose points of view switch off fairly regularly throughout the novel. Neither character is archetypal: Emira is levelheaded but frustratingly aimless, and Alix is entitled without being risible—well, until the book's end....[A] conversation starter of a debut novel.” —Shelf Awareness
“Briskly told and devilishly well-plotted. . . Kiley Reid’s game-changing debut novel is rooted in classic dialogue-driven storytelling and is a marker for precisely where our culture is today. . . Such a Fun Age hits every note just right….What takes the book to the next level is its willingness to go beyond where the story naturally leads….Smart, witty and even a bit sly, this penetrating social commentary is also one of this year’s most readable novels.” —BookPage (starred review)
“Reid’s debut sparkles with sharp observations and perfect details—food, décor, clothes, social media, etc.—and she's a dialogue genius.. . . Her evenhandedness with her varied cast of characters is impressive.. . . Charming, challenging, and so interesting you can hardly put it down.” —Kirkus Reviews (starred review)
“In her debut novel, Reid illuminates difficult truths about race, society, and power with a fresh, light hand. We're all familiar with the phrases white privilege and race relations, but rarely has a book vivified these terms in such a lucid, absorbing, graceful, forceful, but unforced way.” —Library Journal (starred review)
“Reid crafts a nuanced portrait of a young black woman struggling to define herself apart from the white people in her life who are all too ready to speak and act on her behalf….Reid excels at depicting subtle variations and manifestations of self-doubt, and astutely illustrates how, when coupled with unrecognized white privilege, this emotional and professional insecurity can result in unintended—as well as willfully unseen—consequences. This is an impressive, memorable first outing.” —Publishers Weekly
"In her smart and timely debut, Reid has her finder solidly on the pulse of the pressures and ironies inherent in social media, privilege, modern parenting, racial tension, and political correctness." —Booklist
“Reid is a sharp and delightful storyteller, with a keen eye, buoyant prose, and twists that made me gasp out loud. Such a Fun Age is a gripping page-turner with serious things to say about racism, class, gender, parenting, and privilege in modern America.” —Madeline Miller, author of Circe
“Such a Fun Age is a startling, razor-sharp debut. Kiley Reid has written a book with no easy answers, instead, filling her story with delicious gray areas and flawed points of view. It's both wildly fun and breathtakingly wise, deftly and confidently confronting issues of race, class, and privilege. I have to admit, I'm in awe.” —Taylor Jenkins Reid, author of Daisy Jones & the Six
“An amazing debut...A sort of modern Austen-esque take on racism and modern liberal sensibilities...except that description makes it sound far more serious and less clever than it is. [Kiley Reid] has a forensic eye.” —Jojo Moyes, author of Me Before You
“This is a deft coming-of-age story for the current American moment, one written so confidently it’s hard to believe it’s a first novel. Kiley Reid explores serious issues—race, class, sex, power, ambition, and what it’s like to live in our hyperconnected world—with a light touch and sly humor.” —Rumaan Alam, author of That Kind of Mother
“Kiley Reid's propulsive, page-turning book is full of complex characters and even more complex truths. This is a bullseye of a debut.” —Emma Straub, author of Modern Lovers
“This is not a world of easy answers but one in which intentions don’t match actions and expectations don’t match consequences, where it is possible to mean something partly good and do something mostly bad. The result is both unsparing and compassionate, impossible to read without wincing in recognition—and questioning yourself. Such a Fun Age is nothing short of brilliant, and Kiley Reid is the writer we need now.” —Chloe Benjamin, author of The Immortalists
“Kiley Reid’s witty debut asks complicated questions around race, domestic work, and the transactional nature of each.” —Nafissa Thompson-Spires, author of Heads of the Colored People
“Kiley Reid has written a timely novel that asks what we owe to those we care for in this complicated world. With intimate, touching observations, Reid details the lives of two complicated, loving women who are trying to figure out how to live their best lives in a world that does not always make space for them to do so.” —Kaitlyn Greenidge, author of We Love You, Charlie Freeman
“Such a Fun Age is such a fabulous book–a crisp, wry, and insightful novel about class, race, and relationships. Kiley Reid is a gifted young writer with a generosity that makes her keen social eye that much funnier and sharper.” —Jess Walter, author of Beautiful Ruins
“Gripping, substantive, complicated, compelling, and just plain true....These characters laid claim to me, and their stories became important to me in the way art does that to its readers, viewers, listeners....Such a fantastic, serious, and, I should say, fun read.” —Paul Harding, Pulitzer Prize-winning author of Tinkers
“The first time in a long time that I had a novel glued to my hands for two days...Such a Fun Age is so witty, so touching and humane. Just utterly phenomenal.” —Jessie Burton, author of The Miniaturist
“Such a Fun Age is such a fresh voice. It’s a unique, honest portrayal of what it’s like to be a black woman in America today. Kiley Reid has delivered a poignant novel that could not be more necessary.” —Lena Waithe
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I spent 80% of this book FURIOUS. For context, I’m a black woman, and that influenced how I read this book.
Almost all of the characters in this book were infuriating. The character of Emira, the 25-year old college graduate with no real future, comes across as undeveloped. She’s written with three different personas: the sweet and seemingly only woman to understand and cherish three-year-old Briar (who’s complex personality is confusing for such a little person but okay); the quiet and almost uneducated employee of Alix (some of the interactions had me wondering about Temple’s degree program); and a partying, mid-twenties friend and girlfriend that is depicted as the “real” Emira. The problem is, none of the personas are written well – they all felt like underdeveloped caricatures that needed more complexity. Emira stresses about job security and health insurance the entire book, to the point of being jealous of her friend’s successes and having valid fears about paying bills – yet she didn’t start applying for ANY jobs until her friends made her? It’s one thing to not know your place in life after college; it’s another to seemingly not know how to put yourself in any position to better your situation. This is made clear over and over again. Emira, despite being surrounded by resources of all types, knows nothing about how to do better for herself. This mindset is exactly what Alix preys on, and where the complex of saviorism comes into play.
Moving on to Alix. The entitlement and saviorism had me livid. I will say that I appreciated the insight into her thinking, especially when she was talking with her friends. Alix’s perspective is one that I know exists, but never will truly understand. I will never know what it could be like to be a white woman with the world – and people - at her fingertips. The best writing in this book was with Tamra, Jodi and Rachel because in those moments, I could truly appreciate the dilemmas that Alix felt she had. Otherwise, she was selfish, unaware, entitled and absolutely disgusting. Her depiction of the hell of her senior year felt overexaggerated for her to still be affected 15 years later. She’s clearly done well for herself - get over it. To find out that *spoiler alerts in the remainder of this paragraph* Kelley was right about the letter after all, and that she chose to play out a victim narrative for FIFTEEN YEARS is exactly what’s wrong with the world today. Before I found out that she invited Robbie to her house unintentionally, I didn’t have a problem with her calling the police. In that moment, those kids were trespassing on her property without her permission. But knowing that SHE KNEW at the end? GAH.
I’m so furious I almost can’t finish this review. But here are a few shorter thoughts to wrap up what’s quickly becoming a novel.
Kelley: I can’t decide if Kelley truly fetishizes black people/culture. His only interactions with white people were always negative – is this why he gravitates to black people or the othe way around? I don’t know. Alix went out of her way to find out that Kelley’s other girlfriends were all “lightskinned” or “exotic” and that Emira was the exception. Yet another white person in this novel who wants to save a black person, especially one with darker skin.
Tamra: Yet someone else trying to save Emira, but this is supposed to be okay because black on black saviorism is okay. Yeah, no.
Emira’s friends: love the support system but the characterization of slang, dress, affectation, etc. is over the top. It’s possible to be relaxed with your friends and speak properly, I promise.
And then the ending? *SPOILER ALERT* What was truly resolved? Emira’s still undecided what to do with life, even after her boss literally told her to move up and on. Briar is seemingly still ignored, although it’s unclear if there’s a new black nanny in the picture. No changes from Kelley either, just back to his standard black arm candy to make himself feel better about his life choices.
It only gets a two for the friendship stories – those were well written. Outside of that, I’d give this zero stars if I could and I could have done without reading this book.
Reid astutely delves into the psyche of her characters so that you know them down to the most minute detail from their thinking, dialogue, motives, habits, and mannerisms. Brilliant. Yes. Especially because the key figures in the novel don’t share the same moral principles, which of course makes the book that much more interesting.
Emira, a young, black woman struggling to find where she wants to be in life, is brought to the forefront of a tense scene in an upscale neighborhood grocery store where she is on an errand with her charge, the precocious toddler of Alix, her white employer, who unintentionally left her thriving brand-building/instagramming/empowering women careerish for a more sedate life. A spectacle takes place when a not-a-cop and a meddlesome shopper make false accusations and well, havoc ensues.
In the book, reactions to the incident vary, but there is no doubt that it is unforgivable.
Brought together are the very chill, the super neurotic, and some who are ready to self-destruct. I did have my favorites, including the youngster Briar, who will reach into your heart, twist it a bit, and leave you wondering what kind of woman she will grow up to be. And, Emira’s devoted, always cheerleading but tell it like it is friend Zara, who is a comic genius. You will wish she were your ride or die.
SUCH A FUN AGE is a story that will stay with you long after you finish the book.
Breathlessly awaiting Ms. Reid's next book.
Top international reviews
It was an easy read , indeed an unputdownable book and yet I can't say I'd recommend it to any friends...
The writing here is superb, and the characters drawn with love and tolerance. And who could not fall in love with little Briar?
Erzählt wird vorgeblich die Geschichte von Emira, einer afroamerkanischen Frau in ihren Zwanzigern, die nach ihrem Uniabschluss nicht so recht weiss, was sie mit ihrem Leben anfangen soll und deswegen erstmal einen Job als Babysitterin bei Alix animmt (der Name alleine zeigt schon, wie besonders diese Figur sein soll). Diese Alix ist eine Art Pseudobloggerin und eigentlich geht es in der Geschichte nur um sie. Sie wurde dadurch bekannt, dass sie bewegende Briefe an Unternehmen geschrieben hat, damit die ihr Gratisprodukte schicken. Irgendwie ist aus diesem Schmarotzertum dann eine Frauenbewegung entstanden, mit dem fragwürdigen Highlight, dass sie bei einer Podiumsdiskussion ihr Kind absichtlich nicht rechtzeitig gefütter hat, um es später publicity-wirksam während einer Talkrunde auf der Bühne stillen zu können. Als dieser sympathische Charakter auf Drängen ihres Mannes aus New York - bekanntermassen ja der einzige Ort, an dem es sich noch zu leben lohnt - nach Philadelphia (?) ziehen muss, stürzt sie in eine Krise, wird pummelig und versteigt sich in einen Hass auf die gewöhnlichen Vorstadt-Mamis, die alle einfach nur nett zu ihr sein wollen. Der einzig wichtige Moment und das schlagende Verkaufsargument des Buches: Eines Abends wird Emira - wir erinnern uns an sie - während einem Babysitter-Einsatz in einem Supermarkt von der Security angehalten und beschuldigt, das weisse Kind in ihrer Obhut gekidnappt zu haben. Der Vorfall - um den sich ja laut Klappentext die ganze Geschichte dreht - bleibt völlig ohne Konsequenzen, scheint allen egal zu sein und nicht mal auf Emira einen nachhaltigen Eindruck zu machen. Das einzige, was er auslöst ist, dass diese Alix irgendwie total besessen von ihrer Babysitterin wird, die sie bis dahin nicht die Bohne interessiert hat. Sie fängt plötzlich an, in Emiras Leben rumzuschnüffeln, liest heimlich die Nachrichten auf ihrem Handy und versucht sie abzufüllen, um ihr Geheimnisse zu entlocken.... - und da habe ich dann aufgehört zu lesen, weil ich es nicht mehr ertragen habe.
Der Ansatz des Buches - Rassismus und die Diskussion darüber - ist eigentlich wirklich gut. Aber die Umsetzung ist einfach nur tragisch. Die Figuren sind allesamt solche Stereoptypen, dass es beleidigend ist. Die erfolgreiche, weisse Frau, die die ganze Zeit mit ihrem Laptop ins Cafés abhängt und die afroamerikanische Babysitterin, die ihr Leben nicht auf die Reihe kriegt, nur ans Feiern denkt und trotz Uniabschluss einen Slang drauf hat, von dem ich mir sicher bin, dass ihn die Autorin in irgendeiner Fernsehserie aufgeschnappt hat und sich dachte: "So reden die also". (Obwohl sie ja selbst afroamerikanisch ist und es besser wissen müsste. Also häh?) Mies, mies, ganz, ganz mies. Das Buch ist nicht nur ein Missdienst an der afroamerikanischen Community sondern auch an allen Frauen. Rassismus wird nicht ernst genommen und bleibt völlig ohne Konsequenzen für die Geschichte (kommt uns das bekannt vor?). Frauen werden abwechselnd als überfordert, ambitionslos, hysterisch und manipulativ gezeichnet. Die Autorin schenkt ihren Figuren kein Leben, sondern missbraucht sie lediglich als Träger, auf die sie rassistische und diskriminierende Klischees projiziert. Sind das harte Worte? Ja. Und ich meine jedes einzelne davon. Ich weiss nicht, welcher erzählerische Kniff hinter diesem Buch stecken soll. Ich habe ihn nicht erkannt.
I loved this instantly and found it an easy read.
Racism never fails to sadden and astonish me! Aside from that I really enjoyed the relationships of the characters. Friendships, love, children, motherhood... and how our experiences from adolescence can impact on us for a very long time!