
Superman: Dawnbreaker: DC Icons Series
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The blockbuster DC Icons series that began with Leigh Bardugo's Wonder Woman, Marie Lu's Batman, and Sarah J. Maas' Catwoman continues with the story of the world's first superhero - Superman - from award-winning and number-one New York Times best-selling author Matt de la Peña.
When the dawn breaks, a hero rises.
His power is beyond imagining.
Clark Kent has always been faster, stronger - better - than everyone around him. But he wasn't raised to show off, and drawing attention to himself could be dangerous. Plus, it's not like he's earned his powers...yet.
But power comes with a price.
Lately, it's difficult to hold back and keep his heroics in the shadows. When Clark follows the sound of a girl crying, he comes across Gloria Alvarez and discovers a dark secret lurking in Smallville. Turns out, Clark's not the only one hiding something.
Teaming up with his best friend, Lana Lang, he throws himself into the pursuit of the truth.
What evil lies below the surface of his small town? And what will it cost Clark to learn about his past as he steps into the light to become the future Man of Steel?
Because before he can save the world, he must save Smallville.
- Listening Length7 hours and 28 minutes
- Audible release dateMarch 5, 2019
- LanguageEnglish
- ASINB07F2NXF2B
- VersionUnabridged
- Program TypeAudiobook
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Product details
Listening Length | 7 hours and 28 minutes |
---|---|
Author | Matt de la Peña |
Narrator | Andrew Eiden |
Whispersync for Voice | Ready |
Audible.com Release Date | March 05, 2019 |
Publisher | Listening Library |
Program Type | Audiobook |
Version | Unabridged |
Language | English |
ASIN | B07F2NXF2B |
Best Sellers Rank | #31,910 in Audible Books & Originals (See Top 100 in Audible Books & Originals) #6 in Fiction on Emigration & Immigration for Teens #11 in Superhero Fiction for Teens #30 in Teen & Young Adult Fiction about Emigration & Immigration |
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Reviewed in the United States on November 29, 2019
Top reviews from the United States
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When I read the Wonder Woman book, I expected some political messages, because she's always been political. However, Leigh Bardugo is pretty good about inserting her little spiel and then moving on. Superman generally has been a unifying hero that was above politics. Even in his comics, his philosophy typically was that humans needed to decide between good and evil on their own, and it wasn't his place to lecture or impose his own morals upon them. This version of Superman? Nope. If you support immigration policy then you're a straight-up bigoted racist, and that's all there is to it.
The author doesn't even make a good case for why the policies are racist, they just assume the reader agrees with them by default, and it doesn't need to be explained. I got 40% the way through the book and I saw very little actual racism going on. There was tons and tons of Clark Kent talking about how racist everyone is, but very few instances of anyone actually being racist. From all the pages I read, I only came across one instance of someone being somewhat racist when they said they'd have some Mexican kid deported. When I see that people can't even find strong cases of racism in their own made-up stories, it doesn't really enforce the idea that their claims of racism are valid.
In fictional books, when you want to change minds, what you're suppose to do is make the reader emphasize with your point by telling a clever story. Constantly lecturing at your reader about how racist they are because they believe we should enforce the laws we already have on the books doesn't really make people come over to your side. All that does is ensure the reader is never going to buy another one of your books.
What are authors thinking when they do this? Do they lean back in their chairs smugly assured about how many minds they're going to change? Or are they happily aware theyre going to isolate half their readers, because they don't want "those evil bigoted racists" reading their books at all? Honestly, what the purpose in shoving your political views down our throats in a fictional book? If I wanted a lecture on race relations, I would just go read White Fragility.
Im sure young audiences will like it, but I guess I’m too old for this type of storytelling. I’m a fan of the classic Superman storylines and this is not that.
Batman: Nightwalker had a fair share of politics, but it wasn't so overwhelming. If this is the direction this series is going to take, I'm going to skip the other titles.
A common tip in any form of storytelling is to “show, don’t tell.” But in Dawnbreaker, you’re constantly told how racist and bigoted and evil everything is rather than shown.
Early on in the book, Clark complains to his dad that the police policy of stop and search is racist, and his dad agrees but also notes that it’s a bit more complicated than that.
Unfortunately, the author never develops the motivations of any of the characters, especially not the bad guys so that we can better understand the complicated nature of their situation.
Instead, you’re constantly told rather than shown how horribly racist stop and search and deporting illegal immigrants is.
The politics in the book are so egregiously surface deep and one-sided that it can only be viewed as left-wing propaganda.
What makes this even worse is the fact that many of the “racist” issues within the book are almost completely irrelevant to the plot.
For example, there’s no rhyme or reason for why only immigrants are being mysteriously kidnapped in the book other than to make a political statement by pointing a finger at people and calling them bigots. Any of the citizens could’ve been kidnapped and the plot would’ve remained the same.
Similarly, stop and search is used as a poor form of world building where protests are occurring and there’s some discussion around local laws, but it has no impact whatsoever on the plot.
Going back to advise commonly given in storytelling, new writers are often told that if you introduce a gun into the story that it should go off within a couple of chapters. Otherwise, why introduce the gun?
Literally all of the politics in this book could’ve easily been scrapped because they serve no purpose to the story. For the majority of the book Clark is calling someone or something racist on what feels like every page. I’m not exaggerating. It’s obnoxious.
The sad part is, there are compelling moral arguments for and against things such as dreamers, immigration reform, stop and search etc, so the potential to tell a good story is there, but the author has set aside storytelling in favor of telling you how you should think.
It truly amazes me how this book could make it through editing and writing and into to full publication.
There’s a lot of irony in the fact that the author points the finger and accuses so many of being terrible people when you can read tons of reports about his own alleged sexual misconduct. Many people even boycotted this book because of it. I wasn’t personally aware until I looked up more about the author after being shocked at how blatantly political this book is.
Ultimately, if you’re looking for a good book this isn’t it. The plot is paper thin. The characters fail to develop. The politics are unbearably one-sided. The absolutely only good thing I can say about this book is that it was short. Avoid.
Top reviews from other countries

This is a Smallville style Superman novel. The writing is a bit slow, but the story is well written.
For people who are fans of the Smallville series this would be a great book. I am not such a huge fan. I did like Clark getting used to his powers. Gaining life experience. I do think the community Vs racism angle was quite well done.
The unlike the other books in the DC icons series this book stays pretty close to the the original origin story. I think Matt de la Pena did a good job with that he had. As well written as the book is it is not the most exciting story.
A good modernisation of Supermans origin but, a new angle but nothing really ground breaking. A more coming of age type story then a hero's journey for me.



