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Superman: Red Son (Turtleback School & Library Binding Edition) Library Binding – April 8, 2014
Mark Millar (Author) Find all the books, read about the author, and more. See search results for this author |
- Print length168 pages
- LanguageEnglish
- PublisherTurtleback
- Publication dateApril 8, 2014
- Dimensions6.75 x 0.5 x 10.5 inches
- ISBN-100606352287
- ISBN-13978-0606352284
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Product details
- Publisher : Turtleback; Reprint edition (April 8, 2014)
- Language : English
- Library Binding : 168 pages
- ISBN-10 : 0606352287
- ISBN-13 : 978-0606352284
- Dimensions : 6.75 x 0.5 x 10.5 inches
- Best Sellers Rank: #1,352,265 in Books (See Top 100 in Books)
- #21,607 in Superhero Comics & Graphic Novels
- Customer Reviews:
About the author

Along with Brian Michael Bendis, Mark Millar has been one of the key writers for Marvel Comics in the 21st century. After proving himself in the ’90s as a talent to watch while writing for DC Comics and the UK comic 2000AD, his arrival to Marvel came at a time when Ultimate Spider-Man had just shot up the sales charts. It was in this environment that Millar made his first major contribution to Marvel with Ultimate X-Men, as Millar integrated forty years’ worth of X-Men history, characters and lore into a solid two-year run, making the companion title to Ultimate Spider-Man every bit the creative and commercial success. Next up was The Ultimates, a new rendering of the Avengers that was to continue building on the success of the Ultimate line. He and artist Bryan Hitch pulled it all off in spades: The Ultimates and its sequel, Ultimates 2, were ensconced at the top of the sales charts every month; what’s more, they were critical successes, as well. Meanwhile, Millar was invited to enter the regular Marvel Universe to take a stab at two of its most iconic characters: Spider-Man and Wolverine. Paired with industry heavyweights to draw his stories — Terry Dodson on Marvel Knights Spider-Man and John Romita Jr. on Wolverine — Millar brought the same fast-paced and cleverly constructed plots with which his Ultimate fans were already familiar. Amid building a small library of Millarworld indie comic books — including the titles Chosen and Wanted, the latter of which was turned into a Hollywood blockbuster starring Angelina Jolie — he managed to write Civil War, the epic seven-issue miniseries that definitively reshaped the landscape of Marvel’s heroes. Kick-A**, a Marvel Icon project done in tandem with John Romita Jr., made an impressive impact on the sales chart before also being adapted for a major motion picture. In addition, Millar has reunited with Civil War artist Steve McNiven in both the pages of Wolverine and their creator-owned book Nemesis.
Customer reviews
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Reviewed in the United States on December 7, 2019
Top reviews from the United States
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The story unfolds throughout decades and decades, yet the pacing never ever feels slow, and you can feel the stakes getting higher and higher with every turning page. The book is very "cinematic", both in the storytelling and the art itself, with the way everything is arranged in each panel and page. I can totally see Warner Brothers making this into an animated film and I cannot understand why they haven't yet.
You get very interesting character development here (especially from the main characters), you get a few subtle nods and throwbacks to other iconic moments in DC's history in some of the book's pages that literally made me go "Oh that's great!" or "That's clever!", you get great cameos and supporting appearances from other DC characters, but they don't feel forced or tacked on, they actually add something interesting to the plot. You just get so much good stuff all around here, I just can't recommend this book enough.
I took my time before reading this book, not only because I'm a little wary of Elseworlds stories after reading a few that really didn't hit the mark for me (e.g. Superman: Speeding Bullets), but also because, at face value, I expected the writing to be preachy or overly political (looking at you, post-1990 Frank Miller!). Well, I'm happy to say that I was completely wrong and this is one of the best graphic novels I've ever read and one of my new favorites!
In a fictional universe, an alien spaceship crashes in rural Kansas in the United States, carrying an orphan from the stars who, as he matures, discovers he has powers beyond those of inhabitants of Earth, and vows to use these gifts to promote and defend truth, justice, and the American way. Now, like Tunguska, imagine the spaceship arrived a few hours earlier. Then, the baby Kal-El would have landed in Stalin's Soviet Union and, presumably, imbibed its values and culture just as Superman did in the standard canon. That is the premise of this delightful alternative universe take on the Superman legend, produced by DC Comics and written and illustrated up the standards one expects from the publisher. The Soviet Superman becomes an extraterrestrial embodiment of the Stakhanovite ideal, and it is only natural that when the beloved Stalin dies, he is succeeded by another Man of Steel.
The Soviet system may have given lip service to the masses, but beneath it was the Russian tradition of authority, and what better authority than a genuine superman? A golden age ensues, with Soviet/Superman communism triumphant around the globe, apart from recalcitrant holdouts Chile and the United States. But all are not happy with this situation, which some see as subjugation to an alien ruler. In the Soviet Union Batman becomes the symbol and leader of an underground resistance. United States president and supergenius Lex Luthor hatches scheme after scheme to bring down his arch-enemy, enlisting other DC superheroes as well as his own creations in the effort. Finally, Superman is forced to make a profound choice about human destiny and his own role in it. The conclusion to the story is breathtaking.
This is a well-crafted and self-consistent alternative to the fictional universe with which we're well acquainted. It is not a parody like Tales of the Bizarro World , and in no way played for laughs. The Kindle edition is superbly produced, but you may have to zoom into some of the pages containing the introductory material to be able to read the small type. Sketches of characters under development by the artists are included in an appendix.
¿Es Superman inherentemente un ser que busca la verdad y la justicia?
¿Debe haber un Superman?
Entre muchas otras que giran alrededor de la búsqueda de un mundo mejor para todos a la vez que nos muestra sin mucha exposición que el camino al infierno está pavimemtado por buenas intenciones.
Esta es una historia que demuestra lo esencial que es tener un antagonista que ofrezca un reto real, coherente y consistente. Si la comparamos con All Star Superman de Grant Morrison, esta obra triunfa al mostrarnos un Lex Luthor que no sólo es malvado porque la historia necesita un antagonista. El Luthor de Red Son es un hombre con hambre de superar cualquier reto y que al lograr sus objetivos no cae presa de emociones banales como la ira.
A pesar de que el elemento más atractivo de esta historia es responder a la pregunta de la sección de cartas antes mencionada (¿Qué tal si el cohete de Superman hubiera caído en la Unión Soviética en 1938?) lo que termina haciendo que la historia funcione es el constante y consistente conflicto entre Superman y Lex Luthor.
La conclusión de esta historia es una sorpresa que dejaremos descubran en el cómic, pero logra responder de manera magistral a las 2 preguntas que mencionamos anteriormente:
¿Es Superman inherentemente un ser que busca la verdad y la justicia?
¿Debe haber un Superman?
Top reviews from other countries

Updated review:
In regards to the actual content of the book, it's great fun! A great thought experiment that puts into question some of the American exceptionalism that's built into the character of Superman. Would Superman still be a good guy if he was raised behind ""enemy"" lines?
Old Review:
Title: Don't buy the Kindle/Comixology version!
Content: The Kindle/Comixology version of this might not be authentic! The page formatting in the Kindle/Comixology version is completely wrong; all the pages have a big white border on the top and bottom, and the double page spreads are shrunk/cropped to fit inside a single page with black borders like shown above!
Do not buy!!


Reviewed in the United Kingdom on April 28, 2022
Updated review:
In regards to the actual content of the book, it's great fun! A great thought experiment that puts into question some of the American exceptionalism that's built into the character of Superman. Would Superman still be a good guy if he was raised behind ""enemy"" lines?
Old Review:
Title: Don't buy the Kindle/Comixology version!
Content: The Kindle/Comixology version of this might not be authentic! The page formatting in the Kindle/Comixology version is completely wrong; all the pages have a big white border on the top and bottom, and the double page spreads are shrunk/cropped to fit inside a single page with black borders like shown above!
Do not buy!!




