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About T. Jefferson Parker
T. Jefferson Parker is the bestselling author of 23 crime novels, including Edgar Award-winners "Silent Joe" and "California Girl." Parker's next work is "Swift Vengeance," in which San Diego PI Roland Ford leads the FBI to a terrorist attack.
Parker was born in L.A. and grew up in Southern California. He studied English at UC Irvine and worked as a newspaper reporter for five years while writing his first book, "Laguna Heat" on evenings and weekends. HBO made "Laguna Heat" into one of its first original television movies in 1987.
Although the "T" is part of his legal name it does not stand for a name. It is a decorative initial put there by his parents, who once told him they thought T. Jefferson Parker would look good on the White House door.
Parker lives in north San Diego County, and enjoys fishing, hiking and just about anything outdoors.
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The Orange County, California, that the Becker brothers knew as boys is no more—unrecognizably altered since the afternoon in 1954 when Nick, Clay, David, and Andy rumbled with the lowlife Vonns, while five-year-old Janelle Vonn watched from the sidelines. The new decade has ushered in the era of Johnson, hippies, John Birchers, and LSD. Clay becomes a casualty of a far-off jungle war. Nick becomes a cop, Andy a reporter, David a minister. And a terrible crime touches them all in ways they could never have anticipated when the mutilated corpse of teenage beauty queen Janelle Vonn is discovered in an abandoned warehouse.
In an unprecedented collaboration, twenty-three of the world’s bestselling and critically acclaimed thriller writers have paired their series characters—such as Harry Bosch, Jack Reacher, and Lincoln Rhyme—in an eleven-story anthology curated by the International Thriller Writers (ITW). All of the contributors to FaceOff are ITW members and the stories feature these dynamic duos:
· Patrick Kenzie vs. Harry Bosch in “Red Eye,” by Dennis Lehane and Michael Connelly
· John Rebus vs. Roy Grace in “In the Nick of Time,” by Ian Rankin and Peter James
· Slappy the Ventriloquist Dummy vs. Aloysius Pendergast in “Gaslighted,” by R.L. Stine, Douglas Preston, and Lincoln Child
· Malachai Samuels vs. D.D. Warren in “The Laughing Buddha,” by M.J. Rose and Lisa Gardner
· Paul Madriani vs. Alexandra Cooper in “Surfing the Panther,” by Steve Martini and Linda Fairstein
· Lincoln Rhyme vs. Lucas Davenport in “Rhymes With Prey,” by Jeffery Deaver and John Sandford
· Michael Quinn vs. Repairman Jack in “Infernal Night,” by Heather Graham and F. Paul Wilson
· Sean Reilly vs. Glen Garber in “Pit Stop,” by Raymond Khoury and Linwood Barclay
· Wyatt Hunt vs. Joe Trona in “Silent Hunt,” by John Lescroart and T. Jefferson Parker
· Cotton Malone vs. Gray Pierce in “The Devil’s Bones,” by Steve Berry and James Rollins
· Jack Reacher vs. Nick Heller in “Good and Valuable Consideration,” by Lee Child and Joseph Finder
So sit back and prepare for a rollicking ride as your favorite characters go head-to-head with some worthy opponents in FaceOff—it’s a thrill-a-minute read.
When hired by a beautiful and enigmatic woman to find her missing younger sister, private investigator Roland Ford immediately senses that the case is not what it seems. He is soon swept up in a web of lies and secrets as he searches for the teenager, and even his new client cannot be trusted. His investigation leads him to a secretive charter school, skinhead thugs, a cadre of American Nazis hidden in a desert compound, an arch-conservative celebrity evangelist--and, finally, to the girl herself. The Last Good Guy is Ford's most challenging case to date, one that will leave him questioning everything he thought he knew about decency, honesty, and the battle between good and evil...if it doesn't kill him first.
Palm Springs now joins Los Angeles, San Diego, Orange County, San Francisco, Oakland, and Berkeley in California’s Noir Series arena.
"Contrary to popular belief, noir doesn’t require a bleak city street for its setting. Nor water, for that matter. Noir thrives on secrets, lies and lust, all flowing plentifully through the jewel in the Coachella Valley’s fragile crown...For all the playfulness of the genre and the location, the wisecracks and the kidney-shaped pools, there is an unmanageable darkness waiting to seep in, like so much blood in the pool water."
--Los Angeles Times
"Conjure up images of Palm Springs and you’ll probably think of pastel-colored pool floaties, midcentury chic architecture, a gigantic Marilyn Monroe that watches over the city like its guardian angel. But you don’t need to scratch deep to find darkness in the desert--and even Palm Springs, with its endless well of pools, violently colored cocktails, and impossibly green lawns, is no exception."
--Los Angeles Review of Books
"An appealing anthology of 14 stories about life and crime in the Mojave Desert's playground to the stars."
"Palm Springs Noir features a collection of short stories set in a cross-section of desert cities and written primarily by authors with Coachella Valley ties."
--Palm Springs Life
"This compilation is a roller coaster ride that's filled with loads of suspense, mystery, and steamy sexiness. Brilliantly conceived, DeMarco-Barrett and the other contributing authors effortlessly transport the reader to the edgy, moody, and sleazier side of one of Southern California's most renowned and iconic locales. A sure thing bestseller and a must-have summer read, Palm Springs Noir unquestionably brings the heat."
--New York Journal of Books
Akashic Books continues its award-winning series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each book comprises all new stories, each one set in a distinct location within the geographic area of the book.
Palm Springs Noir features brand-new stories by: T. Jefferson Parker, Janet Fitch, Eric Beetner, Kelly Shire, Tod Goldberg, Michael Craft, Barbara DeMarco-Barrett, Rob Roberge, J.D. Horn, Eduardo Santiago, Rob Bowman, Chris J. Bahnsen, Ken Layne, and Alex Espinoza.
From the introduction: The best noir writers make us feel the heat of the sun, the touch of a lover. Setting can be gritty but can also be sublime, no longer relegated to urban locales and seedy hotel rooms but also mansions and swimming pools. Hence, Palm Springs, which may seem like an odd setting for a collection of dark short stories--it’s so sunny and bright here. The quality of light is unlike anywhere else, and with an average of three hundred sunny days a year, what could go wrong?...
The stories in this collection come on like the wicked dust storms common to the area. More than half are by writers who live here full-time; all have homes in Southern California. They know this place in ways visitors and outsiders never will. These are not stories you'll read in the glossy coffee-table books that feature Palm Springs's good life. There is indeed a lush life to be found here, but for the characters in these stories, it’s often just out of reach.
A Thousand Steps is a beguiling thriller, an incisive coming-of-age story, and a vivid portrait of a turbulent time and place by three-time Edgar Award winner and New York Times bestselling author T. Jefferson Parker.
Laguna Beach, California, 1968. The Age of Aquarius is in full swing. Timothy Leary is a rock star. LSD is God. Folks from all over are flocking to Laguna, seeking peace, love, and enlightenment.
Matt Anthony is just trying get by.
Matt is sixteen, broke, and never sure where his next meal is coming from. Mom’s a stoner, his deadbeat dad is a no-show, his brother’s fighting in Nam . . . and his big sister Jazz has just gone missing. The cops figure she’s just another runaway hippie chick, enjoying a summer of love, but Matt doesn’t believe it. Not after another missing girl turns up dead on the beach.
All Matt really wants to do is get his driver’s license and ask out the girl he’s been crushing on since fourth grade, yet it’s up to him to find his sister. But in a town where the cops don’t trust the hippies and the hippies don’t trust the cops, uncovering what’s really happened to Jazz is going to force him to grow up fast.
If it’s not already too late.
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
“T. Jefferson Parker is the poet of American crime fiction, and The Room of White Fire absolutely proves why.”—C.J. Box
In this stirring thriller from New York Times bestseller and award winner T. Jefferson Parker, P.I. Roland Ford must hunt down a soldier who is damaged by war, dangerous, and on the run.
Roland Ford—once a cop, then a marine, now a private investigator—is good at finding people. But when he’s asked to locate an Air Force veteran who’s escaped from a mental institution, he realizes he’s been drawn into something deep and dark. What he doesn’t know is why a shroud of secrecy hangs over the disappearance of Clay Hickman—and why he’s getting a different story from everyone involved. In a flash, what began as just a job becomes a life-or-death obsession for Ford, pitting him against immensely powerful and treacherous people and forcing him to contend with chilling questions about truth, justice, and the American way.
“A fast-paced, beautifully written thriller."—The Washington Post
Private Investigator Roland Ford has taken a job for a fellow Marine and a rising politician, Dalton Strait. Strait is contending with unexplained bombings of government buildings in his district...but that is not why he hired Ford. Strait's wife, Natalie, has gone missing, leaving behind a cryptic plea for help. Strait has made many enemies during his time in politics--including some of his own family members--all of whom could be looking for revenge. But as Ford digs into the details of a troubled marriage, Natalie's disappearance becomes more and more complicated.
Meanwhile, the bombings in the city intensify, with a mysterious group known only as the Chaos Committee claiming responsibility. Ford soon learns that the seemingly random attacks may be connected to the case he's on--and suddenly, his hunt for a missing woman might decide the fate of an entire city.
In this town, it pays to be bad . . .
Allison is an L.A. celebrity, a folk hero, and a modern-day Jesse James who loves a good armed robbery. She has a compulsion to steal, a knack for publicity, and the conscience to give it all to charity. In fact, one of her biggest fans is a cop. And no one’s ever been hurt—until last night. Now she and the rookie deputy are on the run for their lives.
Returning hero and private investigator Roland Ford is on the trail of a mysterious killer who is beheading CIA drone operators and leaving puzzling clues at each crime scene. His troubled friend Lindsay Rakes is afraid for her own life and the life of her son after a fellow flight crew member is killed in brutal fashion. Even more terrifying is the odd note the killer left behind: "Welcome to Caliphornia. This is not the last." Ford strikes an uneasy alliance with San Diego-based FBI agent Joan Taucher, who is tough as nails but haunted by what she sees as the Bureau's failure to catch the 9/11 terrorists, many of whom spent their last days in her city. As the killer strikes again, Ford and Taucher dash into the fray, each desperate for their own reasons--each ready to risk it all to stop the killer from doing far more damage.
A good cop, Robbie Brownlaw was thrown from a sixth-floor window of a downtown hotel and miraculously survived. The traumatic incident left Robbie with a fast-track career in the San Diego P.D.'s Homicide division . . . and a rare neurological condition that enables him to see people's emotional words as colored shapes—green trapezoids of envy, red squares of deception . . .
Another good man lies dead in a blood-splattered Ford Explorer—an ex-cop-turned-ethics investigator whose private life was torn open by unthinkable tragedy. Whether Garrett Asplundh's death was suicide or murder isn't immediately apparent—but it's soon clear to Robbie and his smart, tough partner, McKenzie Cortez, that Garrett had hard evidence of sex, scandal, and corruption spreading deep into local government. But pursuing the truth could prove more emotionally devastating than Robbie ever imagined.