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THEY THIRST Hardcover
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About the authors
Robert McCammon is the New York Times bestselling author of nineteen novels, including the award-winning BOY'S LIFE and SPEAKS THE NIGHTBIRD. There are more than four million copies of his books in print. His 2018 novel, THE LISTENER, is set in the 1930s and is available now from Cemetery Dance Publications.
His newest novel, CARDINAL BLACK, was published by Cemetery Dance in 2019. It is the seventh novel in the Matthew Corbett series, which started with SPEAKS THE NIGHTBIRD.
Mr. McCammon is currently writing THE KING OF SHADOWS, the eighth novel in the Matthew Corbett series.
Visit his websites: www.robertmccammon.com and www.matthewcorbettsworld.com
Robert McCammon is the New York Times bestselling author of nineteen novels, including the award-winning BOY'S LIFE and SPEAKS THE NIGHTBIRD. There are more than four million copies of his books in print. His latest novel, CARDINAL BLACK, is the seventh book in the Matthew Corbett series.
He recently completed the eighth book, THE KING OF SHADOWS, which is expected to be published in 2022.
Visit his websites: www.robertmccammon.com and www.matthewcorbettsworld.com
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Though this is a vampire book, McCammon dedicates a good part of his word count to developing his non-vampire characters. As a result, their struggles and losses are felt strongly by the reader.
I worried at first that the ending was wandering and rambling, only to be reminded that McCammon knows what he is doing. He has now become my favorite author.
I've read just about every well written vamp novel there is, and many that aren't (well written). I re-read this recently after reading it 20 years ago, and was mindful of the fact the author apparently rates it lowly. Yet I found nothing in it to be amateur. I have read some amateur hour Dracula novels recently, and this is definitely not one of them. I dont think it suffers in any way to the novel I have seen it compared to, ie Salems Lot. Both are excellent reads, both build suspense, and character development is excellent, as is the central plot.
They thirst is a grand, apocalyptic novel of a vampire plague that threatens to decimate Los Angeles, and McCammon deftly handles multiple characters caught in the blood-sucking maelstrom. The early parts of the novel present a highly plausible version of how a vampire colony could begin in a city such as LA, the city of angels, the city of lights, the city of both reason and freakish insanity. The police are slow to believe that anything supernatural could be taking place as cemeteries are desecrated in the most startling way, bodies are found in a mysterious state of near-death, and an inner-city barrio is besieged. Plausible explanations such as a group of satanists, escalating Latino gang warfare, and just the every-day weirdness of LA life are offered.
But one cop, an immigrant from Hungary who, as a child, experienced the horrors of a vampire attack on his small village, suspects something much darker in play. He, along with an investigative reporter for an exploitation newspaper, an up-and-coming comedian with a girlfriend who is a practitioner of vodun, and a young child schooled in the horror films Hollywood itself produced are all that stands between the survival of the human race and a dark new age of the vampire.
McCammon's vampires are not the urbane figures from Stoker and Le Fanu; rather, they are savage, deviant, and oh so thirsty. Imagine Dawn of the Dead, but with Vampires, and you have an idea of what this novel holds in its pages. After a gradual build-up, LA finds itself buried in the most massive sandstorm ever to hit the modern world, a sandstorm brought about by the dark forces of the vampire master. McCammon presents a terrifying vision of LA as hit by an apocalypse of biblical proportions and only a brave few stand between humanity and its extinction.
To say that this novel is gripping would be an understatement. This book demands to be read in one stay-up-all-night-and-call-in-sick-to-work session. Yes, it's that good.
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