The Book Thief Audible Audiobook – Unabridged
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Audible Audiobook, Unabridged
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Don’t miss Bridge of Clay, Markus Zusak’s first novel since The Book Thief.
The extraordinary number-one New York Times best seller that is now a major motion picture, Markus Zusak's unforgettable story is about the ability of books to feed the soul. Nominated as one of America's best-loved novels by PBS’s The Great American Read.
When Death has a story to tell, you listen. It is 1939. Nazi Germany. The country is holding its breath. Death has never been busier, and will become busier still. Liesel Meminger is a foster girl living outside of Munich, who scratches out a meager existence for herself by stealing when she encounters something she can’t resist - books. With the help of her accordion-playing foster father, she learns to read and shares her stolen books with her neighbors during bombing raids as well as with the Jewish man hidden in her basement.
In superbly crafted writing that burns with intensity, award-winning author Markus Zusak, author of I Am the Messenger, has given us one of the most enduring stories of our time.
“The kind of book that can be life-changing.” (The New York Times)
“Deserves a place on the same shelf with The Diary of a Young Girl by Anne Frank.” (USA Today)
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|Listening Length||13 hours and 56 minutes|
|Whispersync for Voice||Ready|
|Audible.com Release Date||September 14, 2006|
|Best Sellers Rank|| #421 in Audible Books & Originals (See Top 100 in Audible Books & Originals) |
#1 in Teen & Young Adult Fiction on Orphans & Foster Homes (Books)
#1 in Teen Fiction on Death & Dying
#1 in Fiction on Family for Teens
Reviewed in the United States on January 14, 2019
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Liesel makes friends with next-door neighbor Rudy and establishes herself as a self-proclaimed book thief. Becoming unlikely friends with the Mayor’s wife Ilsa affords Liesel the opportunity to read the books in the Mayor’s massive library. Along the way, Liesel is witness to the atrocities of war, heartbreaking events, love, loss and other life-changing events.
I saw the movie The Book Thief several years ago and loved it. When I decided it was time to read the book I was absolutely captivated. Although the book is 550 pages long, I read it in just two days – it was THAT good.
The book is different in several ways, ways in which I won’t go into in my review. Suffice it to say that I’m glad I saw the movie first and then read the book. I think I might have been disappointed with the movie version if it had happened in opposite order. This just goes to show how well the author has written this important piece of fictionalized history. The time period, location, mood, characters, etc. come to life as the story unfolds.
I was surprised at some of the other reviews, stating that the book was just plain depressing. I’m not at all sure how a book that deals with the systematic extinction of a race of people can be written about in an uplifting, happy way. Yet, the book is so much more than a story about a German girl who is living in Nazi Germany during WWII. There are many lovely, tender elements to be found in The Book Thief. The additional anniversary edition footnotes written by the author (at the end of the book) provide wonderful insight.
I think it’s extremely important that all generations read books like The Book Thief. This is part of history and, as poet and philosopher George Santayana said, "Those who do not remember the past are doomed to repeat it." This is a book that is emotionally draining, but very much worth the read!
If you follow my blog at all, you know that I love WWII era historical fiction. What I loved about this book is that it showed the lives of average Germans during the war. That's not a perspective I've seen a lot (or ever that I can think of off the top of my head). But Liesel's foster family wasn't exactly average either because they held unfavorable opinions about Jewish people, at least unfavorable by German standards during the war.
Another highlight of this story was that it was told from the perspective of Death. It was a bit odd to get used to at first because he jumped around a bit, as Death is wont to do in the course of his work, but once I got used to it, it was a fun way to see things. While death isn't exactly omniscient, he does have access to information that a human narrator wouldn't have.
I realize that I'm late enough to this party that you've probably already made up your mind about whether you want to read this book or not, but if you're still on the fence about it, you should absolutely not wait any longer. You're likely to regret it if you do, like I did.
Overall I give The Book Thief 5.05 stars.
As the old proverb—old but still true for all its rusty years—would tell us, ‘The book is far better than the movie’. This has never been more true than with Markus Zusak’s phenomenal achievement.
The book is narrated by Death, the Grim Reaper. Yet he is not an evil presence, indeed his tender observations are endearing. In the end, the circumstances of 1940s Europe keep him far busier than he’d prefer. Yet he cannot take his eyes off these dismal, glorious humans.
They haunt him, these human beings do. He sees such majesty in them, and such cruelty. The circumstances that call him into hard labors allow him to peer into the human condition at its best and, simultaneously, at its best.
He cannot look away from them, these horrible, beautiful, haunting beings.
This reader revels in the deeply biblical substratum of this compelling novel, whether intended by its author or not.
The best book I’ve read in a year. And I’m hardly alone, for this work has virtually nailed itself to the top rung of the New York Times Bestsellers List. As another old proverb might have it, 50,000,000 Elvis fans can’t be wrong.
Buy it, read it, remember it when you least expect.
Top reviews from other countries
In fact, saying I 'loved' it almost seems wrong because reading this novel was so impactful and such an experience that... that I don't have the proper words.
This is the story of a girl, Liesel, set in Nazi Germany. She's a book thief. And the story is narrated by Death. That's all you need to know. I, personally, was sold when I heard about the narrator. Didn't even need to know anything else.
This is a beautifully written novel about the life of a young girl, the life of people, during war. And it really hits you, the amount of loss caused by war. And for what? Power? Some misconception? It seems such a waste of so many lives, simply because of one man's crusade and a nation of people at his disposal, whether it be by fear or manipulation. The book brings you closer to something that you usually recount only distantly. And it does a wonderful job of it.
This book was amazing. I love the character, the story, the narrator and everything it had to show and tell. This is one novel that I will not soon forget and I very much think that you should read it.
I am not a fan of war books as a sort of general rule; and yet there have been war related novels which have come along and proved the exception. This book, while set in Nazi Germany, is unlike any other World War II book in existence. First of all, the narrator is none other than Death himself. Such a fantastical host provides a unique introduction to the characters of the book and their individual plights. Zusak has created a cast of palpably deep individuals, rich unto their depths, and cleverly juxtaposed them with a wryly observant, mythological presence. I must state that this makes for a truly magnificant combination.
Some characters will stay with me forever; like distant friends viewed through the foggy lens of memory. Liesel and her dear foster father, Hans, are two of these extremely special, fictional creations.
As a pacifist, I hold in high esteem those who dare to defy crimes against humanity; often at extreme risk to themselves. There were many “Hans Hubermanns” during the war; people that aided Jews and refused to keep irrational prejudices alive in their hearts. Zusak has really given life and breath to Hans. He is the embodiment of a “good neighbor”. He would make an excellent dinner guest, but not because of lofty conversation. Hans is steadfast, and quite critical to Liesel’s development of character.
As for Liesel, I found myself instantly aligned with someone who could take such joy from books. Even before she knew how to read, Liesel fell in love with reading. Liesel may have been unable to escape the war and its shocking atrocities, but she took her escape and her comfort from the books that she collected. Liesel’s story feels so real it makes me wonder at Zusak’s inspiration for her. As with all underdogs, the reader cannot help but yearn for Liesel’s survival. More than that, however, I loved being able to treasure every one of her new books with her. I rejoiced in her turn to writing, and I cried beside her more than once. She was intriguing enough to stir the curious interests of the infamous Reaper; and that fanciful conception actually serves to balance an otherwise painfully human construction. We want realism, but we respond to brief reprieves of levity in equal measure.