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About the Author
Philip K. Dick (1928-1982) was a writer of extraordinary vision and imagination whose works reflected a strong interest in metaphysics, theology, and speculative politics. In his work, the individual is often pitted against authoritarian governments or monopolistic corporations. He also drew from his own experiences of altered states, paranoia, and mystical reveries. In 2007, Dick became the first science fiction writer to be included in the Library of America series. In addition to his dozens of published novels, he wrote over 120 short stories, many of which appeared in science fiction magazines. At least eight of his stories have been adapted for film.--This text refers to an out of print or unavailable edition of this title.
- ASIN : B005LVR6C8
- Publisher : Mariner Books; Reprint edition (October 18, 2011)
- Publication date : October 18, 2011
- Language : English
- File size : 2766 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Print length : 243 pages
- Lending : Not Enabled
- Best Sellers Rank: #175,773 in Kindle Store (See Top 100 in Kindle Store)
- Customer Reviews:
Top reviews from the United States
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Barney Mayerson is a fashion pre-cog, working for Leo Bulero, the head of “Perky Pat Layouts.” Perky Pat and her “boyfriend” Walt are dolls whose materialistic lifestyle is supported by fashionable miniatures of cars, stereo systems, furniture, clothing, and everything desirable to the teeming millions who live on Earth.
The problem is, there are too many people on Earth to allow everyone to have this abundance for real, so random people are “drafted” to become colonists on Mars. There, they use the illegal drug Can-D to become, temporarily, Perky Pat or her boyfriend. The quality of this experience (the only escape available to the colonists) is believed to be dependent on the up-to-date fashion of the miniature layouts they create for their Pat and Walt dolls.
Belief is an important factor in this equation—in fact, religions have grown up around the drug experiences of the colonists. Some believe that the Can-D “translation,” the apparent entry of the women into Pat, and the men into Walt, actually takes them to an Earth before the time when it was suicide to be outside in the unshaded noontime sun, or to a less-than-eternal Heaven. Some liken the taking of Can-D to the wine and wafer of communion; the men commune together in the persona of Walt, the women in Pat. A few cynics believe neither, but welcome the easing of restrictions. After all, it’s Pat’s body that joins with Walt’s, so it can hardly be adultery, right?
The acquisitive, free-love society that has ruined Earth is thus miniaturized on Mars. The other requisite element in this scheme, the drug Can-D, is also manufactured by P-P Layouts (quietly, as contraband), and sold at top dollar to the colonists. Colonial authorities look the other way, because without the drugs, colonies quickly descend into cabin fever, then flash over into murder and mayhem.
As the story begins, Palmer Eldritch, legendary explorer to Proxima Centauri, has returned to the Solar System, bringing with him a new drug, an alien fungus marketed as “Chew-Z.” Unlike Can-D, Chew-Z needs no layout. And its translation brings the user into a world that seems really eternal, Heavenly—complete with an audience with God. The only problem is, sooner or later God, and all the other characters everyone encounters in the Chew-Z universe, take on a distinct resemblance to Palmer Eldritch.
When Barney Mayerson is drafted to Mars, he plans to take the new drug along with a toxin supplied by P-P Layouts, then sue Eldritch to convince the authorities that this new drug is worse than Can-D. As a pre-cog, though, he knows that his boss, Leo, will be charged with killing Palmer Eldritch in the near future. And neither Barney nor Leo realize that, once you’ve taken Chew-Z, Palmer Eldritch resides in your mind.
The tone of the story is psychedelic, with confusing chronology and a distorted sense of wonder and awe. Elements that seem to be important to the tale as it begins are abandoned, without apology, when something newer comes along. Earth’s ecological disaster is implied, but never explored; the aliens of Proxima are discussed once, then dropped. Can-D religions are sketched in the barest terms sufficient to contrast them with the Chew-Z experience.
In the end, "The Three Stigmata of Palmer Eldritch" feels something like a drug trip; one is left with the sense of having had a revelation, but its details are lost in the haze.
This is one Dick novel that will never be made into a movie. I hope.
I’m not sure I agree with that but it is as completely insane as anything to be found by PKD.
It features two different, complete worlds of hallucinogenic drug use, one of which incorporates what seems to be PKD’s take on Barbie, purchased as props to enhance the drug experience.
Some characters have genetic enhancements.
Galactic Pot-Healer is not the only PKD novel featuring ceramics: they’re integral to the plot here, too. (He must have had an affinity for pottery.)
There are pre-cogs.
Eldritch has machine eyes, an android hand and steel teeth, hence the title’s stigmata.
The onslaught of ideas never stops.
After completing the book, it is possible that you will be uncertain about the conclusion.
If it is not his greatest novel, it may be his most ambiguous.
In this novel Palmer Eldritch returns from the stars with a new wonder drug. But ... would you chow down on the Chew-Z? Choose wisely. The reality dysfunction is all pervading. Who knows who or what you really are, or what you have or haven’t done or been. I’m confused already.
Top reviews from other countries
It's incredible (and slightly unnerving), to think that such an insightful, and prescient narrative was written in the sixties, and yet is so pertinent to the time we live in, with the comparisons of Virtual Reality, drugs and religion.
I think this is a great introduction to Philip K. Dick, and a banner for the visionary style and thoughts of such an influential writer.
-- from the back cover
Written in 1964 and published the following year, The Three Stigmata of Palmer Eldritch (Philip K Dick's sixteenth published novel), deals with a number of the themes that dominate his work (pre-cognition, the nature of reality, drugs etc..). As with all PKD's works this novel is packed with ideas that make you marvel at his imagination but also (if you are of a philosophical turn of mind) bring you to question and consider the themes he raises for yourself. PKD also creates characters that I at least find believable. As Ursula Le Guin has said "There are no heroes in Dick's books, but there are heroics. One is reminded of Dickens: what counts is the honesty, constancy, kindness and patience of ordinary people." PKD's characters always strike me as in some way authentic.
The Three Stigmata of Palmer Eldritch was nominated for the Nebula Award for Best Novel in 1965.
"I am afraid of that book [The Three Stigmata of Palmer Eldritch]; it deals with absolute evil, and I wrote it during a great crisis in my religious beliefs. I decided to write a novel dealing with absolute evil as personified in the form of a "human." When the galleys came from Doubleday I couldn't correct them because I could not bear to read the text, and this is still true."
-- Philip K Dick
"The worlds through which Philip Dick's characters move are subject to cancellation or revision without notice. Reality is approximately as dependable as a politician's promise."
--Roger Zelazny in Philip Dick: Electric Shepherd (1975), Bruce Gillespie, ed.
If you are new to Philip K Dick's work I would also recommend the novels (which generally seem to be regarded as among his best):
Do Androids Dream Of Electric Sheep?: The novel which became 'Blade Runner' (S.F. Masterworks)
Ubik (S.F. Masterworks)
A Scanner Darkly (S.F. Masterworks)
The Man In The High Castle (S.F. Masterworks)
Flow My Tears, The Policeman Said (S.F. Masterworks)
That said, though some of PKD's works are better than others, to my mind they are all well worth reading. I would also recommend his short story collections:
Beyond Lies The Wub: Volume One Of The Collected Short Stories
Second Variety: Volume Two Of The Collected Short Stories
The Father-Thing: Volume Three Of The Collected Short Stories
Minority Report: Volume Four Of The Collected Short Stories
We Can Remember It For You Wholesale: Volume Five of The Collected Short Stories
Sometimes an author tries so hard to be ambitious that the heart of the story sinks in the process, like a disastrous souffle that had all the right ingredients and went into the oven for the correct amount of time, but somehow came out soggy and collapsed despite the diligence. Happily, this book is not one of those books - it is rich and complex through and through and, for those that like that sort of thing, you could happily analyse it until the cows come home. Indeed, even when the book slips into a hearty chunk of character led exposition at the end, it is done in such a layered and textured way that despite certain key symbols being given to the reader (e.g. what constitutes the three stigmata), more questions are only opened up as a result.
A novel about sanity, despair and religion. A masterpiece.