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About Timothy Egan
TIMOTHY EGAN is a Pulitzer Prize-winning reporter and the author of nine books, including the forthcoming, A PILGRIMAGE TO ETERNITY, which will be released on Oct. 15. His most recent book, THE IMMORTAL IRISHMAN, was a New York Times Bestseller. His book on the Dust Bowl, THE WORST HARD TIME, won a National Book Award for nonfiction. His book on photographer Edward Curtis, SHORT NIGHTS OF THE SHADOW CATCHER, was awarded the Carnegie Medal for nonfiction. He writes a bi-weekly opinion column for the New York Times.
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In a tour de force of historical reportage, Timothy Egan’s National Book Award–winning story rescues an iconic chapter of American history from the shadows.
The dust storms that terrorized the High Plains in the darkest years of the Depression were like nothing ever seen before or since. Following a dozen families and their communities through the rise and fall of the region, Timothy Egan tells of their desperate attempts to carry on through blinding black dust blizzards, crop failure, and the death of loved ones. Brilliantly capturing the terrifying drama of catastrophe, he does equal justice to the human characters who become his heroes, “the stoic, long-suffering men and women whose lives he opens up with urgency and respect” (New York Times). In an era that promises ever-greater natural disasters, The Worst Hard Time is “arguably the best nonfiction book yet” (Austin Statesman Journal) on the greatest environmental disaster ever to be visited upon our land and a powerful reminder about the dangers of trifling with nature.
This e-book includes a sample chapter of THE IMMORTAL IRISHMAN.
"What a wondrous work! This beautifully written and totally clear-eyed account of his pilgrimage will have you wondering whether we should all embark on such a journey, either of the body, the soul or, as in Egan's case, both." --Cokie Roberts
"Egan draws us in, making us feel frozen in the snow-covered Alps, joyful in valleys of trees with low-hanging fruit, skeptical of the relics of embalmed saints and hopeful for the healing of his encrusted toes, so worn and weathered from their walk."--The Washington Post
Moved by his mother's death and his Irish Catholic family's complicated history with the church, Timothy Egan decided to follow in the footsteps of centuries of seekers to force a reckoning with his own beliefs. He embarked on a thousand-mile pilgrimage through the theological cradle of Christianity to explore the religion in the world that it created. Egan sets out along the Via Francigena, once the major medieval trail leading the devout to Rome, and travels overland via the alpine peaks and small mountain towns of France, Switzerland and Italy, accompanied by a quirky cast of fellow pilgrims and by some of the towering figures of the faith--Joan of Arc, Henry VIII, Martin Luther. The goal: walking to St. Peter's Square, in hopes of meeting the galvanizing pope who is struggling to hold together the church through the worst crisis in half a millennium.
A thrilling journey, a family story, and a revealing history, A Pilgrimage to Eternity looks for our future in its search for God.
On the afternoon of August 20, 1910, a battering ram of wind moved through the drought-stricken national forests of Washington, Idaho, and Montana, whipping the hundreds of small blazes burning across the forest floor into a roaring inferno that jumped from treetop to ridge as it raged, destroying towns and timber in the blink of an eye. Forest rangers had assembled nearly ten thousand men to fight the fires, but no living person had seen anything like those flames, and neither the rangers nor anyone else knew how to subdue them. Egan recreates the struggles of the overmatched rangers against the implacable fire with unstoppable dramatic force, and the larger story of outsized president Teddy Roosevelt and his chief forester, Gifford Pinchot, that follows is equally resonant. Pioneering the notion of conservation, Roosevelt and Pinchot did nothing less than create the idea of public land as our national treasure, owned by every citizen. Even as TR's national forests were smoldering they were saved: The heroism shown by his rangers turned public opinion permanently in favor of the forests, though it changed the mission of the forest service in ways we can still witness today.
This e-book includes a sample chapter of SHORT NIGHTS OF THE SHADOW CATCHER.
Winner of the Mountains and Plains Book Seller's Association Award
"Sprawling in scope. . . . Mr. Egan uses the past powerfully to explain and give dimension to the present." --The New York Times
"Fine reportage . . . honed and polished until it reads more like literature than journalism." --Los Angeles Times
"They have tried to tame it, shave it, fence it, cut it, dam it, drain it, nuke it, poison it, pave it, and subdivide it," writes Timothy Egan of the West; still, "this region's hold on the American character has never seemed stronger." In this colorful and revealing journey through the eleven states west of the 100th meridian, Egan, a third-generation westerner, evokes a lovely and troubled country where land is religion and the holy war between preservers and possessors never ends.
Egan leads us on an unconventional, freewheeling tour: from America's oldest continuously inhabited community, the Ancoma Pueblo in New Mexico, to the high kitsch of Lake Havasu City, Arizona, where London Bridge has been painstakingly rebuilt stone by stone; from the fragile beauty of Idaho's Bitterroot Range to the gross excess of Las Vegas, a city built as though in defiance of its arid environment. In a unique blend of travel writing, historical reflection, and passionate polemic, Egan has produced a moving study of the West: how it became what it is, and where it is going.
"The writing is simply wonderful. From the opening paragraph, Egan seduces the reader. . . . Entertaining, thought provoking."
--The Arizona Daily Star Weekly
"A western breeziness and love of open spaces shines through Lasso the Wind. . . . The writing is simple and evocative."
On the night of September 14, 1935, George Conniff, a town marshal in Pend Oreille County in the state of Washington, was shot to death. A lawman had been killed, yet there seemed to be no uproar, no major investigation. No suspect was brought to trial. More than fifty years later, the sheriff of Pend Oreille County, Tony Bamonte, in pursuit of both justice and a master’s degree in history, dug into the files of the Conniff case—by then the oldest open murder case in the United States. Gradually, what started out as an intellectual exercise became an obsession, as Bamonte asked questions that unfolded layer upon layer of unsavory detail.
In Timothy Egan’s vivid account, which reads like a thriller, we follow Bamonte as his investigation plunges him back in time to the Depression era of rampant black-market crime and police corruption. We see how the suppressed reports he uncovers and the ambiguous answers his questions evoke lead him to the murder weapon—missing for half a century—and then to the man, an ex-cop, he is convinced was the murderer.
Bamonte himself—a logger’s son and a Vietnam veteran—had joined the Spokane police force in the late 1960s, a time when increasingly enlightened and educated police departments across the country were shaking off the “dirty cop” stigma. But as he got closer to actually solving the crime, questioning elderly retired members of the force, he found himself more and more isolated, shut out by tight-lipped hostility, and made dramatically aware of the fraternal sin he had committed—breaking the blue code.
Breaking Blue is a gripping story of cop against cop. But it also describes a collision between two generations of lawmen and two very different moments in our nation’s history.
When Brunella Cartolano visits her father on the family vineyard in the basin of the Cascade Mountains, she's shocked by the devastation caused by a four-year drought. Passionate about the Pacific Northwest ecology, Brunella, a cultural impact analyst, is embroiled in a battle to save the Seattle waterfront from redevelopment and to preserve a fisherman's livelihood. But when a tragedy among fire-jumpers results from a failure of the water supply–her brother Niccolo is among those lost--Brunella finds herself with another mission: to find out who is sabotaging the area's water supply. Joining forces with a Native American Forest Ranger, she discovers deep rifts rooted in the region's complicated history, and tries to save her father's vineyard from drying up for good . . . even as violence and corruption erupt around her.
Ben Shahn (1898–1969) immigrated to New York from present-day Lithuania in 1906 with his family. In 1935, he began working for the Farm Security Administration (FSA) after his former roommate, photographer Walker Evans, recommended him to Roy Stryker, the head of the photography section. He worked in a variety of genres and was an exponent of Social Realism, focusing on social justice and other left-wing themes in his art.