Foreword: Josh Ruben
The Pelt: Annie Neugebauer
Wish Wash: Sarah Read
When I Catch You: Hailey Piper
What’s Missing?: Zoje Stage
Still Life with Bones: Andy Davidson
The Things We Did, We Did, Were All for Real: John F.D. Taff
Mooncake: Lee Murray
Dungeon Punchinello: Josh Malerman
Below the Wildflower Hill: Sara Tantlinger
Don’t Open the Cellar Door: Jo Kaplan
Roses in the Attic: Cynthia Pelayo
Peripheral Vision: Richard Thomas
Haunted Inside: Gabino Iglesias
Counting Tunnels to Berry: Alan Baxter
Annie’s Heart is a Haunted House: Todd Keisling
They Are Still Out There, You Just Can’t See Them Anymore: Jonathan Lees

Liminal Spaces is a quiet horror anthology from Cemetery Gates Media featuring stories from well-known dark fiction writers such as: Joanna Koch, Jessica McHugh, Mark Allan Gunnells, Anthony J. Rapino, Gwendolyn Kiste, Michael Wehunt, Bob Ford, Kelli Owen, Richard Thomas, Todd Keisling, Chad Lutzke, Kristi DeMeester, Joshua Palmatier, and Norman Prentiss.

“The word ‘liminal’ comes from the Latin root limen. It means ‘threshold.’ A liminal space is a ‘crossing over’ space–a space where you have left something behind, yet you are not fully in something else. It’s a transition space.

“This is my favorite kind of horror and speculative fiction. Fiction which takes place in that ‘crossing over’ space. Stories about characters who have–wittingly or unwittingly–crossed a threshold. Those who have left something behind, yet are not quite somewhere or something else. They are in-between, and are neither one thing, nor another. Classic anthologies like Shadows, edited by Charles L. Grant epitomize these kinds of stories, as did Rod Serling’s The Twilight Zone, the work of Charles Beaumont and T. M Wright, Joyce Carol Oates, Shirley Jackson, and the ‘strange stories’ of Robert Aickman.”

-Kevin Lucia, Editor

Bram Stoker Award-winner for Superior Achievement in Non-Fiction!

Nightmares come to life in this comprehensive how-to guide for new and established authors…

Book two in Crystal Lake Publishing’s The Dream Weaver series picks up where the Bram Stoker Award-nominated Where Nightmares Come From left off.

It’s Alive focuses on learning the craft in order to take your story from concept to completion.

With an introduction by Richard Chizmar and cover art by Luke Spooner. Featuring interior artwork from horror master Clive Barker!

Table of Contents:

• Introduction by Richard Chizmar
• Confessions of a Professional Day Dreamer by Jonathan Maberry
• What is Writing and Why Write Horror by John Skipp
• Tribal Layers by Gene O’Neill
• Bake That Cake: One Writer’s Method by Joe R. Lansdale and Kasey Lansdale
• Ah-Ha: Beginning to End with Chuck Palahniuk and Michael Bailey (Discussing the Spark of Creativity)
• They Grow in the Shadows: Exploring the Roots of a Horror Story by Todd Keisling
• Sell Your Script, Keep Your Soul and Beware of Sheep in Wolves' Clothing by Paul Moore
• The Cult of Constraint (or To Outline or Not) by Yvonne Navarro
• Zombies, Ghosts and Vampires─Oh My! by Kelli Owen
• The Many Faces of Horror: Craft Techniques by Richard Thomas
• Giving Meaning to the Macabre by Rachel Autumn Deering
• The Horror Writer’s Ultimate Toolbox by Tim Waggoner
• Sarah Pinborough Interview by Marie O’Regan
• Conveying Character by F. Paul Wilson
• Sympathetic Characters Taste Better: Creating Empathy in Horror Fiction by Brian Kirk
• Virtue & Villainy: The Importance of Character by Kealan Patrick Burke
• How to write Descriptions in a story by Mercedes Yardley
• “Don’t Look Now, There’s a Head in That Box!” She Ejaculated Loudly (or Creating Effective Dialogue in Horror Fiction) by Elizabeth Massie
• Point of View by Lisa Mannetti
• What Came First the Monster or the Plot? In Conversation with Stephen Graham Jones by Vince A. Liaguno
• Building Suspense by David Wellington
• Conveying Horror by Ramsey Campbell
• Unveiling Theme Through Plot: An Analysis of Nathaniel Hawthorne’s “The Birthmark” by Stephanie M. Wytovich
• Interview with Clive Barker by Tim Chizmar
• World Building (Building a terrifying world) by Kevin J. Anderson
• Speak Up: The Writer’s Voice by Robert Ford
• Writing for a Better World by Christopher Golden
• Shaping the Ideas: Getting Things from Your Head to the Paper or on Screen. Interview with Steve Niles, Mick Garris, Heather Graham, Mark Savage, and Maria Alexander by Del Howison
• On Research by Bev Vincent
• Editing Through Fear: Cutting and Stitching Stories by Jessica Marie Baumgartner
• Leaping into the Abyss by Greg Chapman
• Edit Your Anthology in Your Basement for Fun and Profit! . . . or Not by Tom Monteleone
• When It’s Their World: Writing for the Themed Anthology by Lisa Morton
• Roundtable Interview by John Palisano
• The Tale of the Perfect Submissions by Jess Landry
• Turning the Next Page: Getting Started with the Business of Wri

• “The Infrastructure of the Gods: 11 Signposts for Going all the Way” by Brian Hodge
• “The Writer’s Purgatory: Between Finishing the First Draft and Submitting the Manuscript” by Monique Snyman
• “Why Rejection is Still Important” by Kevin Lucia
• “Real Writers Steal Time” by Mercedes M. Yardley
• “What Right Do I Have to Write” by Jasper Bark
• “Go Pace Yourself” by Jack Ketchum
• “A Little Infusion of Magic” by Dave-Brendon de Burgh
• “Never Look Away: Confronting Your Fears in Fiction” by Todd Keisling
• “Once More With Feeling” by Tim Waggoner

Writers On Writing give young authors the guidance they need, but has advice for all authors, from the interested newbie to the seasoned veteran (sounds delicious, right?).

Are you ready to be an author?

Proudly brought to you by Crystal Lake Publishing - Tales from The Darkest Depths

Interview with the Authors:

So what makes Writers on Writing so special?
Todd Keisling: Writers On Writing is unique in that it provides a collection of essays from both newcomers and established professionals, providing a wide range of perspectives on the art and craft of writing.

Tell us more about you essay in Writers on Writing.
Todd Keisling: My essay “Never Look Away: Confront Your Fears in Fiction” is an anecdotal look at an important lesson I learned early on in my writing career: That you shouldn’t look away from your subject matter, no matter how disturbing it is to you. Looking away does a disservice to your story, and by proxy, your reader.

Why should authors read Writers on Writing?
Jack Ketchum: It's rich in the variety of subjects discussed, written by people who know whereof they speak.

Todd Keisling: There are decades of experience contained within the book’s pages, covering multiple genres. I can’t think of a more diverse collection for the established—or aspiring—writing professional.

Do you have other non-fiction books authors should try out?
Jack Ketchum: Stephen King's ON WRITING and DANSE MACABRE. William Goldman's ADVENTURES IN THE SCREEN TRADE. Syd Field's SCREENPLAY.

Todd Keisling: A few come to mind: Stephen King’s On Writing, Anne Lamott’s Bird by Bird, and Ariel Gore’s How to Become a Famous Writer Before You’re Dead.

WELCOME TO THE SPACES IN BETWEEN

FADE IN

FADING OUT

FADE AWAY

Includes:

• The Infrastructure of the Gods by Brian Hodge
• The Writer’s Purgatory by Monique Snyman
• Why Rejection is Still Important by Kevin Lucia
• Real Writers Steal Time by Mercedes M. Yardley
• What Right Do I Have to Write by Jasper Bark
• Go Pace Yourself by Jack Ketchum
• A Little Infusion of Magic by Dave-Brendon de Burgh
• Confronting Your Fears in Fiction by Todd Keisling
• Once More with Feeling by Tim Waggoner
• Embracing Your Inner Shitness by James Everington
• The Forgotten Art of Short Story by Mark Allan Gunnells
• Adventures in Teaching Creative Writing by Lucy A. Snyder
• Submit (to psychology) for Acceptance by Daniel I. Russell
• Character Building by Theresa Derwin
• Heroes and Villains by Paul Kane
• Do Your Worst by Jonathan Winn
• Creating Effective Characters by Hal Bodner
• Fictional Emotions; Emotional Fictions by James Everington
• Home Sweet Home by Ben Eads
• You by Kealan Patrick Burke
• The art of becoming a book reviewer by Nerine Dorman
• Treating Fiction like a Relationship by Jonathan Janz
• How to Write Killer Poetry by Stephanie M. Wytovich
• Happy Little Trees by Michael Knost
• In Lieu of Patience Bring Diversity by Kenneth W. Cain
• Networking is Scary, but Essential by Doug Murano
• Are You In The Mood? by Sheldon Higdon
• What if Every Novel is a Horror Novel? by Steve Diamond
• Description by Patrick Freivald
• A First-time Novelist's Odyssey by William Gorman
• I Am Setting by J.S. Breukelaar
• Finding Your Voice by Lynda E. Rucker

Are you ready to unleash the author in you?

Proudly brought to you by Crystal Lake Publishing – Tales from the Darkest Depths

Interview with the authors:

So what makes Writers on Writing so special?

Stephanie M. Wytovich: I think what makes Writers on Writing a standout craft book is that Crystal Lake Publishing pulled writers from different genres and different mediums to give readers a massive insight into the industry in regards to film, screenwriting, poetry, prose, etc. It’s a meaty collection of advice that speaks to everyone at any point in their career, and I think readers will be wildly excited about the essays inside.

Tell us more about your essay.

Jack Ketchum: Mine's about pacing, crucial to grabbing and holding the reader's attention, and music to the reader's ear. Both, I think, important things to consider.

Kenneth W. Cain: I speak of using diversity in your fiction, of pulling from the known world to create more realistic characters without relying on stereotypes and generalizations. It’s much a reflection of myself, of course, but I fully believe in letting characters breathe, allowing them to become what they will, good or bad, male or female, deviant or prude.