
Tyrant: Shakespeare on Politics
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– Unabridged
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World-renowned Shakespeare scholar Stephen Greenblatt explores the playwright's insight into bad (and often mad) rulers.
As an aging, tenacious Elizabeth I clung to power, a talented playwright probed the social causes, the psychological roots, and the twisted consequences of tyranny. In exploring the psyche (and psychoses) of the likes of Richard III, Macbeth, Lear, Coriolanus, and the societies they rule over, Stephen Greenblatt illuminates the ways in which William Shakespeare delved into the lust for absolute power and the catastrophic consequences of its execution.
Cherished institutions seem fragile, political classes are in disarray, economic misery fuels populist anger, people knowingly accept being lied to, partisan rancor dominates, spectacular indecency rules - these aspects of a society in crisis fascinated Shakespeare and shaped some of his most memorable plays. With uncanny insight, he shone a spotlight on the infantile psychology and unquenchable narcissistic appetites of demagogues - and the cynicism and opportunism of the various enablers and hangers-on who surround them - and imagined how they might be stopped. As Greenblatt shows, Shakespeare's work, in this as in so many other ways, remains vitally relevant today.
- Listening Length5 hours and 26 minutes
- Audible release dateMay 8, 2018
- LanguageEnglish
- ASINB07BDSDV37
- VersionUnabridged
- Program TypeAudiobook
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Product details
Listening Length | 5 hours and 26 minutes |
---|---|
Author | Stephen Greenblatt |
Narrator | Edoardo Ballerini |
Whispersync for Voice | Ready |
Audible.com Release Date | May 08, 2018 |
Publisher | Recorded Books |
Program Type | Audiobook |
Version | Unabridged |
Language | English |
ASIN | B07BDSDV37 |
Best Sellers Rank | #114,307 in Audible Books & Originals (See Top 100 in Audible Books & Originals) #51 in Political Literature Criticism #53 in Fascism (Audible Books & Originals) #194 in Shakespeare Literary Criticism |
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Some other reviews complain that Tyrant is a thinly veiled criticism of Trump and the Trump administration, but that is not because Greenblatt wrote a criticism of Trump and called an examination of Shakespeare. It is because Greenblatt wrote about Shakespeare's criticism of tyrants. If you don't think Trump is a budding tyrant but still see the parallels to tyrannical characters, perhaps you should think about that connection more.
All in all, Tyrant is a very well written work on Shakespeare's characters, plays, and the playwright's exploration of political power and I would recommend it.
In William Shakespeare’s day, it wasn’t safe to disagree with power. Unlike today’s America, with the protections of the First Amendment, his world was governed by the near-absolute power of the monarch, the aging Queen Elizabeth. And speaking ill of the queen led to swift and often deadly punishment. Instead, the Bard through his plays would examine the ways and means of tyranny, delving into the past and into foreign lands to create his voices that could say what could not be said frankly (“Greenblatt is the Harvard Shakespeare expert who co-founded new historicism, the lit-crit practice that seeks to place works in their historical context.”)
In the vein of speaking obliquely, this is Greenblatt’s commentary on Donald Trump, though the president is not named in its pages. Instead, the Tyrant focuses on several of the same that appear in Shakespeare's plays, examining them in their foibles for the causes and results of their tyranny. The book is rooted in an article that Greenblatt wrote for the New York Times in 2016. At a friend’s encouragement, he expanded it to a full book. He focuses his examination on Macbeth, Richard III, Lear, Coriolanus and Leontes from A Winter’s Tale (notably leaving out Claudius, perhaps because he is more well-known than most).
While it is ostensibly a commentary on politics, it does not read like just another piece of political punditry or tribal drivel. On the contrary, Greenblatt makes Shakespeare accessible and, well, interesting, as well as providing principles that can be read and interpreted to apply to almost any power selfish politicians or businessman. Reading it is as enjoyable as watching Shakespeare performed well. As Constance Grady puts it in her review of the book, “There is a certain pleasure to watching Shakespeare’s tyrants work, to watching Richard III brazenly woo Lady Anne over the body of a man he killed or listening to Macbeth’s mournful, poetic speeches.”
Perhaps the biggest observation for me, and where the book most departs from other books that more directly take on Trump, is that Tyrant leaves the reader to make his own observations and conclusions. Here is what a tyrant does; is this what we are living through?
A good if chilling look at how deeply Shakespeare could look into the soul of ANY country and its people.
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