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Under the Volcano: A Novel Paperback – April 10, 2007
Malcolm Lowry (Author) Find all the books, read about the author, and more. See search results for this author |
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"Lowry's masterpiece. . . has a claim to being regarded as one of the ten most consequential works of fiction produced in [the twentieth] century." — Los Angeles Times
Under the Volcano remains one of literature's most powerful and lyrical statements on the human condition, and a brilliant portrayal of one man's constant struggle against the elemental forces that threaten to destroy him.
Geoffrey Firmin, a former British consul, has come to Quauhnahuac, Mexico. His debilitating malaise is drinking, an activity that has overshadowed his life. On the most fateful day of the consul's life—the Day of the Dead—his wife, Yvonne, arrives in Quauhnahuac, inspired by a vision of life together away from Mexico and the circumstances that have driven their relationship to the brink of collapse. She is determined to rescue Firmin and their failing marriage, but her mission is further complicated by the presence of Hugh, the consul's half brother, and Jacques, a childhood friend. The events of this one significant day unfold against an unforgettable backdrop of a Mexico at once magical and diabolical.
- Print length448 pages
- LanguageEnglish
- Publication dateApril 10, 2007
- Dimensions5.31 x 1.01 x 8 inches
- ISBN-100061120154
- ISBN-13978-0061120152
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Editorial Reviews
Review
“One of the towering novels of this century.” — New York Times
“[Lowry’s] masterpiece. . . has a claim to being regarded as one of the ten most consequential works of fiction produced in this century. . . . It reflects the special genius of Lowry, a writer with a poet’s command of the language and a novelist’s capacity to translate autobiographical details into a universal statement.” — Alfred Kazin
From the Back Cover
Geoffrey Firmin, a former British consul, has come to Quauhnahuac, Mexico. His debilitating malaise is drinking, an activity that has overshadowed his life. On the most fateful day of the consul's life—the Day of the Dead, 1938—his wife, Yvonne, arrives in Quauhnahuac, inspired by a vision of life together away from Mexico and the circumstances that have driven their relationship to the brink of collapse. She is determined to rescue Firmin and their failing marriage, but her mission is further complicated by the presence of Hugh, the consul's half brother, and Jacques, a childhood friend. The events of this one significant day unfold against an unforgettable backdrop of a Mexico at once magical and diabolical.
Under the Volcano remains one of literature's most powerful and lyrical statements on the human condition, and a brilliant portrayal of one man's constant struggle against the elemental forces that threaten to destroy him.
About the Author
Malcolm Lowry (1909–1957) was born in England, and he attended Cambridge University. He spent much of his life traveling and lived in Paris, New York, Mexico, Los Angeles, Canada, and Italy, among other places. He is the author of numerous works, including Ultramarine and Hear Us O Lord from Heaven Thy Dwelling Place.
Excerpt. © Reprinted by permission. All rights reserved.
Under the Volcano
By Malcolm LowryHarperCollins Publishers
Copyright ©2007Malcolm LowryAll right reserved.
ISBN: 9780061120152
Chapter One
Two mountain chains traverse the republic roughly from north to south, forming between them a number of valleys and plateaus. Overlooking one of these valleys, which is dominated by two volcanoes, lies, six thousand feet above sea level, the town of Quauhnahuac. It is situated well south of the Tropic of Cancer, to be exact on the nineteenth parallel, in about the same latitude as the Revillagigedo Islands to the west in the Pacific, or very much further west, the southernmost tip of Hawaii-and as the port of Tzucox to the east on the Atlantic seaboard of Yucatan near the border of British Honduras, or very much further east, the town of Juggernaut, in India, on the Bay of Bengal.
The walls of the town, which is built on a hill, are high, the streets and lanes tortuous and broken, the roads winding. A fine American-style highway leads in from the north but is lost in its narrow streets and comes out a goat track. Quauhnahuac possesses eighteen churches and fifty-seven cantinas. It also boasts a golf course and no less than four hundred swimming pools, public and private, filled with the water that ceaselessly pours down from the mountains, and many splendid hotels.
The Hotel Casino de la Selva stands on a slightly higher hill just outside the town, near the railway station. It is built far back from the main highway and surrounded by gardens and terraces which command a spacious view in every direction. Palatial, a certain air of desolate splendour pervades it. For it is no longer a Casino. You may not even dice for drinks in the bar. The ghosts of ruined gamblers haunt it. No one ever seems to swim in the magnificent Olympic pool. The springboards stand empty and mournful. Its jai-alai courts are grass-grown and deserted. Two tennis courts only are kept up in the season.
Towards sunset on the Day of the Dead in November, 1939, two men in white flannels sat on the main terrace of the Casino drinking anis. They had been playing tennis, followed by billiards, and their racquets, rainproofed, screwed in their presses-the doctor's triangular, the other's quadrangular-lay on the parapet before them. As the processions winding from the cemetery down the hillside behind the hotel came closer the plangent sounds of their chanting were borne to the two men; they turned to watch the mourners, a little later to be visible only as the melancholy lights of their candles, circling among the distant, trussed cornstalks. Dr. Arturo Diaz Vigil pushed the bottle of Anis del Mono over to M. Jacques Laruelle, who now was leaning forward intently.
Slightly to the right and below them, below the gigantic red evening, whose reflection bled away in the deserted swimming pools scattered everywhere like so many mirages, lay the peace and sweetness of the town. It seemed peaceful enough from where they were sitting. Only if one listened intently, as M. Laruelle was doing now, could one distinguish a remote confused sound--distinct yet somehow inseparable from the minute murmuring, the tintinnabulation of the mourners-as of singing, rising and failing, and a steady trampiing-the bangs and cries of the fiesta that had been going on all day.
M. Laruelle poured himself another anis. He was drinking am's because it reminded him of absinthe. A deep flush had suffused his face, and his hand trembled slightly over the bottle, from whose label a florid demon brandished a pitchfork at him.
"--I meant to persuade him to go away and get dealcoholise," Dr. Vigil was saying. He stumbled over the word in French and continued in English. "But I was so sick myself that day after the ball that I suffer, physical, really. That is very bad, for we doctors must comport ourselves like apostles. You remember, we played tennis that day too. Well, after I looked the Consul 'in his garden I sended a boy down to see if he would come for a few minutes and knock my door, I would appreciate it to him, if not, please write me a note, if drinking have not killed him already."
M. Laruelle smiled.
"But they have gone," the other went on, "and yes, I think to ask you too that day if you had looked him at his house."
"He was at my house when you telephoned, Arturo."
"Oh, I know, but we got so horrible drunkness that night before, so perfectamente borracho, that it seems to me, the Consul is as sick as I am." Dr. Vigil shook his head. "Sickness is not only in body, but in that part used to be call: soul. Poor your friend, he spend his money on earth in such continuous tragedies."
M. Laruelle finished his drink. He rose and went to the parapet; resting his hands one on each tennis racquet, he gazed down and around him: the abandoned jai-alai courts, their bastions covered with grass, the dead tennis courts, the fountain, quite near in the centre of the hotel avenue, where a cactus farmer had reined up his horse to drink. Two young Americans, a boy and a girl, had started a belated game of ping-pong on the verandah of the annex below. What had happened just a year ago to-day seemed already to belong in a different age. One would have thought the horrors of the present would have swallowed it up like a drop of water. It was not so. Though tragedy was in the process of becoming unreal and meaningless it seemed one was still permitted to remember the days when an individual life held some value and was not a mere misprint in a communique. He lit a cigarette. Far to his left, in the northeast, beyond the valley and the terraced foothills of the Sierra Madre Oriental, the two volcanoes, Popocatepetl and Itaccihuatl, rose clear and magnificent into the sunset. Nearer, perhaps ten miles distant, and on a lower level than the main valley, he made out the village of Tomalin, nestling behind the jungle, from which rose a thin blue scarf of illegal smoke, someone burning wood for carbon. Before him, on the other side of the American highway, spread fields and groves, through which meandered a river, and the Alcpancingo road. The watchtower of a prison rose over a wood between the river and the road which lost itself further on where the purple hills of a Dore Paradise sloped away into the distance. Over in the town the fights of Quauhnahuac's one cinema, built on an incline and standing out sharply, suddenly came on, flickered off, came on again. "No se puede vivir sin amar," Mr. Laruelle said . "As that estupido inscribed on my house."
"Come, amigo, throw away your mind," Dr. Vigil said behind him.
"--But hombre, Yvonne came back! That's whatI shall never understand. She came back to the man!" M. Laruelle returned to the table where he poured himself and drank a glass of Tehuacan mineral water. He said:
"Salud y pesetas."
"Y tiempo Para gastarlas," his friend returned thoughtfully.
M. Laruelle watched the doctor leaning back in the steamer chair, yawning, the handsome, impossibly handsome, dark, imperturbable Mexican face, the kind deep brown eyes, innocent too, like the eyes of those wistful beautiful Oaxaquenan children one saw in Tehuantepec (that ideal spot where the women did the work while the men bathed in the river all day), the slender small hands and delate wrists, upon the back of which it was almost a shock to see the sprinkling of coarse black hair. "I threw away my mind long ago, Arturo," he said in English, withdrawing his cigarette from his mouth with refined nervous fingers on which he was aware he wore too many rings. "What I find more--" M. Laruelle noted the cigarette was out and gave himself another anis.
"Con permiso." Dr. Vigil conjured a flaring lighter out of his...
Continues...
Excerpted from Under the Volcanoby Malcolm Lowry Copyright ©2007 by Malcolm Lowry. Excerpted by permission.
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Product details
- Publisher : Harper Perennial Modern Classics; Reprint edition (April 10, 2007)
- Language : English
- Paperback : 448 pages
- ISBN-10 : 0061120154
- ISBN-13 : 978-0061120152
- Item Weight : 11.8 ounces
- Dimensions : 5.31 x 1.01 x 8 inches
- Best Sellers Rank: #113,398 in Books (See Top 100 in Books)
- #314 in Hispanic American Literature & Fiction
- #2,240 in Contemporary Literature & Fiction
- #4,051 in Classic Literature & Fiction
- Customer Reviews:
About the author

Malcolm Lowry (1909–1957) was a British novelist and poet whose masterpiece Under the Volcano is widely hailed as one of the greatest novels of the twentieth century. Born near Liverpool, England, Lowry grew up in a prominent, wealthy family and chafed under the expectations placed upon him by parents and boarding school. He wrote passionately on the themes of exile and despair, and his own wanderlust and erratic lifestyle made him an icon to later generations of writers.
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Top reviews from the United States
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The writing style is extremely flowery and meandering. Sentences longer than a page are not unusual. Most of the chapters include things actually said by one character to another, unspoken thoughts of a character, flashbacks to things said or thought in the past, and hallucinations. (The main character has an extremely advanced case of alcoholism and hallucinates often.) The author gives the reader little help in distinguishing real life present-time statements and events from hallucinations, flashbacks, etc.
The overall effect is massive confusion for the reader, or at least for me. After reading the first three chapters I was so confused I had to read the Wikipedia article and then start the book again. By the last few chapters I felt I was about 70% successful in distinguishing conversation, flashbacks, thoughts, and hallucinations. I thought about giving up many times, but a grim determination not to be defeated by this crappy book got me to the end.
The other big problem with this book is that, although it is set in Mexico, it is primarily about British people saying British things. The Mexican characters are just background. The main characters act like tourists who don’t know or care much about the country or its people.
I really, really hated this book.
This novel was absolutely astonishing. As soon as I read the last, devastating sentence, I threw it onto my All-Time Favorites List; it landed near the top. Malcolm Lowry may not be considered a modernist writer - I haven’t seen him on any list of modernists - but the stream of consciousness style of writing was on full display, and I was enthralled with it. Geoffrey’s way of thinking, thrashed by the booze and hopelessness, Yvonne’s desire to have a better life with him, and Hugh’s feelings about the situation - all of these were so well crafted. And the descriptions of the locations around Quauhnahuac in the shadow of the volcano were excellent. A tragic, flawless novel. Pathos out the wazoo in this one. Highly recommended.
It's of this place and Fermin's complete capitulation to lost love that that Malcolm Lowry writes about so poetically and so full of vigor, rich in imagery and metaphor that one can spend a perhaps a lifetime dicing and slicing it.
With a plot that is largely revealed in the first chapter one is left with perhaps the greatest prequel ever that focuses on the devastation and total loss that Fermin feels with his wife's departure.
The purpose of continuing despite knowing what happens is the words. Start reading out loud and suddenly the novel takes on a life of his own. If I were teaching an English class I'd have the students read a page each from Fermin's love letter at the end of chapter one. It's a blend of passion, beauty, eloquence and alliteration that is thoroughly original and unique. I will surely read that section over and over. It's more than gorgeous, it's rhapsodic. Who would best stand on a stage and read it as part of bringing this book to life? It's fun to think about.
Chapter after chapter. literally hour by hour, Lowry follows Fermin through a day that's full of crowds, drinking, confusion, misunderstanding, hints of past mistakes and regrets and not a shred of hope for the future. It is unrelenting but so beautifully told and so intense that one may pinch oneself as a reminder that is just a book.
I could go on and on. Certainly it's a book that rewards the patient reader and is not one that lends itself to killing time at an airport but in the right quiet place this is one very special ride. I consider my comments merely a placeholder for surely one must read this book repeatedly. I've read it twice now and many passages repeatedly and it still feels fresh and new.
Top reviews from other countries

I’ve given it 5 stars because I empathise with Lowry the man, the writer and his dogged determination to complete this novel. Watch the documentary. It’s brilliant and beautiful. And you will get a good feeling for the very troubled Lowry. You’ll also here his real voice too, spoken lovingly by Burton. And not the wooden prose voice of a writer trying to ‘be’ a writer.

Under the Volcano is metaphor built on metaphor, where everything has mulitple meanings, depths within depths. The story eventually reaching a crescendo where metaphor and reality meet. This book will stand many readings as there are still themes and threads to the story whose meaning eludes me and yet the parts I do understand mark this book as something truly unique in literature.


Good for those who insist to place Mexico in South America, when they ought to know better than Mexico is totally part of North America by History as well as Geography.

I would add that its structure is also carefully fulfilled. After a brief first chapter, postscript or epilogue, where two subsidiary characters reflect obliquely on the story's events - M.Laruelle providing background on he and Geoffrey Firmin's childhood connection - the novel proceeds with an hour by hour re-telling of the events of that fateful day of days, on Mexico's macabre and vibrant festival Day of The Dead. What's more, within the linear structure of the unfolding day lie delicately chaotic, time-lapsed, dazed spells and passages, evoking the drunken haze and mescal miasma engulfing the protagonist's mindset. It disorientates in an analogous way.
That said, I have a couple of criticisms. It's never evident exactly what caused such dramatic, undying love and affection in the heart of Yvonnne, Geoffrey Firmin's moonstruck ex-wife, who returns on the scene to salvage him/their relationship, though he remains, presumably, as ever before, an inveterate, self-absorbed, determined drunk. She's a bit of a sap.
And Firmin himself, I have to confess, is rather dull, rather self-serious, with a tedious habit of academic posing. The classic and literary references that abound, however apt, to me, often distract, hinder momentum. Perhaps this weakness for high brow allusion is something in the blood of the author.
On the whole though, an impressive novel, at turns vital, disturbing, frustrating and devastating.