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Unfortunate Elements of My Anatomy Kindle Edition
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The universe unwinds to the tune of a malicious ice cream truck jingle in “We All Scream”. “The Law of Conservation of Death” dictates that a ghost pursue his prey across her every reincarnation. Superstitions thrive even in the distant future and across the stars when a colony shuttle mounts a witch trial in “Hairy Jack”. And try to “Forgive the Adoring Beast” as it scavenges a world of dead gods for tokens of bloody affection.
Including two new short stories and a never-before-published novelette, Unfortunate Elements of My Anatomy digs deep inside us and clings to the beating nightmare heart you always knew was there.
- LanguageEnglish
- Publication dateMay 7, 2021
- File size2172 KB
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Editorial Reviews
Review
"A veritable banquet" - Cemetery Gates Media
"Bold, thoughtful, and beautifully written" - The Future Fire
Product details
- ASIN : B08SHKF53B
- Publisher : The Seventh Terrace (May 7, 2021)
- Publication date : May 7, 2021
- Language : English
- File size : 2172 KB
- Simultaneous device usage : Unlimited
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 256 pages
- Page numbers source ISBN : 1990082017
- Best Sellers Rank: #605,377 in Kindle Store (See Top 100 in Kindle Store)
- #132 in LGBTQ+ Horror Fiction (Books)
- #159 in LGBTQ+ Horror eBooks
- #3,122 in Lesbian Fiction
- Customer Reviews:
About the author

Hailey Piper is the Bram Stoker Award-winning author of Queen of Teeth, No Gods for Drowning, The Worm and His Kings, Your Mind Is a Terrible Thing, Unfortunate Elements of My Anatomy, Benny Rose the Cannibal King, and The Possession of Natalie Glasgow. She is an active member of the Horror Writers Assocation, with dozens of short stories appearing in Pseudopod, Vastarien, Dark Matter Magazine, Daily Science Fiction, Cosmic Horror Monthly, and other publications. An avid reader and lifelong Godzilla fangirl, she lives with her wife in Maryland conducting secret mad science experiments.
Find Hailey at www.haileypiper.com or follow her on Twitter via @HaileyPiperSays.
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Reviewed in the United States on May 16, 2021
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Some stories give us a satisfying resolution to those unwanted advances that men make on women who are just minding their own business. There’s a fascinating tale of reincarnation and ghosts and the lengths a person might go to in order to escape the attentions of a man. There’s a Halloween-night exorcism that doesn’t go as expected, and it’s an excellent, funny, creative story.
In another tale, a woman determines to rid her two girlfriends of their obnoxious boyfriends–for good–and finds a fascinating magical means by which to do so. This one has unexpected consequences! There’s a strange tale of (aliens? cosmic horror creatures?) who are known simply as “aristocrats.” They find particular young women to be very sweet, and society has evolved in unique ways to support them.
There’s a young person who takes a remarkable set of steps in order to escape the coming fate of the world, attempting ancient magics to bring a creature of Faerie who will take her away. In another tale, young Miguel loves Omar, who is unfortunately straight. When several young men are lured by a mysterious woman beneath the light of the moon, Miguel is the only one who sees what’s coming.
A rather fascinating tale called “Seven Signs He Doesn’t Love You” has section headings like “he didn’t even ask” and “it’s not your imagination.” The ending didn’t quite work for me, but the tale in general shows how important it is for people to watch for the red flags that maybe their significant other doesn’t exactly care for them. Another story shows us a world in which many women are witches, and they are imprisoned for “rehabilitation.” A horror/sci-fi story called “Hairy Jack” takes place on a colony ship, at a time when a woman is found guilty of witchcraft and the witch-hunters plan to space her from an airlock once they find her black dog.
One odd and fun tale has a dog for a main character–Daisy–who is being chased by a vicious boy. In another story, a deaf woman realizes that her hearing daughter has listened to an old and seemingly cursed cassette tape, and she’ll do anything to save her child.
A strange story involving an “ice cream man” who really isn’t what he seems, and a young trans woman who’s unceremoniously told she should use the men’s bathroom. I don’t really know exactly what happened, but it was fascinating, and made me not want to eat any ice cream! Another story with a trans man as the main character sees him getting involved with the “Horned Brotherhood.” Their espoused desire to embody some sort of primal image of man appeals to him, and their automatic acceptance of him feels good. But of course, they’re up to something down in the basement.
There are a couple of other stories with some humorous elements to them, such as a witch who keeps killing a “devourer of species” who’s obsessed with her, and in another story, a woman who’s fleeing someone (clowns are involved).
The best story in here, bar none, is the final one–“Recitation of a First Feeding.” Alex is haunted by a ghost girl who does things like stealing his sisters’ makeup, and his parents don’t believe him. He decides to make use of one of his grandma’s unusual stories and summons the Culinary Court. They can eat anything–emotions, memories, personality traits. But once you start feeding them, you can’t stop, lest they make you their final course. It’s like a story of the Fey with their complex rules, crossed with cosmic horror. It’s an amazing blend that I can’t get enough of!
The only even tiny sliver of not-perfectness that I experienced was the couple of stories where I didn’t quite get the ending. Overall it’s a brilliant collection with a particular eye toward the inner experiences of trans people.
Content note: mutilation, skinning, body horror, mild gore. Also, characters coming to grips with their own gender identity.
With Unfortunate Elements of My Anatmy, I went into it knowing my track record with these sorts of collections, and decided to go for it anyway - and I'm so glad I did. This is such a varied collection of stories, with 18 in total making up the full book. Many of the stories here deal with themes of identity, queerness, and sexuality, and Hailey doesn't shy away from the use of body horror to achieve some incredibly intense and horrifying visuals with her writing on these themes - truly, some of these things will stick with me forever, I'm sure.
The range in this collection & in Hailey's writing is unbelievable; I'm honestly convinced that she can do no wrong at this point - her talent is unmatched. She has a unique perspective and a unique mind, and she blends them together with this natural sort of otherworldly, terrifying brilliance that blows me away every time I read anything new she's written.
This is an incredible collection, one you won't want to miss! If you're already a fan of Hailey, this will not disappoint at all. If you're new to her work, this is a great variety of stories to introduce you to her powerful written voice.
Top reviews from other countries

‘The Law of Conservation of Death’ also has a serious issue at its core, with the added speculative element. On the surface, we have a woman who recalls each of her past lives, and how she met her end in each, at the hands of a man who, in her first incarnation, was a partner. But it is soon made clear that he saw her as little more than a possession for him to toy with, and not even death should stand in his way. The multiple reincarnations make for chilling reading as the hunter inevitably finds his prey, whether it is while she is young, or if it takes a lifetime. Time has no meaning when you can recall everything that has gone before. While it makes for difficult reading, Piper does a wonderful job of letting the story play out to a fulfilling conclusion.
A summoning gone wrong sets the stage for ‘Demons of Particular Taste’, when Lin relies on her girlfriend Kristie to cast the invading demon out with an exorcism. But relationships meant for two rarely work out when there is a third wheel, and the subjects in this story are no exception when the truth of the ritual becomes clear. One of the shorter pieces in the collection, it still packs a punch thanks to Piper’s seemingly effortless storytelling style, while also showcasing some of her humour.
‘I’m Not a Chainsaw Kind of Girl, But …’ is one hell of a title, and the story more than lives up to it. Another story tinged with humour, thanks to the narration by Zoe, this one takes place one night when she is together with her two best friends and their idiotic and misogynistic boyfriends. Determined to make her friends see the error of their ways, Zoe employs a magical melody that she can play on her grand piano, something she discovered in a book of the occult, something she doesn’t truly understand. Blending elements of hardcore horror, cosmic horror and a wonderful narrator, Piper delivers a fantastic and fast-paced story.
A disturbing mix of fairy-tale and possessiveness, ‘Candyland’ makes for an intriguing read. Set in an alternate reality where teenagers compete for the attention of beautiful alien visitors, this story examines the idea of popularity, and what some may give to achieve it. While these aliens are treated like royalty (they essentially pay the family of their “chosen” consort a dowry), the small group of friends to which Catherine belongs will do anything to win their favour. She tries to downplay it but, secretly, she longs to be the chosen one, before she reaches maturity and is no longer deemed worthy of the aliens. Piper explores the dynamics of friendship and worship and the horrors both hold within. It seems that no subject is beyond her reach when it comes to unearthing the horror beneath.
With elements of fantasy and horror, ‘Elf-Bride’ tells the story of a young Scottish girl, soon to be a woman, obsessed with the notion of marrying an elf. She researches the rituals needed to open a door to the land of Faerie, where the elves are said to reside, and enlists the help of her ‘girls’, be they sisters or friends is not clear. What becomes clear, through the telling of the story, is just how far Aileen will go to get what she wants. The voice of the narrator dons an appropriately—and convincingly—Scottish lilt (and this reviewer ought to know) which lulls the reader along in this tale of what could be conceived as a young girl’s fanciful game. That is, until the chilling finale. Everything, from the setting to the narrator to the ritual, comes together to deliver a quick and entertaining tale.
A love triangle takes centre stage in ‘Aggressive Mimicry’, where Miguel watches the object of his affection, Omar, pursue women in their social group, but also feels Omar is giving him mixed signals about his own intentions toward Miguel. When Omar claims to know where a beautiful woman skinny-dips, he proposes their group of male friends try to find her. This tale feels very much like a modern version of the siren story, a mysterious and beautiful creature luring men to their deaths, men who follow their urges instead of using their brains. If only Omar had been honest with Miguel about how he felt, things could have ended differently.
In ‘Seven Signs He Doesn’t Love You’, the unnamed protagonist comes home from a hard shift at the hospital to find that her boyfriend, Donnie, has booked them a two-week holiday to the tropical island of Keso. Out of season and subject to stormy weather, there is little for the couple to do. But Donnie seems right at home, getting cosy with a local girl. There is something supernatural and creepy going on on the island, with its so-called guardian statues, but the main crux of the story, as hinted at by the title, is the growing strain on their relationship. For every sign, there is another sinister and stressful crack in their romance, leading the protagonist to take refuge in the embrace of another, but not in the way you may think.
In an alternate version of present day where witchcraft is real and feared by those in power, ‘Crones in Their Larval State’ sees Carol visiting her daughter in a detention centre meant for those accused of practicing witchcraft. It details a very difficult relationship between mother and daughter, taking to extreme the relatable story about trouble faced by women who feel their daughters don’t listen, and girls who feel their mothers don’t understand. It is a fantastic allegory, and an exciting premise that, much like most of the stories in this collection, would make for a great novella or novel, in the hands of a gifted storyteller like Piper.
Continuing the witchcraft theme, but moving the setting far into the future and far from Earth, ‘Hairy Jack’ examines the politics of a patriarchy that uses accusations of witchcraft to keep the female members of the ship’s population in line. But when they choose the wrong woman to target, the eponymous Hairy Jack, a large black dog (employed here as a familiar), is set loose on the ship and those men, and those who would stand idly by, pay the price. A fine example of a futuristic witchcraft story (not sure that sentence has been used a lot before) and further evidence of Piper’s ability to blend all manner of stories together to create something exciting and unique.
‘Daisy’ is the name of the main character in this particular tale, a young Labrador when she first meets a young boy, one of those children who can’t help but grab at dogs despite whatever harm he may do. Daisy doesn’t forget the boy, and the cruelty she senses in him, meeting him again when he is a young man. She leads him away from the town and toward her true owner. One of the shorter stories, to say any more would give too much away. But Piper does an excellent job of conveying so much in such a small space, and tying together threads from the past of the story’s beginning, to its end. A delightfully creepy finale.
When Beatrice discovers her mother’s old Walkman in ‘The Umbilical Chord’, the infernal music has an unusual and horrific effect on the girl. Something her mother has seen in the past. As the mother narrates the story, addressing her sister throughout, the full extent of the horror wrought by the tape in the Walkman gradually becomes clearer, until the bloody and emotional ending. A story dripping with equal quantities blood and regret, it is paced wonderfully well and told with the author’s unique style.
‘We All Scream’ features Shareen, a transgender girl faced with the daunting task of using a public restroom. Most of us won’t know the terror that can come with this situation, especially once we know something of the intolerant history that Shareen has faced at the hands of her own family. Neither will we know of the terror of a creepy ice cream vendor sliding in through the open restroom window and forcefully insisting we eat ice cream while he watches. It may sound strange, and possibly could have taken the story in a more bizarro, light hearted direction. But, given the sinister comments made by the vendor, and him knowing details about Shareen she hasn’t shared with him, the story turns out quite chilling (Pun not intended; who knew ice cream could be so terrifying?).
‘The Burning of the Blueberries’ sees Gabriel celebrating his twenty-first birthday alone in a dive bar, before he is approached by the affable Marty and given the opportunity to visit the exclusive Horned Brotherhood, on the face of it a gentleman’s club, but more likely a secret society. Women only ever enter the club to fulfil the desires of a member. But, when Gabriel witnesses a woman being escorted from the basement, he can’t help but investigate, even as he is trying so hard to fit in, to be one of the lads. He discovers an inner circle, a terrible ritual, and a crime against mother nature. A story that shows that, most of the time, there is nothing more evil than men who crave power and will do whatever it takes to grab it.
‘Jormungandr’s Dance’ sees the aftermath of a young couple’s argument play out against the backdrop of an attack on the city by giant, worm-like creatures. The two incidents seem unconnected although, as we see toward the end of the story, there may be a specific reason why these worms, and the individual ‘particles’ that form them, come into being. Grief is a powerful emotion and perhaps the overall emotional wellbeing of the universe is finely balanced so that, too much sadness could push it over the edge, and cause the cataclysmic events of the story.
An unusual love story, ‘Forgive the Adoring Beast’ is told from the point of view of a mythical beast that finds itself drawn to a witch in the woods, even as she kills it over and over again. But it only wishes to serve the witch, leading her to embrace the creature, but in a most unusual way, to make something even better. A meditation on love and what some will do to please those they adore.
‘Among the Creatures of the Night’ finds Melanie running from a too-insistent admirer who had taken to bothering her at the café in which she worked, never taking ‘no’ for an answer. The story is all too familiar to many women, having to deal with the unwanted advances of entitled men too used to getting their own way. It doesn’t help Melanie’s situation that many of her co-workers encouraged his behaviour. Piper uses her artistic licence to paint the pursuing admirer as something supernatural, so too the co-workers who accompany him, that she describes as ‘she-clowns’ so heavy-handed they have been with the make-up. But it makes for a creepy visual, and a captivating story.
‘Recitation of the First Feeding’ is a tremendous story to end the collection on, as we are introduced to Alex, a young boy ‘haunted’ by a ghost girl who he believes steals his younger sister’s dolls and hides them in his room, steals his mother’s cosmetics and does the same, leaving him to take the blame. The truth is much more complicated than that and, without understanding parents to offer love, like they are supposed to, Alex doesn’t realise the truth until he is much older. Until he has made the acquaintance of the frightening Culinary Court, a group of demons who, once summoned, can devour anything offered, even memories. A tale about identity and coming to terms with one’s own skin, with added demons and ghastly descriptions, Piper delivers a wonderful and, at times, heart-breaking story as only she can.
Eighteen stories, each one comprised of different characters, settings, time periods. But they all have one thing in common; they are all written by an author who, whether born with it or through hard work, has an exceptional command of her craft. Every word, every sentence, every paragraph, serves the story. Most of the stories hold a kernel of truth, born in the intolerance and hatred of self-serving and controlling men, that hints at a past of bigoted and despicable behaviour experienced by the author. That she has navigated those troubled waters to find a home in horror, and deliver such consistently fantastic fiction, is something for which readers ought to be grateful. Hailey Piper is an incredible storyteller with an unflinching and captivating style, and her star continues to shine brighter with every publication. Reading her work is as rewarding as it is entertaining.

So I figured, this month being Pride month, and this book having lots of LGBTQ+ characters throughout, it would be a good addition to the blog. I’ve reviewed other Hailey Piper titles on the blog before throughout the year, and she’s definitely one of the most skilled authors I’ve read recently so I wanted to give her a little bit of a shout out and encourage those of you who may not have previously read her work, to maybe pick something up. So have a scoot through the blog if this one doesn’t sound like it’s for you and see if others might be.
What I love about Hailey’s characters is that they are all well fleshed out, they all have their own personalities and their own backgrounds. She has a nice range of both characters and writing skill, so I always enjoy her work.
When I picked this one up, I was unsure what to expect but I knew it was going to be well written because I’m familiar with the author. A few pages in and suddenly I was half way through the book and had shirked all responsibility for the day. I found myself promising to stop after this story, after the next story and the pages just kept turning.
Each time I thought I’d found a favourite story, the next one hooked me and I was falling in love with that one, it’s been very difficult to choose a selection of stories to talk about for that reason. I have, however, chosen some to talk about and this does not by any means suggest that I didn’t enjoy others, there’s no stories in this book that I didn’t like,0 but I just really loved these ones;
Seven Signs he Doesn’t Love You
I liked the imagery in this story, it felt like I could have been there, walking alongside the narrator as she told her tale. This is something which Piper is very good at, setting scenes and letting you walk amongst them as her stories unfold. This one is about a couple who go on holiday, but it’s not quite right, there are things amiss from the very beginning and the narrator walks us through them as she becomes more and more uneasy as the events unfold.
The Umbilical Chord
This one I enjoyed because I’ve never read anything else like it, it’s very original and once again the imagery was fantastic. Very often even with original stories you can see where the inspiration might have come from but this one definitely didn’t seem like any other book or film I’ve experienced. I very much enjoyed this one from a completely fresh perspective.
We All Scream
This story really grabbed me, I very much enjoy when short stories read like urban legends or campfire stories, it has a kind of nostalgia to it for me because being the youngest on my Mother’s side of the family (all of which live in the city I grew up in – or close to it) I spent a lot of time being told scary stories designed to frighten me. I think this is a big part of why I’m such a fan of horror now. This captured the essence of those stories and I really enjoyed the vibe of it. It also touches on an issue which I have seen raised a fair bit online over the last couple of years which is the trans bathroom question. The story opens as the main character, Shareen, is trying to go into the toilets in a shopping centre and is questioned about her use of the ladies’ room (more on this in a minute).
The Burning of the Blueberries
I think this one has to be my favourite of the book, throughout my reading experience these were all going to be picked as a favourite but each time I turned a page something else took that spot. After I finished reading this was the one which stuck the most strongly in my mind. The imagery of this story, the way it was told and the pacing of it just really worked well for me. I also like the way that the character’s feelings are brought across and we slowly learn more about him as we read.
Now, just because I’ve chosen these stories, again, doesn’t mean I didn’t enjoy the others. I very much did enjoy all of the stories in the book and more than that, I enjoyed the characters. There’s no joy in being stuck in the realm of characters you don’t like or don’t want to read about, and I’m pleased to say I haven’t read a single Hailey Piper book that did provide those hateful characters.
One thing I really love about Piper’s work, is the representation she includes. Given that Piper does identify as part of the LBGTQ+ it probably wouldn’t surprise you that she is very, very good at writing characters who do also, but this is a skill that others don’t quite have down yet. Piper writes people, all of her characters are woven with a kind of love and skill that not everyone can do, and her characters have real life behind them. Each of these stories has flesh and blood characters that really come into their own and that’s a really important factor in writing, at least for me. Now, I’m not saying that she only writes LGBTQ+ characters, that’s just not true at all. Piper has a broad spectrum of characters with all their own personalities, sexual appetites and more but when she writes her characters not a single one feels like a tick in a box. That’s important to me when I’m reading because box ticking is possibly the most obvious thing you can do and it can easily bring me out of a story, certainly there are very flamboyant people in the gay community just like there are very overly masculine stereotypes in the straight community but in literature too much of that comes off as “hey look I’ve got a gay character in this, aren’t I brave?”.
Bottom line? Hailey writes LGBTQ+ Characters like it’s normal, because it is. Her characters just happen to be gay, or trans etc, but they’re real people with real hobbies and likes and dislikes. They think and they feel and they’re as far from a tick in the box as you can get. This is representation done right.