Other Sellers on Amazon
+ $3.99 shipping
92% positive over last 12 months
Usually ships within 4 to 5 days.
+ $3.99 shipping
86% positive over last 12 months
Usually ships within 2 to 3 days.

Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required. Learn more
Read instantly on your browser with Kindle Cloud Reader.
Using your mobile phone camera - scan the code below and download the Kindle app.


Vanishing Act (Jane Whitefield) Mass Market Paperback – March 2, 1996
Thomas Perry (Author) Find all the books, read about the author, and more. See search results for this author |
Price | New from | Used from |
Audible Audiobook, Unabridged
"Please retry" |
$0.00
| Free with your Audible trial |
Audio CD, Audiobook, CD, Unabridged
"Please retry" | $34.99 | $25.59 |
- Kindle
$3.99 Read with Our Free App -
Audiobook
$0.00 Free with your Audible trial - Hardcover
$18.55 - Paperback
from $28.95 - Mass Market Paperback
$7.99 - Audio CD
$34.99
Enhance your purchase
Jane Whitefield is a Native American guide who leads people out of the wilderness—not the tree-filled variety but the kind created by enemies who want you dead. She is in the one-woman business of helping the desperate disappear. Thanks to her membership in the Wolf Clan of the Seneca tribe, she can fool any pursuer, cover any trail, and then provide her clients with new identities, complete with authentic paperwork. Jane knows all the tricks, ancient and modern; in fact, she has invented several of them herself.
So she is only mildly surprised to find an intruder waiting for her when she returns home one day. An ex-cop suspected of embezzling, John Felker wants Jane to do for him what she did for his buddy Harry Kemple: make him vanish. But as Jane opens a door out of the world for Felker, she walks into a trap that will take all her heritage and cunning to escape. . . .
Praise for Vanishing Act
“Thomas Perry keeps pulling fresh ideas and original characters out of thin air. The strong-willed heroine he introduces in Vanishing Act rates as one of his most singular creations.”—The New York Times Book Review
“One thriller that must be read. . . . Perry has created his most complex and compelling protagonist.”—San Francisco Examiner
- Print length368 pages
- LanguageEnglish
- PublisherFawcett
- Publication dateMarch 2, 1996
- Dimensions4.3 x 1 x 6.74 inches
- ISBN-100804113874
- ISBN-13978-0804113878
"Don't Forget Dexter! (Dexter T. Rexter)" by Lindsay Ward
Introducing Dexter T. Rexter, the toughest, coolest dinosaur ever. At least he likes to think so. | Learn more
Frequently bought together
- +
- +
Customers who viewed this item also viewed
Editorial Reviews
From the Publisher
From the Inside Flap
--The New York Times
Jane Whitefield is a Native American guide who leads people out of the wilderness--not the tree-filled variety but the kind created by enemies who want you dead. She is in the one-woman business of helping the desperate disappear. Thanks to her membership in the Wolf Clan of the Seneca tribe, she can fool any pursuer, cover any trail, and then provide her clients with new identities, complete with authentic paperwork. Jane knows all the tricks, ancient and modern; in fact, she has invented several of them herself.
So she is only mildly surprised to find an intruder waiting for her when she returns home one day. An ex-cop suspected of embezzling, John Felker wants Jane to do for him what she did for his buddy Harry Kemple: make him vanish. But as Jane opens a door out of the world for Felker, she walks into a trap that will take all her heritage and cunning to escape....
"Thomas Perry keeps pulling fresh ideas and original characters out of thin air. The strong-willed heroine he introduces in Vanishing Act rates as one of his most singular creations."
--The New York Times Book Review
ONE THRILLER THAT MUST BE READ . . . .Perry has created his most complex and compelling protagonist."
--San Francisco Examiner
From the Back Cover
--The New York Times
Jane Whitefield is a Native American guide who leads people out of the wilderness--not the tree-filled variety but the kind created by enemies who want you dead. She is in the one-woman business of helping the desperate disappear. Thanks to her membership in the Wolf Clan of the Seneca tribe, she can fool any pursuer, cover any trail, and then provide her clients with new identities, complete with authentic paperwork. Jane knows all the tricks, ancient and modern; in fact, she has invented several of them herself.
So she is only mildly surprised to find an intruder waiting for her when she returns home one day. An ex-cop suspected of embezzling, John Felker wants Jane to do for him what she did for his buddy Harry Kemple: make him vanish. But as Jane opens a door out of the world for Felker, she walks into a trap that will take all her heritage and cunning to escape....
"Thomas Perry keeps pulling fresh ideas and original characters out of thin air. The strong-willed heroine he introduces in Vanishing Act rates as one of his most singular creations."
--The New York Times Book Review
ONE THRILLER THAT MUST BE READ . . . .Perry has created his most complex and compelling protagonist."
--San Francisco Examiner
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Here she was getting off an airplane, so how could anybody not know where she was heading now? He could have just strolled straight to the baggage-claim area and waited for her there, but this one was worth serious money, so he had decided not to be lazy about it. He was a hundred feet ahead of her on the moving walkway, so he felt confident enough to look back.
She looked like a French model—or maybe Italian—chestnut hair, tall and slender, with legs that seemed longer than they really were because the leather skirt was shorter than it should have been. A lot of times they were like this. They didn’t have any idea of how to be inconspicuous. He only did rich women. Their husbands or whatever they called themselves were the only ones who had Killigan’s fee. The average guy who had this kind of problem would try to take care of it himself, but not just because of the number of dollars. He would do it because he couldn’t conceive of hiring somebody else to bring his woman back for him. He wouldn’t want anybody to know about it. But these rich guys were brought up with it. People washed their underwear for them and emptied the wastebasket where they threw their used rubbers. A lot of times the men were older—too old to do what had to be done.
Killigan’s peripheral vision caught the woman turning away from him again to look back for her imaginary pursuers. He turned his head to watch. She had to bend a little at the hips to lean over the railing and stretch her neck to see around the bunch of Wichita Chamber of Commerce types who had stopped behind her. He couldn’t help noticing the skirt again. That was typical. They would run away from home dressed like they wanted to be noticed, either because they didn’t own a dress that cost less than a used car or because they didn’t know there was such a thing. His eyes lingered on the shiny leather stretched across her buttocks. It was a long time on the road from Los Angeles to Indiana. Once he had her in the van, anything might happen. Women sometimes considered all kinds of options if they wanted out bad enough.
As though she had somehow heard what he was thinking, her back seemed to give a shiver, and he barely managed to turn his head away from her in time.
Killigan stepped off the conveyor and headed for the row of public telephones along the wall, to give her time to get past him. She came within four or five feet of him as she passed the telephones, and he caught a scent of her perfume, a slight change that made the air taste like a spice. He was busy wondering what that stuff cost when she turned the wrong way. “Oh shit,” he said into the telephone. “Coitus interruptus.” He was getting all geared up for it, and she was…of course. He caught sight of her walking into the ladies’ room.
Killigan hung the telephone on its hook and walked to the other side of the terminal so he would be behind her when she got around to coming out.
The woman emerged after a few minutes, and he almost felt sorry for her. She had put on sunglasses and a short jacket and a long blond wig to cover the dark hair, but she was carrying the same handmade leather flight bag that matched the leather skirt. He could even detect a fresh drop or two of perfume. The only person who wouldn’t recognize her was somebody who wasn’t looking for her at all. Those long legs in those dark stockings: If she’d had any sense at all, that was what she would have covered.
Killigan waited while she put a good two hundred feet between them before he started toward the baggage area. He could feel the universe rolling along smoothly now, the way it was supposed to. That had just been a little bump in the pavement. She was watching for her luggage, staring down at the metal track that wound around the waiting area. It was all a question of timing now.
He saw her spot her suitcase. She watched it all the way from the moment it brushed in through the weather flaps and went around the track; then he saw her lean forward and strain to drag and bump it over the rim onto the floor. It made her seem more vulnerable and ripe to watch her balance on the toes of those high-heeled shoes and do that. There wasn’t a lot of strength in those arms.
Killigan waited until she had hauled it to the door and shown the security woman her ticket with the stub stapled to it that matched the one on the suitcase. Then the door opened and she stepped out onto the sidewalk with Killigan at her elbow. At the curb she stopped and looked to the left to find a taxi, and Killigan moved in.
He flashed his identification wallet in her face as he said, “Come with me, please, Mrs. Eckerly,” clutched her arm, and pulled her along with him, so there was never a second for her to think.
She tried to dig in her heels, but he knew exactly the way they reacted, so he gave her a first taste of it. He bent her wrist down enough so she knew it would break if she didn’t come, and jerked her along more quickly. It wasn’t just the pain that worked on them, it was the fact that he knew how to inflict it so easily. It proved to something deep inside them that he represented genuine authority—cops and law and government and, even more, all the massed force that made people do what they were supposed to do.
He hustled her across the street in the crosswalk, not even waiting for the light to change, just holding up a hand and counting on the drivers’ reflexes. He knew that, too, would help. And then he had her inside the big concrete parking structure and he was already feeling relief, because he was through the hard part, where real airport cops might be loitering and where, if she screamed and ran, it might be hard to subdue her without attracting some man he couldn’t scare off by flashing an imitation-leather wallet with his license on one side and a business card with a picture of an eagle on the other.
He had parked the van on the first floor, just about twenty feet from the exit. To get that space he’d had to be here early and hang around all evening, but it was paying off now. She was already to the back door before she said, “Wait, you’re making a mistake. Don’t do this.” She never pulled herself together enough to look up at him.
It was exactly what they always said, but it was a little disconcerting, because usually they tried to use their faces—the tiny quiver in the lips, the big wet eyes. And there wasn’t that little sob in her voice. It was like a whisper in the big concrete place, and it went right through him. He couldn’t let up for a second, he knew. “No mistake, Mrs. Eckerly. There’s a legal complaint, and you’ll have to go back and clear that up. Face the van, please.” He had hoped to do this after she was inside, because the sight of the handcuffs sometimes made them panicky, but he had a feeling about this one. He slipped the cuffs off his belt and turned her away from him. As he pulled her left arm around behind her, it came too quickly.
He pulled harder, but that didn’t seem to help. He had been keeping her off balance, trying not to give her a chance to think, but she had been waiting for him to have to use one hand to get the cuffs. She stomped on his instep, turned with him, and brought her elbow up against the bridge of his nose. He heard the bone break and felt the warm blood streaming out of his nostrils into his mouth. He knew he was in trouble, because of the pain and the slowness. And something bad had happened to the bones in his foot. He stepped back to try to get time working with him again, but his toes didn’t want to hold him, so he had to rock back on his heel and use his other foot for balance. He was angry, maddened with pain. He was going to make her hurt just as much. In a second she would turn to run, and he would be on her. He pushed off to get started.
The woman didn’t turn, and she didn’t run. She drifted toward him, and he sensed what she had in mind. She was winding up for a kick in the groin. They always taught women that in those self-defense classes. He bent his body and held his hands low to grip her leg when she did it.
Don't have a Kindle? Get your Kindle here, or download a FREE Kindle Reading App.
Product details
- Publisher : Fawcett (March 2, 1996)
- Language : English
- Mass Market Paperback : 368 pages
- ISBN-10 : 0804113874
- ISBN-13 : 978-0804113878
- Item Weight : 6.6 ounces
- Dimensions : 4.3 x 1 x 6.74 inches
- Best Sellers Rank: #49,413 in Books (See Top 100 in Books)
- #309 in Native American Literature (Books)
- #1,097 in Contemporary Literature & Fiction
- #1,741 in Psychological Fiction (Books)
- Customer Reviews:
About the author

THOMAS PERRY is the author of 23 novels including the Jane Whitefield series (Vanishing Act, Dance for the Dead, Shadow Woman, The Face Changers, Blood Money, Runner, Poison Flower, and A String of Beads), Death Benefits, and Pursuit, the first recipient of the Gumshoe Award for best novel. He won the Edgar for The Butcher's Boy, and Metzger's Dog was a New York Times Notable Book. The Independent Mystery Bookseller's Association included Vanishing Act in its "100 Favorite Mysteries of the 20th Century," and Nightlife was a New York Times bestseller. Metzger's Dog was voted one of NPR's 100 Killer Thrillers--Best Thrillers Ever.
Thomas Perry was born in Tonawanda, New York in 1947. He received a B.A. from Cornell University in 1969 and a Ph.D. in English from the University of Rochester in 1974. He has worked as a park maintenance man, factory laborer, commercial fisherman, university administrator and teacher, and a writer and producer of prime time network television shows. He lives in Southern California. His website: www.thomasperryauthor.com
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonTop reviews from the United States
There was a problem filtering reviews right now. Please try again later.
This is a must read for fans - this introduces the reader to key characters that will come up in the coming novels.
I like Perry's simplicity - he doesn't over complicate his writing.
5 stars for me - I read these books awhile ago, but never read this one. Glad I did - recommen.
Reading some of the 1 & 2 star reviews it appears that some had trouble with the volume of Native American lore that sometimes seems intrusive and derails the narrative. I can't completely disagree but found it was interesting more often than not rather than a distraction. Clearly Jane's Native American heritage is a key part of her character and it's going to play a role in the following 7 books in the series so if it's not your thing probably best to read elsewhere. I know going in if I read a Tony Hillerman mystery it's going to include Native American lore and spiritualism as part of the story. Also Craig Johnson's popular "Longmire" series includes plenty of Indian legend and Sherrif Walt Longmire (a white guy) frequently communes with the spirit world (more than Jane does when she's 'visited' by her dead mother and father).
The pacing and frequent travel of characters reminded me of early Robert Ludlum thrillers which keeps the reader on their toes and helps to keep you from getting too comfortable with what's happening. There are a few errors that Jane makes that seem dubious for a 'professional' of her experience that will induce some eye rolling. Once in awhile Perry stumbles and thing's are confusing for a page or two but quickly sort themselves out. In summary "Vanishing Act" is a great freshman effort with a strong, appealing heroine and I've already ordered the next two books in the series.
Top reviews from other countries

Le présent commentaire est en trois parties :
- un résumé du livre,
- quelques critiques sur le livre et le style,
- une petite réflexion sur l'auteur et son oeuvre.
En résumé : Jane Whitefield est à demi-indienne par son père Senequa, et elle a le talent de faire disparaître les gens et leurs traces. Que vous soyez poursuivi par la mafia, le fisc ou un mari violent, elle vous fera voyager à travers les Etats-Unis, vous fera changer d'identité et vous donnera une vie toute neuve. Il y a 7 livres de ses aventures, et Vanishing Act est le premier - un des meilleurs sinon LE meilleur. Jane y aide un ancien flic à disparaître, à la dure car ils ont à leurs trousses des poursuivants déterminés et implacables.
Le talent de Thomas Perry est de nous livrer un ouvrage teigneux, au rythme trépidant et passionnant, dans un style très dense en informations et pourtant jamais ennuyeux - cela tient de l'exploit. On a "l'identité littéraire" de Perry en entier et authentique : mécanique de précision de l'histoire, détail des situations, des villes, des métiers, historique et psychologie complets des personnages, etc. sans rien oublier, style clinique typique de l'auteur.
On apprend énormément de choses sur le comportement des fuyards et de leurs poursuivants, sur les trucs de traque et les moyens de les déjouer, les identités, leur traçage, leur falsification, etc. Une partie de ces informations est romancée voire totalement fictive, mais à moins d'être spécialiste (auquel cas, ce livre vous ennuiera) très difficile d'en voir les coutures et les ficelles "techniques" - sauf certaines facilités de scénario qui font passer l'héroïne pour une amatrice, mais sans lesquelles l'histoire perdrait son but : créer un rebondissement majeur dans l'histoire, pour donner sa dimension à un auteur qui cherchait un nouveau souffle à l'époque (Thomas Perry, donc)
On y apprend aussi beaucoup de choses sur les Indiens d'Amérique, leurs fonctionnement social et familial, leur Histoire, leur diversité et leur situation actuelle - Thomas Perry ayant du sang indien et ayant lui-même vécu à Deganawida, ville de son héroïne et lieu important dans l'histoire senequa.
_____________________
"Vanishing Act" se veut réaliste, pourtant il est plein d'incohérences, mais ça ne se voit que si on n'est pas pris par l'histoire, qui est très bien écrite. Mon malheur est que je ne suis plus happé par les livres de Thomas Perry : ma paranoïa m'a quitté, la vilaine, et en lisant, je ne vois plus que l'étouffant récit de peur et de survie, de gens qui se sont enfermés loin de toute confiance dans le vivant. Ce qui est incompatible avec la culture amérindienne, en plus.
Lorsqu'on n'est plus happé par l'histoire :
- d'une part, on adhère moins à son systématisme presque délirant - et objectivement hors de portée d'une personne seule ou presque seule, comme le sont les héros de Perry,
- d'autre part parce qu'on commence à voir les ficelles et les facilités de construction.
____________________
Thomas Perry est le spécialiste de la traque et de la disparition derrière de fausses identités multiples. Dès le début (1982) avec " The Butcher's Boy " il donnait le ton : un tueur à gage redoutable de la mafia décide de quitter le métier, mais le seul moyen d'abandonner la mafia, c'est de mourir. Il organise donc sa mort et sa fuite.
Après ce livre et jusqu'en 1992, Perry a tenté le polar rigolo déjanté et à la construction hyper détaillée (Thomas Perry, quoi) : Big Fish, Island et Metzger's Dog, et ce avec un talent indéniable et jubilatoire. Peut-être parce que ça marchait moins bien (ces livres sont presque introuvables en VO et n'ont pas été traduits) il a repris son premier filon en 1992 avec Chien qui dort ( Sleeping Dogs ) la suite du Garçon Boucher. Il consolide ensuite son style et son succès avec Jane Whitefield, dans une série de 7 livres, dont les derniers ont de moins bonnes critiques (je me suis arrêté au quatrième, The Face-Changers , encore très bien, mais l'inspiration commence à s'essouffler, et laisse place à une surenchère parfois proche de Rambo ou G.I. Joe)
Par ailleurs, Perry écrit des romans isolés, Death Benefits (mon préféré) Nightlife , Silence , Fidelity , Strip , etc. qui tous ont là aussi pour point commun la fausse identité et les traces effacées, dans des machinations dignes d'une montre suisse. Un travail remarquable, sauf dans les derniers livres : certains sont un peu bâclés sur la fin, avec des bouts qui dépassent. C'est mineur, mais zut, Thomas Perry qui déconne sur les détails, et pourquoi pas Sinatra qui se racle la gorge en pleine chanson ?
Perry, ce sont donc un style marqué par une mécanique sophistiquée et une maîtrise très informée de la recherche et de la fuite ; des héros qui sont des loups et des louves, solitaires ou en petite équipe mais de toute façon en marge du reste du monde ; un univers de méfiance paranoïaque, de faux semblants et de machinations.
Je regrette un peu l'humour débridé et à tomber de rire de ses débuts, Big Fish et les autres, des oeuvres de jeunesse pleines d'escrocs hors norme. Probablement qu'après, il a fallu rentrer dans le rang et se mettre à un travail sérieux pour manger mieux, alors, Perry est devenu écrivain de polars méchants, avec un joli succès.



